EUROPE
3837 articles
USA
7777 articles
DIGITAL
3420 articles (à imprimer)
Partitions Digitales
Partitions à imprimer
3420 partitions trouvées


Tenor Saxophone Solo - Level 4 - Digital Download SKU: A0.912905 Composed by Brandon Nelson. Concert,Contemporary. Individual part. 6 pages. Brandon Nelson #1954833. Published by Brandon Nelson (A0.912905). According to Homer (Odyssey iv:412), the sandy island of Pharos, situated off the coast of the Nile delta, was the home of Proteus, the old god of the sea. In the Odyssey, Menelaus relates to Telemachus that he had been becalmed here on his journey home from the Trojan War. He learned from Proteus’ daughter Eidothea that if he could capture her father, he could force him to reveal which of the gods he had offended and how he could propitiate them and return home. Proteus emerged from the sea to sleep among his colony of seals, but Menelaus was successful in holding him, though Proteus took the forms of a lion, a serpent, a leopard, a pig, even of water or a tree. Proteus then answered truthfully, further informing Menelaus that his brother Agamemnon had been murdered on his return home, that Ajax the Lesser had been shipwrecked and killed, and that Odysseus was stranded on Calypso’s Isle Ogygia. This piece, for solo tenor sax, illustrates that mighty conflict between Menelaus and Proteus. Each movement illustrates a different form the god took in his attempt to evade sharing his knowledge. Composition The rhythmic motives are based on the ancient Greek poetic meters. I translated these patterns of long and short sounds to musical notation (using the sixteenth note as the basic unit). I randomized the order and deployed the resulting phrase as a sort of idee fixe. Each movement uses this rhythmic idea beginning at a different point. The melodic content is based on a pentatonic set and its permutations, primarily its modes. I arrayed these pitches into a grid (not unlike the matrix used in dodecaphonic music) and assigned pitches to the rhythmic motives using differing deployment schemes (rotation, chaining, etc). Learn more about me: bnelsonmusic.wordpress.com.
Proteus
Saxophone Tenor

$7.99 6.86 € Saxophone Tenor PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1429535 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Christmas,Praise & Worship,Religious,Sacred. 3 pages. Kevin G. Pace #1010232. Published by Kevin G. Pace (A0.1429535). A notable, sacred Christmas hymn with music by Kevin G. Pace and text by Kathryn W. Hales.Text:The sounds of that holy, sacred nightBegan with moans of pain,Mary cried out as all mothers do,From the straw where she had lain.She was young, but knew God’s will:Become the mother of His Son, He came to earth as all men do,Born to be The Anointed One.   Another sound broke through the night,A whimper from a newborn babe,In Bethlehem so long ago,Where in a manger He was laid.He cried as all babies do,But cradled in His mother’s care,He left heaven’s glory to reside,In a world of dark despair. Songs rang out that joyous night,As angels came down to Judah’s hills,And choirs proclaimed the wondrous birth,And the heavens their voices filled.“Peace on earth, good will to men,”Were the glad tidings of great news.The Word of God manifest in flesh,Would proclaim His gospel’s truths. Then Mary’s song that holy night,Became a lullaby of joy,As she gazed with wondermentAt this child, her precious baby boy,Hers to hold but for a time,Soon His Father’s work to do,On earth becoming Savior Lord,To live and die for me and you. Chorus:Sounds of that sacred nightHeard by so very few,Now ring forth from land to land,Announcing again the joyous news.The sounds and songs that holy night,We celebrate at Christmas time,The song of love that Christ was born,Song of love, O Love Divine!
Sounds of That Holy, Sacred Night - a sacred Christmas hymn
Chorale SATB

$1.99 1.71 € Chorale SATB PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.742752 By Juan María Solare. By Juan María Solare. 20th Century,Classical,Contemporary,Instructional. Score. 15 pages. Juan Maria Solare #350886. Published by Juan Maria Solare (A0.742752). Colores de un otoño incipiente -- Colors of an incipient autumn seven somewhat abstract pieces for piano Recording of Colores de un otoño incipiente - piano in several platforms Colores de un otoño incipiente -- on Spotify In this work, an idea that has haunted me for a long time crystallizes: that the titles of the individual pieces are read like lines of a poem. Colores de un otoño incipiente Declina el día. Cobriza de hojarasca, la tierra aguarda. Inocencia Apergaminada por las largas vigilias. Frugal ante la desmesura, Se resignó a lo inconcluso Y dejó un hueco de luz en esta nada. Colors of an incipient autumn The day declines. Coppery with old leaves, the earth awaits. Innocence Parched by the long vigils. Frugal in the face of excess, He resigned himself to the unfinished And he left a hole of light in this nothingness. Such a poem alludes without great subtlety to decadence and aging. The title Apergaminada por las largas vigilias is taken from a poem by Pedro Lastra. Y dejó un hueco de luz en esta nada comes from a micropoem attributed to Alejandro Güerri, written in memory of Javier Adúriz. This seventh piece, transparent and delicate, pictures a being definitively transformed into light. The idea of desmesura (excess) arises from the prologue by Javier Adúriz to his book Solos de conciencia (1985): Faced with the excess of death, consciousness perceives the weakness of its willful affirmation, the one for which it feels itself unique and safe from all decrepitude. Adúriz was one of the fundamental figures in my artistic training. And apparently he still is. Musically, this cycle of works abounds in harmony of chords by fourths in a minimalist neoclassical aesthetic. The way of working texturally with the piano as an instrument - my instrument - highlights the pedal, the resonances, the third dimension of sound. These seven somewhat abstract pieces were composed at the end of 2019 in and around Bremen, in several cases with my new-born daughter Laura in my arms, trying to put her at to sleep and staying asleep. This explains the cautious nature of the music and its prudent dynamics that never reach a mezzoforte. There were several unsuccessful attempts to release this recording (initially planned for September 2020, at the beginning of autumn in the northern hemisphere). Finally, the album will be released (on Spotify and other streaming platforms) on 22 April 2022, coinciding with what would be my father's 103rd birthday. It is also autumn but in the southern hemisphere. Recorded on a Steinway B grand piano (serial number: 568208) at the Musikschule Bremen (Germany) with two Neumann KM-184 microphones. Recording and mastering technician: Alexander Derben. For the artwork, the impressive photographer and visual storyteller Leon Drago, from London, has kindly authorised the use of his photograph Pathway, The Garden House and Pergola, Hampstead Heath extension, London. The recording of Colores de un otoño incipiente (with the composer on piano) can be found here: Colores de un otoño incipiente - piano
Colores de un otoño incipiente
Piano seul
Juan María Solare
$5.00 4.29 € Piano seul PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.1030742 Composed by Jesus J. Martinez. Contemporary. Score and parts. 1 pages. Jesus Martinez Music #2019881. Published by Jesus Martinez Music (A0.1030742). PROGRAM NOTES: The Spear of Destiny is titled and inspired by the supposed spear that was used to kill Jesus Christ. The spear is said to have extraordinary powers. He who possesses it will rule the world and he who loses it thereafter will die an untimely death. The last person recorded to have had it was Adolf Hitler. This musical composition journeys through the time of Hitler and his obsession to obtain the spear, his atrocious acts during his tenure of the spear, and the loss of the spear. The spears main thematic motions are the glissandos in the violin that represent the spears anger and tortuous ways. I. Spear Found takes place during his times as an understudy of Dietrich Eckart, a dedicated satanist and figure in the Occult Thule Society and founding member of the Nazi party. Dietrich said: Follow Hitler! He will dance, but it is I who have called the tune! I have initiated him into the Secret Doctrine' opened his centres in vision and given him the means to communicate with the Powers. Do not morn for me; I shall have influenced history more than any other German. Hitler became enamored with the Spear of Destiny, which claimed it called to him. Spear Found, is Hitler's journey to capturing the spear to rule the world. II. Spear Possessed begins with no time meter or key signature. It is ad liberty of the performers and is a musical representation of the spears possessive powers towards evil. This movement takes place during the time of the Holocaust and the actions committed during Hitler's reign of world domination. The movement infers a jewish folk song titled, Dayeinu, a jewish Passover song meaning it would have been enough. This song is set in context of freedom. The movement goes through variations of Dayeinu and the spears version of a possessed Dayeinu. The violin has fast and rapid rhythms with small thematic material of the folk tune. At the end of the movement, the piano strikes the low end of the piano with a soft yarn mallet to symbolize the bombs dropping and the start of World War II. III. Spear Lost takes place during WWII and the Marines efforts to take down Hitler's reign. During the 3rd movement, the Marine Corps music comes to life as they take control of the spear and ultimately end the war. The Spear however, takes its last stand as the spears motif soars over the possessed marine tune. At the end of the movement, the spear is once again screeching as it survives and goes missing once again.
The Spear of Destiny
Violon et Piano

$32.99 28.33 € Violon et Piano PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 1 - Digital Download SKU: A0.1359300 Composed by Chris Hutchings. 21st Century,Christian,Praise & Worship,Religious,Sacred. 2 pages. Chris Hutchings #943759. Published by Chris Hutchings (A0.1359300). A setting of a prayer attributed to St Columba:Be thou a bright flame before me,Be thou a shining star above me,Be thou a smooth path below me,Be thou a kindly shepherd behind me,Today, tonight and evermore. Amen.The opening has the four parts in slow-moving homophonic chords, with at least two parts staying the same between each pair of chords, so it's very easy to stay in tune and find your note. Today, tonight and evermore is set as a 4-part canon, simple to pick up and not going too high or low, which develops back to a final Amen where the slow chordal shifts return. Entirely diatonic with no accidentals, but sounds fresh and more difficult than it actually is!This piece is SATB, no divisi, and should be suitable for most sacred occasions. It can be sung a cappella, or with light piano/organ doubling.Ranges:soprano Db4 to F5alto Ab3 to Db5tenor Db3 to Db4bass Gb2 to Db4.
Be Thou A Bright Flame
Chorale SATB

$1.99 1.71 € Chorale SATB PDF SheetMusicPlus

Full Orchestra - Digital Download SKU: A0.750708 Composed by Brendan Elliget. Contemporary. Score and parts. 108 pages. BJE Music #3424551. Published by BJE Music (A0.750708). Shades of Eltham (Eltham Concert Band - 35 Years of Music) - Orchestral VersionDedicated to Ern and Beattie Shade for their contribution to the Eltham Concert Band. The title of this piece is a play on words, of course, indicating both the Shades themselves and the various shades or moods of the music or even perhaps, the shady bushland setting of the area itself. I composed this piece with a few simple ideas in mind. The letters E and A in the word Eltham suggested to me an interval of a fourth, or the other way around, an interval of a fifth – which are both used in many of entries of the themes and musical motifs throughout the work – especially the brass. There are several variations and counter melodies within the work: a bright two-four march-like theme, probably the Main theme, and a variation of this theme in slower three-four time in a minor key with two counter melodies - representing a gentler contrasting mood. On occasions, two or even three themes play simultaneously. A bridging passage in four-four occurs about two-thirds of the way into the composition leading up to a restatement of the main theme. The final climax or Coda actually has both three four melody against the two-four one resolving in the last few bars in a dramatic way. I hope you enjoy my musical tribute to the Shades.The MP3 has been recorded with Note Performer.Grade = 4 Duration = 7:20 Mins
Shades of Eltham - Orchestra
Orchestre

$30.00 25.77 € Orchestre PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.934049 Composed by Carol Taylor. Arranged by Carol Taylor. Christian,Praise & Worship,Sacred,Spiritual. Octavo. 8 pages. C.Taylor #3111369. Published by C.Taylor (A0.934049). Words from Psalm 121SATBInspirational and Christian ReligiousWould be excellent for choirs or ensembles in Church or schoolPlease excuse the MP3 quality.  I did not have an ensemble to record my music so it is just SAT (I cannot sing bass! :-)  This is just to give you a rough idea of how it sounds!Has challenging harmonies but easy enough for most singersI have an extensive contact list on several Facebook sitesThis music has been performed for Church services privately by a small 8 member ensemble.The words are taken almost directly from Psalm 121 so ANY Christian group should find it suitable and uplifting and worshipful for servicesIt can also be used as a vocal or piano solo if desiredI belong to a Church organization but no Performing Rights organizationsThis piece will take approximately 4 minutes to sing Can contact me through email: CarolTaylor27@yahoo.com
I Will Lift Mine Eyes (Psalm 121)
Chorale SATB

$1.99 1.71 € Chorale SATB PDF SheetMusicPlus

Guitar - Intermediate - Digital Download SKU: M0.WBM76MEB Country. Ebook and online audio. 193 pages. Mel Bay Publications - Digital Sheet Music #WBM76MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.WBM76MEB). ISBN 9781513476452. 8.75x11.75 inches.This comprehensive book contains the solos found in five William Bay guitar solo collections.á The solos range from colorful foot tapping reels, breakdowns, hornpipes, jigs, fiddle tunes and sea chanteys to country and Celtic ballads and waltzes.á Also included are numerous original guitar solos.á All 143 solos in this collection are recorded by the author and online access to the recordings is included. All solos are presented in notation and tablature.
The William Bay Collection - Flatpicking Guitar Solo Anthology #1
Guitare

$24.99 21.46 € Guitare PDF SheetMusicPlus

Piano Solo - Digital Download SKU: A0.976864 Composed by Monica Bergo. Children. Score. 7 pages. Monica Bergo #3239683. Published by Monica Bergo (A0.976864). 2017 Holiday Contest Entry♫ *'¨` * • .¸¸. ♫ ♫ There is a sad fairy tale'¨` * * • .¸¸. ♫ There is a sad fairy tale closed inside me magic does not exist no principles nor King and I lose myself in the woods of my but and my if Tom Thumb is hidden no crumbs for me I decompose in the abyss of my weakness Stop the clothes that I wear now and I have a new identity sweet fairy or princess I decide I do not know ugly witch or sad ogress which form I will assume? hidden there is a mirror where Alice one day passed I stare at my reflection recognize me I do not know an instant and I’m inside it strange depths beats the heart at the slow rithm different realities in the house of the witch there is something wrong children no longer binds she is alone, sad and in poverty in the silence explodes a song It takes shape my name on hell as Dante but I would like a Virgil me too Fairytale sad that I've never read you I had made up your end already know I would know the plot and your lapels and a character without a role I would not be Who are you? masked rider Follow us if you want we are barefoot and disheveled and dance with us but you will not touch we have hands and feet tied show your face while time stands still you already know without  ever met you and now I know who you are and what you offer candy from a stranger like in a movie slow motion dilated the flames around you the abyss now it is wide open and you not laugh more, and we do not scare you're in the dark forest on our  realm to shame those who are mean and infamous yes ,we are marginalized you yourself have created us Black man or Bluebeard your real name ....... bondage an unconscious moment and go back to my reality I am not fairy or princess I am just this side but if I were a character storytellers I would minstrel a little 'wild at the court of the gods with colorful clothes and flowers in my hair always free between the meadows and I'd live music sad tale while I skim your steps I die, reborn and I retrace my days I could do that would change your plot but for the happy ending I would like to thank you .....                                                                                                 Monica Bergo
C'è una favola triste
Piano seul

$3.99 3.43 € Piano seul PDF SheetMusicPlus






Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2025

Accueil - Version intégrale