String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1284518 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Renaissance,Wedding. 16 pages. Jmsgu3 #875691. Published by jmsgu3 (A0.1284518). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.

String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1292748 Composed by Dr. John Bull. Arranged by James M.. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 7 pages. Jmsgu3 #883310. Published by jmsgu3 (A0.1292748). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Their expressive harmonies and intricate counterpoint characterize Gibbons' compositions.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions significantly influenced Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.

String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1282833 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 11 pages. Jmsgu3 #874076. Published by jmsgu3 (A0.1282833). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a doctor of music at the universities of both Oxford and Cambridge. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.

String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1283915 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Renaissance,Wedding. 10 pages. Jmsgu3 #875096. Published by jmsgu3 (A0.1283915). Fitzwilliam Virginal Book CXXXVIII.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1217088 Composed by George West. Arranged by George West and edited by CHRIS MAGEE. Jazz. Score and Parts. 70 pages. Dubba C Music #813624. Published by Dubba C Music (A0.1217088). Fall Fades Fast is a an up-tempo flag waver based on the chord changes to a famous standard about autumnal foliage. The melody is played by alto sax and trumpet, and then both instruments have solo space. The exciting shout chorus will have your audience on its feet. This chart will be a great opener or closer for your concert or assessment program! Grade 4.Ranges:Trumpet: D6Trombone: Bb4About George West:Trombonist and educator George West (1931-2013) was founder and head of the jazz program at James Madison University for 25 years, from 1971 until his retirement in 1996. He served as bass trombonist and arranger with the U.S. Air Force Airmen of Note from 1953 until 1958, and performed with the Kai Winding trombone Group from 1959 through 1960. George completed his undergraduate degree at Oberlin Conservatory, and earned his masters and Ph.D. from Michigan State University. He founded the jazz programs at both schools while he was a student. George also founded the jazz program at Blue Lake Fine Arts Camp (Muskegon, MI) in 1971 and led that program through 2004. After his retirement from James Madison University, he relocated to Deland, Florida, and led the jazz program at Stetson University until his passing in 2013.

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1257042 Composed by George West. Arranged by George West and edited by CHRIS MAGEE. Jazz. Score and Parts. 92 pages. Dubba C Music #850377. Published by Dubba C Music (A0.1257042). Spirit of 7 to 6 is a modal jazz tune by George West. Composed in the 1970s around the time of the American bicentennial celebration, the title also refers to meter changes between 7/4 (written as 4/4+3/4) and 6/4. Your soloists only need to know two scales to solo on this tune: C dorian minor and Ab mixolydian. Range and technical demands are moderate. After the statement of the melody, an open solo section leads to a sax soli, then a great shout chorus. If you are looking for a change of pace for your concert or assessment program, this is an excellent choice!Grade: 3+Ranges:Trumpet: C6Trombone: G4 About George West: Trombonist and educator George West (1931-2013) was founder and head of the jazz program at James Madison University for 25 years, from 1971 until his retirement in 1996. He served as bass trombonist and arranger with the U.S. Air Force Airmen of Note from 1953 until 1958, and performed with the Kai Winding trombone Group from 1959 through 1960. George completed his undergraduate degree at Oberlin Conservatory, and earned his masters and Ph.D. from Michigan State University. He founded the jazz programs at both schools while he was a student. George also founded the jazz program at Blue Lake Fine Arts Camp (Muskegon, MI) in 1971 and led that program through 2004. After his retirement from James Madison University, he relocated to Deland, Florida, and led the jazz program at Stetson University until his passing in 2013.

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1217032 Composed by Gerald Marks and Seymour Simons. Arranged by George West and edited by CHRIS MAGEE. Jazz. Score and Parts. 52 pages. Dubba C Music #813562. Published by Dubba C Music (A0.1217032). Here's a great up-tempo swing arrangement from George West of the standard All of Me for big band with female vocal. Solo space is provided for tenor sax and trumpet. Grade 3.Ranges:Trumpet: B5Trombone: A4About George West:Trombonist and educator George West (1931-2013) was founder and head of the jazz program at James Madison University for 25 years, from 1971 until his retirement in 1996. He served as bass trombonist and arranger with the U.S. Air Force Airmen of Note from 1953 until 1958, and performed with the Kai Winding trombone Group from 1959 through 1960. George completed his undergraduate degree at Oberlin Conservatory, and earned his masters and Ph.D. from Michigan State University. He founded the jazz programs at both schools while he was a student. George also founded the jazz program at Blue Lake Fine Arts Camp (Muskegon, MI) in 1971 and led that program through 2004. After his retirement from James Madison University, he relocated to Deland, Florida, and led the jazz program at Stetson University until his passing in 2013.

Concert Band - Level 2 - Digital Download SKU: A0.1183905 Composed by Traditional. Arranged by Ernie E Biggs. Classical,Early Music,Historic,Patriotic,Traditional. Score and Parts. 45 pages. Ernie E Biggs #783598. Published by Ernie E Biggs (A0.1183905). ArirangArirang is a popular form of Korean folk song. Essentially a simple song, which consists of the refrain ‘Arirang, arirang, arariyo’ and two simple lines, which differ from region to region.  The simple musical composition invites improvisation, imitation and singing in unison,. It is estimated the total number of folk songs carrying the title ‘Arirang’ at some 3,600 variations belonging to about sixty versions. Freedom of expression and empathy are its hallmarks. Anyone can create new lyrics, adding to the song’s regional and cultural diversity. Arirang is universally sung and enjoyed by the Korean nation. North and South.  Arirang is playable by any Grade 3 band. Included is 8 1/2 x 11 and 8 1/2 x 14 score and all parts.Instrumentation is as follows:Flute 1, 2OboeBassoonClarinet in Bb 1, 2, 3Bass Clarinet in BbAlto SaxTenor SaxBaritone SaxTrumpet in Bb 1, 2, 3Horn in F 1, 2, 3, 4Trombone 1, 2Bass TromboneEuphoniumTubaPercussion 1Snare DrumPercussion 2Bass DrumPercussion 3Large GongTriangle    © 2022 -Biggs Boys Music Publisher-Spring Hill, Kansas, USA.

String quartet - Digital Download SKU: IZ.CMF186 Composed by Kenneth Piotrowski. Score and Parts. 44 pages. Imagine Music - Digital #CMF186. Published by Imagine Music - Digital (IZ.CMF186). 9 x 12 in inches.The creation of Rustic Serenade was quite different from the majority of my other compositions; it happened quite by accident with absolutely no thought out plan. I always carry manuscript paper with me to jot down melodies and other musical thoughts that pop into my head but never an entire piece of music. The following is how that all changed.Being an avid hiker, I set out one early autumn day. It was one of those wonderfully crisp, clear days that only New England offers. As I rounded a bend of the forested mountain trail there was a stony promontory that offered an unparalleled view of the valley below with its rolling pastures and farmlands and, still more distant, a waterfall. I followed the narrow ribbon of water with my eye as it twisted and wove its way through the trees and periodic meadows until I found myself gazing down onto a small village. Actually, it was more like a tiny hamlet, a few homes, two or three stone buildings, a small white church, a commons complete with bandstand and gardens and a mill with its waterwheel slowly spinning from the water that was diverted through a sluice from the river. As I continued to observe the scene below I became cognizant that within my mind I was hearing the soft pizzicato of a cello. It was soon followed by a viola in imitation and then finally the violins joined in, first with melody and then harmony. The solution was to extract the manuscript paper and pen from my backpack and write down what I heard.

Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March   Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score).  There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC.  The MP3 was recorded with NotePerformer 3.Grade = 3.5  Duration =.

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1006983 Composed by Johnson K. Gao. Arranged by e-Pllination Inc. Contemporary,Halloween,World. Score. 178 pages. Johnson Gao #3372607. Published by Johnson Gao (A0.1006983). The title of Miserable and Sorrow. (Pearl Harbor after attack) is a new name to the song previously called as Wondering along a Raided Harbor. Since it did not specify which harbor, you can say it is Pearl Harbor; or, any harbors or cities after bombardment in a war, such that Hiroshima, Berlin, etc. The theme of the song is to express the miserable and sorrow feeling caused by a war, and induce people to hate the war. The song was collected in Gao's Harbor Music. which contains 12 pieces of songs: Sun Rises from the Japanese Ocean (Tokyo’s Morning); Night Light Cast over the Huangpu River, Shanghai; Sea Breeze over the Harbor of Qingdao; Gulangyu (Short Version and Chinese Lyrics); Gulangyu (Long Version with more Instruments); Water Ski Show at Darling Harbor, Sydney; Blue Hong Kong Waltz Bon Voyage; Wondering along a Raided Harbor (A Waltz that Blames the War); Suzhou – The Eastern Venice (Sitting in a Boat across many Bridges); A Salute to the Cruiser Aurora on the Neva River (St. Petersburg’s Evening) and A lullaby for the Statue of liberty. Page 99 to 125 is this song with a sound track attached. Other music sheets of 11 songs are as a bonus to this current music sheet purchase. Totally 174 pages.悲慘兮憂傷（��港襲擊後） 的標題是以�被稱為 沿著�襲港�的怨念 的歌曲的新�字。既然沒有指定哪個港�，�以說是��港，或者在戰爭中轟炸之後的任何港�或城市，如廣島，�林等。這首歌曲的主題是表�戰爭造�的痛苦和悲傷的感覺，並引起人們討厭戰爭。這首歌收�在 高�海港音樂 中。其中包�12首歌曲：太陽�起日本海洋（�京早晨）; 上海黃浦江夜燈; �島港�海風; 鼓浪嶼（簡體中文歌詞）; 鼓浪嶼（長版更多樂器）; 悉尼�令港水上滑水場; �色香港�爾茲; 一帆風順; 惆悵於一個�襲的港�（指責戰爭�爾茲）; 蘇州 - �方的�尼斯（�在跨越許多橋的船上）; �涅瓦河上的巡洋艦致敬（�彼得堡夜晚）和自由女神��籃曲。這是一首附有�軌的歌曲。 11首歌曲的其他樂譜作為購買當�歌譜的�賞。共174�。

Jazz Combo - Level 4 - Digital Download SKU: A0.834686 By Stevie Wonder. By Stevie Wonder. Arranged by MAJOR SCORE PUBLISHING TM. Funk,Pop,Singer/Songwriter. 50 pages. Major Score Publishing #6412385. Published by Major Score Publishing (A0.834686). Sir Duke - Stevie Wonder7/9 piece ensemble sheet musicThis Stevie Wonder classic is now available as an instrumental only feature for 9 piece show band (alto & tenor saxophones, 2 trumpets, 1 trombone, piano, guitar, bass & drums). Based off the original recording, the melody starts off doubled in the saxes, moving to the trumpets and trombone giving everyone a feature throughout the chart. The main instrumental theme features the entire ensemble in a powerful and epic delivery! Some counter melodies have also been written in with the saxes to offer some tasteful surprises to the listener. This arrangement is in the original key of B Major and delivers everything the listener is expecting and more! Enjoy!

Jazz Combo - Level 4 - Digital Download SKU: A0.834685 By Stevie Wonder. By Stevie Wonder. Arranged by MAJOR SCORE PUBLISHING TM. Funk,Pop,Singer/Songwriter. 50 pages. Major Score Publishing #6411103. Published by Major Score Publishing (A0.834685). Sir Duke - Stevie Wonder7/9 piece ensemble sheet musicThis Stevie Wonder classic is now available as an instrumental only feature for 7 or 9 piece show band (alto & tenor saxophones, 2 trumpets, 1 trombone, piano, guitar, bass & drums). Based off the original recording, the melody starts off doubled in the saxes, moving to the trumpets and trombone giving everyone a feature throughout the chart. The main instrumental theme features the entire ensemble in a powerful and epic delivery! Some counter melodies have also been written in with the saxes to offer some tasteful surprises to the listener. This arrangement has been transposed to Bb Major and delivers everything the listener is expecting and more! Enjoy!

Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.877040 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori. Arranged by Michael O. Shaw. Opera. Score and parts. 8 pages. Michael O. Shaw #3536139. Published by Michael O. Shaw (A0.877040). Time To Say Goodbye for Trombone Quartet (3 Tenors, Bass Trombones) A moving and rich arrangement of Time To Say Goodbye for Trombone Quartet; 3 tenors and bass trombones. Duration is 3:44 and is great for weddings, funerals, anniversaries, recitals, and performance. A wonderful piece for ensemble work with varied skill levels. Some tenor clef for 1st Trombone. Intermediate to advanced trombones. 8 pages; Score and Parts.