Choral Choir,Choral (Unison) - Level 1 - Digital Download SKU: A0.1270873 Composed by Traditional. Arranged by Vincent Frank. A Cappella,Children,Folk,Instructional,Traditional. 1 pages. Vincent Frank Music #863256. Published by Vincent Frank Music (A0.1270873). Three rounds for unison choir (perfect for late elementary or middle school choirs). Includes Ah, Poor Bird, The Canoe Round, and Hey, Ho, Nobody Home.Key of C minor, 1 page. G3-C5Do you have a question or request? Contact me at vincentfrankmusic@gmail.com.

Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.844646 Composed by Phil Beaman. Contemporary,Easter,Sacred. Octavo. 5 pages. Phil Beaman #4719417. Published by Phil Beaman (A0.844646). Perfect for Easter! This simple but beautiful anthem is written to be accessible for all choirs. Very flexible, it is for 2-part Mixed Choir, and each voice part stays within an octave. The catchy tune is light and joyous. There are 3 verses:  Vs 1-Alleluia 2 part;  Vs 2- He is Risen 2 part;  Vs 3- the first two verses are sung simultaneously: Part 1 sings the 'Alleluia' of Vs 1 while Part 2 sings the 'He Is Risen' of Vs 2. (Don't worry, it is all clearly written out.) The accompaniment is very simple slow chords, the same for each verse.  5 pages, 2 1/2 minutesRecording is sung as a Duet

Choral Choir (SAB) - Level 4 - Digital Download SKU: A0.824398 Composed by Phillip Rawle. Christmas,Concert. Octavo. 6 pages. Phillip Rawle #3381779. Published by Phillip Rawle (A0.824398). A setting of William Shakespeare's song from As You Like It for SSAB Choir. This will be of benefit to choirs who have difficulty in finding tenors (the bass part mat be sung by mixed male voices)

Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549207 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 44 pages. Jmsgu3 #3462167. Published by jmsgu3 (A0.549207). Instrumentation: Double Sax Quartet (SSAATTBB) arranged antiphonally (SATB - SATB). Full Score: 28 pg. Study Score: 14 pg. Instrumental parts: 2 pg. ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.

Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1012364 Composed by Tapio Sayppo. 20th Century,Contemporary. Octavo. 16 pages. MSTS Music Studio #4286285. Published by MSTS Music Studio (A0.1012364). Captivating, intense music of our time for mixed choir SATB (SSAATTBB). Meant to be enjoyed or hated, says the composer.14 pages, duration ca. 7 minutes.The German-language poem Das Knie by Christian Morgenstern (6 May 1871 – 31 March 1914) is a fascinating story about a KNEE returning alone back home through countries after its host, the man himself, was shot dead at war.Because the piece includes numerous significant tempo, style and force, story-telling, emotion and intensity changes, it is highly recommended that the provided instrumental demo is listened completely from beginning to end – for the listener to be able to understand and be part of the hard voyage of this poor knee.Level of difficulty: Somewhat challenging music for choirs with skilled to advanced singersISMN 979-0-9001707-8-1 (PDF) 

Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Digital Download SKU: A0.830805 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 60 pages. Richard Byrnes #5808629. Published by Richard Byrnes (A0.830805). The motet, Fürchte dich nicht (Fear not) is structured in two sections.   The first offers the chorale. The second section is a fugue in the lower 3 voices juxtaposed by the chorale in part 1.   This is an arrangement by Richard Byrnes for two antiphonal choirs (Choir 1 – Soprano Sax, Alto Sax, Tenor Sax, Baritone Sax & Choir 2 - Soprano Sax, Alto Sax, Tenor Sax, Baritone Sax).   In addition to many works by J.S. Bach, we offer works by Brahms, Debussy, Dvorák, Fauré, Glazounov, Glinka, Gottschalk, Granados, Griffes, Lotti, Mendelssohn, Mozart, Ravel, Richard Strauss, Turina, & Vierne.  

Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3464933. Published by jmsgu3 (A0.549213). A musical monument: the first composition to employ dynamics. Minimum Instrumentation:  8 Bb clarinets, 1 alto clarinet, 1 contralto clarinet, 1 contrabass clarinet. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.  

String Ensemble Cello - Level 2 - Digital Download SKU: A0.549267 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Instructional,Renaissance,Standards. 45 pages. Jmsgu3 #3479835. Published by jmsgu3 (A0.549267). A musical monument: the first composition to employ dynamics. Minimum instrumentation: 11 cellos.   Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.

Choir,Piano - Digital Download SKU: A0.1069493 Composed by Joanna Mills. 20th Century,Children,Holiday,Standards. Accompaniment. Duration 216. Joanna Mills Music #5178551. Published by Joanna Mills Music (A0.1069493). Use this piano accompaniment track for rehearsals or performances of Autumn Days when you do not have an accompanist available! Set to a dreamy, original melody by Joanna Mills, Helen Hunt Jackson's poems October and November from A Calendar of Sonnets are adapted into a lovely song about the changing of the seasons from summer to fall. Perfect for fall or early winter concerts or Thanksgiving The piece is set in an accessible key for young voices  and the piano score supports the choir, enabling even beginner choirs to learn this song melody easily.

Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1222388 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructional,March. Score and Parts. 16 pages. Regis Bookshar #818650. Published by Regis Bookshar (A0.1222388). La Rejouissance (from Heroic Music) - Georg Philipp Telemann - Brass Choir - Intermediate - Digital Download.Heroic Music (or Heldenmusik) is a suite of twelve short marches and processionals, written by Georg Philipp Telemann  in 1728, and is associated with various attributes of Heroism such as Dignity, Bravery and Alertness. All twelve movements have now been transcribed and arranged by Regis Bookshar to be played by Trumpet Quintets or Brass Quintets. Some of them have also been arranged for Sextets, Septets, Octets, Nonets and Brass Choirs. Some also include a Timpani. They can be purchased individually, or, if you prefer, as a complete set of all twelve at a huge saving.Any of these selections would be a wonderful addition to any music library. They are perfectly suited to recitals and public performances, can stand alone as short interludes and are generally well received by audiences. They are suitable for high school and college students but professional musicians would also enjoy playing these arrangements. These selections are some of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. In the past, these compositions have often been performed by a soloist playing on a Piccolo Trumpet, but these new arrangements are Bb Trumpet friendly as one player stated after playing through them, making them much easier for most high school students.This selection, La Rejouissance (from Heroic Music), is arranged for a Brass Choir with parts for 3 Bb Trumpets, 1 French Horn, 2 Trombones, 1 Euphonium and 1 Tuba, and is associated with the heroic quality of Joy. The parts may be doubled as needed. There is also a version which includes a Timpani, if you would prefer. Included are a score and a complete set of parts (16 pages).Many of these selections are readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I am certain that these wonderful arrangements of Georg Philipp Telemann's Heroic Music will continue to entertain both performers and audiences alike for years to come.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.872680 Composed by Philip Orem. Contemporary,Jewish,Sacred. Octavo. 78 pages. Philip Orem #3684821. Published by Philip Orem (A0.872680). Ashira is a Shabbat evening service with 19 prayers. This is perfect for choirs that don't have lots of rehearsal time. The choir parts are entirely unison with the more challenging parts being for the cantor and pianist. Introducing each new piece to your congregation as it is learned over a period of time can build up to the entire service and your congregation joining in! The Oseh Shalom is included in Transcontinental Music Publications' Shabbat Anthology VIII.Here is a youtube link for the first performance with Cantor Vicky Glikin and myself at the piano.  https://www.youtube.com/watch?v=SbPUeQ3kqtM&feature=youtu.beWe're on the honor system here, please buy as many copies as you have performers. Printing more copies than you purchase is a violation of the copyright.

Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1228233 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 54 pages. Jmsgu3 #824153. Published by jmsgu3 (A0.1228233). Minimum instrumentation: 4 Cornets in Bb, 4 French Horns in F, 1 Tenor Trombone, 1 Bass Trombone.InnovationsGabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was instead the first to indicate them, such as in his Sonata Pian' e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used particular notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes, there was probably a third group near the main altar.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can sound perfectly in balance in contrast.First WorksFinally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges shown by instrumental accompaniment. Gabrieli's later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here, the instruments are an essential part of the presentation—also, only parts marked Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moved to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller units for vocal soloists, accompanied by a basso continuo.

Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.818192 Composed by Traditional. Arranged by Philip Le Bas. Christian,Christmas,Sacred. Octavo. 8 pages. Philip Le Bas #6629877. Published by Philip Le Bas (A0.818192). An arrangement of the traditional Christmas Carol The Lord at first did Adam make for three-part (SABar) choir and organ by Philip Le Bas. This ancient carol tells the story of the fall of Adam, causing humanity to be wrapt in sin. Yet out of God's goodness we are redeemed by the birth of Christ. The listeners are exhorted to begin an holy life to live, and to rejoice and merry be, for this is Christmas Eve. The version presented here is intended for parish choirs lacking in tenor and bass singers, but with a good organ! It starts in a slightly dark, primeval way with open fifths in the organ part, developing into a minor key throughout the verses, but with a decidedly more positive feel in G major in each of the refrains. The accompaniment expresses the drama expressed in the lyrics without the choral parts becoming too involved, and the whole piece (4 1/2 minutes) ends on a celebratory Tierce de Picardy: for this is Christmas Eve!.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.936681 Composed by Jonathan Eno BEM. Christian,Contemporary,Praise & Worship,Sacred. Octavo. 6 pages. Jonathan Eno #5820847. Published by Jonathan Eno (A0.936681). Composed whilst on a tour of the Norwegian fjords, this is a simple yet beautiful song that will enchant your choir. The close part writing makes it a challenge for most choirs, try to sing with minimum vibrato and enjoy its humble and plaintive nature. You can repeat ad infinitum and it sounds beautiful to add parts upon repeats. If you enjoy this arrangement, why not check out some of the other titles from the Harmonix Series including:Be - a short reflective pastoral choral piece.This is perfect for schools and students!Coming soon...Hot House Tutor Boox - inspirational NEW beginner tutor books for all instruments!!!www.twitter.com/hhyouthjazzwww.twitter.com/jonenowww.instagram.com/HHMusicSchoolwww.facebook.com/bigbangsheetwww.twitter.com/bigbangsheetwww.hhmusic.co.ukwww.bbmusic.co.uk  

Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1217379 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructional,March. Score and Parts. 17 pages. Regis Bookshar #813925. Published by Regis Bookshar (A0.1217379). La Majeste (from Heroic Music) - Georg Philipp Telemann - Brass Choir - Intermediate - Digital Download.Heroic Music (or Heldenmusik) is a suite of twelve short marches and processionals, written by Georg Philipp Telemann in 1728, and is associated with various attributes of Heroism such as Dignity, Bravery and Alertness. All twelve movements have now been transcribed and arranged by Regis Bookshar to be played by Trumpet Quintets or Brass Quintets. Some of them have also been arranged for Sextets, Septets, Octets, Nonets and Brass Choirs. Some also include a Timpani They can be purchased individually, or, if you prefer, as a complete set of all twelve at a huge saving.Any of these selections would be a wonderful addition to any music library. They are perfectly suited to recitals and public performances, can stand alone as short interludes and are generally well received by audiences. They are suitable for high school and college students but professional musicians would also enjoy playing these arrangements. These selections are some of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. In the past, these compositions have often been performed by a soloist playing on a Piccolo Trumpet, but these new arrangements are Bb Trumpet friendly as one player stated after playing through them, making them much easier for most high school students.This selection, La Majeste (from Heroic Music), is arranged for a Brass Choir, with parts for 3 Bb Trumpets, 1 French Horn, 1 Trombone, 1 Euphonium and 1 Tuba, and is associated with the heroic quality of Dignity. The parts may be doubled as needed. There is also a version which includes a Timpani, if you would prefer. Included are a score and a complete set of parts (17 pages).Many of these selections are readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I am certain that these wonderful arrangements of Georg Philipp Telemann's Heroic Music will continue to entertain both performers and audiences alike for years to come.