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Trumpet Solo - Level 5 - Digital Download SKU: A0.837504 Composed by Brett L. Wery. Concert,Contemporary. Individual part. 5 pages. Sonata Grendel Publishing #6063575. Published by Sonata Grendel Publishing (A0.837504). Capriccio was originally written as a piece for unaccompanied clarinet in 1984 while I was a clarinet student at the University of North Carolina, School of the Arts in Winston Salem, NC under the tutelage of Robert Listokin. Bob Listokin was one of greatest individuals I’ve ever known. He taught me so much more than how to play the clarinet. His example of love, humility, and kindness has been a guiding force throughout my life. This little piece was written while I was little more than a child and one of the few compositions that I would risk publishing today. As I sat down to revise it, I was amazed at how it foreshadowed many of the defining characteristics of my current style. The piece has been murmuring in the back of my mind for thirty-six years much in the same way that I still feel Mr. Listokin’s gentle hand on my shoulder telling me to relax. Duration - 3:20
Capriccio for Solo Trumpet in B-flat
Trompette

$19.95 17.12 € Trompette PDF SheetMusicPlus

Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837497 Composed by Brett L. Wery. Concert,Contemporary. 7 pages. Sonata Grendel Publishing #5770249. Published by Sonata Grendel Publishing (A0.837497). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 3. June 1974, Cohoes (duration – 2:15)                 Wish List Fundraising The new stage manager writes a letter to the producers asking for funds to equip the shop. All I need is some money for a hammer and nails, some duct tape, and a circular saw. That's all I need, and a C clamp, maybe two.
June 1974, Cohoes (Wish List Fundraising)
Voix Baryton, Piano

$7.99 6.86 € Voix Baryton, Piano PDF SheetMusicPlus

Concert Band - Level 4 - Digital Download SKU: A0.837492 Composed by Brett L. Wery. Contemporary. Score and parts. 261 pages. Sonata Grendel Publishing #5722157. Published by Sonata Grendel Publishing (A0.837492). Mortals, Gods, and Heroes was commissioned by Andrew Janack for the Maple Avenue Middles School Select Band in Saratoga Springs, NY. The school was doing a curriculum-wide reading project on Greek mythology. It seemed natural to create a wind ensemble suite based on three stories from Greek mythology. Each movement creates a miniature tone poem with clear motifs for each character in the myths. The characters include Athena (who makes a return in the final movement), Arachne, Orpheus, Charon the ferryman, Cerberus the three-headed dog, Sisyphus, Persephone, Eurydice, Perseus, and Medusa. The eleven-minute piece is colorful and inventive with plenty of special techniques in the percussion especially designed for middle school students. Mortals, Gods, and Heroes is in three movements: I. Arachne’s Web II. The Passage of OrpheusIII. Perseus and the Gorgon The score is formatted for 8.5 X 14 (legal) size paper and is 57 pages. The parts are formatted for 8.5 X 11 (letter) size paper.
Mortals, Gods, and Heroes
Orchestre d'harmonie

$225.00 193.12 € Orchestre d'harmonie PDF SheetMusicPlus

Clarinet Solo - Level 5 - Digital Download SKU: A0.837486 Composed by Brett L. Wery. Contemporary. Individual part. 25 pages. Sonata Grendel Publishing #5011449. Published by Sonata Grendel Publishing (A0.837486). The Mpingo Parables were commissioned by clarinetist, Michele Von Haugg and inspired by her remarkable work with Clarinets for Conservation. Each summer Michele fearlessly leads a group of mild mannered clarinetists to Tanzania where she battles complacency, greed, corruption and ignorance to teach the youth of small communities to play the clarinet and plant the Mpingo tree, the source of clarinets, oboes, and piano keys. The Mpingo trees are planted in a sustainable manner and villages taught the potential of this important resource to enrich and empower their community.   Michele has made a career of teaching important lessons to everyone she encounters from the children of Tanzania to the faculty of local schools, government officials and local police forces, as well as her own staff of music educators. Michele teaches lessons of self-determination, persistence, foresight (the Mpingo takes sixty years to mature), tireless hard work, and courage. The Mpingo Parables are dedicated to Michele and the legion of amazed, exhausted, and enlightened students she leaves in her wake.
The Mpingo Parables
Clarinette

$24.99 21.45 € Clarinette PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.837495 Composed by Martin Rinkart. Arranged by Brett L. Wery. Christian,Holiday,Praise & Worship,Sacred. Octavo. 12 pages. Sonata Grendel Publishing #5753929. Published by Sonata Grendel Publishing (A0.837495). SET A: SATB Choir/Organ (optional brass quintet and timpani-sold separately ) Now Thank We All Our God was originally written ca. 1636 by Protestant minister, Martin Rinkart. The melody is attributed to Lutheran Hymnist, Johann CrĂĽger and was used in three J.S. Bach chorales but the most common version we hear today was harmonized by Felix Mendelssohn in 1840. Martin Rinkart was a deacon in Eisleben Germany where he served during the Thirty Years’ War. The city of Eisleben and Rinkart’s own home became a sanctuary for political refugees during the war. The resulting overcrowding in the walled city resulted in a horrible plague which hit its peak in 1637. Rinkart was the only surviving pastor in the city and before the plague was over he would preside over 4000 funerals include that of his own wife. Despite this, it was during this time that he wrote Now thank we all our God. This new setting of Now Thank We All Our God draws on Rinkart’s fierce spirit of optimism and faith in a time of desolation and despair. To paint the picture of the circumstances in which Rinkart wrote the hymn, this setting opens with the text from Psalm 13:  How long, Lord? Will you forget me forever?The setting turns quickly, in an act of disruptive optimism and faith, to a lopsided dance of joy. In the end, the setting returns to the opening question  of Psalm 13, How long? only to be answered by Rinkart’s declaration, Gifts of love today!
Now Thank We All Our God: Set A
Chorale SATB

$2.75 2.36 € Chorale SATB PDF SheetMusicPlus

Small Ensemble Alto Saxophone,Clarinet,Flute,Piano Accompaniment - Level 5 - Digital Download SKU: A0.837487 Composed by Brett L. Wery. Concert,Contemporary. Score and parts. 83 pages. Sonata Grendel Publishing #5330711. Published by Sonata Grendel Publishing (A0.837487). I’ve made a performing career out of the ability to play more than one woodwind instrument. In pits and bands all over the world multiple woodwind players, or doublers, are often the unsung heroes of the show. The first one in the pit and the last one out, they bring a technical knowledge of three, sometimes four or five different instrumental traditions not to mention an ability to play in any number of musical styles all in the name of saving the producer a little money. They spend inordinate amounts of time taking lessons, practicing, and dealing with reeds of all shapes and sizes. Over the years the doubler has become an indispensable artist and many top universities and conservatories now offer multiple woodwinds as a major.   The Sonata for Multiple Woodwinds and Piano was written for myself and long time friend, colleague, and collaborator, Mark Evans. Professor Evans is a marvelously sensitive and powerfully technical pianist and although the piece is written with myself in mind as the doubler, I owe much of the inspiration to the twenty-plus years I’ve spent making music with Mark. It was my intention to create a sonata for multiple woodwinds that is not a novelty piece but provides the doubler with an opportunity to perform a serious work that explores the expressive and technical boundaries of their instrument(s). By the same token, the pianist is not an accompanist but an equal partner with the doubler.
Sonata for Multiple Woodwinds and Piano
the same token, the pianist is not an accompanist but an equal partner with the doubler


$27.95 23.99 € PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Piano,Tenor Saxophone - Level 5 - Digital Download SKU: A0.837493 Composed by Brett L. Wery. Concert,Contemporary. Score and parts. 38 pages. Sonata Grendel Publishing #5741825. Published by Sonata Grendel Publishing (A0.837493). Making the Darkness Conscious was commissioned by my friend, Jonathan Hulting-Cohen. Jonathan is the Professor of Saxophone at the University of Massachusetts, Amherst. He is an amazing artist and a technical wizard. The piece was premiered in its original version as a solo for tenor saxophone and wind ensemble. The present version for piano is not intended to be a reduction of the wind ensemble accompaniment but is a reworking of the piece as an addition to the saxophone/piano duo repertoire. The anti-heroes in film, TV, and literature who feel themselves pushed to do very bad things for very noble reasons inspired this sonata in one movement. These characters often are themselves corrupted by their efforts.  One trope of scripted television anti-hero vehicles like Breaking Bad is the cold opening presented out of sequence. The main character is shown in the moment of highest tension or deepest desperation then the story backs up to explain the events that led to that moment. Making the Darkness Conscious uses the same device by starting with a mysterious, disoriented setting full of strange groans and weird echoes. The scene ends in a terrified scream and cuts directly to a happier, jolly portrayal of the solo tenor saxophone’s character. By the end of the piece, the soloist’s character is transformed into something more ruthless and tortured. One does not become enlightened by imagining figures of light, but by making the darkness conscious. The latter procedure, however, is disagreeable and therefore not popular. C.G. Jung
Making the Darkness Conscious
Saxophone Tenor et Piano
the end of the piece, the soloist’s character is transformed into something more ruthless and tortured

One does not become enlightened by imagining figures of light, but by making the darkness conscious
$14.95 12.83 € Saxophone Tenor et Piano PDF SheetMusicPlus

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.837507 Composed by Brett L. Wery. Concert,Contemporary. Score and parts. 26 pages. Sonata Grendel Publishing #5997463. Published by Sonata Grendel Publishing (A0.837507). M45 is the Messier catalog number for an open star cluster better known as the Pleiades. Originally for chamber orchestra, Oot-kwa-tah is dedicated to SUNY Schenectady County Community College on the forty-fifth anniversary of the college’s establishment as part of the State University of New York. The college sits on land that was once part of the Mohawk nation of the Iroquois Confederacy. Oot-kwa-tah is inspired by the Iroquois legend of M45, the Pleiades star cluster. The Iroquois tell a story about seven children who met each day and danced for hours at a time instead of doing chores. An old man appeared to them one day as they danced. He shone magnificently like silver and was clad from head to toe in brilliant white feathers. The old man warned them to stop dancing lest something terrible happen to them. Ignoring the old man’s warning and growing more and more hungry and lightheaded the children began to rise into the air. If only they had listened to me, the old man thought. As the children’s parents gathered, one little boy heard his father’s voice below. The little boy looked down and saw his father. At that instant he fell back to earth. The other children continued to float higher and higher into the sky to become the Pleiades star cluster. The Iroquois call them Oot-kwa-tah and are reminded of these reckless children each time they see a falling star. Duration: 5:00
Oot-kwa-tah, Dance of the Seven Children for Woodwind Quintet
Quintette ŕ Vent: flűte, Hautbois, basson, clarinette, Cor

$24.95 21.41 € Quintette ŕ Vent: flűte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Instrumental Duet Harp,Instrumental Duet,Soprano Saxophone - Level 3 - Digital Download SKU: A0.837505 Composed by Bela Bartok. Arranged by Brett L. Wery. Contemporary. Score and parts. 7 pages. Sonata Grendel Publishing #6015277. Published by Sonata Grendel Publishing (A0.837505). Three Hungarian Folksongs from Csík was originally written for piano by Hungarian composer, Béla Bartók, and reportedly later arranged for recorder and piano by the composer himself. There is much speculation about when the piece was actually composed. Some put it as late as 1918. Bartók revised and published the three-movement set through Boosey & Hawkes in 1942 after moving to the United States at a time in his life when he was barely making a living by publishing old manuscripts. The county of Csík was once part of Hungary and its territory is now in the eastern Transylvanian region of Romania. Duration - 3:00
Harom Csikmegyei Nepdal (1907)

$7.95 6.82 € PDF SheetMusicPlus

Piano,Voice Duet Baritone Horn TC,Piano,Soprano voice - Level 5 - Digital Download SKU: A0.1101414 Composed by Brett L. Wery. Chamber,Classical,Contemporary,Multicultural,World. 52 pages. Sonata Grendel Publishing #704802. Published by Sonata Grendel Publishing (A0.1101414). I. Hammering on Rocks text by Joseph Ross II. Normal text by Reginald Harris III. My Body Holds Stones text by Laura Tohe IV. The Museum of Stones text by Carolyn Forché. Quarry Songs were written as a project initiated by my long-time friend and colleague, Mark Evans. Mark and I have spent hundreds of hours rehearsing and performing together so when he asked me to participate in a project to create a song cycle as part of a residency at the Avaloch Farm Music Institute in New Hampshire, I said yes immediately. Joining us were former students, now colleagues, Areli Mendoza-Pannone (soprano) and Robert Frazier (baritone). During our residency at Avaloch, the trio and I organized Zoom meetings with the poets and work-shopped many sections of the songs. I am immensely grateful for the contributions Mark, Areli, and Bobby made to this piece. I am especially indebted to the four amazing poets for their powerful, inspiring poems. These are works of courage, honesty, and craftsmanship and I’m humbled by the writer’s trust and generosity as I attempt to add a dimension to their work that is worthy of the source. The poems represent varied American perspectives of the artifacts of human existence and the trajectory of our culture(s), the human capacity to grow numb to suffering, the weight and cost of identity—self imposed and projected—on ourselves, our nation, and our children. Most importantly the poems witness our power to change the world through art. These poems recall the courage of Nelson Mandela, the paralysis that comes with the twenty year old war in Afghanistan, the lasting wounds of inflicted upon children in boarding schools designed to eradicate native cultures, and the markers of war and suffering that call as much for hope as for remorse. I chose poets whose voices represent not only suppressed perspectives but also the voices of Americans born of privilege, willing to use the power of art to focus the readers’ minds on the rough truths of our shared history as Americans.
Quarry Songs
Voix duo, Piano

$51.06 43.82 € Voix duo, Piano PDF SheetMusicPlus

Concert Band - Level 4 - Digital Download SKU: A0.837514 Composed by Brett L. Wery. Contemporary. Score and parts. 124 pages. Sonata Grendel Publishing #6748213. Published by Sonata Grendel Publishing (A0.837514). Note: for best results, print the score (first 38 pages) on 8.5 X 14 (legal) sized paper and print the parts on 8.5 X 11 (letter) sized paper. M45 is the Messier catalog number for an open star cluster better known as the Pleiades. Oot-kwa-tah is dedicated to Schenectady County Community College on the forty-fifth anniversary of the college’s establishment as part of the State University of New York. The college sits on land that was once part of the Mohawk nation of the Iroquois Confederacy. Oot-kwa-tah is inspired by the Iroquois legend of M45, the Pleiades star cluster. The Iroquois tell a story about seven children who met each day and danced for hours at a time instead of doing chores. An old man appeared to them one day as they danced. He shone magnificently like silver and was clad from head to toe in brilliant white feathers. The old man warned them to stop dancing lest something terrible happen to them. Ignoring the old man’s warning and growing more and more hungry and lightheaded the children began to rise into the air. If only they had listened to me, the old man thought. As the children’s parents gathered, one little boy heard his father’s voice below. The little boy looked down and saw his father. At that instant he fell back to earth. The other children continued to float higher and higher into the sky to become the Pleiades star cluster.The Iroquois call them Oot-kwa-tah and are reminded of these reckless children each time they see a falling star.
Oot-kwa-tah, Dance of the Seven Sisters
Orchestre d'harmonie

$40.75 34.98 € Orchestre d'harmonie PDF SheetMusicPlus


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