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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926660 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 112 pages. M.A. Morizio #3588371. Published by M.A. Morizio (A0.926660). During the late spring of 2017, I began composing a new choral piece based on the 1 Timothy 3:16 text. I was studying Paul's first letter to Timothy at the time when this particular passage jumped out at me. Not only was it an efficient summary of the Gospel message, but it was also a textual grouping, or form, such as might be found in a traditional hymn. What I was reading were indeed lyrics to an actual 1st Century Hymn to Christ, the music of which has since been lost. I entitled my piece, Great is the Mystery. I composed the anthem for SATB (a cappella), and set it to the ESV translation of the scripture. Based on its context, I suspected the song would work great for Ascension Sunday. Our choir sang the piece beautifully, crescendoing at the finish to the words, Believed on in the world and taken up in glory! Later that spring, I played the piece for a dear friend of mine who is Pastor at Immanuel Church in Manchester, New Hampshire. What he told me was actually a bit stunning. He informed me that there were (at least) seven specific known Hymns to Christ written into the New Testament Scriptures, whose text is found among the writings of the apostles’ Paul and John. The 1 Timothy 3:16 verse that I had selected for my piece was indeed one of those texts. At that moment, Pastor Don and I made a pact. If he were to supply me with the literal Greek translations of the other six known Hymns to Christ, I would set out to compose brand new anthems for them all. A new musical collaboration had begun.  With this short introduction serving as the genesis of my new song cycle, I offer you these new Seven Anthems to Christ based on the seven known ancient ‘Hymns to Christ' texts found in the New Testament.  
AND THE WORD BECAME FLESH - SEVEN ANTHEMS TO CHRIST
Chorale SATB

$9.99 8.61 € Chorale SATB PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1268627 By Pharrell. By Pharrell. Arranged by Des McNutty. Film/TV,Pop. 15 pages. Des Press #861149. Published by Des Press (A0.1268627). Happy was written and performed by Pharrell Williams and released in late 2013. It featured in the computer-animated film Despicable Me 2 and became not only the most successful song of 2014 but an enormous worldwide phenomenon, sparking all sorts of viral crazes on the internet. And rightly so. This song's got it all: Uplifting, joyful, soulful, defiantly optimistic – Well, I should probably warn ya, I'll be just fine (Yeah!) Can't nothing bring me down - and as catchy as a pandemic; a lesson to us all. You've just gotta dance. It's a guaranteed hit at parties. This arrangement for string quartet is a relatively straight-forward idiomatic transcription in the same tonality as the original recording, so you could even play along with it for fun. The level is on the easier side of “advancedâ€; quickly rehearsed by professional quartets and an accessible challenge for experienced students.
Happy
Quatuor à cordes: 2 violons, alto, violoncelle
Pharrell
$12.99 11.19 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Woodwind Ensemble Bassoon,English Horn,Oboe - Level 4 - Digital Download SKU: A0.1268630 By Pharrell. By Pharrell. Arranged by Des McNutty. Film/TV,Pop. 15 pages. Des Press #861151. Published by Des Press (A0.1268630). Happy was written and performed by Pharrell Williams and released in late 2013. It featured in the computer-animated film Despicable Me 2 and became not only the most successful song of 2014 but an enormous worldwide phenomenon, sparking all sorts of viral crazes on the internet. And rightly so. This song's got it all: Uplifting, joyful, soulful, defiantly optimistic – Well, I should probably warn ya, I'll be just fine (Yeah!) Can't nothing bring me down - and as catchy as a pandemic; a lesson to us all. You've just gotta dance. It's a guaranteed hit at parties. This arrangement for oboe band is a relatively straight-forward idiomatic transcription in the same tonality as the original recording, so you could even play along with it for fun. The level is on the easier side of “advancedâ€; quickly rehearsed by professionals and an accessible challenge for experienced students. Enjoy!
Happy
Pharrell
$12.99 11.19 € PDF SheetMusicPlus

Piano,Tuba - Level 5 - Digital Download SKU: A0.1002836 Composed by Kyle Vanderburg. Contemporary. Score and part. 33 pages. NoteForge #6113517. Published by NoteForge (A0.1002836). I spent New Year's Eve 2018 in Nye, Montana, visiting family and friends. One of those friends is an imaging specialist who regaled us with an explanation of his most recent project, which he described as calibrating the moon. Specifically, he was talking about the NASA ARCSTONE mission to calibrate the moon's reflectance to use as an accurate reference, primarily in climate science. The idea is that we have all this data about global warming and atmospheric changes, and a lot of that data uses the brightness of the moon as a control variable, but we don't actually have a precise definition of how bright the moon is. Ever since I was a part of that conversation, I knew that I wanted calibrating the moon as a title, and everything that came after that plays with the idea of moon themes or of doing big impossible-sounding things. When Connor Challey approached me about writing for tuba, Calibrating the Moon was an obvious choice.The work opens with Syzygy, a term describing the straight line between the sun, moon, and Earth that occurs every new and full moon. The movement starts dark and brooding, moves to an energetic middle section, and returns to being mysterious, kind of like a lunar cycle. Fun fact: This movement's theme is actually a tuba setting of the phrase Calibrating the moon.The Second movement, Spectral Reflectance, is slow and shiny. NDSU was fortunate to have portfolio tubist (and Connor's mentor) Sam Pilafian as a visiting guest artist for several years, and I finished Syzygy around the time of his passing. I spent a lot of time thinking about Sam while putting the second movement together, and I quoted a couple of his favorite tuba concerti.The work ends with Libration. If you were to watch a time-lapse video of a lunar cycle, you'd notice that the moon not only transitions from new to full to new, but also sort of oscillates or wags. That's Libration. The movement is likewise off-kilter, playing with the listener's sense of time through alternating time signatures.https://kylevanderburg.com/music/calibrating-the-moon/
Calibrating the Moon - Tuba and Piano
Tuba et Piano

$14.99 12.92 € Tuba et Piano PDF SheetMusicPlus






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