Small Ensemble Cello,Violin - Level 3 - Digital Download SKU: A0.749209 Composed by Traditional Carol. Arranged by HELEN MARPLE-HORVAT. Christian,Christmas,Praise & Worship,Sacred. Score and parts. 15 pages. Helen Marple-Horvat #3557715. Published by Helen Marple-Horvat (A0.749209). https://www.youtube.com/watch?v=BCM1oh2jWA0 I have always loved the gorgeous false relations in the harmony of this carol and enjoyed singing it in choirs down the years, as well as organising choral groups to sing it. I have included various harmonisations of the wonderful tune and a short contrapuntal development section in the middle to add some interest. The clip is from the development section. If you would like to watch a video of a professional quartet playing my arrangement on Youtube, look up my channel by typing Skinny Black Dogs, Capriccio Quartet, The Angel Gabriel. In this version there is a viola playing theViolin 3 part but the differences are very small. Mostly I had to put the Violin part up an octave when it went below the lowest string but otherwise the harmony is much the same. The quartet play with few open strings, lots of vibrato and slurred bows. That would be fine for Grade 5 players and above. However, open strings and one note per bow could still sound good, and the violin in the high positions could easily be played down an octave. All the double stopping includes an open string but could be divided between parts in a string orchestra. If teachers want to buy this for a young string orchestra or quartet, drop me a line on Facebook and I will upload an easier version to the site for you, with some small changes. The key is easy for strings and with a bit of rehearsal, the counting can be mastered. Have fun, and let me know if you have performed it!

Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.912124 By The Judds. This edition: scorch. E-Z Play Today. Country. Score. 3 pages. Hal Leonard - Digital #938224. Published by Hal Leonard - Digital (HX.912124). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.

Drum Set,Drums - Level 2 - Digital Download SKU: A0.946564 By Boston. By Brad Delp. Arranged by Logan Bruner. Rock. Score. 3 pages. Logan Bruner #6361983. Published by Logan Bruner (A0.946564). Let Me Take You Home Tonight - BostonBoston's debut album features the songwriting talent of Brad Delp. This accurate arrangement of Let Me Take You Home Tonight contains kinetic fills and fun, atypical grooves. Let Me Take You Home Tonight is a sensational listening experience and a joy to play. It's great for drum set students working on 32nd note fills and unusual grooves.Interested in more of my transcriptions? https://www.sheetmusicplus.com/publishers/logan-bruner/19937

Piano Solo - Level 4 - Digital Download SKU: A0.1030831 Composed by Michael C. Brown. 20th Century,Romantic Period. Score. 23 pages. Michael C. Brown #4051. Published by Michael C. Brown (A0.1030831). This piece celebrates the life and mourns the loss of my granddaughter, Paisley Gladys Hogan, who was but 2 months old when she was called to Heaven. These are the words I wrote just before her funeral.... I. The Presence - She was here. I held her the day she was born. I held her and watched her smile at me less than 24 hours before she departed. She only knew love. No one around her ever showed her anything else that humanity had to offer; like hatred, heartache, pain, control, or anger. II. The Shock - She feels a Hand beckon her to leave her mortal coil, and she enters into a world we cannot yet reach.. With no one home, her former body ceases to wake. The unimaginable has happened and we struggle to reverse it. Finally, it becomes clear that we cannot. She sees us cry and she wonders what is happening. Having never known sorrow, she only sees that love didn't cause this response. She wants to comfort us with the love she knows, but we do not yet sense it. III. The Questions - One word has confounded mankind from its creation; Why? We have never found an acceptable answer. We ask, Why did this happen? and What did I do? and What didn't we do right? and Why couldn't it have been me? among others. We only know that her absence has carved holes in our hearts shaped like her. She tries to tell us, You can still love me. I just cannot be seen by you now. It does not mean your love cannot make me happy. I still want it. I still feel it. Please feel my love for you. IV. Letting Go - The day comes to bid farewell to the vehicle by which she came to us. We struggle to cope that we will see her face no more except in pictures. Because of the brevity of her life, memories are few to relive, but to do so is to recall happiness. In sorrow, we return her to the earth. All that is left is to return to recall, to talk to her, to bring flowers and other gifts, and to await the day we follow her. V. Remembering - The days and years follow. Normalcy slowly sets back into our lives. The holes in our hearts will never fully heal. But the salve of her love and her memory help to soothe the ache. We still return to where we placed her mortal home, where we laugh and cry in tandem, where our hearts ache to fill the void left by her departure. It will never really get better, but it will become easier for her love to dull the sting of her absence. VI. The Reunion - One by one, we will feel the same Hand bid us to come. The same events will befall those left behind each time. One by one, she will greet us as we reunite with her. We marvel at how she has stayed with us as we stay to comfort those we had just bidden farewell. The rest cannot be imagined by we that remain..........

Piano Solo - Advanced Intermediate - Digital Download Composed by Louis Moreau Gottschalk (1829-1869). Arranged by Flavio Regis Cunha. Romantic Period, Ragtime, Graduation, Recital. Score. 12 pages. Published by Flavio Regis Cunha

Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der Bühne: 3 Picc. (womöglich mehrfach besetzt) - 6 Hr. - Tamtam - Windschleuder - Digital Download SKU: S9.Q25915 Romantic Opera in 3 Acts. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 135' 0. Schott Music - Digital #Q25915. Published by Schott Music - Digital (S9.Q25915). German • English.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (Original version) With this edition, the original version of Wagner’s opera Der fliegende Holländer [The flying Dutchman] WWV 63 is made available to the public for the first time in piano score form. The score on which the edition is based was published in the Richard Wagner-Complete Edition 1983: Richard Wagner. Collected works Vol. 4, I-II, The Flying Dutchman. Romantic opera in three acts (original version 1841), edited by Isolde Vetter (Schott Music International, Mainz, RWA 104-10/RWA 104-20).� (Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenes�. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopski�, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).Les opéras de Richard Wagner paraissent pour la première fois sous forme de piano-chant chez Schott en version originale. Sont déjà publiés dans la série : L’Or du Rhin, Lohengrin, Parsifal et Le Vaisseau fantôme (première version de 1841 et version 1842-1880). Les autres opéras de Wagner représentés à Bayreuth paraîtront d'ici 2013, année anniversaire de la naissance du compositeur.

Violin Solo - Level 4 - Digital Download SKU: A0.869285 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. 148 pages. Thomas Oboe Lee #33805. Published by Thomas Oboe Lee (A0.869285). Instrumentation: violin solo & orchestra, 2222-4231-timp-hp-strings Program note. I first heard Irina Muresanu, maybe five years ago, with the Boston Trio in Jordan Hall at the New England Conservatory of Music in Boston, Massachusetts. I was impressed from the very first note she played on her violin. Subsequently I heard her in a chamber music duo recital with pianist Ya-fei Chuang at the Harvard-Epworth Church in Cambridge, Massachusetts. I remember saying to myself, Wow, she has a big, warm sound! One day I would love to write a violin concerto for her! Last year I heard her play the Brahms and the Tchaikovsky violin concerti on separate occasions with the Lexington Symphony and the Boston Classical Orchestra. It was that wow factor again … When I proposed to write a violin concerto for Max Hobart and the Boston Civic Symphony Orchestra, he asked me who I would like to feature as the soloist. I said Irina Muresanu. Max said it was a fabulous choice since he has been thinking of engaging Irina to play with the Civic for some time. Over the past summer I indulged myself in a buying spree of scores and CD recordings of violin concerti. Many composers’ works stood out: concerti by Brahms, Mendelssohn, Sibelius, Stravinsky, Elgar, Prokofiev, Shostakovich, Saint-Saëns, Dvorak, Paganini, Glazunov, Dohnanyi, Nielsen, Spohr, etc. And of course, I did not ignore the gems by Bach and Mozart! The listening to and research of all these concerti masterpieces were quite overwhelming, to say the least. So, by the time I was ready to begin work on my Concerto, I had to put all those scores and CDs aside and begin to find the music in my head. I must confess that it took a while. But eventually I found the seed that brought everything together. And within six weeks, between late September and early November, I completed the short score of the concerto. The orchestration took approximately ten days and the complete work was done on November 21st, 2009. My Violin Concerto, opus 129, is in two parts. Each part consists of a slow section that is followed by a fast one. Part I: Largo, Moderato, Allegro ma non troppo. Part II: Largo, Adagio, Prestissimo. Enjoy!! Audio link: https://thomasoboelee.bandcamp.com/album/violin-concerto-2009.

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1082668 By Text: John Wesley, - Digital KB performance plus live by Blake Davidson. By Francis Osentowski, DMA University of North Texas. Arranged by Original composition. 20th Century,Contemporary,Praise & Worship,Spiritual. Score. 62 pages. Francis Osentowski #686837. Published by Francis Osentowski (A0.1082668). DIRECTIONS FOR SINGING is my setting of the well-known text by John Wesley giving a litany of advice to congregational singers. My colleague at North Lake College was an outstanding bass/baritone and a church choir director. He handed me a copy of Wesley's directions for singers...found in many old hymnals...and we both enjoyed good laughs at how accurate the words are to modern congregations. My song is a type of theater presentation...or a short cantata and portrays the contrasting emotions in the text. For example: Sing lustily and with good courage ...singing the songs of Satan! Will be a dramatic high point! But, Wesley's beautiful ending makes a great conclusion. Above all sing spiritually. Have and eye to God in every word you sing Directions requires a good pianist but the voice part doesn't require a huge range. Note: there is a Mezzo Soprano score enclosed.

C Instrument - Level 4 - Digital Download SKU: A0.1251678 By Michael Jackson. By Robert Kelly. Arranged by John Fries. 20th Century,Pop,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #845939. Published by John Fries (A0.1251678). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John.  You Are Not Alone is a song by the American singer-songwriter Michael Jackson from his ninth studio album, HIStory: Past, Present and Future, Book I (1995).  An R&B ballad, You Are Not Alone was written by American singer R. Kelly for Jackson in response to difficult times in his own personal life.  Kelly sent a demo tape to Jackson, who liked the song and decided to produce it with him in his Chicago studio.  Jackson's interest in the song was also linked to events in his personal life.  The music video, which featured Jackson and his then-wife Lisa Marie Presley, featured scenes of semi-nudity.  You Are Not Alone received generally positive reviews and was the recipient of Grammy and American Music Award nominations.  It holds a Guinness World Record as the first song to debut at number one on the Billboard Hot 100, and was certified platinum by the RIAA.  It also topped the charts in Austria, Belgium, France, Ireland, New Zealand, Poland, Romania, Scotland, Spain, Sweden, Switzerland, and the United Kingdom.

C Instrument - Level 4 - Digital Download SKU: A0.1250187 By Michael Jackson. By Robert Kelly. Arranged by John Fries. 20th Century,Pop,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #844521. Published by John Fries (A0.1250187). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John.  An R&B ballad, You Are Not Alone was written by American singer R. Kelly for Jackson in response to difficult times in his own personal life.  Kelly sent a demo tape to Jackson, who liked the song and decided to produce it with him in his Chicago studio. Jackson's interest in the song was also linked to events in his personal life.  The music video, which featured Jackson and his then-wife Lisa Marie Presley, featured scenes of semi-nudity.  You Are Not Alone received generally positive reviews and was the recipient of Grammy and American Music Award nominations.  It holds a Guinness World Record as the first song to debut at number one on the Billboard Hot 100, and was certified platinum by the RIAA.  It also topped the charts in Austria, Belgium, France, Ireland, New Zealand, Poland, Romania, Scotland, Spain, Sweden, Switzerland, and the United Kingdom.

Piano - Digital Download SKU: A0.1066660 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 271. THEMIS KOUTRAS #4800069. Published by THEMIS KOUTRAS (A0.1066660). This is a song i wrote in how i sung prayed to see GOD and his face and true i did see him it writes none can see GOD and live but it also writes the pure in heart shall see GOD thus: this is why he appears to some because they are pure in heart and can see him if they ask him to revel himself to them they can see him and live to tell about it as i have done so ye he exists is real true holy i have seen him true i have and this is why he will not appear to those that are not pure in heart even if they search and ask him because he dose not want to kill anyone so he will not appear to those un-pure

Percussion Ensemble - Level 4 - Digital Download SKU: A0.1350568 Composed by Bjork Gudmundsdottir. Arranged by David R. Peoples. Classical,Contemporary,Pop,Rock. 87 pages. Bluesilhouettes Music #935388. Published by Bluesilhouettes Music (A0.1350568). If you had a day, and all you listened to was Björk, you’d have a fascinating day. The experience would be marked by a kaleidoscope of varying styles from pop, avant-garde, or jazz. Is it mainstream - probably not. But, the artist is definitely recognizable (as a name), appearing across multiple genres. As a source of background to her song ‘Come to Me,’ I borrowed a palindromic idea exploited by Radiohead in their ‘Pyramid song...’ if we truly expand a swing feel to a twelve-eight meter and extend the pattern across two measures - the eighth notes would provide a total of twenty-four possibilities - and as in this work you get four, five, six, five, four a palindrome on 45654 that (when added) equals twenty-four.This version is not a cover. Fragments of musical elements are translated into the ensemble. While occasionally exhibiting moments of dance, the composition evolves into a more profound expression, capitalizing on the musical possibilities of a percussion ensemble. This arrangement was crafted for the University of North Georgia’s percussion ensemble, directed by Dr. Steven Walker.Full mock-up digital audio: available here

Bass Guitar - Level 1 - Digital Download SKU: A0.1270744 Composed by Brian Harold May. Arranged by Igor Sardi Bass. Lent,Pop,Rock. Score. 3 pages. Igor Sardi Bass #863119. Published by Igor Sardi Bass (A0.1270744). John Deacon on BassFor version without tab, please contact me - igorsardi@gmail.comI transcribed about 1,000 songs, especially the bass and double bass lines. I will gradually publish them all on this site. My transcriptions are professional, done using only my skills and my ear. There is nothing copied. On my site (www.igorsardi.com) you can also find various collections (Queen, Jaco Pastorius, Flea, etc) and many teaching methods at unbelievable prices!Email:  igorsardi@gmail.comWebsite:  https://www.igorsardi.comInstagram: https://www.instagram.com/igor_sardi_bass/Facebook page:  https://www.facebook.com/igorsardibassFacebook: https://www.facebook.com/igor.sardiYoutube (Over 500 videos): https://www.youtube.com/c/IgorSardiBass36My didactic books:John Deacon: complete study - https://www.igorsardi.com/johndeacon-completestudy              Jaco Pastorius: complete study (volume 1 & 2) - https://www.igorsardi.com/jaco-pastoriusHarmony course - https://www.igorsardi.com/corso-armonia-applicata-per-bassisti   -Walking Bass: Progressive course - https://www.igorsardi.com/walking-bass-course 500 exercises for bass - https://www.igorsardi.com/500-exercises-for-bass Electric bass theory and practice - https://www.igorsardi.com/theory-and-practice-of-bass Setup: complete guide -  https://www.igorsardi.com/theelectricbassworkshop The Fretless Bass - https://www.igorsardi.com/fretless-bass-bookProfession Bass Player - https://www.igorsardi.com/profession-bassplayer Studying classical music on bass - https://www.igorsardi.com/studyingclassicalmusiconbass.

Strings Horn,Piano Accompaniment - Level 2 - Digital Download SKU: A0.1506659 By Stephen DeCesare. By Stephen DeCesare. Christian,Lent,Praise & Worship,Sacred,Spiritual. Accompaniment. Duration 125. Exultet Music #1082028. Published by Exultet Music (A0.1506659). Tender and prayerful arrangement of Psalm 139. Can be used for various time throughout the liturgical year but especially during the season of Lent. Scored for a variety of arrangements.  Note: this track will NOT work with the medium key versions.

Choral Choir,Choral,SAB Chorus - Level 1 - Digital Download SKU: A0.1513483 By Willie Nelson. By Arthur Kent and Sylvia Dee. Arranged by Stephanie Jayne Amies. Country,Film/TV,Pop. 8 pages. Stephanie Jayne Amies #1088356. Published by Stephanie Jayne Amies (A0.1513483). A simple but really lovely three-part harmony version of this song that always puts a smile on my singers faces. This is ideal for new singers, or singers who are new to harmony work, health choirs, or gently introducing Sops/Bari's being on the harmony instead of the tune. Please note the number of copies purchased is for the Piano Vocal OR the Vocal Score, not to duplicate the number of copies purchased.