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Guitar - Level 2 - Digital Download SKU: A0.1197008 By Tony Bennett. By Bart Howard. Arranged by André Nusa. 20th Century,Film/TV,Jazz. Guitar Tab. 2 pages. Andre_Nusa #796168. Published by Andre_Nusa (A0.1197008). This Chord melody guitar arrangement of Fly Me to the Moon is perfect for beginners or those who are new to playing jazz guitar. This simplified version retains the melody and chord progression of the original song, but is arranged in a way that is easy to play for those who are still building their guitar skills.Whether you are new to playing jazz guitar or simply looking for an easy and enjoyable arrangement of a classic song, this version of Fly Me to the Moon for easy solo guitar is the perfect choice. With its simplified chord progression and approachable melody, this arrangement is sure to delight and inspire players of all skill levels. The sheet music includes standard notation and tablature.
Fly Me To The Moon (in Other Words)
Guitare notes et tablatures
Tony Bennett
$6.99 5.96 € Guitare notes et tablatures PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.518631 By Gbērē Dodoh. By Holyone Tombari Dodoh. 20th Century,Blues,Jazz,Pop,Romantic Period. Score and parts. 100 pages. Holyone Tombari Dodoh #129341. Published by Holyone Tombari Dodoh (A0.518631). The broken hearted. Lyrics performed by an Open Source Virtual Singer Software (bot). Score and parts included. Lyrics No, no, no, no, no! Can't hide it anymore, She's happy but I'm hurt, I want to be her joy; She said I'm so annoy'ng, Baby I'm so sorry! Baby I'm so sorry! She has no hope in me making it big, She saw no future in me becoming rich, She chose luxury over me; Baby I'm so sorry! She saw no happiness with me so soon, She chose money over me Because I was broke; We ate together, We laughed together; We loved each other: She said she love me I am everything to her, She said I meant the world and the life in her, But she chose luxury over me, Baby I'm so sorry! Luxury so sweet; the life she feels I cannot give, She chose money over me Because I was broke; I was out in the colds Just to gist with you, I know my failures Made me look senseless And my path rejections Made me look worthless; I buried my labour just to make you so happy And sweet smile on your face gave me joy and hope on my dreams I will never forget you, I will always remember, For the memory of you Had consumed my thoughts, Baby I'm so sorry! Baby I'm so sorry! I thought I was the one for you all this while, I hope your luxury will love and care for you More than the way I would love and care for you, Because I thought my little love was just enough She chose money over me Because I was broke; No, no, no, no, no! Can't hide it any more, She's happy but I'm hurt, I want to be her joy; She said I'm so annoy'ng, Baby I'm so sorry! Baby I'm so sorry! My dreams of promises to her is gone with her For it never became a reality, I told her to never leave me. She said I'm giving her tough times. I called her my Belov'd the one in whom I am well pleased, I told her it will be all right for one day we Will make it to the top of the World together, But she never believed me Because I was broke; She started feeling bored for texting and chatting with me; She started laying False accusations against me; I denied pleasure and Distance just to be with her And made her so happy But she could not do same for me, Baby I'm so sorry! Baby I'm so sorry! She suspects me for what I do not know, I had to let it go For her to be happy Because that's what she wants! Baby I'm so sorry! Baby I'm so sorry! It's hard to say the word Because I was broke; Baby I'm so sorry! Baby I'm so sorry! Baby I'm so sorry! Baby I'm so sorry!
Broke - Chose Money Over Me
Ensemble Jazz
Gbērē Dodoh
$6.70 5.71 € Ensemble Jazz PDF SheetMusicPlus

Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1153432 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 42 pages. Socrates Arvanitakis #753693. Published by Socrates Arvanitakis (A0.1153432). This is the fourteenth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 14 (Songs 352-378)Georgie Jeems (Who will shoe my Foot)Gibson, Wilson and Johnson-The Three ButchersGipsy (The)Gipsy Countess Part 1 (The)Gipsy Countess Part 2 (The)Gipsy Laddy OGirl I Left Behind Me (The)GlenlogieGo Down MosesGo Tell it on the MountainGod Bless the MasterGod speed the ploughGolden Vanity (The)Good King EneryGood NewsGood Old Leathern Bottle (the)Goodbye fare-ye-wellGossip JoanGrampound Wassail (The)Green Broom 1Green Broom 2Green Bushes 1 (The)Green Bushes 2 (The)Green Bushes 3 (the)Green Gravel (Derbyshire)Green Gravel (Lancashire)Green grow the Leaves.
Folk Songs For Classical Guitar - Volume 14 (Songs 352-378)

$25.00 21.32 € PDF SheetMusicPlus

Level 4 - Digital Download SKU: A0.1136040 By Budapest Scoring. By King Henry VIII (attrib.). Arranged by David Warin Solomons. Classical,Contemporary. Full Performance. Duration 144. David Warin Solomons #736065. Published by David Warin Solomons (A0.1136040). Hélas madame is attributed to King Henry VIII. It is part of a secular collection, found on a manuscript that was used in Henry's court. The originality of the song has been questioned, with various parts of the song allegedly taken from similar pieces in Europe. The song itself is a courtship conversation in Middle French between a man and woman. Hélas madame, celle que j’ayme tant: Souffrez que soye vostre humble servant; Vostre humble servant je serays a toujours Et tant que je viv’ray aultr’ n’aymeray que vous. Hélas, beau sire, vous estez bel et bon, Sage et courtoys et de noble maison, Et aussi bon que l’on scairoit finer, Mais cil que j’ayme, ne scairoye oublier. Hellas, ma dame, pences en vostre cas: Entre nous deulx ne fault point d’avocatz. Certes non pas, et vous le scavez bien. Allez vous en, car vous ne faictez rien. Mon cueur souspire et se plaint tendrement, Quant il ne peult trouver allegement. Ne scay comment on me veult dechasser; S’il est ainsi, j’ayray ailleurs chasser. Hellas, ma dame, et n’en seray-je point? Certes beau sire, je ne le vous dis point. Servez a point: il vous sera mery. Hellas, ma dame, de bon cueur vous mercy. Alas my lady, whom I do so love: Suffer me to be your humble servant; Your humble servant I shall always be. And while I live, I'll love none else but you. Alas, fair sir, you are good and kind, Wise and courteous and from a noble house, And as good as one could find, But I can't forget the one I love. Alas my lady, think upon your case: Between us two, no need for advocate. Certainly not, and you know it well. Be gone, for you are doing nothing. My heart sighs and tenderly complains, When it cannot find relief. I know not how it wants me to woo; If it is so, I'll go wooing elsewhere. Alas my lady, and shall I not? Certainly, fair sir, I have not said so. Behave rightly and you will be rewarded. Alas my lady, from my whole heart, thank you. Performed by Anita Szabó Ildikó Szabady Iza Nagy Boglárka Dávid.
Variations on hélas madame for flute quartet (mp3)
Quatuor de Flûtes : 4 flûtes
Budapest Scoring
$4.50 3.84 € Quatuor de Flûtes : 4 flûtes PDF SheetMusicPlus

Wind Ensemble - Grade 3 - Digital Download SKU: IZ.WES141-S Composed by Blake R. Henson. Arranged by Frederick Umar. Score. 10 pages. Imagine Music - Digital #WES141-S. Published by Imagine Music - Digital (IZ.WES141-S). 9 x 12 in inches.As an arranger and transcriber of choral works for the wind orchestra, the most important responsibility I find is setting a storyline through instrumental textures. Several times I tried to embrace the depth of this work through its text. And though I thoroughly enjoyed its choral setting, I could not find the musical language that invited its instrumental conveyance. Then, on December 14th of 2012, while playing with my 8-year old daughter, I learned of the details surrounding Sandy Hook Elementary in Newtown, CT. There I sat, listening as a commentator told of the some 600 children at the school and their parents, who waited outside in a despair I cannot begin to imagine, hoping that their child was not one of the victims. Little by little, the children were released into the arms of their waiting loved ones. But nothing could have prepared me for the emotions that arose when I learned that the parents and grandparents of 20 children learned of their loss when they did not return to them. There are nowords to describe what this picture conveyed in my mind in that moment. But musically, what you are about to perform is the result. I deeply thank Blake R. Henson and GIA Publications for the right to transcribe this work on their behalf.
My Flight for Heaven

$10.00 8.53 € PDF SheetMusicPlus

Wind Ensemble - Grade 3 - Digital Download SKU: IZ.WES141 Composed by Blake R. Henson. Arranged by Frederick Umar. Score and Parts. 45 pages. Imagine Music - Digital #WES141. Published by Imagine Music - Digital (IZ.WES141). 9 x 12 in inches.As an arranger and transcriber of choral works for the wind orchestra, the most important responsibility I find is setting a storyline through instrumental textures. Several times I tried to embrace the depth of this work through its text. And though I thoroughly enjoyed its choral setting, I could not find the musical language that invited its instrumental conveyance. Then, on December 14th of 2012, while playing with my 8-year old daughter, I learned of the details surrounding Sandy Hook Elementary in Newtown, CT. There I sat, listening as a commentator told of the some 600 children at the school and their parents, who waited outside in a despair I cannot begin to imagine, hoping that their child was not one of the victims. Little by little, the children were released into the arms of their waiting loved ones. But nothing could have prepared me for the emotions that arose when I learned that the parents and grandparents of 20 children learned of their loss when they did not return to them. There are nowords to describe what this picture conveyed in my mind in that moment. But musically, what you are about to perform is the result. I deeply thank Blake R. Henson and GIA Publications for the right to transcribe this work on their behalf.
My Flight for Heaven

$70.00 59.71 € PDF SheetMusicPlus

Cello - Digital Download SKU: A0.1103919 By Mády-Szabó Eszter. By David Warin Solomons. Baroque,Chamber,Classical,Jewish. Full Performance. Duration 258. David Warin Solomons #707203. Published by David Warin Solomons (A0.1103919). This work is based on 4 melodies by Telemann but with many additional augmented-second twists, in Jewish music style, and various decorations. The original melodies are: Herr wie lange (Lord, how long) This is a canon for two voices based on the psalm text and forms the beginning and end of the work Herr, wie lange willst du mein so gar vergessen, wie lange verbirgest du dein Antlitz vor mir! Lord, how long you forget me how long will you hide your face from me The other pieces are based on Telemann's settings for voice and keyboard of poems by his contemporary Daniel Stoppe Glück - (Happiness) Das glücke kömmt selten per posta, zu pferde es geht zu fusse, schritt vor schritt; sein eigensinn ist nicht zu zwingen; Happiness seldom comes by post or on horseback It goes on foot step by step It does not demand compulsion Jeder sein eigener Richter (Each his own judge) Ich will vor meiner thüre kehren; ich habe gnug für mich zu thun; ich kenne mich, ich bin kein engel; ein jeder mensch hat seine mängel, wer diese tilgen will, darf lebenslang nicht ruhn. I will turn from my doors I have enough for myself to do I know myself, I am no angel Every person has his faults Anyone who wishes to wipe them out Can never be at at peace all his life Wind (Wind) Wind macht aus thoren kluge leute; durch wind verdient der narr sein brodt: The wind makes fools into clever folk The fool earns his bread by the wind Performed by Mády-Szabó Eszter of Budapest Scoring Cellos.
Telemensch (The isolated one) for Cello Solo (mp3)
Violoncelle
Mády-Szabó Eszter
$5.50 4.69 € Violoncelle PDF SheetMusicPlus

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.942058 Composed by Apostolos Paraskevas. 20th Century,Jazz,Opera,World. Score. 10 pages. Silver Sickle Publications #4729017. Published by Silver Sickle Publications (A0.942058). This witty and extremely fun work to perform by composer Apostolos Paraskevas was conceived after real events. There is a version for Soprano/tenor and Piano and one for guitar as well. Easy to perform and the text was inspired of the following narrative. I Slaughtered an Orange over the Sink... ...and it just sat there…It didn't say a word, not a sound of anguish, not even when my teeth started to tear apart it's flesh little by little... I knew it was a special orange but I couldn't fathom the magnitude of its character…Even when gentle I took it away from its friends there at the top of the kitchen counter, it looked at me almost with a sense of gratitude. Yes, gratitude.! As if it was saying: Thank you! Thank you for helping me to fulfill the purpose of my life…Since I was a little seed I knew I would serve a higher purpose. My sacrifice will help a human to become a healthier mother, doctor, composer, a better scientist. Yes, I think I felt it said…a better composer as well. ...and there I was, sinking my teeth deep inside its flesh and taking all of what it had to offer. It's life, it's substance, it's gratitude for serving a higher purpose. I slaughtered it over the sink, to avoid any evidence of what had happen there. The remaining outer sell, I placed it on the stove top and lighted up with fire, as my mother use to do, to release the heavenly smell and there it was. Evaporated everywhere! I inhale it, It became totally a part of me. Today, I slaughtered an orange over the sink and I didn’t say thank you!   Apostolos Paraskevas is a classical guitarist and composer as well as an award-winning film director and producer. He has received multiple international awards for his compositions and was nominated for a Grammy Award. He is the only guitarist ever to have a major orchestral piece performed at Carnegie Hall under the direction of Lukas Foss––and the only musician who has performed there in a Grim Reaper outfit. He was the founder and served for 16 years as the artistic director of the International Guitar Congress-Festival of Corfu, Greece.  He is a voting member of the Recording Academy (Grammys).   After his undergraduate music studies in Volos he pursued advanced studies in classical guitar with Costas Cotsiolis (diploma, 1990) and Leo Brouwer (Havana 1984, 1988), as well as postgraduate studies in composition with Lukas Foss and Theodore Antoniou (DMA in composition, Boston University, 1998). Paraskevas embarked on a successful career as a guitar soloist and contemporary composer, achieving distinctions in both disciplines: Grammy nomination for Chase Dance (Bridge Records, 1999); first prize for Night Wanderings (Lukas Foss Composition Competition, 2000); first prize for Phygein Adynaton (National Composers Conference, 1997); and numerous prestigious commissions, performances, and publications. Following teaching posts at Northeastern and Boston Universities, Paraskevas has taught since 2001 at the Berklee College of Music in Boston (professor of composition and classical guitar). His eclectic compositional style arises as an idiosyncratic integration of seemingly conflicting influences – from avant-garde approaches to harmonic structure, form, and timbre, to pop-folk modal and rhythmical concepts – amalgamated into a personal evocative musical language, characterized by rhythmic verve, melodic grace, dramatic (and sometimes unexpectedly humorous) gestures, and ritualistic or theatrical elements. The latter feature has also led Paraskevas to the creation of films, notably the acclaimed I Finally Did It (Gold award, California Film Awards 2010), dealing wittily with Death, a recurring extra-musical theme in his music. The Groves Dictionary of Music Costas.
An Orange for Soprano/Tenor and Piano
Piano, Voix

$8.99 7.67 € Piano, Voix PDF SheetMusicPlus






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