Bassoon,Clarinet,Oboe,Piano - Level 3 - Digital Download SKU: A0.1426546 Composed by Johann Sebastian Bach. Arranged by Kamada,Mikio. Baroque. 5 pages. ACORDO Sheet Music #1007246. Published by ACORDO Sheet Music (A0.1426546). Johann Sebastian Bach composed the cantata Ich hatte viel Bekümmernis BWV 21 during the Weimar period. Craig Smith of Emmanuel Music suggested that this work was not only written to accompany the readings for the third Sunday after Trinity, but also to bid farewell to the gravely ill Prince Johann Ernst of Sachsen-Weimar, one of Bach's talented students. However, at the time, Prince Johann was seriously ill and was on his way to Swabia for recovery.The first movement, Sinfonia, is a deeply sorrowful piece, characterized by a rich dialogue between the oboe and violin. Julian Mincham of The Cantatas of Johann Sebastian Bach described it is a continuous discourse between oboe and first violin, quite possibly suggestive of the dialogue structure (Christ and the Soul) to be found in later movements, however, it sounds like a dialogue between the Prince and Bach for me.The string ensemble part was transcribed for piano to make it easier to play. The solo parts are originally for oboe and violin, but in this arrangement, they are for oboe and clarinet.  The bassoon (or cello) part is the same as the piano's left hand and is optional.

English Horn,Oboe,Piano - Level 3 - Digital Download SKU: A0.1426549 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 5 pages. ACORDO Sheet Music #1007249. Published by ACORDO Sheet Music (A0.1426549). Johann Sebastian Bach composed the cantata Ich hatte viel Bekümmernis BWV 21 during the Weimar period. Craig Smith of Emmanuel Music suggested that this work was not only written to accompany the readings for the third Sunday after Trinity, but also to bid farewell to the gravely ill Prince Johann Ernst of Sachsen-Weimar, one of Bach's talented students. However, at the time, Prince Johann was seriously ill and was on his way to Swabia for recovery.The first movement, Sinfonia, is a deeply sorrowful piece, characterized by a rich dialogue between the oboe and violin. Julian Mincham of The Cantatas of Johann Sebastian Bach described it is a continuous discourse between oboe and first violin, quite possibly suggestive of the dialogue structure (Christ and the Soul) to be found in later movements, however, it sounds like a dialogue between the Prince and Bach for me.The string ensemble part was transcribed for piano to make it easier to play. The solo parts are originally for oboe and violin, but in this arrangement, they are for Oboe and Cor Anglais.  The bassoon (or cello) part is the same as the piano's left hand and is optional.

Bassoon,Clarinet,Piano - Level 3 - Digital Download SKU: A0.1426548 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 5 pages. ACORDO Sheet Music #1007248. Published by ACORDO Sheet Music (A0.1426548). Johann Sebastian Bach composed the cantata Ich hatte viel Bekümmernis BWV 21 during the Weimar period. Craig Smith of Emmanuel Music suggested that this work was not only written to accompany the readings for the third Sunday after Trinity, but also to bid farewell to the gravely ill Prince Johann Ernst of Sachsen-Weimar, one of Bach's talented students. However, at the time, Prince Johann was seriously ill and was on his way to Swabia for recovery.The first movement, Sinfonia, is a deeply sorrowful piece, characterized by a rich dialogue between the oboe and violin. Julian Mincham of The Cantatas of Johann Sebastian Bach described it is a continuous discourse between oboe and first violin, quite possibly suggestive of the dialogue structure (Christ and the Soul) to be found in later movements, however, it sounds like a dialogue between the Prince and Bach for me.The string ensemble part was transcribed for piano to make it easier to play. The solo parts are originally for oboe and violin, but in this arrangement, they are for Clarinets.  The bassoon (or cello) part is the same as the piano's left hand and is optional.

2 (1. auch Picc.) · 2 · 2 · Bassklar. · 2 - 2 · 2 · 2 · 1 - P. S. (Glsp. · Marimba · Crot. · 2 hg. Beck. · Tamt. · 3 Bong.) (2 Spieler) - Hfe. - Str. violin and orchestra - Digital Download SKU: S9.Q6297 Nocturne for Violin and Orchestra. Composed by Henri Dutilleux. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 10 minutes. Schott Music - Digital #Q6297. Published by Schott Music - Digital (S9.Q6297). Sur le même accord (about a single chord) is - as the subtitle suggests - a nocturne-like work. Although in one mouvement, at its centre are two expressive sections, which alternate with more rapid writing. The soloist plays a concertante role with the orchestra. In both the solo part and the orchestral texture, a six-note chord can be heard throughout the work, either concealed or more overtly, given to soloists drawn from the orchestra. At the start of the work, the solo violin announces these six pitches, first as a monody, then double-stopped; this material is then distributed vertically (played as a chord) by various instrumental groups. Mirror writing and different orchestral colours transform this chord, but it is omnipresent, an obsession. This relatively short work is dedicated to Anne-Sophie Mutter, to whom I was introduced by Paul Sacher about fifteen years ago. Since then, this great artist, who captivates so many composers, has unceasingly added to her repertoire music of our time by commissioning new works in many genres from contemporary composers. - Henry Dutilleux.

Small Ensemble,Strings Cello,Guitar,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.801605 Composed by Connie Boss. Christian,Easter,Sacred. Score and parts. 23 pages. Connie Boss #6254973. Published by Connie Boss (A0.801605). This book contains 4 original songs for Lent and Easter. Each song takes you one step closer to Easter. You will get a score of strings trio and piano, plus just the strings in 2 pages each so no page turning. These are all lovely with harmonies and moving parts. Strings trio is for violin, viola and cello. cdboss @cvalley.net. I also have these individually and with vocals as well.Lyrics:The Journey (Lenten) Composed by Connie Boss   Verse 1: As we start this Lenten journey A time of fast and prayer We reflect on your own journey And it’s beyond compare   Refrain:   For you fasted in the desert For forty days And you battled with the devil In every way   Verse 2:   Ash Wednesday starts our journey With a mark of sacrifice A cross of ashes on our foreheads For us you paid the price   Refrain:   For you fasted in the desert For forty days And you battled with the devil In every way   Verse 3:   As our time ends for this journey We enter Holy Week We reach that fateful day Forgiveness now we seek   Refrain:   For you fasted in the desert For forty days And you battled with the devil In every way   Final Refrain:   So through our Lenten journey We fast and pray And we battle with the devil In every wayTowel and Basin(Holy Thursday)Composed by Connie Boss V1Before the feast of the Passover, JesusKnew His time had comeHe would leave this world to travel to HisFather’s Kingdom come Refrain: Father I’ll do What You want me to V2Jesus knew there was a traitor among His treasured friendsand He gave him many chancesbut he betrayed Him in the end Refrain: the Devil inducedHis friend Judas V3 Simon Peter said to Jesus, youNeed not wash my feetJesus said unless I wash themYou’ll have no place with Me Refrain: Hear my commandThen You’ll understand V 4 Jesus used a towel and basinTo wash the disciples feetHe told each person when He finishedDo the same to those you meet Final Refrain: For you will be cleansedNow free from sinAll but one of youJesus used a towel and basinTo wash the disciples feet Crucified (song for Good Friday) Composed by Connie Boss   Refrain: Crucified, Lord they crucified you. Crucified, Lord they crucified you.   V1 The people shout.     Let’s crucify! He’s not our King.     So, He must die But Pilate said.           Is He the one? I see no crime.           That He has done.   Refrain: Crucified, Lord they crucified you. Crucified, Lord they crucified you.   V2 With piercing thorns.   A crown of grief! Carried a cross.             To Calvary They nail your hands.  And then your feet Upon the cross.         For all t.

Euphonium,Low Brass Quartet,Tuba - Level 3 - Digital Download SKU: A0.1451869 Composed by Jonathan P. Kochik (ASCAP). Chamber. 29 pages. Jonathan Kochik Music, LLC #1031179. Published by Jonathan Kochik Music, LLC (A0.1451869). Times of change are not always easy to go through in life. Maybe you have become comfortable with the way things are or, perhaps, you are so scared of change that just thinking about it gives you anxiety, but not all change is bad change. If we take a moment to observe the natural occurrences that take place around us every day – sunrises and sunsets, tides coming in and going out, the transformation of winter to spring – we can begin to see that change is a necessary part of growing and developing into who we. However, these moments in your life are not always easy ones. Anew explores the journey of someone experiencing a moment of great change in their life. What sort of emotions are they feeling? What thoughts are going through their head? As someone who has gone through a big shift in my career path, I wanted to compose a piece to help me process my emotions and organize the thoughts in my head on why I felt this change needed to happen. Having the motto “words fail music speaks,” I was inspired as a composer by way of ostinato rhythms, melodic extension, and juxtaposed musical styles to help unpack what words simply could not quantify.

Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719770 Composed by Various. Arranged by Curtis Hanson. Sacred. 10 pages. Curtis Hanson #6069399. Published by Curtis Hanson (A0.719770). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have mostly elected to use the older texts as that is the way they were first written and the way I first learned them. (*See below for more comment on the texts in this set.) There is a reverence and beauty in the language enriching the vocal tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set are Children of the Heavenly Father, Day by Day, Thy Holy Wings, and Beautiful Savior. This collection of arrangements is also available for SATB voices and piano or piano solo.*A note on the texts in this set: Having grown up in a Swedish Lutheran church, the grandson of Swedish/Norwegian immigrants, and currently being choir director of another Swedish Lutheran church, these hymns have a special place for me. This medley of hymns was originally arranged for my church choir with the first verse of each in Swedish. Being under copyright, permission was obtained to use the more familiar English translations of the first three songs for local use. For this edition, I have opted to create my own texts for the first and third hymns while the second hymn is a translation in public domain. I have also provided a verse in English in lieu of the Swedish for those Nordically challenged. The fourth hymn is not a Swedish melody but for obvious reasons is a mainstay of the Lutheran hymnal. Like the other hymns, the first verse is in Swedish while the other traditional verses are also public domain.

Rhythm Section 2-Part Chorus,Voice - Level 5 - Digital Download SKU: A0.1426660 By Holiyo. By Holyone Tombari Dodoh. Blues,Contemporary,Film/TV,Jazz,Soul. Vocal Jazz Ensemble. 35 pages. Holyone Tombari Dodoh #1007362. Published by Holyone Tombari Dodoh (A0.1426660). Lyrics:I see you don't care, You don't care. I see you don't care. Won't you take care of me? Won't you take care of me? Won't you take care of me? I used to be your keeper,Was always there for you all time,And if you cried,I'd hold you,Close to my heart and whisper,You are the best thing in this world,My little sweet,Cry no more.Now, won't you take care of me? Won't you take care of me? Won't you take care of me? You needed me,I was there,I could not leave you there alone.My little love,You got me.You called to me;Teach me all,I was so glad to show you all,My little dear,Know it all.And when you're scared,I held you,I said, My baby, I'm right here.I prayed to God,Keep my love!But now, won't you take care of me?Won't you take care of me?Won't you take care of me?My little sweet,My happiness,I will never forget.Now a grown-up,Now you don't care,Never remember me? I just need you here with me.I cannot do it on my own,My little best,You've so grown.I need you to understand;I will not be here for so long,My little sweet,I need you now!So now, won't you take care of me? Won't you take care of me? Won't you take care of me?