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Choral Choir (SATB) - Level 5 - Digital Download

SKU: A0.535388

Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388).

I. Sinfonia
II. To Mary on the vigil of her Assumption
III. A Votive Song
IV. The Heliotrope-the mind of man turned to God
Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and is
dedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.
The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poet
Jakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.
In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religious
expression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strong
correlation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked in
classical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary and
relevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)
The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forward
momentum is interrupted several times before the movement settles tonally. The first choral movement employs a
bouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song on
the acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The final
movement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describes
the speaker’s journey and compares a purposeful sea voyage to a directed life.
Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poetic
English created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literal
translation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.
Carson P. Cooman, January 2009, Cambridge, Massachusetts, USA
PERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin
(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W sound
often used by classical Latinists.)
The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroque
instruments. It is suggested that 16–24 singers be employed (no fewer than 12).
As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected that
director and performers will inflect lines expressively and naturally. The organ part is notated for a small portatif
organ with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smaller
registration plan should be kept in mind so as to create balance with the instruments and choir.


Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Chorale SATB

$25.95 24.69 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 5 - Digital Download

SKU: A0.535387

Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387).

I. Sinfonia
II. To Mary on the vigil of her Assumption
III. A Votive Song
IV. The Heliotrope-the mind of man turned to God

Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and is
dedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.
The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poet
Jakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.
In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religious
expression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strong
correlation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked in
classical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary and
relevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)
The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forward
momentum is interrupted several times before the movement settles tonally. The first choral movement employs a
bouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song on
the acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The final
movement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describes
the speaker’s journey and compares a purposeful sea voyage to a directed life.
Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poetic
English created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literal
translation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.
Carson P. Cooman, January 2009, Cambridge, Massachusetts, USA
PERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin
(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W sound
often used by classical Latinists.)
The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroque
instruments. It is suggested that 16–24 singers be employed (no fewer than 12).
As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected that
director and performers will inflect lines expressively and naturally. The organ part is notated for a small portatif
organ with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smaller
registration plan should be kept in mind so as to create balance with the instruments and choir

Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Chorale SATB

$19.95 18.98 € Chorale SATB PDF SheetMusicPlus

Instrumental Duet Guitar,Instrumental Duet,Voice - Level 3 - Digital Download

SKU: A0.784930

Composed by Dennis McCorkle, Adele Paxton. Children,Concert,Contemporary,New Age. Score and parts. 9 pages. DF McCorkle Music and eBook Publications #6189913. Published by DF McCorkle Music and eBook Publications (A0.784930).

Key: F, Range F3 to C5

The songs from The Walter de la Mare Songbook resulted from an invitation to perform at the first ever conference, Reading Walter de la Mare at Cambridge University, England, 2018. Composing 10 original songs, Adèle Paxton (Classical Soprano) and Dennis McCorkle (Jazz Guitarist) teamed up as the duo Mackie and Me to present their unique sound and song settings of the English poet.

Audience comments:

Brilliant and creative music…,

The depth of the poetry came right through…,

Blown away by the setting and musicality…,

Echoes of Lorenz Hart and Stephen Sondheim in the brilliant renderings…

All poetry of Walter de la Mare has been licensed worldwide by The Literary Trustees of Walter de la Mare and the Society of Authors as their Representatives.

Additional titles available: Lucy’s Shoe (or ‘The Lost Shoe’), A Song of Enchantment, The Window, Grill Me Some Bones (or ‘At the Keyhole’), The Song of Shadows, Dust to Dust, Slim Sophia (or ‘Reverie’), Silver, The Bees’ Song, The Listeners

The Walter de la Mare Songbook Audio tracks and Ready-to-Sing performance ready backing tracks are available form SheetMusicPlus (see individual titles), Amazon Music, and Apple Music

Contact Information: DennisMcCorkle.com

The Song of Shadows - An Original Song Setting of Walter de la Mare's Poetry for VOICE and GUITAR: K

$7.95 7.56 € PDF SheetMusicPlus

Trombone Duet Trombone - Level 2 - Digital Download

SKU: A0.1178550

Composed by Traditional. Arranged by César Madeira. Children,Film/TV,Folk,Multicultural,Traditional,World. Score. 4 pages. Sheet Music To Play Editions #778512. Published by Sheet Music To Play Editions (A0.1178550).

Greensleeves for Trombone Duet. Full Score and Individual Parts with Chords. Enjoy it!

Greensleeves is a traditional English folk song. A broadside ballad by the name A Newe Northen Dittye of ye Ladye Greene Sleves was registered by Richard Jones at the London Stationer's Company in September 1580, and the tune is found in several late-16th-century and early-17th-century sources, such as Ballet's MS Lute Book and Het Luitboek van Thysius, as well as various manuscripts preserved in the Seeley Historical Library in the University of Cambridge.

For Tutorials, Play Alongs or request New Arrangements, visit the
YouTube Channel: Sheet Music To Play

Greensleeves - Trombone Duet - W/Chords (Full Score and Parts) 2 Trombones (duo)

$7.99 7.6 € 2 Trombones (duo) PDF SheetMusicPlus

Recorder Solo - Level 3 - Digital Download

SKU: A0.1486930

Composed by Robin Nelson. 21st Century,Classical. Individual part. 20 pages. Forsyth Brothers Ltd #1064004. Published by Forsyth Brothers Ltd (A0.1486930).

A fresh and fun addition to the recorder repertoire by Robin Nelson, with three dance themed movements suitable for players of intermediate ability.

  1. Amiable Allemande
  2. Soulful Sarabande
  3. Jocular Gigue
Born in 1943, Robin Nelson was educated at Calday Grange Grammar School and Cambridge University, where he read music. A long career in teaching followed, including a 21 year period as Director of Music at Marlborough College, Wiltshire.

In addition he has been an Associated Board examiner, lecturer and adjudicator. Robin now runs courses in music appreciation from his home in Avebury, Wiltshire. Works include a long list of carols and anthems, two large scale cantatas and several shorter choral works.

Petite Suite for Recorder or Flute, and Piano

$10.95 10.42 € PDF SheetMusicPlus

Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - Digital Download

SKU: A0.784940

Composed by Dennis McCorkle, Adele Paxton. Children,Concert,Contemporary,New Age. Score and parts. 12 pages. DF McCorkle Music and eBook Publications #6190053. Published by DF McCorkle Music and eBook Publications (A0.784940).

Key: Bm, Range F3 to F5

The songs from The Walter de la Mare Songbook resulted from an invitation to perform at the first ever conference, Reading Walter de la Mare at Cambridge University, England, 2018. Composing 10 original songs, Adèle Paxton (Classical Soprano) and Dennis McCorkle (Jazz Guitarist) teamed up as the duo Mackie and Me to present their unique sound and song settings of the English poet.

Audience comments:

Brilliant and creative music…,

The depth of the poetry came right through…,

Blown away by the setting and musicality…,

Echoes of Lorenz Hart and Stephen Sondheim in the brilliant renderings…

All poetry of Walter de la Mare has been licensed worldwide by The Literary Trustees of Walter de la Mare and the Society of Authors as their Representatives.

Additional titles available: Lucy’s Shoe (or ‘The Lost Shoe’), A Song of Enchantment, The Window, Grill Me Some Bones (or ‘At the Keyhole’), The Song of Shadows, Dust to Dust, Slim Sophia (or ‘Reverie’), Silver, The Bees’ Song, The Listeners

The Walter de la Mare Songbook Audio tracks and Ready-to-Sing performance ready backing tracks are available form SheetMusicPlus (see individual titles), Amazon Music, and Apple Music

Contact Information: DennisMcCorkle.com

The Listeners - An Original Song Setting of Walter de la Mare's Poetry for VOICE and GUITAR: Key Bm

$7.95 7.56 € PDF SheetMusicPlus

SATB chorus and small orchestra - Digital Download

SKU: OX.9780193703995

Composed by John Rutter. John Rutter Anniversary Edition. Vocal score. 26 pages. Oxford University Press Digital #9780193703995. Published by Oxford University Press Digital (OX.9780193703995).

ISBN 9780193703995.

For SATB and small orchestra. Full score for the classic Rutter anthem For the beauty of the earth.

About John Rutter Anniversary Edition

The John Rutter Anniversary Edition celebrates the 70th birthday of one of Britain's leading composers and the 30th anniversary of his choir, The Cambridge Singers. Featuring mainly earlier pieces from the composer's catalog, this series presents seminal works for mixed chorus in brand new editions and with accompanying notes on both the music and performance, written by the composer himself. The Anniversary Edition provides the most comprehensive and authoritative performance materials (including full scores and parts) for over 30 of the composer's favorite anthems, carols, and songs.

For the beauty of the earth
Chorale SATB

$31.50 29.97 € Chorale SATB PDF SheetMusicPlus

Violin Duet Violin - Level 2 - Digital Download

SKU: A0.1178559

Composed by Traditional. Arranged by César Madeira. Children,Folk,Medieval,Multicultural,Traditional,World. 4 pages. Sheet Music To Play Editions #778522. Published by Sheet Music To Play Editions (A0.1178559).

Greensleeves for Violin Duet. Full Score and Individual Parts with Chords. Enjoy it!

Greensleeves is a traditional English folk song. A broadside ballad by the name A Newe Northen Dittye of ye Ladye Greene Sleves was registered by Richard Jones at the London Stationer's Company in September 1580, and the tune is found in several late-16th-century and early-17th-century sources, such as Ballet's MS Lute Book and Het Luitboek van Thysius, as well as various manuscripts preserved in the Seeley Historical Library in the University of Cambridge.

For Tutorials, Play Alongs or request New Arrangements, visit the
YouTube Channel: Sheet Music To Play

Greensleeves - Violin Duet - W/Chords (Full Score and Parts) 2 Violons (duo)

$7.99 7.6 € 2 Violons (duo) PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 2 - Digital Download

SKU: A0.1283915

Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Renaissance,Wedding. 10 pages. Jmsgu3 #875096. Published by jmsgu3 (A0.1283915).

Fitzwilliam Virginal Book CXXXVIII.
John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.

John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:

William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.

Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.

Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.

Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.

These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.

Bull: Dr. Bull's Juell for String Trio
Trio à Cordes: violon, alto, violoncelle

$24.95 23.73 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus






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