Composed by George Gershwin (1898-1937). Arranged by Stephen Miller, edited by Bill Carmody. Swing, Smooth Jazz, Musicals, Pop. Score, Set of Parts. 9 pages. Published by wjcarmody@gmail.com (S0.82311). - Score,Set of Parts - Swing,Smooth Jazz,Musicals,Pop - wjcarmody@gmail.com

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1503518 By Louis Prima. By Louis Prima. Arranged by Brad Esbensen. Blues,Contemporary,Jazz,Pop,Standards. 108 pages. Brad Esbensen Music Services #1078935. Published by Brad Esbensen Music Services (A0.1503518). Arranged as a big band vocal feature (innitially in Bb major, modulating to B major), this arrangement loosley follows a similar form to the version recorded by the Brian Setzer Orchestra. Arranged at bright swing tempo, there is solo space in this chart for anyone who wants to blow. Brass ranges are generally moderate, but after the key change 1st Trumpet requires an Fb (E) 5 and 1st Trombone a Bb4. I hope you enjoy performing this chart and if you would like it transposed into another key or adapted for a younger ensemble, please e-mail me at brad@bemus.com.au. www.bemus.com.au.

Small Ensemble Cello,Harpsichord,Violin - Digital Download SKU: A0.890771 Composed by Tomaso Giovanni Albinoni. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 8 pages. Sneakwood Editions #4782289. Published by Sneakwood Editions (A0.890771). While in Venice, Pisendel met another of the great Italian composers of the time, Tomaso Albinoni. Albinoni, too, was captivated by the young virtuoso, to the extent that Pisendel returned to Dresden with three sonatas for violin and continuo copied by the Italian master himself. But, although we can assume that all three sonatas were dedicated in some way to Pisendel, it is the Sonata for violin and continuo in B flat Major that bears a special dedication on its frontispiece: Sonata a Violino solo di me Tomaso Albinoni Composta p[er] il Sig:[re] Pisendel. And not only this dedication but also certain musical aspects lead us to believe that the sonata in question may have been written specifically for Pisendel. The sonata goes beyond Albinoni’s usual technical requirements, exploring the upper register of the violin in a way that appears only rarely in other sonatas by this Italian. And, in the second movement, marked Allegro, we find an unusual and virtuoso use of triple stops in a fast semi-quaver rhythm. This singular effect is used by Albinoni in only one other work, the Concerto for violin and strings in C Major Co2, although with a strange and interesting nuance: of the versions of the concerto that remain we find this technique only in a manuscript version in Dresden, the version that Pisendel brought back from Italy in 1717 together with the sonata. Other versions of the concerto, such as the one published by Roger around 1717, or other manuscript versions do not contain the triple-stop passages. This suggests that they may be a personal touch added by Albinoni in recognition of Pisendel’s remarkable performing skills.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1362537 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. 21st Century,Christian,Contemporary,Country,Folk. Score. 6 pages. Kevin G. Pace #946987. Published by Kevin G. Pace (A0.1362537). A fun, country-style song about good memories of mom and coming home again.  Music by Kevin G. Pace.  Text by Kathryn W. Hales.Text:The teacher said I had done a good job, And applied a bright shiny star, At the To the top of the grammar school paper, I cannot wait to show it to Ma.�The coach said that old cut was nothin at all, Though it might just leave a scar. “You've just gotta be tough, he said with voice so gruff, I know Mama's kiss can heal from a far. Chorus: I'm comin' back home to you, Mama, Though my steps have taken me so far, Oh, praise for a star and a kiss for a scar, I am comin' back home to where you are. . I've grown now, moved on or so they say, Cut those old apron strings, Though your hair is as snow, your voice so low, Your face such sweet memories bring.  Across the wide world I've traveled, The miles between us are long, But through the years, the fears, and through the tears, Your smile floats to me like a song.Chorus:Ending:When life's road gets rough And the goin' gets so tough, Home will be wherever; Wherever you are.

Piano Solo - Level 2 - Digital Download SKU: A0.912632 Composed by Johnson Lee. Contemporary. Score. 2 pages. Johnson lee #1920997. Published by johnson lee (A0.912632). This tune was premiered at the funeral of the first Prime Minister of Singapore Mr Lee Kuan Yew. This tune pays tribute to the people who have made contributions to this world. Their sacrifice and generosity have enriched us. Their love and spirit is passed on to the future and their example for us to follow. https://www.youtube.com/watch?v=6lJP6M6klPkRemarks from my friend Samantha Tang:I like the first half and very last part. Last Part is like a link back to the beginning, like a you went round a full circle, depicting life cycle. Beginning Part is is soothing and gradual; Somewhat like a child starting his life. It builds up and peak like a peak of one's life or career. There is one part I like, sounded like a mix of regrets and acceptance.   When I listen to this piece of music, the word reflections comes to my mind. The second half that sounded bold reminds me of part of one's life where he was leading at his best. Its a peaceful Song with a lot of emotions that developed progressively.Samantha showed this video to a boy with Autism and he calmed down. I was told that the usual Mozart music does not calm him down anymore and he paid no interest. I like the first half and very last part. Last Part is like a link back to the beginning, like a you went round a full circle, depicting life cycle. Beginning Part is is soothing and gradual; Somewhat like a child starting his life. It builds up and peak like a peak of one's life or career. There is one part I like, sounded like a mix of regrets and acceptance.   When I listen to this piece of music, the word reflections comes to my mind. The second half that sounded bold reminds me of part of one's life where he was leading at his best. Its a peaceful Song with a lot of emotions that developed progressively. https://www.youtube.com/watch?v=6lJP6M6klPkRemarks from my friend Samantha Tang:I like the first half and very last part. Last Part is like a link back to the beginning, like a you went round a full circle, depicting life cycle. Beginning Part is is soothing and gradual; Somewhat like a child starting his life. It builds up and peak like a peak of one's life or career. There is one part I like, sounded like a mix of regrets and acceptance.   When I listen to this piece of music, the word reflections comes to my mind. The second half that sounded bold reminds me of part of one's life where he was leading at his best. Its a peaceful Song with a lot of emotions that developed progressively.Samantha showed this video to a boy with Autism and he calmed down. I was told that the usual Mozart music does not calm him down anymore and he paid no interest.

Piano Solo - Level 2 - Digital Download SKU: A0.519073 By Alessia Cara. By Lin-Manuel Miranda. Arranged by Elli Kozak. Broadway,Children,Film/TV,Musical/Show,Pop,Rock. Score. 6 pages. Elli Kozak #129699. Published by Elli Kozak (A0.519073). Please feel free to reach out to me at elli@ellikozakmusic.com with arrangement requests! Solo piano late-beginner arrangement of Disney's Moana's hit, How Far I'll Go. The sample you hear is a snippet from the chorus section of the arrangement. This beginner arrangement transposed to C major has large noteheads with note names written in them. The left hand is very simplified, usually just playing 1-note whole notes at a time. The right hand rhythm is simplified, but still stays quite true to the original. This is a great way of playing a very impressive piece at an early stage in one's piano-learning journey for a student with good intuition. I hope you enjoy playing this arrangement!

Small Ensemble Bass Clef Instrument,Bass Trombone,Euphonium,Tenor Trombone,Trombone/Baritone B.C.,Tuba - Level 3 - Digital Download SKU: A0.961201 Composed by George M. Cohan. Arranged by Robert Coil. Broadway,Holiday,Jazz,Musical/Show. Score and parts. 12 pages. Polished Brass #6231635. Published by Polished Brass (A0.961201). Arranged for trombone quintet, with an eye to sharing the melody and interest among all parts. The range on the first part is to Bb4 above the staff and the bass trombone goes to Bb1 below the staff. This should be within the grasp of a good high school group, and has enough variety to be enjoyed by advanced players. (ASPN pitch notation) Of particular interest for trombonists are the falls and interplay between the melody and the echo parts. It is hard to find a tune that does a better job of capturing the pride of the Irish than Harrigan. Harrigan was written for the musical Fifty Miles From Boston which opened February 3, 1908 and closed a month later. The song title is a tribute to the Irish-American actor, Edward Harrigan. While the other major songs from the musical are rarely performed, Harrigan found favor with audiences. Born to Irish parents, it shouldn't be surprising that Cohan's lyrics, proud of all the Irish that is in me have a heart-felt ring to them. It didn't hurt that another actor of Irish descent, James Cagney, sang the piece in the very successful production about Cohan, Yankee Doodle Dandy. The arranger, Bob Coil, is a graduate of the University of Cincinnati College-Conservatory of music, where he studied bass trombone with Betty Glover. Dr. Coil is the leader of the Bones of Cincinnatus trombone ensemble in Cincinnati, OH.