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Instrumental Duet Instrumental Duet,Medium Voice - Level 3 - Digital Download SKU: A0.836719 Composed by Brian Joyce. Arranged by Brian Joyce. Contemporary. Score and parts. 18 pages. Brian Joyce #6567925. Published by Brian Joyce (A0.836719). Even very well-versed singers can be forgiven if they have never heard of Everett Maxwell (1858-1940). He was simply one of millions in the vast American workingclass, one who was known to jot down a poem or two now and then.Here we have six examples of his work, poems which he wrote for his childhood sweetheart whom he waited fifty years to marry. Maxwell’s great grandson asked me to set these poems to music saying, the poems illuminate a picture of life in the American midwest during the late nineteenth and early twentieth centuries. His poetry serves as a lens through which we can view his . . . youthful romantic view of nineteenth-century prairie life.Since the poems are so imbued with nostalgia and 19th century romanticism, I endeavored to set them with an equally strong sense of the classic art song tradition.Curiously, these songs feel longer than they actually are. There are many pieces about which one could say the same thing with less charity, but in this case it’s a good thing: the poems are quite short (the longest is only twelve lines, the shortest only four!)The entire cycle lasts just under 12 minutes. The audio sample includes most of one song (A June Night) and all of a second (Have You Found a Place?). These are enough to give you a sense of the whole cycle.
Six Songs of Everett Maxwell for Baritone Voice and Piano

$6.95 6.64 € PDF SheetMusicPlus

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.836707 Composed by Brian Joyce. Christmas,Contemporary. Score and parts. 67 pages. Brian Joyce #3226073. Published by Brian Joyce (A0.836707). What’s Christmas without a few toys? Here is a new suite of older carols for string quartet in which each musician is required to play a wee bit of percussion in addition to his or her real instrument. The potential for entertaining visual theater is nearly as high as the potential for mishap. (If all goes according to plan, nothing should actually go airborne.)This is something of a sequel to my earlier Christmas quartet And Therefore Be Merry, which has never been out of print since it was first published over twenty years ago. But where that work was a continuous medley, this is a set of independent and more fully developed movements, each able to stand on its own. As mentioned above, each member of the quartet is responsible for a small item of percussion. These are all things which could readily be found in a local school band room: a triangle, a tambourine, a suspended cymbal - played with a soft (yarn) stick - and a small frame drum, played with the bare hand. These are all earlier, earthier carols than what one typically finds on the radio or playing over the speakers at the mall. They include Gloucestershire Wassail, Riu Riu Chiu, Angelus ad Virginem, The Sans Day Carol, The Wexford Carol, and Masters in This Hall. Being perhaps less familiar, they bring a welcome respite from the overworked seasonal fare we all hear a bit too much of each year. They speak of simpler times, and of a far less frantic approach to Christmas. These fresh and inventive arrangements will make a useful addition to a quartet’s repertoire, provided the players have the requisite spirit of adventure. Score and Parts total 67 pages. Performance time is about 14 minutes.
Hear Ye Newes Today: Six Traditional Carols for Christmas
Quatuor à cordes: 2 violons, alto, violoncelle

$19.95 19.06 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Organ - Level 3 - Digital Download SKU: A0.836718 Composed by Brian Joyce. Christian,Contemporary,Sacred. Score. 15 pages. Brian Joyce #5749579. Published by Brian Joyce (A0.836718). These eight Chorale Preludes were all written between March and May of 2020, during the worldwide Coronavirus Pandemic. Unlike the earlier companion volumes of shorter English and German preludes, which feature a variety of moods and themes, these American examples all seem to center around the closely related ideas of hope and quiet confidence. While this was not my intention back when I was choosing hymns to work with, I am pleased with the unity of the set. Taken as a whole, they are filled with tidings of comfort and joy. Stylistically, the preludes range from the baroque bounce of Praise Him, Jesus Our Blessed Redeemer, through the sturdy On Christ the Solid Rock I Stand (with its chords sounding as if they had been carved from granite blocks) and a surprisingly delicate I Stand Amazed. There is a fair amount of canonic leading and following in He Leadeth Me; Great is Thy Faithfulness is the expressive heart of the set; and we end by returning to 18th century ritornello models with Blessed Assurance. Through it all I think I have managed to avoid any sense of academic stuffiness - in fact there are several moments which may sound almost playful if not handled rightly.As with the Shorter English and German Preludes, most of these are between one and two minutes in length, and each fits on one or two pages, arranged so as to avoid page turns. As always, durations and sources are provided for your planning.
Eight Shorter Preludes on American Hymns (for manuals only)
Orgue

$7.95 7.6 € Orgue PDF SheetMusicPlus

Organ - Level 4 - Digital Download SKU: A0.836714 Composed by Brian Joyce. 20th Century,Christian,Christmas,Sacred. Score. 8 pages. Brian Joyce #4805139. Published by Brian Joyce (A0.836714). New for the 2019 Christmas Season, here is a Noël (a set of variations of a type popular in the French Baroque) on a somewhat less well known Advent Carol for manuals only.  Venez, divin Messie (O Come Divine Messiah) is an anonymous 16th century tune to which Abbé Simon-Joseph Pellegrin added the words in the early 18th century. It is a charming melody and this new setting will provide organists with a little something beyond the ordinary Advent/Christmas fare.Originally conceived for harpsichord, this piece easily makes the transition to organ manuals. Performance time is between 9 and 10 minutes depending largely on the acoustics of the room. The attached audio file will tell you everything there is to say about the music. You will hear the entire tune plus the beginning and ending of each variation.
Venez, divin Messie: a Noël on a 16th century French Advent Carol
Orgue

$5.95 5.69 € Orgue PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.836708 Composed by Brian Joyce. 20th Century,Contemporary. 24 pages. Brian Joyce #3022299. Published by Brian Joyce (A0.836708). Full disclosure: This work is frankly atonal. Rhythms are tricky. Harmonies are unconventional to say the least. And even the form is nicely aberrant.Yet something magical happens when writing for winds: because of the weak timbre contact between the different instruments, one can write complex textures without losing clarity. One can write dissonant harmonies without having them sound harsh and grating. In fact, there are moments of surprising beauty here. Take for instance the color canons, passages combining all instruments in clusters whose harmonic and rhythmic motion is essentially static, but which shimmer with ever-changing timbres. The title translates - inexactly - to Keeper of Heaven, or Starry Watchman, or Celestial Caretaker, and refers to an imaginary character whose task it is to walk about the heavens at sunset and turn on the stars. He is the galactic equivalent of the old gentlemen who once went about Victorian streets, lighting the gas lamps and generally keeping an eye on things, making sure that all is well. I do not claim that this character is God the Father Almighty, only that he is an old gentleman. But there might very well be something wizard-ish about him!Performance time is approximately seven and a half minutes. The audio excerpt included here is of the last two minutes, where the music comes the closest to being tonal.
Custos Caeli
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$11.95 11.42 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Organ - Level 3 - Digital Download SKU: A0.836713 Composed by Brian Joyce. 20th Century,Christian,Holiday,Sacred. Score. 9 pages. Brian Joyce #4776213. Published by Brian Joyce (A0.836713). These are very early works, sins of my youth, as the saying goes. They are written in a faux-baroque style and would be very accessible to all but the fussiest congregations. The hymn tunes involved are (1) We Gather Together [KREMSER], (2) Come, Ye Thankful People [ST. GEORGE’S WINDSOR], and (3) Now Thank We All Our God [NUN DANKET]. They are especially appropriate for the Thanksgiving season, but would not be out of place at any time of the year. The third prelude gives the tune to a 4’ reed stop in the pedal.Performance times: 0:45, 1:45, 1:25 (4 minutes for all).
Three Thanksgiving Chorale Preludes for Organ
Orgue

$4.95 4.73 € Orgue PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.836712 Composed by Brian Joyce. Christian,Sacred. Octavo. 21 pages. Brian Joyce #4325937. Published by Brian Joyce (A0.836712). If you ever need a break from the soundbyte theology found in so many contemporary Christian lyrics, why not revisit the words of Isaac Watts (1674-1748), who could stretch a single coherent thought across multiple verses of his hymns? Watts was a prolific writer on many subjects, including geography, astronomy, ethics, and psychology. His book on Logic became a standard university text, being used at Oxford for over 100 years. But his greatest desire was to assist Christians in the worship of God and it is his hymns for which he is best remembered today.These old words are here set to new music which represents a blending of three different traditions: First, and most obvious, is the rustic sound of early American shape-note singing. Second is the strong linearity of 13th century Ars Antiqua voice leading, in which each part was more or less independent. And third is my own fondness for mixed meters and sonorities built on fourths and seconds. Yet it all works somehow: these are actually very singable hymns once the choir has acclimated to the style. Most fall comfortably into a simple diatonic language and would present no jarring problems for the listener. Five of the hymns are for standard mixed voices (SATB); one is for men’s voices (TTB); one for women’s (SSA) and the last, a Doxology, is in six parts (SSATTB) with a florid threefold amen. There is admittedly a certain sameness about these settings; perhaps it’s best if they are not all sung in one go, cover to cover. Taken individually, however, there is no reason they couldn’t make for a refreshing change from the usual church anthem, and a group of three or four could easily find a place on a choral recital program.
Eight Hymns of Isaac Watts
Chorale SATB

$2.50 2.39 € Chorale SATB PDF SheetMusicPlus






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