Piano - Digital Download SKU: A0.1069993 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Accompaniment. Duration 255. Boothe Publishing #4737123. Published by Boothe Publishing (A0.1069993). Just one person doing what he knows is right will set off a chain reaction for the good that will go on and on. Before I arrived at mission age I had to make a lot of decisions about whether or not I wanted to go on a mission. There were so many voices calling out to me. The voices promised me scholarships and fame. The voices questioned my logic. The voices tried to make me doubt my motives and character. The voices ridiculed me and my desires to do good. The voices told me that they loved me, but wouldn't wait for me if I went on a mission. All of those voices were demeaning of me if I went on a mission. They also promised me joy, but only if I decided not to go on a mission. I ultimately decided to go on a mission. By going on a mission I was put in a situation where I could testify of God's gospel truths. Those people hearing the truths had the opportunity to pray to God to find out for themselves if what they had been taught was true. Those people that talked to God in prayer joined the church. Why? Because God answered their prayers. Some of those new members went on missions to other lands converting through the spirit of the Holy Ghost others, who in turn went on missions to other lands. The cycle continues. Just one person doing what he knows is right can set off a chain reaction for the good that will go on and on.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.984012 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Score. 9 pages. Boothe Publishing #4360949. Published by Boothe Publishing (A0.984012). Just one person doing what he knows is right will set off a chain reaction for the good that will go on and on. Before I arrived at mission age I had to make a lot of decisions about whether or not I wanted to go on a mission. There were so many voices calling out to me. The voices promised me scholarships and fame. The voices questioned my logic. The voices tried to make me doubt my motives and character. The voices ridiculed me and my desires to do good. The voices told me that they loved me, but wouldn't wait for me if I went on a mission. All of those voices were demeaning of me if I went on a mission. They also promised me joy, but only if I decided not to go on a mission. I ultimately decided to go on a mission. By going on a mission I was put in a situation where I could testify of God's gospel truths. Those people hearing the truths had the opportunity to pray to God to find out for themselves if what they had been taught was true. Those people that talked to God in prayer joined the church. Why? Because God answered their prayers. Some of those new members went on missions to other lands converting through the spirit of the Holy Ghost others, who in turn went on missions to other lands. The cycle continues. Just one person doing what he knows is right can set off a chain reaction for the good that will go on and on.

Piano Solo Piano/Keyboard - Difficulty: medium SKU: HL.310636 A Tribute To Fred Bock. Composed by Various. Piano solos. Piano Solo Songbook. Spiritual. Collection. With introductory text (does not include words to the songs). 76 pages. Fred Bock Music Company #BG0967. Published by Fred Bock Music Company (HL.310636). ISBN 9780634018404. UPC: 073999547184. 9x12 inches.Bock's Best series is one of the best sacred piano series of all time. How fitting that Fred Bock's keyboard colleagues would pay tribute to Fred by arranging their own favorite hymns in his honor. Featuring such renowned pianists as Mark Hayes, Ovid Young, Jan Sanborn, Kurt Kaiser and Ken Medema - plus nine more - this collection is a great tribute to their friend, Fred, and includes their own special remembrances of him.

Piano,Violin - Level 4 - Digital Download SKU: A0.749238 By Bob Dylan. By Bob Dylan. Arranged by HELEN MARPLE-HORVAT. Pop. 25 pages. Helen Marple-Horvat #6141419. Published by Helen Marple-Horvat (A0.749238). https://www.youtube.com/watch?v=Pnga6ib32RgBritish singer-songwriter Adele recorded Make You Feel My Love for her debut studio album 19, in 2008. As it is such a popular hit I was surprised to find that the original was by Bob Dylan, from the album ‘Time out of Mind’ from 1997, and also that it has been covered many times by different artists.Why choose my arrangement?I have arranged the piano part to follow the original very closely, transposed into G Major, as I also want to be able to play it in gigs with my daughter who is a singer. As such I have made the piano part to lie under the fingers, making sure the clefs are easy to read. I have also included a ‘piano only’ score as it falls onto three pages, and is convenient for performing, as well as the two piano scores with each violin version.Some of the harmony is slightly changed, and I composed my own bridge passage with hints at the original. Also Adele sings a quite dissonant G in the melody, against the F sharps in some of the verses. Personally I love this, but it would need to be played subtly, and the clash is less obvious in the less dense sonority of a vocal part, so I have left this option open by notating the safer version, and suggesting the dissonance rather than the other way around. On the video is an example of both.I also include a bonus ‘Easy Violin’ Part that younger players will enjoy, or perhaps the pupils of those who buy the professional level arrangement. It requires some simple shifts in the Chorus and Bridge section. However, there are some places where an open ‘A’ could slip by unobtrusively in quaver passages too. Feel free to take as many bows as you need and don’t feel bound by my bowing suggestions. I have changed my mind many times! Just do what feels comfortable and enjoy it. Some places I have left out bowing altogether eg Bar 27 where you can experiment or discuss with your teacher.Adele sings the original at 72 bpm but I think you could certainly go as high as 76 bpm without losing that mournful quality, and it will help young players with their bowing.My Youtube Channel has many of my arrangements for String Quartet, recorded by the Worcestershire, UK ‘Capriccio Quartet’, as well as many songs for instrument and piano. All but two are available as Sheet Music Plus products. Please visit me there - Helen Marple-Horvat, Songwriter, Arranger, Composer

Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.596550 Composed by Juan María Solare. 20th Century,Blues,Instructional,Latin,Sacred. Score and parts. 12 pages. Juan Maria Solare #4408887. Published by Juan Maria Solare (A0.596550). Blues en mí [Blues in E / Blues in me] for piano. Composed in Worpswede (Germany) from 9th to18th October 2001. Dedicated to Hans-Dieter Ludwig (H.D.). Duration: 3'20. First performance by the composer at the Music Hall in Worpswede on 3rd May 2002. This concert was filmed by Reinhard Hölker, who also held a scholarship at the Künstlerhäuser Worpswede.   The Argentine first performance was given by Cecilia Strack on 17th December 2003 at the Conservatorio de la Ciudad de Buenos Aires, during a monographic concert (Compositions for Piano by Juan María Solare) organised by the Professors Silvia Dabul and Manuel Massone.   The title is a pan in Spanish: Blues in E minor / Blues in me.   At some moment I had a dream related with this piece. I cannot recall exactly when or where, but it must have been during 2003; any case not later. Possibly I've written it down somewhere, I will find it. Reconstructed by memory: It was an open-air concert, maybe in Worpswede. The audience sits down in banks around tables, eating; it is a kind of party. A music sounds that comes familiar to me. I recognized the Blues en mí. A young lady is performing it, whom I don't absolutely know. I ask myself: How could this lady get the score? She have possibly found it on the internet. And actually it was this dream that ended up convincing me to put some of my scores in Internet, beginning with the Blues en mí. According to my registers, I sent the sheet music to Mariano Rocca (webmaster of compositores e intérpretes, www.ciweb.com.ar) on 2nd November 2003 (ergo, this dream must have occurred before).   Juan María Solare Worpswede, 15th February 2007 (four days after the dedicatee's death)

Instrumental Duet Harp,Instrumental Duet,Viola - Level 5 - Digital Download SKU: A0.1039821 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and parts. 49 pages. David Sterrett Music #644665. Published by David Sterrett Music (A0.1039821). This piece depicts the story of the Penitent Thief, one of the two other men who hung on a cross beside Jesus, as told in the Bible: One of the thieves who were hanged by Jesus was hurling abuse at him, saying, 'Are you not the Christ? Save yourself and us!' But the other answered, and rebuking him, said, 'Do you not even fear God, since you are under the same sentence of condemnation? We indeed are suffering justly, for we are receiving what we deserve for our deeds; but this man has done nothing wrong.' And he was saying, 'Jesus, remember me when you come into your kingdom!' And Jesus said to him, 'Truly I say to you, today you will be with me in Paradise.' (Luke 23:39-43) I initially set out to portray the scene from a narrative perspective. As I began composing and felt the story resonate more and more with my own spiritual experiences, I decided to shift the focus onto what I imagined the emotional and spiritual experiences of the Penitent Thief were during this brief but transformative interaction with Jesus right before death. While the passage does not describe his internal experience, I imagine that Jesus’ extension of kindness and mercy, along with the promise “Today you will be with me in Paradise,� profoundly impacted him. In composing this, I hoped to convey that transformative encounter. Ultimately, The Penitent Thief depicts an experience familiar to many Christians: that of a lost and broken soul discovering Jesus offers the truth and salvation they long for. To capture the element of dialog, I envisioned the Viola as the Penitent Thief and the Harp as Jesus. Each has a distinct theme/motif. On the cross, the Penitent Thief is consumed by shame, sorrow, and fear of death. His demeanor shifts between moments of quiet contemplation and visceral emotional outbursts. Facing imminent death, he yearns for redemption and truth. He looks at Jesus hanging next to him, blameless and holy. He feels admiration and praise and is overcome by penitence and humility. He calls out, half in desperation, half in worship: “Jesus, remember me when you come into your Kingdom…� Jesus, moved by his penitence and belief, responds with kindness and mercy, extending salvation: Today you will be with me in Paradise.� The Penitent Thief imagines Paradise and hopes for this to hold true. His hope becomes briefly overshadowed by lingering doubt and fear. Silence falls. Then, as the hour of death arrives, the man reaches out again and clings to Jesus’ promise, this time with more desperation. His soul suddenly becomes filled with joy, finding the fulfillment of longing, bound with Christ, and knowing that he will soon be at rest in Paradise. At peace, the man gazes upward, gives his final sputtering breath, and his soul departs this world.

Piano Solo - Level 5 - Digital Download SKU: A0.945547 Composed by Matt Arnett. Concert,Contemporary,New Age. Score. 6 pages. Matt Arnett Music #5952835. Published by Matt Arnett Music (A0.945547). To me, this piece is about journeys. It's about moving on when one part of our lives comes to an end an another begins. As we go, some people stay with us - but others will exit the scene. Bond Unbroken is about the connection that we continue to have with those we have left behind, or that have left us. While they may not continue to play a prominent role in our daily lives, the relationship we have with those we love never really fades away. The performer should take time to reflect on individuals that have influenced their lives in the past.The melody features frequent off-beats and some quarter-note triplets. While the piece is not overly challenging technically, it is fairly difficult rhythmically, and is therefore most appropriate for a more mature player. The piece is about 4:00 in duration.Find more of my work at https://mattarnettmusic.com/, or follow me at https://www.facebook.com/mattarnettmusic/

Cello - Level 3 - Digital Download SKU: A0.1416717 By Kaitlyn Raitz. By Kaitlyn Raitz. Classical,Contemporary,Folk,Pop. 20 pages. Fiddlehouse Publishing #998380. Published by Fiddlehouse Publishing (A0.1416717). Nature/Nurture is the popular first single from multi-style cellist Kaitlyn Raitz's debut solo album, Me, Myself, Myself, and I. Its hypnotic groove and catchy melody make it a great choice for creative, accessible programming. Published by Fiddlehouse, the Nashville-based string recording studio and publishing house of Kaitlyn Raitz and Ben Plotnick. www.fiddlehousemusic.com.

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.800204 By Dave Koz & Kelly Sweet. By Irving Berlin. Arranged by Samantha J Bramley - stringspirational@gmail.com. Jazz. Score and parts. 10 pages. Samantha Bramley #3878681. Published by Samantha Bramley (A0.800204). The Holiday Season can be really painful for lower string players in any ensemble. Playing ‘cello in a Carol concert makes me want to cry. That is why I have created arrangements of classic Christmas Carols and Songs guaranteed not to bore the pants off your violist or ‘cellist. No more bashing out bass notes for the ‘cello, and no more chugging away on the off-beat for viola while the fiddles get soaring melody after soaring counter-melody. We deserve more than this, right guys? You got it! This arrangement of 'White Christmas’ for string quartet stays true to the spirit of the original Bing Crosby version with respect both melody and harmony. Beginning with those unmistakeable 4 chords in the upper strings, the ‘cello takes the majority of the vocal line, but all three other parts are also given a chance to shine with melody, counter melody and harmony by turns. With high positions in both violin parts and up to 4th position plus harmonics for the lower strings, the challenge in this arrangement is found in the technical and musical interpretation of this iconic song, and is a great play for ensembles of advanced intermediate standard. Note from the arranger: All my arrangements for strings are conceived specifically with the aim of writing interesting parts for all players. Most parts do not go beyond 4th position (with the exception of a few harmonics in the lower string parts, and some higher positions in the violin parts), making them suitable for advanced student and mixed ability groups. A complete score and set of individual parts (violin 1, violin 2, viola, ‘cello) is included. Enjoy and feel free to email comments or requests for other works to stringspirational@gmail.com

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1327438 By Cheryl Prazak. By Music by Jon Burr, Lyrics by Cheryl Prazak. Arranged by Jon Burr. Country. Score. 15 pages. Cheryl Prazak #915482. Published by Cheryl Prazak (A0.1327438). Part of Cheryl Prazak's Military Trilogy, this is a story of parental advice to a grown child who's become down on their luck.This is a piano/vocal arrangment. Music, arranging and production by Jon Burr The Lyric:Everything was fine, not so very long ago.I had a weekly paycheck, I was rolling in the dough.I had a truck, got me where I needed to go.I didn’t know how much I had, ‘til things began to blow.Everything was fine, then my tire picked up a tack.The rubber was so thin, you see, it really set me back.“What’s the problem now?� was all my boss would say,Gave me my last paycheck, and sent me on my way…So, here I am remembering, not so long ago,I had a weekly paycheck, I was rolling in the dough.I had my pick-up truck back then, had a shirt. and had a wife.I didn’t know how little I had because, well, that was life.Sleeping in my pick-up truck, the light began to dawn.I would go back home, before my last chance was blown.I would tell my loving folks, at last I saw the light, My prospects didn’t look so good, my future, none too bright.Could they start me off again, with tuition and the such, andhelp me get a-brand new tire, for my raggedy ol’ truck?If they could be so kind, as to set me on my way, I would do my very best, their kindness to repayConsider the military, said my folks, sounding wisethey told me I need extra time, didn’t mean to criticizeMaybe they were onto something, maybe that could helpWhy, oh, why didn’t I think of that myself?Military life’s not easy, as I learned from the start, but I came out much the better, and learned to have some heart.Well, I’m that better man now, after going through all this.Finally got my life in shape, it had been so amiss.I repaid my folks’ advice, as I promised that I would,Became the son they hoped for, the man they knew I could.We often go to see them, and they visit the wife and me,Now they’re contented grandfolks, with babies on each knee!Once upon a time, when I was really stuck, I went back home to see the folks, which became a day of luck.Military service, I’m glad I took it up.Life changed for me, when I stopped sleeping in that ol’ truck.

Choral Choir (3-Part) - Level 1 - Digital Download SKU: A0.774740 By Los Bravos. By Anthony Hayes, Michelle Grainger, and Steve Wadey. Arranged by Sandra Milliken. Contemporary. Octavo. 10 pages. Sandra Milliken #4414961. Published by Sandra Milliken (A0.774740). Black is Black is a hit song by the Spanish rock band Los Bravos. It was released in 1966 as the group’s debut single for Decca Records. The song reached No. 2 in the UK,  No. 4 in the U.S., and No. 1 in Canada, making Los Bravos the first Spanish rock band to have an international hit single.A cover version was released in 1976 by the French all-girl trio La Belle Epoque, which peaked at No. 2 in the UK, and made it to No. 1 in Australia in late 1978. Australian-American singer Rick Springfield also performed a version of the song on his 1982 album, Success Hasn’t Spoiled Me Yet.Since then several other cover versions have appeared in various countries around the world and, in 1980, the English group The Shadows had a hit in Europe with an instrumental version on their Another String Of Hot Hits And More! album.

Choral Choir (SSA) - Level 1 - Digital Download SKU: A0.774730 By Los Bravos. By Anthony Hayes, Michelle Grainger, and Steve Wadey. Arranged by Sandra Milliken. Contemporary. Octavo. 10 pages. Sandra Milliken #4363586. Published by Sandra Milliken (A0.774730). Black is Black is a hit song by the Spanish rock band Los Bravos. It was released in 1966 as the group’s debut single for Decca Records. The song reached No. 2 in the UK,  No. 4 in the U.S., and No. 1 in Canada, making Los Bravos the first Spanish rock band to have an international hit single.A cover version was released in 1976 by the French all-girl trio La Belle Epoque, which peaked at No. 2 in the UK, and made it to No. 1 in Australia in late 1978. Australian-American singer Rick Springfield also performed a version of the song on his 1982 album, Success Hasn’t Spoiled Me Yet.Since then several other cover versions have appeared in various countries around the world and, in 1980, the English group The Shadows had a hit in Europe with an instrumental version on their ‘Another String Of Hot Hits And More!’ album.

Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.520800 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Sherry Lewis. Jazz. 8 pages. Sherry Lewis Publishing #3109205. Published by Sherry Lewis Publishing (A0.520800). CAN'T HELP FALLING IN LOVE String Duo, Intermediate Level for violin and celloScore 3 pagesparts:YEStime: 2'MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles.Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!How is this different: This arrangement is for any two treble instruments and one bass instrument CUSTOM Works for any of 2 treble instruments and one bass instrument in concert pitch