Composed by James James. Arranged by Keith Terrett. 20th Century, World, European, Patriotic. Score, Set of Parts. 9 pages. Published by Music for all Occasions

By John O'reilly. For Concert Band. Instructional. Part. 1 pages. Published by Alfred Music. Digital Sheet Music

Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .

Concert Band - Level 3 - Digital Download SKU: A0.1153134 Composed by Joseph Hasper. 20th Century,Classical,Contemporary,Contest,Festival,Instructional. Score and parts. 93 pages. Joseph Hasper #753375. Published by Joseph Hasper (A0.1153134). There are five main sections in this piece, each lasting exactly 21 measures. Why this unlikely number? I chose this number because the percussion parts, which are the driving force behind the piece, are based repeating patterns of 6, 7, and 8 eighth notes. It works out that these patterns only line up every 168 half-beats—which happens only at the end of 21 measures! The title for this piece was provided by Armstrong High School student Aaron Baker and was used as inspiration for the work. The phrase “endless routes� guided my decision to have several main themes instead of just one or two. The themes are widely different in character but share the feature that they each go to the same place—the very last half of the last beat of every twenty-first measure. The Minimalist style of music often features short musical fragments that are repeated many times in different combinations, and I used that technique to create a seemingly “endless� effect in the percussion parts. The percussion parts also use a colotomic structure, a technique often used in gamelan music of the far East. Unlike Western music, which generally has a strong accent on the first beat of a phrase, colotomic music accents the last beat of a phrase. You can hear this in Endless Routes when the percussion parts all become aligned and hit a simultaneous accent at the end of each section. This piece was commissioned and premiered by the Armstrong High School, under the direction of Jason Venesky. Mr. Venesky is a veteran teacher with over twenty years of experience in the Armstrong School District. He is a graduate of Carnegie Mellon University with a Bachelor of Fine Arts in Music Performance (Tuba) and Music Education Certification and an active performer as Principal Tuba for the Butler County Symphony Orchestra; tubaist for the Armstrong Brass Quintet and Windsor Brass Quintet; and Bass Trombonist for the Gibbons Big Band. Mr. Venesky is currently Instructor of Tuba at Grove City College and Music Director for the Kittanning Community Band. Includes a full score and complete set of parts.

Full Orchestra - Level 5 - Digital Download SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Published by Musik Fabrik Music Publishing (A0.533667). Pittsburgh Concerto (2005) was written for the Carnegie Mellon Philharmonic and isdedicated to Amy Stabenow, concert manager at Carnegie Mellon’s School of Music. Thepiece was conceived as a tribute to the city of Pittsburgh, Pennsylvania, USA.The work contains only two specific “programmatically inspiredâ€� images related toPittsburgh. They form the outer two sections of the work. The inner four sections areinspired more abstractly by various aspects of the city, its landscapes, and its people; theyfeature a series of solos and duets for many members of the orchestra – in the manner of a“concerto for orchestra.â€�The opening of the work is inspired by Pittsburgh’s history as America’s steel capital.Colors and sounds of the clangorous industrial age of America’s past are evoked. The basicmusical material (a six-note cell) for the entire work is presented in this aggressiveintroduction. Throughout the rest of the work, this basic material is developed in ways thatrange from lushly romantic to aggressively athletic.The following section is marked “slow, lushâ€� and features a duet first between trumpet andtuba, over warm harmonies in the orchestra. A brief duet for vibraphone and marimba leadsto an extended viola solo.The next section is fast and energetic. It begins with an athletic duet for English horn andbass trombone, followed by a ringing duet of tubular bells and crotales. The final solo is forviolin, as the orchestral texture disintegrates around it.The next section, marked “slow, mysticalâ€�, begins with a duet between piano and bassclarinet. A passionate horn duo follows before a passage for solo bass leads directly into thenext section.This section is fragmentary and halting. An unpitched duo of bass drum and flexatonebegins, leading to an aggressive and abortive duet between solo flute and bassoon. Finally,an extended cello solo closes the section.The final part of the work is inspired by my first visit to Pittsburgh. When driving in fromPittsburgh airport (which is far outside the city), the city itself is “hiddenâ€� from the road byhills. Upon reaching the hills, one enters the Fort Pitt tunnel and, after a few moments,emerges from it on a suspension bridge over the Monongahela River. Late at night, this wasa truly breathtaking moment as the city and its rivers emerged suddenly in a mass of glitteringlights. The ecstatic rush of the lighted city at night is portrayed in this section – amidstfragments from the opening, recalling the industrial past, now transformed into somethingnew.Instrumentation3 Flutes (3rd dbl. Picc.)2 OboesEnglish Horn3 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F/Bb3 Trumpets in Bb2 TrombonesBass TromboneTubaTimpaniPercussion (3 players)I: tubular bells, bass drumII: vibraphone (motor off)III: crotales, marimba, flexatone(Percussion II needs two rosined bows.Percussion III needs one rosined bow.)PianoViolin IViolin IIViolaCelloContrabass(principal/solo contrabass must have machine extension to low Db)This is the score only.  The parts are available on rental from the publisher

Instrumental Duet,Soprano Saxophone,Trombone - Level 1 - Digital Download SKU: A0.1512154 By Leonard Cohen. By Leonard Cohen. Arranged by Walt Oliver. Christmas,Film/TV,Folk,Religious,Singer/Songwriter. 4 pages. Walt Oliver #1087195. Published by Walt Oliver (A0.1512154). Presenting an exciting arrangement of Leonard Cohen's Hallelujah, specifically for soprano saxophone and trombone. Made famous by its rendition in the movie Shrek, this iconic song is now accessible to your repertoire with a version carefully adapted for musicians at the easy-beginner level.This arrangement blends the lyrical and expressive sound of the soprano saxophone with the deep richness of the trombone, creating a unique interpretation that preserves the emotional essence of the original song. Whether for lessons, group practice, or special events like weddings and celebrations, this version of Hallelujah is perfect for those seeking a balance between simplicity and emotion.With a gentle and engaging rhythm, this pop ballad arrangement is ideal for beginners wanting to perform a piece that captivates the audience. The flowing melodies and subtle harmonies allow the trombone and soprano saxophone to shine together, delivering an unforgettable performance.Benefits:* Easy for beginners, while retaining emotional depth;* Perfect for recitals, lessons, and public performances;* Specifically adapted to the unique tonal characteristics of soprano saxophone and trombone;* A timeless classic that resonates with any audience, ensuring an emotional experience.Add this arrangement to your repertoire and dazzle your audience with a charming and unique version of Hallelujah.

Instrumental Duet,Soprano Saxophone,Trombone - Level 1 - Digital Download SKU: A0.1512150 By Leonard Cohen. By Leonard Cohen. Arranged by Walt Oliver. Christmas,Film/TV,Folk,Religious,Singer/Songwriter. 4 pages. Walt Oliver #1087191. Published by Walt Oliver (A0.1512150). Presenting an exciting arrangement of Leonard Cohen's Hallelujah, specifically for soprano saxophone and trombone. Made famous by its rendition in the movie Shrek, this iconic song is now accessible to your repertoire with a version carefully adapted for musicians at the easy-beginner level.This arrangement blends the lyrical and expressive sound of the soprano saxophone with the deep richness of the trombone, creating a unique interpretation that preserves the emotional essence of the original song. Whether for lessons, group practice, or special events like weddings and celebrations, this version of Hallelujah is perfect for those seeking a balance between simplicity and emotion.With a gentle and engaging rhythm, this pop ballad arrangement is ideal for beginners wanting to perform a piece that captivates the audience. The flowing melodies and subtle harmonies allow the trombone and soprano saxophone to shine together, delivering an unforgettable performance.Benefits:* Easy for beginners, while retaining emotional depth;* Perfect for recitals, lessons, and public performances;* Specifically adapted to the unique tonal characteristics of soprano saxophone and trombone;* A timeless classic that resonates with any audience, ensuring an emotional experience.Add this arrangement to your repertoire and dazzle your audience with a charming and unique version of Hallelujah.

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1038379 By The Turtles. By Alan Gordon and Garry Bonner. Arranged by Mark Harrison. Jazz,Pop. Brass Band. 53 pages. Mark Harrison #643329. Published by Mark Harrison (A0.1038379). Happy Together is a song written by Garry Bonner and Alan Gordon and recorded by American pop band the Turtles. It was released as a single on February 14, 1967, and peaked at number one on the US Billboard Hot 100, becoming the band's first and only chart-topper there. The song also reached the top 20 in diverse countries, including number 2 in Canada and number 12 in the UK. It was later included on their third studio album, Happy Together (1967). This special arrangement has been arranged in the memory of Robert Bob Gunner and the Astley Unlimited Band. In Bob's name and in his memory, all proceeds from this arrangement will be donated to: The Gurkha Welfare Trust www.gwt.org.uk Charity number: 1103669 - British Style Brass Band - Bass Clef parts available on request.

String Ensemble - Level 3 - Digital Download SKU: A0.1046432 By Adele. By Adele Adkins and Paul Epworth. Arranged by Tim Crooks. Film/TV,Pop. Score and parts. 29 pages. STR:UK String Arrangements #650952. Published by STR:UK String Arrangements (A0.1046432). Skyfall, from the James Bond film ‘Skyfall’, by Adele, arranged for String Ensemble by Tim Crooks. This flexible arrangement is suitable for intermediate level groups (ABRSM grade 4-5) and includes easier parts for Violin, Viola and Cello (grade 1-2 level). There are passages in 3rd position for Violin I, II and Viola. The Viola part can be swapped for Violin III. Parts can be printed multiple times. This download contains (instruments marked* are essential for performance): Full score Violin I* and II* Violin III / Viola * Cello* Easy Violin, Viola & Cello Double Bass Piano About the arranger Tim Crooks trained as a violinist and violist, working professionally in Manchester (UK) for many years. He was a founding member of the Manchester String Quartet and scored many arrangements for the group's recordings. Tim now orchestrates and conducts, working with orchestras including Manchester Camerata, Royal Liverpool Philharmonic, RTÉ Concert Orchestra and the Philharmonia. STR:UK String Arrangements, made in the UK Get in touch - your feedback and requests are always welcome! strukstrings@gmail.com twitter.com@strukstrings Facebook@Strukstrings #jamesbond #adele #stringorchestra #strings #struk #skyfall #stringensemble #ensemble.

Cello,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.1462534 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Homco/Crinion. Country,Pop,Wedding. 3 pages. Homco/Crinion #1041284. Published by Homco/Crinion (A0.1462534). Shania Twain and her then-husband and producer Robert John Mutt Lange wrote You're Still the One in 1997 as an attempt at a crossover from Country to Pop. It was a very successful folksy, country pop ballad and played as a bonafide hit on stations in the Adult Pop Market, as well as on country stations. It is an often requested vibrant, classic love song that speaks loudly at Weddings & Anniversaries. You've got to love it: a Canadian; singing Country; playing on Pop Hit Radio! It has that kind of universal appeal. Look how far we've come, (now) my baby..

Full Orchestra - Level 3 - Digital Download SKU: A0.1139872 By Andrea Bocelli. By Francesco Sartori and Lucio Quarantotto. Arranged by Flavio Regis Cunha. 20th Century,Contest,Festival,Opera,Pop,Wedding. Score and Parts. 59 pages. Flavio Regis Cunha #740145. Published by Flavio Regis Cunha (A0.1139872). Introducing the most romantic and emotive piece of music composed by two legendary Italian artists - Lucio Quarantotto and Francesco Sartori - 'Con Te Partiro (Time to Say Goodbye). This timeless piece of music has the power to hit the heartstrings and the mind in equal measure. It is the perfect choice for any orchestra or group of musicians wanting to create an atmosphere of emotion in their performance.   Let this venerable music take your performance to a new level of excellence as you transport your audience to a world of romance and deep emotion. 'Con Te Partiro (Time to Say Goodbye) will be sure to create a powerful, lasting impression on even your toughest critics.   Download your copy today and add a classic touch to your music.Sheet music download, complete score and all individual instruments and voice parts. Advanced Intermediate.Format: Concert, 9 x 12 inches59 pages.Time To Say Goodbye (FULL SCORE) Con te partiro for Soprano, Tenor and Orchestra. Andrea Bocelli and Sarah Brightman: Time To Say Goodbye. Live From Teatro Del Silenzio, Italy / 2007 Artist Andrea Bocelli & Sarah Brightman Composers Frank Peterson, Lucio Quarantotto, Francesco Sartori Complete version of TIME TO SAY GOODBYE from Andrea Bocelli & Sarah Brightman for Soprano, Tenor, Choir and Orchestra.Orchestration: FLUTE 1, FLUTE 2, OBOE 1, OBOE 2, CLARINET 1 IN Bb, CLARINET 2 IN Bb, BASSOON 1, BASSOON 2 , HORN 1 IN F, HORN 2 IN F, HORN 3 IN F, TRUMPET 1 IN Bb, TRUMPET 2 IN Bb, TROMBONE 1, TROMBONE 2, BASS TROMBONE, TUBA, PERCUSSION (Timpani, Snare Drum, Bass Drum, Cymbals) - 4 players, HARP, PIANO, CHOIR (SATB), VIOLIN 1, VIOLIN 2, VIOLA, VIOLONCELLO, DOUBLE BASS.Program NotesCon Te Partiro (Time To Say Goodbye), composed by Lucio Quarantotto and Francesco Sartori, is an Italian aria of immense power and emotional intensity. The iconic performance of the song was delivered by world renowned artists Andrea Bocelli and Sarah Brightman at the Teatro del Silenzio in Italy during 2007. The song emerged from a commingling of their beautiful voices in perfect harmony, ultimately delivering an emotionally charged performance that transcended beyond language barriers and touched the souls of people around the world.  This heartfelt performance of Con Te Partiro (Time To Say Goodbye) takes its audience on a journey. From the emotion-filled verses, to the powerful build up of the instruments supporting the crescendo of the chorus, the energy and emotion reach a crescendo before slowly fading out to a beautiful and melancholic farewell. The combination of affective singing and passionate playing of the instruments created an intimate atmosphere, leaving the audience with a sense of heartache and clarity.  This song represents a beautiful goodbye to a loved one, and the emotions portrayed echo each listener's hope for a meaningful and beautiful farewell. With its powerful vocals and evocative arrangement, Con Te Partiro (Time to Say Goodbye) by Lucio Quarantotto and Francesco Sartori will remain a timeless classic.

Small Ensemble Flute,Marimba,Oboe,Vibraphone,Violin - Level 3 - Digital Download SKU: A0.943052 By Don Toliver. By Caleb Toliver, Don Toliver, Ebony Naomi Oshunrinde, and Ebony Oshunrinde. Arranged by Rachael Shante. Contemporary. Score and parts. 5 pages. Rachael Shante #5888173. Published by Rachael Shante (A0.943052). No Idea by Don Toliver Sheet Music. This sheet music can be played with any concert pitch instruments.

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1217081 Composed by George West. Arranged by George West and edited by CHRIS MAGEE. Jazz. Score and Parts. 59 pages. Dubba C Music #813614. Published by Dubba C Music (A0.1217081). Originally composed for jazz great Bill Watrous, Bossa for T.D. is a contrafact based on the chord changes to Tommy Dorsey's famous theme song. Scored for a full big band (5-4-4-4) plus trombone soloist, this chart begins in Bossa Nova style and changes to swing at the out chorus. It is accessable by a good high school or college jazz band. Grade 4.Ranges:Trumpet: Eb6Trombone: G4 (lead); Bb4 (solo - optional 8va on final phrase up to A5)About George West:Trombonist and educator George West (1931-2013) was founder and head of the jazz program at James Madison University for 25 years, from 1971 until his retirement in 1996. He served as bass trombonist and arranger with the U.S. Air Force Airmen of Note from 1953 until 1958, and performed with the Kai Winding trombone Group from 1959 through 1960. George completed his undergraduate degree at Oberlin Conservatory, and earned his masters and Ph.D. from Michigan State University. He founded the jazz programs at both schools while he was a student. George also founded the jazz program at Blue Lake Fine Arts Camp (Muskegon, MI) in 1971 and led that program through 2004. After his retirement from James Madison University, he relocated to Deland, Florida, and led the jazz program at Stetson University until his passing in 2013.

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - Digital Download SKU: A0.1471485 Composed by Gabriel Fauré, Gabriel Faure. Arranged by Rob Bushnell. 19th Century,Classical,Religious,Romantic Period,Sacred. Brass Band. 79 pages. Rob Bushnell #1049258. Published by Rob Bushnell (A0.1471485). Composed between 1887 and 1890, Gabriel Fauré’s Requiem is not only one of his best-known works but one of the most popular piece of choral music in the Classical repertoire, coming 23rd in the Classic FM’s Hall of Fame 2024. Believed to be a tribute to his father (who died in 1885), Fauré himself said “My Requiem wasn't written for anything – for pleasure, if I may call it that!” It started life as a five-movement work but was later expanded to be the final seven-movement work we know today. The first version (which Fauré called “un petit Requiem”) was first performed on 16 January 1888, with Fauré conducting, a second version premiered on 21 January 1893 before the final version (reworked for full orchestra) was played on 12 July 1900; the Requiem was performed at the composer’s own funeral in 1924.The Libera Me, or Deliver Me, was actually written in 1877 and is the sixth part of the Requiem.Fauré once said of the work, “Everything I managed to entertain by way of religious illusion I put into my Requiem, which moreover is dominated from beginning to end by a very human feeling of faith in eternal rest. Upon interview, he also said, “It has been said that my Requiem does not express the fear of death and someone has called it a lullaby of death. But it is thus that I see death: as a happy deliverance, an aspiration towards happiness above, rather than as a painful experience. The music of Gounod has been criticised for its inclination towards human tenderness. But his nature predisposed him to feel this way: religious emotion took this form inside him. Is it not necessary to accept the artist's nature? As to my Requiem, perhaps I have also instinctively sought to escape from what is thought right and proper, after all the years of accompanying burial services on the organ! I know it all by heart. I wanted to write something different.”This arrangement is for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original composition can be found here on YouTube: https://www.youtube.com/watch?v=fXwFNoBHCf0.

Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Ray Thompson. Classical Period, Birthday, Wedding, Graduation, Recital. Score, Set of Parts. 44 pages. Published by RayThompsonMusic (S0.207323). - Score,Set of Parts - Classical Period,Birthday,Wedding,Graduation,Recital - RayThompsonMusic