Piano Trio,String Ensemble - Digital Download SKU: A0.1004151 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 9 pages. Matthew Scott Phillips #3510887. Published by Matthew Scott Phillips (A0.1004151). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.

String Ensemble,String Trio - Digital Download SKU: A0.1004149 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 13 pages. Matthew Scott Phillips #3510885. Published by Matthew Scott Phillips (A0.1004149). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.

Piano Trio,String Ensemble - Digital Download SKU: A0.1004148 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 16 pages. Matthew Scott Phillips #3510879. Published by Matthew Scott Phillips (A0.1004148). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1151823 Composed by Frank Loesser. Arranged by James Pybus. Christmas,Holiday,Pop,Standards. 9 pages. James Pybus #752026. Published by James Pybus (A0.1151823). What Are You Doing New Year's Eve? is a popular song written in 1947 by Frank Loesser as an independent song. It was first recorded by Margaret Whiting in 1947 and first charted for The Orioles, peaking at No. 9 on Billboard's Best-Selling Retail Rhythm & Blues chart in December 1949. Although it is typically performed in December, that was not the composer's intent. In A Most Remarkable Fella: Frank Loesser and the Guys and Dolls in His Life, his daughter Susan Loesser explains that the singer, madly in love, is making a (possibly rash) commitment far into the future. (Maybe it's much too early in the game. Ah, but I thought I'd ask you just the same – What are you doing New Year's, New Year's Eve?) It always annoyed my father when the song was sung during the holidays. This SATB Saxophone Quartet arrangement begins with a quote from Dvorak's New World Symphony before proceeding into the rarely included verse of the song and ends with a quote from the popular song Auld Lang Syne written by Robert Burns, which is often heard on New Year's Eve. The saxophone quartet sound is sure to engage audiences in the spirit and sentiment of the song itself. The duration is 4:21. Contact me at james.pybus56@gmail.com.

String Quartet Cello,Piano,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1196766 Composed by Jasper Swank. Classical,Contemporary. Score and parts. 41 pages. Jasper Swank #795927. Published by Jasper Swank (A0.1196766). This is a short secular piece for SATB choir and String Quartet (or piano) in Latin about a happy music loving fox.Written on 2023 March 9.If you want to perform or record this piece, please let me know.I’d love to see my music come to life through you.Please have fun with this piece.Included in the package • Full score (SATB+Strings) • Vocal score (SATB+Piano, for piano accompaniment) • SATB score (for singers) • Parts for all four string players • Lyrics and translationLyricsVulpes felix musicae amatorem,Auribus acutis, cantum movet ore.Carmen suave, laetumque melos,Mundum oblectat, mentesque levat.In sylvis ludens, canit et saltat,Nihil curans, nisi musicam suam.Vulpes felix, inter frondes laeta,Dulces carmina canit et sonat.Vitam plenam felicitate vivit,Cum musica sua, omnibus corda movet.Vivat vulpes, laetitia plena,Semper cantans, semper ludens.TranslationA happy fox, a lover of music,With keen ears, moves his mouth to song.Sweet melodies, and joyful tunes,Delight the world, and lift the soul.In the woods, he plays and dances,Caring for nothing but his music.A happy fox, among the leaves,Sings and plays his sweet music.Living a life full of happiness,His music moves all hearts.Long live the fox, full of joy,Always singing, always playing.

Soprano voice solo, SATB choir, and piano - Moderately Easy - Digital Download SKU: MQ.56-0108-E Composed by Howard Goodall. Holy Week, Lent, Triduum/Three Days, Tenebrae. Score. 17 pages. Duration 6 minutes, 19 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0108-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0108-E). English, Latin. Psalms 142; Jeremiah 3:48, 52, 56.Invictus: A Passion addresses one of the world’s most powerful stories through the lens of the modern world. The texts, written or inspired by women, describe not only human suffering and persecution but also the human capacity for love and humility in the face of tyranny. Composer Howard Goodall is uniquely suited to bring these texts to life with music of emotional clarity and sweeping force. This excerpt is scored for soprano solo, SATB choir and piano. This fourth movement of the larger work is inspired by the extraordinary story of Irena Sendler née Krzyżanowska, a Polish nurse and head of Żegota, the Polish Council to Aid Jews in the Second World War, whose personal interventions saved the lives of approximately 2,500 Jewish children in the Warsaw Ghetto, smuggling them to safety, acts of humanitarian bravery that eventually caused her arrest and torture by the Gestapo. She is honoured as Righteous Amongst the Nations at Yad Vashem, Jerusalem. The Latin texts of this movement are taken from the Book of Lamentations (“My eye hath run down with streams of water, for the destruction of the daughter of my people. My enemies have chased me and caught me like a bird, without cause…�) and from Psalm 142, the Old Testament being the meeting-point of Sendler’s Catholicism and the Jewish tradition of those whose lives she saved. Duration 6:19.

Guitar - Advanced - Digital Download SKU: ZZ.DZ-4088 Composed by Louis Trépanier. Score. 9 pages. Les Productions d'OZ - Digital #DZ 4088. Published by Les Productions d'OZ - Digital (ZZ.DZ-4088). ISBN 9782898522055.August nights can be tinged with a bit of melancholy because the end of the summer approaches. The moon softly glows with nostalgia for a season passing us by. This mood seems to me folded into the Brazilian Bossa Nova, and the Brazilians? term ?saudade?; in this piece I offer up my tribute to one of my favourite composers, Radamés Gnattali (1906-1988), who wrote for every musical situation in his era in Brazil ? from the concert stage to the back alley, and everything in between. Lua para Epilogo de Verão, is dedicated to the Brazilian guitarist Fabio Zanon, who is both a great friend and a tremendous inspiration.This étude tackles solid chords and contrary motion in the left hand, and, like all the études in this collection, voice separation and phrasing. In measure 24 the guitarist must execute a diagonal barré, where the first finger covers position IV at the first string, and position V at the fifth string, hence the V/IV indication after the barré symbol. The practicalities of navigating through the different chord shapes and rhythms in the piece mean that not all notes can be held for their full, written value. Such discrepancies between the text and the playing are common in this style of music.Les nuits du mois d?août peuvent contenir une douce mélancolie, à savoir que la fin de l?été approche. La lune luit alors avec une nostalgie pour la saison qui est déjà en train de passer. Cette saveur me semble parfaitement miroitée dans les couleurs de la bossa nova brésilienne et le terme brésilien « saudade » ; dans cette pièce je vous offre mon hommage au style d?un de mes compositeurs préféré, Radamés Gnattali (1906-1988), qui a su créer des musiques pour tous les différents musiciens de ses années au Brésil, de la salle de concert, jusqu?à la ruelle. Lua para Epilogo de Verão est dédié au guitariste brésilien Fabio Zanon, un bon ami, et une grande inspiration.Cette étude travaille les accords plaqués et divers mouvements contraires à la main gauche, et, comme toutes les études de cette collection, la séparation de voix et le phrasé. À la mesure 24, on doit exécuter un barré en diagonal, où le premier doigt un est à la position IV à la première corde, et à la position V à la cinquième corde, d?où l?indication V/IV suivant le symbole du barré. Pour des raisons pratiques à naviguer les accords et les rythmes de cette pièce, vous verrez qu?il n?est pas toujours possible de tenir toutes les notes pour leur durée complète. Ces différences entre l?écriture et l?exécution sont courantes dans ce style de musique.

String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.521071 By Shawn Mendes. By Daniel Kyriakides, Danny Parker, and Teddy Geiger. Arranged by Sherry Lewis Publishing. Pop. 26 pages. Sherry Lewis Publishing #3430109. Published by Sherry Lewis Publishing (A0.521071). STITCHESString Trio of 2 violins and cello or violin, viola and celloscore: 11 pagesparts: 12 pagestime: 3'15DEMO NOTE: I began the demo with a few measures cuts at the beginning to get to the main theme as the intro is rather long but is included in the arrangement of course.MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three partshowever I offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me at stringquartet@hotmail.com and I’ll give you the link back to Sheet Music Plus’s listing.

Instrumental Duet Bassoon,Cello,Flute,Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.521377 Composed by George Frideric Handel. Arranged by Sherry Lewis. Baroque,Concert,Wedding. Score and parts. 13 pages. Sherry Lewis Publishing #5985577. Published by Sherry Lewis Publishing (A0.521377). HORNPIPE from Water Music Duo for String Duo, Woodwind Duo, any combination of a treble clef instrument and a bass clef instrument, concert pitch. Can include violin and cello, flute and cello, oboe and cello, flute and bassoon, oboe and bassoon, etc. score: 3 pages parts: 4 pages time: 2'40 DEMO NOTE: DEMO WILL PLAY IN STRINGS. Often I've begun the demo with a few measures cuts at the beginning to get to the main theme as the intro is rather long but is included in the arrangement of course. MY QUARTET VERSIONS in short notice work fine for solo, two parts, three parts and quartet however I offer individual versions for one, two, three and four parts: https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing to view all of the titles and sets I offer.If you can’t find a title then contact me at stringquartet@hotmail.com and I’ll give you the link back to Sheet Music Plus’s listing.

Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.521051 Composed by Albert Hay Malotte. Arranged by Sherry Lewis. 20th Century. 12 pages. Sherry Lewis Publishing #3415661. Published by Sherry Lewis Publishing (A0.521051). THE LORD'S PRAYER String Trio for 2 violins and cello or violin, viola and celloscore: 4 pagesparts: 5 pagestime: 2'14DEMO NOTE: I began the demo at the main theme as the intro is rather long but is included in the arrangement.MY QUARTET VERSIONS in short notice work fine for solo, two parts, three parts and quartet however I offer individual versions for one, two, three and four parts: https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing to view all of the titles and sets I offer.If you can’t find a title then contact me at stringquartet@hotmail.com and I’ll give you the link back to Sheet Music Plus’s listing.

Violin Solo - Level 5 - Digital Download SKU: A0.845988 By Van Halen. By Alex Van Halen, David Lee Roth, Eddie Van Halen, and Michael Anthony. Arranged by Kyle Pudenz. Metal,Rock. 3 pages. ViolinVagabond Music #6332317. Published by ViolinVagabond Music (A0.845988). One of the most iconic guitar solos of all time, written by one of the most influential guitarists in history, and now arranged for violin!!As a violinist who has extensively studied both the classical & rock genres, I made it my goal to be as faithful to EVH's original performance as possible, while also making this version more adaptable to the different virtuosic techniques available to violinists. We may not be able to tap out those signature arpeggios with 2 hands, but arpeggiating them with the bow creates a similar texture with a distinctly more violin-friendly approach! I've also used octave transpositions and re-voiced some of the chords to make them more adaptable to the violin's range without feeling chopped up.The result: a fresh take on this timeless solo that can be performed on any standard violin. No need for extra strings or electronics (though I'll admit, it will probably sound pretty awesome on an electric violin...) and no need to re-tune your instrument. This version is written a half-step higher than the original recording in concert A. If you want to match the original key of the Van Halen recording (Ab), you can tune a half-step down like Eddie does, and just read this chart exactly as written.Whether you're looking for a new encore or intro for your next solo performance, or just want to learn a few new licks from one of the greatest rock n' roll musicians of all time, this tune is a fantastic addition to the repertoire of any violinist looking to reach a bit beyond the norms of the classical tradition!Performance time: approximately 1:50 (the tapping section feels better at a slightly slower tempo on violin)Enjoy the chart, and if you have questions, comments or suggestions, you can contact me via my website www.kylepudenz.com/ or on Instagram @theviolinvagabond

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.991908 Composed by Sebastian Temple. Arranged by Kelvyn Koning. Gospel,Sacred,Spiritual. Octavo. 12 pages. Kelvyn Koning #3556857. Published by Kelvyn Koning (A0.991908). Prayer of Saint Francis is based on the hymn Make Me a Channel of Your Peace by Sebastian Temple, which uses text from a prayer written by Saint Francis of Assisi. Part of the inspiration for the piece comes from Madison CRC, a church I belonged to and worked in for about five years, which was focused on interracial development and combating racism. It is often clear to a person who has belonged to any group of people (for example, a multi-racial church or a choir), that it takes a lot of effort for different people to unite harmoniously to achieve something greater than what any lone person could accomplish. This song is a prayer about unity, about peace between people who are different from each other. Different, in this case, refers to every sort of difference, whether in race, ethnicity, background, social class, gender, sexuality, age, religion, politics, personality, preferences, musical ability, etc. This piece includes different musical styles working in tandem, thus illustrating that differences can work together to create beauty and harmony. Though written by Christians, this is not just a prayer for Christians, but for all of us, that we may treat those around us with love, care, and respect, thus bringing peace to our communities, both locally and globally. I am honored to have had this piece premiered by the Berkshire Choral Apprentices of 2018 at Skidmore College in Saratoga Springs, NY.

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1279479 By Billy Williams. By Fred E. Ahlert and Joe Young. Arranged by Brad Esbensen. Jazz,Standards. Score and Parts. 97 pages. Brad Esbensen Music Services #870962. Published by Brad Esbensen Music Services (A0.1279479). This arrangement for big band and vocalist is written in the key of Ab minor and features an ensemble shout as well as solo space for 1st Trombone, 2nd Trumpet, and Piano. Brass ranges are generally moderate, but 1st Trumpet requires an Eb6 and 1st Trombone an Ab4. I hope you enjoy performing this chart and if you would like it transposed into another key, please e-mail me at brad@bemus.com.au. www.bemus.com.au.

Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1164155 Composed by Kevin Frecker. A Cappella,Chamber,Comedy. Octavo. 5 pages. Kevin Frecker #764211. Published by Kevin Frecker (A0.1164155). The Owl and the Pussycat is a nonsense poem written by Edward Lear in 1870. It takes me back to my late teens and early twenties when I would recite this poem with my 2 sisters. They would take the parts of the Narrator, the Owl, and the Pussycat. That would leave me with two words, the most important line in the poem, the Piggy-wig's line I will. Without this one line, the goal of the poem cannot be achieved - the marriage between the Owl and the Pussycat.Since this is a nonsense poem, the tempo and dynamic variations can be exaggerated to bring out the humor in the text. This setting is most ideal for an ensemble of soloists, but it could also be performed by an SAB choir with soloists for the parts of the Owl, the Pussycat, and the Piggy-wig. Happy singing!