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Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.768508 Composed by MarcAntoine Charpentier. Arranged by Roar Kvam. Baroque,Christian,Christmas,Sacred. Octavo. 38 pages. KVAMusic Edition #4717677. Published by KVAMusic Edition (A0.768508). The Messe de Minuit was written around 1694 for the Jesuit church of Saint-Louis in Paris.What is remarkable about this mass is the use of ten French noëls (Christmas carols) in the composition. In the liturgy the birth of Christ is celebrated with three masses: the first during the night of December 24th, the second in the early morning of December 25th, and the third on the day itself. A special atmosphere surrounds the first of these masses on account of the midnight hour, and so Charpen­tier gave special expression to the long observed practice in France of including popular Christmas carols in the Christmas liturgy by including them in the composition of his midnight mass. Although the Council of Trent had forbidden this kind of borrowing of secular melodies in masses in principle, long established customs were tolerated. Charpentier’s justly famous Messe de Minuit represents a perfect synthesis between the secular and liturgical, and between the popular and learned. Adapting the vast majority of the Latin mass to French noëls, the Messe de Minuit’s fresnhess and joyful spirit perfectly represent Advent.  While Charpentier used ten different noël’s through the course of the work, the most serious moment of the mass, the statements of Christ’s incarnation, his mortal existence, and his death under Pontius Pilate, is given wholly original, appropriately sober music.
Charpentier: Messe de Menuit pur Noël (SSAA soli, SSAA choir, flutes, strings and continuo) - Choir
Chorale 3 parties

$7.00 5.98 € Chorale 3 parties PDF SheetMusicPlus

Choral Choir (4-Part) - Digital Download SKU: A0.905181 Composed by Pete Deshler. Contemporary. Octavo. 6 pages. Pete Deshler #6210029. Published by Pete Deshler (A0.905181). An original composition in four parts for body percussion.   This piece is meant to signify the frustration felt by choral singers during the COVID-19 pandemic. Although the situation is serious and stressful, this piece is meant to be humorous. Humor is sometimes our best defense during stressful times. The piece uses several body percussion techniques: step, a palm drag on the thighs (using both hands) and a pat on the thigh. It also uses choral folders as percussion instruments. The folder techniques are: closing the folder, opening the folder, tapping the folder on the knees and dropping the folder on the floor. A choral sigh is also included at the end of the piece.
The Silent Choir (or who was that masked choir?)

$1.99 1.7 € PDF SheetMusicPlus






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