Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1474370 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #1051989. Published by Kevin G. Pace (A0.1474370). A beautiful, sacred hymn with music by Kevin G. Pace and text by Kathryn W. Hales.Text:As I rise to meet the morn,My heart is heavy, sad, forlorn,I pick up my load,Look down the long road,Then I drop to my knees to pray.The Lord hears my prayer,For He’s always there;My needs are known,I’m not alone,And the Song of the Lord fills my day.As the evening shadows fall,I yearn to run to bedtime’s call,But first I must,For in God I trust,And I drop to my knees to pray.I give thanks to Him,Seek forgiveness of sin,For strength to do work,My duty not shirk,For the Song of the Lord filled my day.Chorus:The Song of the Lord touches my soul,It gives me strength, it makes me whole,His presence is sure for peace it doth bring,This song of the Lord, I’ll gladly sing.Rejoice in the Song of the Lord.

Organ - difficult - Digital Download SKU: S9.Q19995 Poème symphonique. Composed by Robert M. Helmschrott. This edition: Sheet music. Downloadable. Duration 32 minutes. Schott Music - Digital #Q19995. Published by Schott Music - Digital (S9.Q19995). Used as a place of worship for centuries, first by Christians and then by Muslims (from 1453), the Hagia Sophia (Istanbul) still amazes people from all over the world. Since 1934, it is a museum – but more than that, the Hagia Sophia, a unique architectural work of monumental proportions in Christian Antiquity and the Middle Ages, is described as a mystical place. Monumental, yet mysterious, a 'miracle of space', a symbol, a sign. 'Sophia', the holy wisdom, accompanies us through the whole Bible history. The present music has to be regarded against this background: A reflection, contemplation with music and poetry. The Creation is powerful, but the truth about it is powerful as well. And the realization that the path to truth is reached through wisdom. As a consequence, this piece has to cross the powerful for half its duration, monumental. It is the cupola over all following (observing) verses (sections). From bar 371, the path leads back into the powerful, into the rejoicing (bar 406). It must not be forgotten to mention the suggestion of 'singing in a mosque' (bar 510) which is answered by a simple prayer (bar 511). This is reminiscent of the mosaic above the imperial door of the building portraying Jesus Christ sitting on a jewelled throne. He holds an open book in which one can read 'Peace be with you. I am the light of the world'. The line and sound of Hagia Sophia are based on a symmetrical eight-note row (mode B) with the notes B, C sharp, D, E/F, G, A flat (G sharp), B flat (A sharp). Although the major-minor relations are removed, harmonic connections (colours) emerge nevertheless.

Piano Solo - Level 4 - Digital Download SKU: A0.1274156 By Gilbert O'Sullivan. By Gilbert O'Sullivan. Arranged by John Fries. 20th Century,Pop,Standards. Score. 3 pages. John Fries #866291. Published by John Fries (A0.1274156). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.   Alone Again (Naturally) is a song by Irish singer-songwriter Gilbert O'Sullivan. It was released in 1972 at the same time as, but not included on, the album, Back to Front. In total, the single spent six weeks, non-consecutively, at No. 1 on the United States Billboard Hot 100 singles chart. Billboard ranked it as the No. 2 song for 1972.

Piano Solo - Digital Download SKU: A0.1032415 Composed by Marinette Lapid. Contemporary. Score. 3 pages. Majestic #4797133. Published by Majestic (A0.1032415). This is my very first piece that i published. This is not so complicated piece but a bit emotional for me and i dedicate this to the person i love the most.

Piano Solo - Level 5 - Digital Download SKU: A0.1308099 Composed by Ann Ruane. New Age. Score. 8 pages. Ann Ruane-Lux Eterna Healing #897372. Published by Ann Ruane-Lux Eterna Healing (A0.1308099). Inspired by a poem in “Fall in Love with the Whispers of Your Heart� Book 2: “Heal me from the inside out.� Constant flowing of the RH over the LH melody, cleansing. Seamless, but not too fast. From the collection, “Inner Mosaic,� by Ann Ruane. Perfect for meditation, healing therapies, service prelude/interlude, reflection, and more.

Guitar,Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1195738 By Gilbert O'Sullivan. By Gilbert O'Sullivan. Arranged by John Fries. 19th Century,Pop,Standards. Score. 3 pages. John Fries #794911. Published by John Fries (A0.1195738). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Alone Again (Naturally) is a song by Irish singer-songwriter Gilbert O'Sullivan. It was released in 1972 at the same time as, but not included on, the album, Back to Front. In total, the single spent six weeks, non-consecutively, at No. 1 on the United States Billboard Hot 100 singles chart. Billboard ranked it as the No. 2 song for 1972.

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1244630 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Historic,Holiday,Patriotic. Octavo. 27 pages. John van Gulik #839583. Published by John van Gulik (A0.1244630). A moving remembrance of the young lives sacrificed in the First and Second World Wars defending our freedom. This is a setting to an original text by John van Gulik arranged for men's choir.The leaves on the ground are all broken and grayTheir color has gone taking glory awayOnset of winter will bury them allSuch is the season, the season of fall   Leaves of autumn, leaves of the fall   Millions of discarded parts of us all   Time will forget them, forget them it will   And yet they have fallen... The season of fallThe dead all all gone, we remember them stillLives given freely, buried under a hillResting in fields where the red poppies growMarkings are fading for those down belowCold sleeping life lays under the snowSlumbering gently while winter winds blowWaiting for springtime to finally comeMelting the cover, at last feel the sunVisions of future beyond paths of warHope that the world will see it no moreThe dead are not gone, just sleeping awayTo rise once again on that last dayLess now remembered except once a yearMemories are fading to soon disappearResting and waiting beneath the sodForgotten by living but still known to GodFor additional parts, accompaniment track, or other arrangements, contact me at vangulik.john@gmail.com or visit my website at https://jvgmusiconline.com.

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.749235 By Slade. By James Lea, Jim Lea, and Neville Holder. Arranged by HELEN MARPLE-HORVAT. Contemporary. Score and parts. 15 pages. Helen Marple-Horvat #6134105. Published by Helen Marple-Horvat (A0.749235). youtube.com/watch?v=b74tCHtcmFM‘Merry Christmas Everybody' is a major hit in the UK, and the familiar song heralds the festive season with all the ‘feel good’ emotions that come with it. We hear it in shops, supermarkets, and radio stations all over the country for the weeks in the run up to the celebrations, as it is part of a popular compilation of hits. It was a Christmas number one in 1973 and stayed there for nine weeks. Although it was recorded in New York it is not so well known in the USA which is a surprise to me. I have always loved it because of the unusual chord progressions at the end of the Chorus, and because Noddy Holder is from the West Midlands where I was born and bred. We don’t have too many famous people from around there!It is important to keep a steady tempo but it doesn’t need to be as fast as the original (120 bpm) However It *is* in the same key as the original and follows the structure exactly, so it may be possible to play along with it before coming to rehearsal, which is always helpful. It is useful to feel the syncopation that way. We planned to record this last March but that was before Lockdown!The tune is shared between first violin, viola and cello. The second violinist needs to keep a rock steady pulse. Although it is suitable for a professional quartet to play, and the first violinist often plays the tune up an octave, I feel that it is easy enough for a quartet of Grade 5 ABRSM to play with a few modifications such as playing open strings. The cellist will need to be able to play in fourth position and to stretch for the F sharps on the C string, but feel free to change the octaves or use pizzicato in the bass part if it makes things easier.The bowing is a guide only, based on the rehearsal with Capriccio Quartet, so all players should take as many bows as they need in order to feel comfortable. Enjoy playing the piece and send me any recordings on Facebook. I love to hear from people who have played my arrangements.You can hear Capriccio Quartet play my other arrangements at the Youtube Channel, Helen Marple-Horvat Songwriter, Arranger, Composer, Capriccio Quartet. All but two are available from Sheet Music Plus.

Piano Solo - Level 4 - Digital Download SKU: A0.1012016 Composed by Benjamin Amos. Contemporary. Score. 8 pages. Benjamin Amos #3531933. Published by Benjamin Amos (A0.1012016). Springtime is a bright and optimistic piece that makes me smile every time I play it. Written in a very loosely defined A-B-A form, Springtime has a beautiful reoccurring theme of gratefulness which F# Major sings out to its fullest. A great piece for performance and for fun! With very few accidentals, the music score is challenging but mostly straight forward within the time signature: the biggest challenges are mainly overcoming the key of F# Major and the occasional variations in time signature. Springtime is 8 pages and about 3 minutes played up to tempo. A few additional musical theory notes to mention: Springtime is written in 6/8 (and 4/4 during the B section) for most of the piece; however, rhythmical variations in beat also occur throughout the piece which add neat additional layers-- specifically, time signatures 10/8 (grouped 123 123 12 12 etc.) and 8/8 (grouped 123 123 12 etc.).

Piano Solo - Level 3 - Digital Download SKU: A0.996220 Composed by Michael Bufalini. 20th Century,Concert,Contemporary,Halloween. Score. 3 pages. Michael Bufalini #4837569. Published by Michael Bufalini (A0.996220). Filled with a dark passion one can only hope that life is a blessing. It is a hardship for me to get away from using 16th notes for everything. But, I am trying.

Brass Ensemble - Level 3 - Digital Download SKU: A0.872471 Composed by Gregprian Chant/Mason. Arranged by James K. Taylor. Christian,Sacred,Traditional,World. Score and parts. 8 pages. James K. Taylor #2037133. Published by James K. Taylor (A0.872471). The hymn WHEN I SURVERY THE WONDROUS CROSS began as Gregorian Chant and was eventually harmonized by Mason. This is one of the most beautiful hymns in the hymnbook but it only uses five notes for the melody. That is hard for me to believe. I hope you get to play this horn quartet.

Full Orchestra - Level 3 - Digital Download SKU: A0.1402356 Composed by Ron Goodwin. Arranged by Chris Siddall. Film/TV. 33 pages. Chris Siddall Music Publishing #985569. Published by Chris Siddall Music Publishing (A0.1402356). While his scores for both 633 Squadron (1963) and Operation Crossbow (1965) had boasted patriotic, major-key themes celebrating the heroics of the protagonists, composer Ron Goodwin took a different approach for Where Eagles Dare, generating his main theme for the picture out of the initial notes of an ascending minor scale. Rather than celebrate the heroics of the screen characters, the title music embodies the single-minded ambition of the protagonists to infiltrate the mountain fortress of Schloss Adler and complete their mission, no matter what the costs. The composer recalled in a 1994 interview that some of this approach came from the filmâ??s director, Brian Hutton. For instance, he wanted music at the beginning of the film but he also wanted to hear the airplane engines approaching from the distance, which is actually why he started off with just the side drums playing quietly and then building up and getting louder, so that you could actually hear the sound of the airplane before the orchestra comes in. After the snare drum and the â??Aâ?� section of the main title comes a melodically related fugal section that, the composer told Randall D. Larson in 1984, was an idea that arose from the â??concept of people following each other around and dodging away from each other...[which] gave me the idea of writing a sort of fugue-style theme...and then I used that in various ways for all the sort of creeping and following and chasing that was going on throughout the film.â?�Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!

Piano Solo - Level 3 - Digital Download SKU: A0.744630 Arranged by Arranged by Elena Fortin. Christian,Contemporary,Sacred,Spiritual. Score. 4 pages. Elena Fortin #6082835. Published by Elena Fortin (A0.744630). Amazing Grace - Intermediate piano solo Arranged by Elena FortinLately, I have been working on arrangements and videos of songs that I consider to be important either in the way they touch listeners, in how they are used, or if they have stood the test of time.Amazing Grace is a beautiful, traditional hymn with well-known lyrics penned by John Newton. The original hymn was published in 1779, with the words written in 1772. This piece is one of those songs that can be used for many different reasons. It is used in worship services, as a hymn of praise and faith, as celebration of life lived, and as a prayer of thanksgiving.  My arrangement is for the intermediate player. The arrangement is simple, but should be played expressively. Each repetition of the hymn is slightly different, with the second repetition using the harmonic structure but introducing a new invented melody by me. (You can hum the melodic line of Amazing Grace over the top of this second repetition and you'll see what I mean!) The very last repetition is played allargando which means slightly slower, and more broadly. Enjoy those left hand octave notes and full chords! Please check out my website at https://www.the-piano-studio.com to keep up to date. If you would like to keep up with my new arrangements or videos, please subscribe to my YouTube Channel https://www.youtube.com/channel/UCFOzbMUgcFWlmG-nfHOT_Zg?view_as=subscriber If you enjoy this arrangement, please check out my other work on my Sheet Music Plus publisher page here: https://www.sheetmusicplus.com/search?Ntt=Elena+fortin

Cello,Cembalo,Violin - Level 4 - Digital Download SKU: A0.1224544 Composed by Jose Bravo. Baroque,Chamber,Classical,Early Music. 107 pages. Jose Bravo #820650. Published by Jose Bravo (A0.1224544). From the Composer:I committed last year (2022) to review my musical works that have been in digital storage, complete them as necessary, and release them for the world to hear. I finally finished my first work on this list, one that's been on my hard drive in one version or another since 1999 (that's 24 whole years!).Las Follias de España (which despite its name, originally came from Portugal) is a chord progression usually in either D minor or G minor in the form of i-V-i-VII-III-VII-i-V. Composers for the last 500 years have used this chord progression to come up with some fantastic theme and variations, ranging from unaccompanied works, trio sonatas, to even full orchestral implementations. You can spend a looooong time listening to all the beautiful compositions that composers have made over the centuries highlighting this very captivating set of chords.I humbly submit my own version of La Folia in D minor for String Trio and Cembalo (harpsichord). I wrote my first version of this in my senior year of High School as a challenge to myself to write music in a genre I loved. I made updates here and there over the years, but its sat on a hard drive the entire time. It's taken me months to essentially rework it to my satisfaction and has been submitted for copyright. I have uploaded it to YouTube to share with others.BIG SHOUT OUTS to the three composers that inspired me in this work:Corelli: - His version of La Folia is probably the most popular for violinists, especially those that play out of the Suzuki books. I included a modified version of his Folia (Variation 9) in my work (with all other parts being vastly different from his interpretation) as an homage to his work.J.S. Bach - He showed me that music can be as intelligent as it is beautiful. I have two variations inspired by his work. Variation 8 is one that I wrote this year (2023) which I wanted to write for a long time is a variation that showcases the Harpsichord. Bach's keyboard works and unaccompanied violin works inspired me here. Second, Variation 14 I feel has Bach's inspiration all over it. The violin parts are each playing separate distinct melodies in double counterpoint which trade parts on the repeat. The bass line follows a pattern that Bach has employed for the bass on a number of Violin concertos and lastly, the Harpsichord treble part is a mensuration canon based on one of the violin parts, with the keyboard part playing the melody 4x as fast with variations. Lastly on a play of numbers, number 14 was a very special number for Bach, and as a tribute, I've made this the 14th variation in my work. This was also a new variation I added this year (2023) as well.Vivaldi - My first musical love. I feel that I captured a little bit of his musical DNA in all my works and this piece showcases this. Vivaldi's works is what made me fall in love with Baroque music and I am indebted to him for the profound impact his works have had on my life.So here you go. 413 measures. My longest individual work to date. And because I love playing with numbers, I decided to release this to the world on my 41st Year, 3rd month. Enjoy!-  Jose Bravo.