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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawford #898036. Published by Tobi Crawford (A0.1308790). *THIS ACCOMPANIES THE VOCAL ARRANGEMENT*Ā This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll.Ā One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing ā€œBeyond the Seaā€ over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them.Ā Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moonĀ And the lyrics end with them meeting, ā€œWe’ll meet beyond the shore, we’ll kiss just like before,ā€ and the song ends with: ā€œand never again I’ll go sailing.ā€ It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan.Ā Performance Suggestions:Ā The improvisation solo in the middle should be free of any traditional ā€œscat syllablesā€ and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
Beyond The Sea *INSTRUMENTAL PACK ONLY*
Ensemble Jazz

$30.00 26.09 € Ensemble Jazz PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1434268 By John Cavicchio. By Based on a tune by Robert Lowry, 1875. Arranged by John Cavicchio. Christian,Jazz,Praise & Worship,Sacred,Spiritual. Score. 4 pages. John Cavicchio #1014486. Published by John Cavicchio (A0.1434268). All the Way My Savior Leads Me - A Modern Swing on a Timeless HymnExperience a fresh, vibrant take on the classic hymn All the Way My Savior Leads Me, originally penned in 1875. This unique arrangement reimagines the traditional melody with an upbeat, jazzy swing style, perfect for today's church pianists and intermediate piano students seeking a contemporary twist on sacred music.Why Choose This Arrangement?- Engaging Style: Dive into the smooth, lively rhythms that make classic hymnody come alive in a modern context. Whether you're leading a congregation or practicing at home, this piece retains its singable quality while infusing each note with infectious energy.- Versatile Performance: Crafted for the piano yet ideal for any worship setting, this arrangement offers both challenge and delight to pianists looking to expand their repertoire with something uniquely spirited.- Spiritual Depth: While the arrangement skips the vocals, the soul of the hymn’s message—Jesus led me all the way—echoes through its dynamic tempo and jubilant beats, offering a musical journey of divine guidance and joy.Key Features:- Composer: John Cavicchio redefines a sacred classic with his signature jazzy flair.- Difficulty: Intermediate, perfect for church performers or students expanding their musical expression.- Format: Piano solo sheet music, instantly printable and ready for worship or concert settings.Invoke heavenly peace and divine comfort as you play through each measure of All the Way My Savior Leads Me. Ideal for church services, religious events, or personal meditation, this piece not only entertains but uplifts and inspires. Purchase Today and bring a touch of modernity to your musical offerings, ensuring your performances resonate with contemporary grace and timeless spirituality.
All the Way My Savior Leads Me
Piano seul
John Cavicchio
$4.99 4.34 € Piano seul PDF SheetMusicPlus

Baritone Horn TC,Piano - Level 3 - Digital Download SKU: A0.1422864 By Mark Rowlinson (Baritone) and Peter Lawson (piano). By David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 243. David Warin Solomons #1004219. Published by David Warin Solomons (A0.1422864). The bereaved lover gains some brief consolation at dawn when the blond light penetrates his (or her) lonely room and reminds him (or her) of the hair of the loved one. The mode of this song is Dorian, my favourite mode. Poem by E M Solomons - mother of the composer. Poem by E M SolomonsThe pale gold lightcreeps into my silent roomtouching my faceI know that you are here.Softly contours formas the colourstake the place of greyTranslucent gold hits the mirrorand reaches my lonely bed.Dispels the grey mist which lingerson the window paneDeepens the image and I see you.Pale blond lightwhere your hair once shone.Lonely shadow of my former selfI languish here.But then your dear voice calls with comfort, loveand saysI have not left,while your fond memories remain.I think of you andyou are herebeside and withinYour image fadesbut you are still here in me.You must you must come backif only at dawn.See through the tears of gold,you are here once moreYour ghostly presencefills my poor heart,searching my mindonce more to be as one,here is your bodyso close to my ownin this spectral worldwe share our thoughts.My soul now quiet at lastmy yearnings on hold.The golden glow brings me peaceand I might face another day(c) E M Solomons
Dawn in the Room for Baritone and Piano (mp3)
Mark Rowlinson (Baritone) and Peter Lawson (piano)
$5.00 4.35 € PDF SheetMusicPlus

String Orchestra - Digital Download SKU: A0.1022594 Composed by Craig Michael Davis. 20th Century,Contemporary. Score and parts. 11 pages. Jack Harrison Inc. #50957. Published by Jack Harrison Inc. (A0.1022594). 'Re-Creation' Program Notes What is time, and where did it come from? These two questions consumed my thought process while writing Re-Creation. Upon completing the piece, I was no closer to answering those questions, but what I could answer became clear: could I write a piece in which time ceases to exist? In order to do this, I decided early on to throw out conventional notation that tends to restrict most performers. As my thought process evolved, I began contemplating the idea of juxtaposing the continuum of timelessness against the traditional view of time. Not only did this free me from the confines of a specific time, it opened up the entire spectrum of time, creating the possibility of infinity and the eternal existence of the continuity of time that invariably existed from the earliest sketches of this piece. The early sketches of this piece were written in my coastal Californian studio during the summer months of 2014, and because of this, Re-Creation represents not only a freedom of time, but also a sound world unique to California’s breathtaking coast. However, the impetus for this piece was the opening chapters of the book of Genesis, portraying the creation of the world in seven days. In this respect, the usage of three and seven play and important roll in the overall structure of this piece. Re-Creation was also inspired by a vacation I had taken a year before where I drove up the coast, stopping in small towns periodically, to collect poems from local authors. One collection of poems from Jeanie Greensfelder entitled, Biting the Apple, caught my attention. Reading through the poems, I began to realize that each poem was unique in that it marked a special time and place in the authors life, ultimately providing the reader with an autobiographical time capsule. The arch of the author’s life was thus on display for the world to read inevitably transforming her life, rather than her work, into the work of art. My hope for The Creation is that it portrays a snapshot of the Californian coast in which it was written, so that it can have a life of it’s own, free from the confines of it’s author and any concert hall it is performed in.
'Re-Creation'
Orchestre ą Cordes

$15.00 13.05 € Orchestre ą Cordes PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell #855402. Published by Sally Whitwell (A0.1262362). On the morning of 2 March 2020, I finished writing the first draft of this song. It was the same morning that the New South Wales Rural Fire Service announced that for the first time since July 2019, the state was free of active bush and grass fires.At the time it felt quite euphoric. We’d been through a lot. Little did we know what was coming just a few days from then, when the Covid19 global pandemic reached our shores. It’s a virus that would kill millions across the world, and disable millions more, long term. It forced us, globally, into a kind of reckoning the like of which we had never experienced before. Non pharmaceutical controls like lockdowns, mask mandates, social distancing and ventilation standards were employed to keep us safe from this airborne virus, whilst scientists worked round clock to develop vaccines and treatments.Technically, the declaration of a pandemic is still active, but governments and people have somehow decided for themselves that it is all over. No one takes any precautions any more. Governments have stopped reporting statistics. People who know they are infected are going about their business with no thought for others. Meanwhile, many of the immune-compromised, the disabled, the vulnerable, are unable to safely leave their homes and engage in activities out in the world. I know this, because I am a carer for a vulnerable person.What this whole exercise has taught me is that people in the world are actually much less kind than I thought they were. Humans do not really care for each other. People attack me for wearing a mask, tell me that I’m virtue signalling and that I look ridiculous (as if I care how I look). I’ve asked questions about workplace Covid safety and been informed that it’s ā€œa bit richā€ that I’m asking at all, when everything is now safe. A friend’s diagnosed Long Covid symptoms were cruelly minimised or completely dismissed ā€œOh, it’s not Covid. How old are you? In your forties? It’s your hormones, it’s the menopause.ā€ The fatal combination of sheer selfishness, rampant misinformation and DISinformation continues, whilst people waltz around spreading a deadly virus with no thought for the grief that will undoubtedly ensue.It boils down to this: if we want to continue as a species and to have a planet on which to reside, we have to stop with the Self Care and start with the Community Care. A choir is the perfect instrument for expressing these notions, through the unique power of the massed first person plural. My wish for this piece is that it spurs performer and listener alike into some kind of action. Please consider the effect your actions have on others, and on the planet, and make any changes necessary, however inconvenient or difficult they are. Otherwise, there’s really no point.Sally Whitwell 11 July 2023.
#WeToo
Chorale SATB

$1.99 1.73 € Chorale SATB PDF SheetMusicPlus

Piano - Level 4 - Digital Download SKU: A0.1398436 By Bobby Darin. By Albert Lasry, Charles Trenet, and Jack Lawrence. Arranged by Tobi A Crawford. Contemporary,Jazz. Score (Chords/Lyrics). 7 pages. Tobi Crawford #981711. Published by Tobi Crawford (A0.1398436). This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll.Ā One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing ā€œBeyond the Seaā€ over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them.Ā Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moonĀ And the lyrics end with them meeting, ā€œWe’ll meet beyond the shore, we’ll kiss just like before,ā€ and the song ends with: ā€œand never again I’ll go sailing.ā€ It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan.Ā Performance Suggestions:Ā The improvisation solo in the middle should be free of any traditional ā€œscat syllablesā€ and should be more of a lament. Listen to singers like Aubrey Johnson and Sara Gazarek improvise on ballads for inspiration.
Beyond The Sea
Piano seul
Bobby Darin
$25.00 21.74 € Piano seul PDF SheetMusicPlus

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1336695 Composed by Thomas Ford. Arranged by Konrad Harley. Jazz,Renaissance. Score. 5 pages. Konrad Harley #922470. Published by Konrad Harley (A0.1336695). Based on the melody and words from Thomas Ford's Musicke of Sundrie Kindes (London, 1607). Arranged in a light, jazzy style by Konrad Harley (1986-), 2023.Lyrics:Since first I saw your face I resolv'dTo honour and renown ye.If now I be disdained I wishMy heart had never known ye.What, I that lov'd and you that lik'd,Shall we begin to wrangle?No, no, no, my heart is fast,And cannot disentangle.If I admire or praise you too much,That fault may you forgive me.Or if my hands had strayed but a touch,Then justly you might leave me.I asked you leave, you bade me love,Is't now a time to chide me?No, no, no, I'll love you still,What fortune e'er betide me.The sun whose beams more glorious areRejecteth no beholder,And your sweet beauty past compareMade my poor eyes the bolder.Where Beauty moves and Wit delightsAnd signs of kindness bind me,There, O there, where'er I go,I leave my heart behind me.
Since First I Saw Your Face
Piano, Voix

$4.99 4.34 € Piano, Voix PDF SheetMusicPlus

Harp - Level 2 - Digital Download SKU: A0.889438 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Standards. Score. 6 pages. Luis Anjos Teixeira #4758665. Published by Luis Anjos Teixeira (A0.889438). The piece is thou very simple and easy to perform. It is appropriate for the harp and it sounds great on any kind of harp.  When using a little lap harp, one can easily transpose the bass voice an octave higher. It is a flexible piece, you can play it slower or a little faster and even the arpeggio in the end that becomes quite easy after some practice could be replaced by a simple glissando. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Your Soul. It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events or even joyful social meetings. When performed Live It will give you back a great  feedback from the public, you will always want to have it in your repertoire. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira ā€žNow comes the Little Story The Volcano`s Lake was composed on a volcano called Pico that stands out about 2000 meters above see level right in the middle of the Atlantic ocean. From the bottom of the ocean to its pick it is higher than mount Everest. I like to know that there are an enormous amount of different species of whales that live in this area and many others that go there strictly for romance. I went there to perform with the harp but was at the same time deeply morning the death of my Dear Cat Mary Jane that tragically passed away the day before the flight.  In this isle I was having at night strange dreams of epic battles and fights between flying Angels and Demons. In one of these dreams ā€žTime and Matter were a byproduct of ā€žMusic itself.   The wind was blowing, the volcano was dancing and the water on the lake was whispering enchanting melodies.  As soon as I woke up I wrote some notes before they vanished away, just a fragment of an idea of what I was listening in the dream.  I named it ā€žThe Volcano`s Lake, because the ā€žLake was comforting me with its  melodies, I realized that my tears were also becoming the lake itself and in this lake I was becoming one with Mary Jane and all the rest of the Universe. Thanks to Claudia Eppelt for the all the Love the wonderful painting and cover design. Special Thanks to Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Mary Jane, Schwarzenegger, Maria Koboldinha.  For all Living beings on Earth, for all our Ancestors,  Thank You for all of You  All Your Love and Compassion. Love Forever. Luis Anjos Teixeira Disclaimer: The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score.
The Volcano`s Lake
Harpe

$6.79 5.91 € Harpe PDF SheetMusicPlus






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