Instrumental Duet Bass Guitar,Double Bass,Instrumental Duet - Level 2 - Digital Download SKU: A0.917912 By Al Green. By Al Green, Al Jackson, Jr., and Willie Mitchell. Arranged by Zulhilmy Zulkifli. Soul. Score and parts. 13 pages. ZZ Music Solutions #5769383. Published by ZZ Music Solutions (A0.917912). Let’s Stay Together is a song by American singer, Al Green. It was released as a single in 1971 and later, as the first track of Al Green's 1972 album with the same title. Leroy Hodges recorded the bass, and it features similarities to James Jamerson style of playing. This transcription is based on the album version and arranged to be played on a 4-string bass with standard tuning.This song is in the key of F major and is about 3’19 long. The tempo is at 102 bpm and suitable for an early-intermediate player. Do take note, at bar 16, 20, 32, 36, 54 and 58, you are required to let the F# note to ring (sustain) while playing the D note, resulting in an interval of major thirds apart, but an octave higher, which is a voicing in major tenth to be more precise. The song ends in a fade-out manner, so, I have transcribed similarly to let you to play along with the album version. If you are playing with a band, do listen to the live version for some idea on the ending. This transcription includes 3 parts ; 1)both notation and TAB (4 pages) 2)notation-only (3 pages) 3)TAB-only (3 pages). I made these options available for any bassist with different preferences. I know we are unique, as I am a bassist as well. Have fun and good luck. Do visit me at www.zulhilmyzulkifli.com>www.zulhilmyzulkifli.com for any inquiries. Thank you for your purchase, and I hope you enjoy the music.

String Quartet String Quartet - Level 3 - Digital Download SKU: A0.977361 Composed by John Barry. Arranged by Des McNutty. Contemporary. Score and parts. 14 pages. Des Press #6857803. Published by Des Press (A0.977361). Do you expect me to talk? No, Mr. Bond, I expect you to die! It's hard to get more iconic than Sean Connery as James Bond in the 1964 blockbuster, Goldfinger, with Gert Fröbe in the title role.John Barry composed the metal-heavy score and the title song. It was his personal favorite.Barry named Shirley Bassey as the ideal interpretrix for Leslie Bricusse and Anthony Newley's lyrics with her can belto delivery. Nobody could have sung it like her; she had that great dramatic sense. he said. But the name-dropping doesn't end there: The session producer at Abbey Road Studios was George Martin (who produced for The Beatles). Strumming away on guitars are John Paul Jones and Jimmy Page, who later became half of rock legends Led Zeppelin. That's a whole lotta awesome! This arrangement for string quartet is a relatively straight-forward idiomatic transcription but transposed to the tonality of the sheet music published in 1964. The recording with Shirley Bassey is a semitone lower. The level is intermediate in a technical sense but please pay attention to style. Try to leave your audience emotionally stirred, not shaken. Enjoy!

Piano and Keyboard,Vocal - Level 1 - Interactive Download SKU: A0.1305516 Composed by Melissa J Hall. This edition: Interactive Download. Christian. Score. 2 pages. Duration 103. Melissa J Hall #56IDSu1NTCeGnxxQXRuYuL. Published by Melissa J Hall (A0.1305516). Key: C major.Inspired by the story of Alma the Younger found in Alma 36:12-21. In The Book of Mormon 12 But I was racked with eternal torment, for my soul was harrowed up to the greatest degree and racked with all my sins. 13 Yea, I did remember all my sins and iniquities, for which I was tormented with the pains of hell; yea, I saw that I had rebelled against my God, and that I had not kept his holy commandments. 14 Yea, and I had murdered many of his children, or rather led them away unto destruction; yea, and in fine so great had been my iniquities, that the very thought of coming into the presence of my God did rack my soul with inexpressible horror. 15 Oh, thought I, that I could be banished and become extinct both soul and body, that I might not be brought to stand in the presence of my God, to be judged of my deeds. 16 And now, for three days and for three nights was I racked, even with the pains of a damned soul. 17 And it came to pass that as I was thus racked with torment, while I was harrowed up by the memory of my many sins, behold, I remembered also to have heard my father prophesy unto the people concerning the coming of one Jesus Christ, a Son of God, to atone for the sins of the world. 18 Now, as my mind caught hold upon this thought, I cried within my heart: O Jesus, thou Son of God, have mercy on me, who am in the gall of bitterness, and am encircled about by the everlasting chains of death. 19 And now, behold, when I thought this, I could remember my pains no more; yea, I was harrowed up by the memory of my sins no more. 20 And oh, what joy, and what marvelous light I did behold; yea, my soul was filled with joy as exceeding as was my pain! 21 Yea, I say unto you, my son, that there could be nothing so exquisite and so bitter as were my pains. Yea, and again I say unto you, my son, that on the other hand, there can be nothing so exquisite and sweet as was my joy. Alma 36:12–21 https://www.churchofjesuschrist.org/study/scriptures/bofm/alma/36?id=p12-p21&lang=eng#p12.

Piano Solo - Level 3 - Digital Download SKU: A0.1372287 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Christian,Easter,Lent,Sacred,Traditional. Score. 5 pages. Sharon Wilson #956574. Published by Sharon Wilson (A0.1372287). Here is the deeply moving hymn Stricken, Smitten, and Afflicted arranged as an intermediate piano solo. The title was inspired by the words of Isaiah (53:4) -- Surely He has borne our griefs and carried our sorrows; Yet we esteemed Him stricken, smitten by God, and afflicted. This arrangement is very solemn throughout matching the powerful lyrics (see below) about the death of Christ and how our hope is built on him. If the song is presented during a church service, having the words read before (or projected on a screen) might be beneficial and then an excellent follow-up would be to play My Hope Is Built on Nothing Less or Christ the Lord Is Risen Today.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicLyrics by Thomas KellyVerse 1Stricken, smitten, and afflicted, See Him dying on the tree!This is Christ by man rejected; Here, my soul, your Savior see.He's the long-expected Prophet, David's Son, yet David's Lord;Proofs I see sufficient of it:He's the true and faithful Word.Verse 2Tell me, ye who hear Him groaning, was there ever grief like His?Friends thro' fear His cause disowning, foes insulting his distress;many hands were raised to wound Him, none would intervene to save;but the deepest stroke that pierced Him was the stroke that justice gave.Verse 3 You who think of sin but lightly nor suppose the evil greathere may view its nature rightly, here its guilt may estimate.Mark the sacrifice appointed, see who bears the awful load;It's the Word, the Lord's Anointed, Son of Man and Son of God.Verse 4Here we have a firm foundation; here the refuge of the lost;Christ, the Rock of our salvation, His the Name of which we boast.Lamb of God, for sinners wounded, sacrifice to cancel guilt!None shall ever be confounded who on him their hope have built.

Instrumental Duet Guitar,Instrumental Duet,Voice - Level 3 - Digital Download SKU: A0.999762 Composed by Traditional. Arranged by Tomas Ericsson. Folk,Standards. Score and parts. 3 pages. Tomas Ericsson #6630021. Published by Tomas Ericsson (A0.999762). Simon&Garfunkel are probably the artists most commonly associated with this song. However it's one of those traditional ones where the composer is unknown.If the key doesn't suit your voice I recommend using a capo. At one point in each verse a low G in the vocals collides with a low F# in the guitar. That is not a misprint. Hopefully you'll discover that it feels completely natural to sing and play those notes together. I can't figure out why, but that's what it feels like to me anyway, when I sing it.Duration: 3:45Performing Rights Organization: STIM (Sweden)

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.940065 Composed by Jacob Evans. Christian,Gospel,Sacred. Octavo. 9 pages. JDE FORCHRISTMUSIC #3374747. Published by JDE FORCHRISTMUSIC (A0.940065). This piece of music is a statement of faith. The chorus states, Yes, I know, the Lord, He loves me so! It is a fun, bright song that is perfect for many different occasions.Lyrics:Verse 1Every day through life we're faced with sin and strife,We see that the heart of men is black;They say that they all know the way,They think they're satisfied with what they have.When at first we see that Jesus set us free,Our selfish self says we know what's right.But since we are filthy we must turn to the light.ChorusYes, I know, The Lord, he loves me so;He saved me from bondage deep within.I know where I'm going; I'm assured of that home,The new earth that is free from death and sin!Oh yes, I know, the Lord, he loves me so,For he took my sin and changed it for his love.Since I made him me guide I now feel certain insideThat I am going to heaven above!Verse 2None can know that day that he will showHimself to this world he made so well;He'll stand and say who chose the way of sinOr who on right things chose to dwell.If he came today, would you stand in dismayAnd say that you're not ready to depart?Be willing, accept himAs Lord into your heart.Chorus.

B-Flat Clarinet Solo - Level 5 - Digital Download SKU: A0.1424276 By Ryan Terry. By Ryan Terry. 21st Century,Contemporary. Individual part. 7 pages. Ryan Terry #1005466. Published by Ryan Terry (A0.1424276). An original piece by composer and clarinetist Ryan Terry. This electronically-accompanied clarinet piece is built entirely upon a singular group of four notes (or set) which is called the alpha set. It is categorized with the numbers (0, 3, 4, 7), which create a triad with both a major and a minor third when played together. The sound it creates is quite dissonant but is eerily beautiful. The electronic backing track draws techniques from the composer's early roots creating synthetic boss-battle music. This piece was first performed on-campus at Brigham Young University-Idaho in the Winter 2024 semester.Estimated duration of piece: 5 min, 50 secondsEmail me for the mp3 of the electronic backing track, or let me know if you're going to perform this piece!ryansterry2000@gmail.com.

Choral Choir (SA) - Digital Download SKU: A0.873032 Composed by Sally Whitwell. Contemporary,Standards. Octavo. 6 pages. Sally Whitwell #3869015. Published by Sally Whitwell (A0.873032). Composer’s Note - DaybreakDuring the Winter of 2016, I journeyed to my hometown Canberra for a job interview and audition. It was for the head of the new Music Academy at Canberra Girls Grammar School, my old school. Which was kind of weird. As part of my specifically designed interview/audition experience, I was required to run a composition workshop, and this song D​aybreak ​is the result of that.It was an odd experience to return to the scenes of my youth, to see how much everything had changed. So many new buildings, so many of the old buildings repurposed, so many more opportunities afforded to the girls at the school now than we could ever have dreamed in the late 80s and early 90s. It was pretty early in the morning when I arrived, the winter mist just beginning to clear to one of those perfect sunny cold Canberra days. The school is directly down the road from Parliament House, and as the mist cleared to reveal that magnificent flagpole above the treetops surrounding the school, I decided that the joy and optimism of a new day would be the perfect subject for our composing collaboration.The girls were very generous with their ideas. The song was finished within a few days and I sent it back to the school. I ​think​ they liked it? It was hard to tell from their response. I didn’t get the job. (No surprise to me, as I have almost never been successful at auditions and job interviews. Fortunately people just know my work, ask me to do stuff, and I just say yes. Haha.) But I’m a big believer in creativity as a way of healing. I still really like our song we wrote, those lovely girls and I, so I am releasing it into the wild.

String orchestra - Grade 2 - Digital Download SKU: IZ.OMW144 Composed by Marcia Stockton. Score and Parts. 21 pages. Imagine Music - Digital #OMW144. Published by Imagine Music - Digital (IZ.OMW144). 9 x 12 in inches.Harvest Dance was originally written in 1995 as a piece for small orchestra (strings plus woodwinds and french horns). It is a dance of unbridled joy to celebrate a rich harvest of nature's bounty. In 2013, I transcribed it from my private archive of old dusty audio tapes no one had ever heard, and with the CarsonValley Sinfonia in mind, revised it for string orchestra without winds.1995 was a low period in my life. The pressure from my job in the technology industry was relentless, and personal relationships at that time sometimes brought emotional pain instead of solace and comfort. Grasping for any ray of hope to illuminate the gloom, I turned back to my original love: music.Immersing myself deeply in the process of music creation, I rediscovered not only a talent for composition, but even more importantly tapped into the creative source of uplift, joy, and energy, the source of all gifts, that is available to every sincere person. During those years, composing music was a vital lifeline. Like the powerful beam of the rescuer's flashlight guiding you toward the daylight when you are emerging from a dark cave. Like a new baby being born. Now a great many years later, life now brimming with music and friends, and having put old sorrows far behind me, music from that time of troubles still fills me with the same joy as when I composed it, and I hope it uplifts you.Harvest Dance is dedicated to my friend, composer John O'Neill, with profound appreciation for his encouragement, as well as helping me learn the practicalities of arranging for a string orchestra.

Piano Solo - Level 3 - Digital Download SKU: A0.565407 By Sharon Wilson. By Lowell Mason. Arranged by Sharon Wilson. Jazz,Praise & Worship,Sacred,Traditional. Score. 2 pages. Sharon Wilson #4320323. Published by Sharon Wilson (A0.565407). Designed for those times when a short, musical interlude is needed, here is a 2-page, LARGE PRINT piano solo arrangement of the uplifting hymn Heaven Is My Home. In some hymnals, this song is titled I'm But a Stranger Here. This arrangement uses the less common tune known as OAK by Lowell Mason instead of the more familiar tune ST. EDMUND by Arthur Sullivan. This upbeat, syncopated arrangement will peak the interest of the listeners when used as an offertory or postlude.This arrangement is one of the 7 songs in the collection Hymns of Heaven. Each song in this collection was chosen because the lyrics talk about the joys of heaven.  Lyrics by Thomas Rawson Taylor:Verse 1:I'm but a stranger here,Heaven is my home;Earth is a desert drear;Heaven is my home:Danger and sorrow standRound me on every hand;Heaven is my fatherland,Heaven is my home.Verse 2:What though the tempest rage,Heaven is my home;Short is my pilgrimage,Heaven is my home:And time's wild wintry blastSoon shall be overpast;I shall reach home at last,Heaven is my home.Verse 3:There at my Savior's side,Heaven is my home;I shall be glorified,Heaven is my home.There are the good and blest,Those I love most and best;And there I too shall rest,Heaven is my home.Verse 4:Therefore I murmur not,Heaven is my home;Whate'er my earthly lot,Heaven is my home:And I shall surely standThere at my Lord's right hand:Heaven is my fatherland, Heaven is my home.

Piano Solo - Level 4 - Digital Download SKU: A0.1505765 By Jeanni Gould. By Horatio Spafford and Philip Bliss. Arranged by Jeanni Gould. Christian,Contemporary,Religious,Sacred,Spiritual. Score. 4 pages. Jeanni Gould #1081160. Published by Jeanni Gould (A0.1505765). YOU CAN PLAY this piano solo! Watch me play it while trying to catch falling pages, haha. (I made a few mistakes, but decided to keep it real ;) I believe you'll especially enjoy the big powerful bass passages. This arrangement feels reverent and strong-- not filled with frilly runs. I think you'll like it. AND you'll love that it's so fast to learn, and to play expressively. This meaningful and beautiful gospel song is alternatively titled: Peace like a River  

Woodwind Ensemble,Woodwind Quartet - Level 1 - Digital Download SKU: A0.1013085 Composed by Monty Norman. Arranged by Yu-Tai Cheng. Contemporary. 14 pages. Flute Gamer Studio #6450961. Published by Flute Gamer Studio (A0.1013085). This arrangement's idea comes from the Twinkle Twinkle Little Star melody, this is the most attractive children's song that still singing by many kids around the world, it's a common song memory of human's world. I included the theme song melody of James Bond 007 to create an adventure spirit, accidentally the mixture of these two different kinds of music together creates an incredible effect of sound, it brings the energy into beatbox flute's performance.  Flute choir includs:Beatbox Flute 1, Beatbox Flute 2, Beatbox Flute 3, Beatbox Flute 4, PianoI always suggest teachers to play the flute 4 part, it contains not only the most complexity and difficult part, but also the harmonious effect and BIGGER and DEEPER sound when kids' ensemble playing.If you have any question about the notation of beatbox. Don't hesitate to contact me via:E-mail: myrllincheng@gmail.comOfficial Website: https://myrflute.comFacebook: https://facebook.com/myrflute

Piano Trio,String Ensemble - Digital Download SKU: A0.1004151 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 9 pages. Matthew Scott Phillips #3510887. Published by Matthew Scott Phillips (A0.1004151). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.

String Ensemble,String Trio - Digital Download SKU: A0.1004149 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 13 pages. Matthew Scott Phillips #3510885. Published by Matthew Scott Phillips (A0.1004149). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.