Brass Ensemble - Level 2 - Digital Download SKU: A0.750725 Composed by Traditional. Arranged by Brendan Elliget. Folk. Score and parts. 83 pages. BJE Music #3525371. Published by BJE Music (A0.750725). A medley of Australian folksongs including Botany Bay, Oh the Springtime It Brings On The Shearing, Streets of Forbes, The Overlanders and Waltzing Matilda (Both tunes) scored for Brass Band. This setting also available for Concert Band and Orchestra. Suitable for school or community groups.There are another 5 folksong medleys available for Brass Band.The MP3 was recorded with NotePerformer.Grade = 3.5  Duration = 5:55 mins.

5th Part (Baritone T.C.) Brass Ensemble; Brass Sextet SKU: HL.4474340 Baritone T.C. (5th Part). Ensemble Collection. Classical, Contest. 16 pages. Published by Rubank Publications (HL.4474340). ISBN 9798350107074. UPC: 073999743401. 9.0x12.0x0.093 inches.Scored for 1st and 2nd cornet/trumpet, F horn, trombone, baritone and tuba (optional parts also available: 3rd/4th cornet/trumpet, 2nd/3rd F horn and 2nd/3rd trombone) This great collection of grade 3 music for brass choirs appears on many state contest lists and includes pieces of varying lengths and styles to suit any performance opportunity. The seventeen works in this series include classics as well as contemporary pieces by the original Rubank composers. A must for your school or church library.

Brass Ensemble - Level 4 - Digital Download SKU: A0.767323 Composed by Ludwig van Beethoven. Arranged by Mike Lyons. Romantic Period. Score and parts. 24 pages. Lyons Music Services #3497167. Published by Lyons Music Services (A0.767323). This is part of a new series of arrangements of music by famous composers for various sized brass ensembles.The arrangement for brass quintet is of the first movement of Beethoven's piano sonata no 14 in c# minor. Parts supplied as follows:Part 1 - Trumpet/CornetPart 2 - Trumpet/CornetPart 3 - Horn in F/EbPart 4 - Trombone/Euphonium/Baritone (Bass/Treble)Part 5 - Tuba/Eb Bass (Bass/Treble)

Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533897. Published by Regis Bookshar (A0.813824). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selection.

Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Standards. 11 pages. Keith Terrett #865274. Published by Keith Terrett (A0.1273084). An arrangement of C Jam Blues for Brass Quintet. The extra parts are not necessary, but are provided if you have extra players such as a Bb Piccolo Trumpet & Bb Trombone/Euphonium in TC.New Orleans-born clarinetist Barney Bigard is likely the originator of this tune, a simple blues riff in the key of C. Since Bigard was a veteran member of Duke Ellington’s Orchestra in 1941, Duke had a slice of the pie, too, and undoubtedly arranged the piece for the orchestra. Yet Duke referred to the number somewhat disparagingly as “one of our more or less trite things.�The number was introduced in a Soundie short film. These three-minute features, produced to be shown on a jukebox-type player, illustrated the band miming to a pre-recorded performance. Entitled “Jam Session� the Soundie was filmed late in 1941 along with four other Ellington numbers. Duke introduces various band members, who then solo: Ray Nance (violin), Ben Webster (tenor sax), Rex Stewart (cornet), Joe “Tricky Sam� Nanton (trombone), and Sonny Greer (drums). The complete ensemble carries the tune to its finish with composer Bigard (clarinet) providing some improvised upper register piping.“C Jam Blues� was formally recorded under that title in January, 1942, for RCA Victor Records. It continued be a staple of the Ellington repertoire, generally featuring a handful of the soloists in the band.Co-composer Barney Bigard left Duke’s band in June 1942, and after a period of freelancing joined Louis Armstrong’s All-Stars in August, 1947. “C Jam Blues� was one of his nightly features with Satch’s ensemble along with “Tea for Two.� Despite playing the tune hundreds, or perhaps even thousands of times during his tenure with Ellington and Armstrong, he continued to perform it during his freelance years in the 1950s until shortly before his death in 1980.In the late-1950s very simple words were added (“Baby, let’s go down to ‘Duke’s Place’,� etc.) which strangely took a three-member team of writers to assemble: songwriters William Katz and Ruth Roberts and record producer Bob Thiele. Clarinetist Barney Bigard was not included in the composer credits of the song version, although he was a member of Louis Armstrong’s All-Stars when they recorded “Duke’s Place,� featuring Louis on the vocal, with Ellington in 1961.The piece typically features several improvised solos. The final solo continues in the upper register as the entire ensemble comes in and the music grows to a climax. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke’s Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between mid-1945 through 1947 as part of the Tiffany Transcriptions.The 10-note occasional riff formed the basis of the Bonzo Dog Doo-Dah Band’s novelty song Intro Outro.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.

Brass Ensemble - Level 5 - Digital Download SKU: A0.533739 Composed by Carson Cooman. Contemporary,Folk. Score and parts. 45 pages. Musik Fabrik Music Publishing #3042223. Published by Musik Fabrik Music Publishing (A0.533739). I. TributariesII. Memorial SongIII. Bridges to the SkyPittsburgh Rhapsody (2008) for brass band was commissioned by the River City BrassBand, Denis Colwell, music director, in celebration of the 250th anniversary of thecity of Pittsburgh, Pennsylvania, with support from the Pittsburgh 250 CommunityConnections Committee.The first movement, Tributaries, is inspired by Pittsburgh as a city of three rivers andparticularly the confluence of two rivers to form one. Throughout the movementthere are a number of places where two ideas converge to become one. Opening witha fanfare-like gesture, the music then becomes more flowing before building up againto a climax.The second movement, Memorial Song, is a lyrical duet for flugelhorn and euphonium.The movement was not conceived as a specific memorial, but its lyrical and elegiacmood represents the many memorials that we all celebrate, both personal andcorporate.The third movement, Bridges to the Sky, celebrates Pittsburgh as a city of bridges. Themusic takes inspiration from the sense of exhilaration that one can get driving amidstthe post-industrial landscape of roads, flyovers, bridges, and hills.InstrumentationSoprano Cornet in Eb2 Solo Cornets in Bb2 1st Cornets in BbRepiano Cornet in Bb2 2nd Cornets in Bb2 3rd Cornets in BbFlugelhorn in Bb3 Horns in F(or 3 Alto Horns in Eb — alternate parts provided)2 Baritones in Bb2 TrombonesBass Trombone2 Euphoniums4 TubasPercussion (3 players)I: timpaniII: snare drum, bass drumIII: vibraphone, xylophoneThis is the score only.  The individual parts are available for sale.  The full set of parts should be purchased as a physical item elsewhere on this site, due to file size limitations.

Brass Ensemble - Level 3 - Digital Download SKU: A0.837091 Composed by Traditional. Arranged by Donald Rauscher / Transcribed by R.R.Cardo. Renaissance. Score and parts. 2 pages. SBQUSA. Publications #2029577. Published by SBQUSA. Publications (A0.837091). Shakespearean Music for Brass Quintet - arranged by Donald Rauscher.The Shakespeare collection has each piece designation to which play, act and scene under it's title.This piece begs for the opportunity to use actors to read the sections, right before the Brass Quintet plays the different titles.In Shakespeare's time, music (music already well known to the public) was used between scenes, some of the titles were even mentioned in the play. Many composers, even modern ones, crafted works for this purpose. These are renaissance styled with a dramatic tone that I believe are perfect for Shakespeare plays:The Merry Wive's of Windsor, two pieces for Twelfth Night and Othello.

Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158014 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Contemporary. 32 pages. Https://gildedmusicpress.com/ #758310. Published by https://gildedmusicpress.com/ (A0.1158014). Translated from Italian, the title of this work (“Scherzo Serio�) means “a serious joke.� The jocular nature resulting from the multi-meter and irregular meter, punctuated by strong jabs of sound, makes it impossible to tap one’s foot to the beat upon first hearing. The various sections of the work alternate between atonality and tertian harmony. As a whole it presents a clear three-part organization. This particularly fun and challenging two-minute brass quintet was completed in 2009 and premiered by the Faculty Brass Quintet from the University of Texas at San Antonio. MSgt Jim Bartelt (USAF, Retired) composed the majority of the percussion part when Gateway Brass from the USAF Band of the West toured with this piece in 2012.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.783905 Composed by James Pierpont. Arranged by John Groves. Christmas,Folk,Holiday,Jazz. Score and parts. 11 pages. John Groves #6612165. Published by John Groves (A0.783905). Jingle Bells - arranged for Brass QuintetScore and Parts Included:Bb Trumpet 1Bb Trumpet 2Horn in FTromboneTubaJazzy, fun festive hit for brass concerts, Christmas holiday events, Festivals, school and community performances.

Brass Ensemble - Level 2 - Digital Download SKU: A0.1459633 By Paul Barker Music. By William Kirkpatrick. Arranged by Paul Barker. Children,Christmas,Holiday. 15 pages. Paul Barker Music #1038588. Published by Paul Barker Music (A0.1459633). Embrace the magic of the season with this easily accessible arrangement of Away In A Manger for Brass Ensemble. A Performance Recording MP3 is also available to listen and perform along to from www.paulbarkermusic.com and here.Includes supplementary parts for Horn in Eb and Bass in Bb.Also see our Holiday music titles for other Trios, Ensembles, Orchestras and Flexible Instrumentation. Duration: 1:20Level: Early Level (UK Grade 2+)Occasion: Concert - Formal/Informal Christmas Holiday EventsOrchestration: Brass Ensemble.

Brass Ensemble - Level 3 - Digital Download SKU: A0.837090 Composed by Traditional. Arranged by Donald Rauscher / Transcribed by R.R.Cardo. Renaissance. Score and parts. 2 pages. SBQUSA. Publications #2029569. Published by SBQUSA. Publications (A0.837090). Shakespearean Music for Brass Quintet - arranged by Donald Rauscher.The Shakespeare collection has each piece designation to which play, act and scene under it's title.This piece begs for the opportunity to use actors to read the sections, right before the Brass Quintet plays the different titles.In Shakespeare's time, music (music already well known to the public) was used between scenes, some of the titles were even mentioned in the play. Many composers, even modern ones, crafted works for this purpose. These are renaissance styled with a dramatic tone that I believe are perfect for Shakespeare plays:The Merry Wive's of Windsor, two pieces for Twelfth Night and Othello.

Brass Ensemble - Level 5 - Digital Download SKU: A0.792686 Composed by Elizabeth Raum. 20th Century,Contemporary. Score and parts. 10 pages. Gordon Cherry #5747341. Published by Gordon Cherry (A0.792686). Processional Fanfare for Brass Quartet by Elizabeth Raum is an exciting and majestic fanfare for 4 brass playable by moderately advanced performers. Instrumentation is for 2 trumpets in B-flat (C parts included) and 2 trombones (euphoniums). The work has contrasting sections of loud and soft, marcato and legato.