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Concert Band - Level 3 - Digital Download SKU: A0.1425731 Composed by Nathaniel Hontz. 21st Century,Contemporary,Contest,Festival,March,Ragtime. 58 pages. TigerSong LLC #1006490. Published by TigerSong LLC (A0.1425731). “‘Beacon Street March’ was born from the experience of being a Boston University pedestrian: students are adept at Dodging crowds, bikes, cars, tour groups, and green line trams. The march’s ragtime-like rhythms, percussive punctuation, and bouncy tone all reflect the syncopated gaits, quick stops, and half runs that get Beacon Street pedestrians where they need to go. It all culminates in a festive final strain, mirroring the Boston Marathon which runs down Beacon Street every year.Premiered by the Boston University Concert Band, April 2024.
Beacon Street March (for Concert Band)
Orchestre d'harmonie

$39.99 35.05 € Orchestre d'harmonie PDF SheetMusicPlus

Tenor voice solo, SATB choir unaccompanied - Medium - Digital Download SKU: MQ.8084-E Composed by James McCullough. Advanced/Collegiate. African American Heritage. Octavo. 8 pages. Duration 3 minutes, 9 seconds. E. C. Schirmer Music Company - Digital #8084-E. Published by E. C. Schirmer Music Company - Digital (MQ.8084-E). English. Psalms 35.Plead My Cause, O Lord was composed for my brother, Robert Louis McCullough, in 1971. It received its first performance by the Old South Church Choir, Copley Square, in Boston, during the Sunday Morning Service of March 7, 1972. Mr. Alfred Nash Patterson was the conductor, and the composer was the tenor soloist. Many other performances followed. A memorable one was given by The Marsh Chapel Choir of Boston University on Sunday, March 21, 1993. Julian James Wachner was the conductor and Frank Martinez was the tenor soloist. This piece uses the sprechstimme (or sprechgesang) technique appearing within an unaccompanied sacred work. This technique employs speech and singing without any specific pitch intonation. The first example of this technique appears in Pierrot Lunaire, the groundbreaking 1912 composition by Arnold Schoenberg (1874–1951). -James McCulloughDuration: 3:09.
Plead My Cause, O Lord (Revised Version)

$1.95 1.71 € PDF SheetMusicPlus

Guitar,Voice - Level 3 - Digital Download SKU: A0.1253174 By Boston. By Tom Scholz. Arranged by from68. Blues,Pop,Rock. Guitar Tab with Voice. 16 pages. From68 #846928. Published by from68 (A0.1253174). VOCAL, GUITAR(TAB), Bass(TAB), DrumsPDF 16P  836 KBFrom the first album BOSTON released in 1976, we pick up this big hit number that opens the album! This album, which was almost entirely produced by Tom Scholz alone, became a monster album, selling over 25 million copies worldwide. Tom, who is also an engineer, made full use of his own stomp box to create a unique guitar sound that is thick and hard, but not as shredding as fuzz. The balance between hard sounds and pop melodies is exquisite! Come and experience a sound that will go down in rock history.Guitar notation legend Dounload
More Than A Feeling
Guitare notes et tablatures
Boston
$4.99 4.37 € Guitare notes et tablatures PDF SheetMusicPlus

Piano - Digital Download SKU: LV.12265 Composed by E. Mack. Portraits. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.12265). Mack's Grand Centennial March. By E. Mack. Published 1876 by John F. Perry & Co., 538 Wash. St., Opp. Boston Theatre in Boston. Composition of sectional with piano instrumentation. Subject headings for this piece include Portraits. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
Mack's Grand Centennial March
Piano seul
E Mack
$5.99 5.25 € Piano seul PDF SheetMusicPlus

String Quartet String Quartet - Level 3 - Digital Download SKU: A0.916898 By Boston. By Tom Scholz. Arranged by Eric Stern. Rock. Score and parts. 15 pages. Nerds of Paradise Music #6342231. Published by Nerds of Paradise Music (A0.916898). More Than a Feeling is a song by the American rock band Boston. Written by Tom Scholz, it was released as the lead single from their eponymous debut album on Epic Records in September 1976, with Smokin' on the b-side. The single peaked at number five on the Billboard Hot 100. The track is now a staple of classic rock, and in 2008, it was named the 39th best hard rock song of all time by VH1. It was included in the Rock and Roll Hall of Fame's list of the 500 Songs That Shaped Rock and Roll and was also ranked at Number 500 on Rolling Stone's 2004 list of the 500 Greatest Songs of All Time, though it was dropped from the 2010 update.
More Than A Feeling
Quatuor à cordes: 2 violons, alto, violoncelle
Boston
$18.99 16.64 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Piano - Digital Download SKU: LV.11977 Arranged by William Cooper Glynn. Dance halls, Ballroom dancing, Light fixtures, Drapery, Angels. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11977). Bay State Quadrilles. (1) Boston; (2) Lowell; (3) Cambridge; (4) Springfield; (5) Worcester. Arranged for the Piano Forte by William C. Glynn. Published 1841 by Henry Prentiss, No. 33 Court St. in Boston. Composition of five sectional movements (includes dance figures) with piano instrumentation. Subject headings for this piece include Dance halls, Ballroom dancing, Light fixtures, Drapery, Angels. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
Bay State Quadrilles
Piano seul

$5.99 5.25 € Piano seul PDF SheetMusicPlus

Concert Band - Level 4 - Digital Download SKU: A0.1314536 Composed by Daniel Pinkham. Arranged by John Ivor Holland. 20th Century,Christmas,Holiday,Religious,Sacred. 131 pages. John Ivor Holland #903289. Published by John Ivor Holland (A0.1314536). American composer, organist and harpsichordist, Daniel Pinkham (1923-2006) studied the Organ and music theory at Phillips Academy in Andover before studying at Harvard. He was famously moved by a concert in Andover given by the Trapp family singers in 1939, soon after they had escaped Austria. He quoted, 'Here, suddenly, I was hearing clarity, simplicity. It shaped my whole outlook.' Pinkham's career saw him teach at the Boston Conservatory and the New England Conservatory of Music, as well as being organist of King's Chapel in Boston for 42 years. His compositions varied from symphonies to art songs, although predominantly his music was religious in nature, frequently incorporating a choir and Organ. Christmas Cantata represents Pinkham's influence of 20th century trends, often embracing plainchant, joining Stravinsky and Hindemith's revival of early music. Full of rhythmic life and complex harmonies, this classic work is sure to be a standout contribution to any holiday concert.
Christmas Cantata (sinfonia Sacra)
Orchestre d'harmonie

$69.99 61.34 € Orchestre d'harmonie PDF SheetMusicPlus

Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.869 Composed by John Morrison. Mothers & children, Death, Religion. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.869). Tell Mother to Meet Me in Heaven (An Incident of the Riot in Pittsburgh, July, 1877). Song and Chorus. Words and Music by John Morrison. Published 1877 by John F. Perry & Co., 538 Washington Street (Opp. Boston Theatre) in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Mothers & children, Death, Religion. First line reads Tell mother to meet me in heaven, 'twas the voice of a child going home.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
Tell Mother to Meet Me in Heaven (An Incident of the Riot in Pittsburgh, July, 1877). Song and Chorus
Chorale SATB

$5.99 5.25 € Chorale SATB PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.869368 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 126 pages. Thomas Oboe Lee #33643. Published by Thomas Oboe Lee (A0.869368). Instrumentation: 3232-4331-timp-2perc-pf-hp-strings. Program note. Nineteen ninety-eight marks the tenth anniversary of my plunge into the world of ballet. I continue to take classes three or four times a week. It's fun, athletic, and challenging. And I'm still working on the basic notion of spotting in my pirouettes ... So when Max Hobart of the Civic Symphony Orchestra of Boston agreed to premiere a new work of mine I knew it had to be a symphonic ballet. Coincidentally, I discovered that my favorite cartoonist, Edward Gorey, is also a balletomane. He lived in New York City between 1953 and 1986 and never missed a single performance of the New York City Ballet. Apparently his leaving New York to live permanently on Cape Cod was prompted by the death of George Balanchine in 1983. Among Edward Gorey's many books there is one, The Gilded Bat, about a young woman, Maud Splaytoe, and her adventures in the ballet world. She dies in the end when the plane she is in flies into a great, dark bird. Hmmm, I thought, The Gilded Bat would make a nice adagio movement. To complete the work, I found four other Gorey books that attracted me in mood and texture: The Nursery Frieze - dogs running across the edge of a nursery ceiling, barking out words whose sequence provides no sense or meaning, e.g., Archipelago, cardamon, obloquy, ignavia, samisen, bandages, wax, Gavelkind, ... ; The Raging Tide - a fantastical story about four creatures, Figbash, Hooglyboo, Naeelah and Skrump, who would not stop abusing each other; The Utter Zoo - an alphabet book of zoo animals of Edward Gorey's concoction, e.g., Ampoo, Boggerslosh, Crunk, Dawbis, Epitwee, ... ; and The Blue Aspic - a macabre story of a mad fan, Jasper Ankle, who stalks an opera diva, Ortenzia Caviglia. When he finally meets her at the stage-door after a performance, he stabs her in the throat and cries, J'ai trouvé Hortense! Symphony No. 2 ... A Phantasmagorey Ballet is in five movements: I. The Nursery Frieze, Con moto. II. The Gilded Bat Adagio: Pas seul for Mirella Splatova, aka Maud SplaytoeIII. The Raging Tide Presto: Pas de Quatre for Figbash, Hooglyboo, Naeelah and Skrump. IV. The Blue Aspic Allegro: Valzer alla Prokofiev ... Pas de deux for Jasper Ankle and Ortenzia Caviglia. V. The Utter Zoo Largo: Grand Funk Finale. This work is dedicated to my wife, Kristin Beckwith, whom I met ten years ago at the Boston Ballet, and who continues to be my one and only ballet teacher.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-2-a-phantasmagorey-ballet-1998
Symphony No. 2 ... A Phantasmagorey Ballet (1998)
Orchestre

$9.99 8.75 € Orchestre PDF SheetMusicPlus

Brass Band,Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1516444 Composed by Amy Marcy Beach. Arranged by Richard Decker. 19th Century,Celtic,Historic,Irish,Multicultural,Romantic Period,World. 91 pages. Charles Decker Music Press #1090609. Published by Charles Decker Music Press (A0.1516444). Alla Siciliana, second movement of Amy Beach's Gaelic Symphony in E minor, is arranged as a dynamic showpiece for a brass choir of four trumpets in B-flat (alternate trumpet parts in C), five horns, three trombones, euphonium and tuba.  Acclaimed pianist and child prodigy, Amy Beach (1867-1944) was one of America's first female composers to have her orchestral compositions published and performed by symphony orchestras in the United States and Europe.  Alla Siciliana from her First Symphony Gaelic was premiered by the Boston Symphony in 1896.  She was a member of the Boston Group of early American notable composers in the late 19th century and early 20th century which included John Knowles Paine, Arthur Foote, George Chadwick, Edward MacDowell, George Whiting and Horatio Parker.  The recording is of the entire edition. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Use this link  Music of Black Composers arrangements for Brass Ensembles at Charles Decker Music Press  to see works by Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still and Florence Price. More brass ensemble arrangements of music by prominent Black composers at Charles Decker Music Press include Will Marion Cook Swing Along!, James Reese Europe Clef Club March, James P. Johnson The Charleston, Fred Stone My Ragtime Baby, Justin Elie Tropical Dance #2, Jose White La Bella Cubana, William Dawson Ain’a That Good News.
Alla Siciliana from Gaelic Symphony for Brass Choir

$29.95 26.25 € PDF SheetMusicPlus

Horn Ensemble Horn - Level 3 - Digital Download SKU: A0.1455502 Composed by Amy Marcy Beach. Arranged by Richard Decker. 20th Century,Chamber,Contest,Festival. 31 pages. Charles Decker Music Press #1034591. Published by Charles Decker Music Press (A0.1455502). Acclaimed pianist and child prodigy, Amy Beach (1867-1944) was one of America's first female composers to have her orchestral compositions published and performed by symphony orchestras in the United States and Europe.  Her compositions also included numerous solo vocal and choral works including this set of Three Shakespeare Choruses. The arrangement is scored for the elegant-sounding ensemble of four horns in F.  The recording is of the entire edition.Her First Symphony Gaelic was premiered by the Boston Symphony in 1896.  She was a member of the Boston Group of early American notable composers in the late 19th century and early 20th century which included John Knowles Paine, Arthur Foote, George Chadwick, Edward MacDowell, George Whiting and Horatio Parker.Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
Three Shakespeare Choruses for Horn Quartet
Ensemble de Cors

$14.95 13.1 € Ensemble de Cors PDF SheetMusicPlus

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.583964 By Boston. By Tom Scholz. Arranged by Jeff Tincher. Rock. Score. 18 pages. Jeff Tincher #5209039. Published by Jeff Tincher (A0.583964). Here is the second single from Boston's debut self-titled album. In the original key, this is the full album version which includes the Foreplay prelude. Critics said this song sounded like a song from the band Yes. It is classified as Advanced Intermediate because of the speed and intricacy of the triplets that is Foreplay. The single version starts at measure 61. This arrangement includes the guitar solos. Duration = 7:29.  Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
Foreplay/long Time
Piano, Voix
Boston
$5.99 5.25 € Piano, Voix PDF SheetMusicPlus

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869118 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin. Score and parts. 16 pages. Thomas Oboe Lee #1914305. Published by Thomas Oboe Lee (A0.869118). Morango ... almost a tango (1983) is the most popular piece of music from my portfolio of over 150 works!!! It is amazing that the work was conceived thirty years ago!!! Originally, it was just a 32-bar jazz tune I performed every Sunday night with the Moon Unit at the 1369 Jazz Club in Cambridge, Massachusetts, 1980-1984. The string quartet version, although written for the Kronos Quartet, was premiered at Concert X by the Composers in Red Sneakers in Sanders Theater, Cambridge, Massachusetts, on July 21, 1983. The Red Sneakers String Quartet comprised of Thal Aylward, Melissa Howe, Frank Grimes and Sandy Kiefer. Richard Buell reported in the Boston Globe a few days later that the doleful Morango ... almost a tango got a lot of mileage out of a stubborn, almost unchanging cello line and the elaborations above it. The original program note read, Last summer in Vermont I met Gustavo Moretto, an Argentine composer, who taught me the finer and more beautiful aspects of the Tango. In my modest way, as someone looking in from the outside, I created Morango ... almost a tango - a bastardized version of the 'real thing.' Morango ... is also intrinsically connected to Kate Moran, a sometimes painter ... to whom it is dedicated. The work is played con sordino throughout. I hope the sirens next door don't intrude too much. But then again, John Cage would be delighted. Eventually, the Kronos got around to performing it on tour in Europe in 1986. When they played it as an encore in Italy at the American Academy in Rome, Mya Tannenbaum of the Corriere Della Sera wrote, Non sono mancati i bis. Un richiamo al sex appeal del vecchio tango da parte di un giovane «premio Roma», Tom Lee. Soon after, back in the States, the Kronos performed it at the Brooklyn Academy of Music in New York. John Rockwell wrote in the New York Times, ... a soulfully beautiful score by Thomas Oboe Lee. Three months later the Kronos recorded it on their Nonesuch CD, White Man Sleeps. Many other string quartets, both here and abroad, have since added the work to their repertory. The Lydian String Quartet, especially, have taken the work on their concert tours in the United States, Europe and the former Soviet Union. It appears on a CD recorded by the Lyds in Moscow on MCA Classics. As interest in the work grew, other ensembles have requested arrangements of Morango ... There are now three other versions of the work: one for big band jazz ensemble by Ken Schaphorst, another for string orchestra commissioned by Aram Gharabekian and Sinfonova, and the third for violin and piano commissioned by the Paul Chou-Paul Salerni Duo. Of the string orchestra version, Richard Dyer of the Boston Globe wrote, Lee's piece, Morango ... almost a tango, is a transcription of atmospheric and elegant music originally composed for string quartet; it is as sultry as Faith Domergue in a film noir, and it steams. Audio link: https://thomasoboelee.bandcamp.com/album/morango-almost-a-tango-1983Video link: https://youtu.be/Ksd9mDtRSBU
Morango ... almost a tango, full score
Quatuor à cordes: 2 violons, alto, violoncelle

$9.99 8.75 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus






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