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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1308910 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Contest,Easter,Festival,Holiday,Religious. Brass Band. 39 pages. John van Gulik #898168. Published by John van Gulik (A0.1308910). An Easter fanfare piece based on the tunes “Christ the Lord is Risen Today†and “Crown Him with many Crownsâ€, this piece was used in the European Brass Band Championships.Standard Instrumentation :Soprano, Solo, Repiano, 2nd, and 3rd CornetsFlugel HornSolo, 1st and 2nd Horns1st and 2nd Baritones1st, 2nd, and Bass TrombonesEuphonium, Eb and Bb BassPercussion and TimpaniComes with full score in letter/landscape format for double sided printing and binding on short edge.  All parts included in letter/portrait format.Note: additional parts are included for horns in F and baritones to tubas in bass clef concert pitchSee https://jvgmusiconline.com for additional parts and other scores for brass band and other ensembles.
Fanfare - Men and Angels
John van Gulik
$20.00 17.18 € PDF SheetMusicPlus

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 1 - Digital Download SKU: A0.1509856 By Andrea Bocelli. By Oscar Hammerstein and Richard Rodgers. Arranged by Tamsin Tate. Broadway,Musical/Show,Pop. Brass Band. 27 pages. Tamsin Tate #1085085. Published by Tamsin Tate (A0.1509856). Enjoy the well known melody soaring on the solo cornets, with a reprise on 1st Baritone, accompanied by the steady triplet rhythms underneath. This arrangement is for a learner brass band. The mid brass parts are easily played by Baritone, Euphonium or Trombone depending on the players in your band. The percussion is equally versatile and parts can be left out if you do not have the players.
You'll Never Walk Alone
Andrea Bocelli
$28.00 24.06 € PDF SheetMusicPlus

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1109386 By Aretha Franklin. By Oscar Hammerstein and Richard Rodgers. Arranged by Colin G Dance. 20th Century,Broadway,Film/TV,Musical/Show. Brass Band. 32 pages. Dance is With Music #711854. Published by Dance is With Music (A0.1109386). This arrangement of this hugely popular Rogers and Hammerstein classic from 'Carousel' is written as a 'euphonium feature' in that the euphonium carries most of the melody, but it is also taken up by the horns and solo cornets in places. Inspired by the performances by Josh Groban and Aretha Franklin , this version has wonderful harmonies, and two modulations. Beautiful!
You'll Never Walk Alone
Aretha Franklin
$50.00 42.96 € PDF SheetMusicPlus

Brass Quintet Cornet,Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1444783 Composed by Johann Sebastian Bach. Arranged by Daniel Augustine. Baroque. 17 pages. Gordon Cherry #1024654. Published by Gordon Cherry (A0.1444783). Aria, Et in Spiritum Sanctum from the B minor Mass, Credo, No. 7, BWV 232 by J. S. Bach has been beautifully arranged for Brass Quintet by Daniel S. Augustine.This arrangement from Bach's great work of genius features the Trombonist/Euphoniumist as the soloist, however each instrument has an interesting part to play.Appropriate for advanced performers, the 5 1/2 minute arrangement is scored for traditional brass quintet of 2 Trumpets/Cornets in B-flat, Horn, Trombone/Euphonium and Tuba.
Et in Spiritum Sanctum, Aria for Brass Quintet

$25.00 21.48 € PDF SheetMusicPlus

Brass Quintet Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1145313 Composed by Will Marion Cook. Arranged by Charles Decker. 20th Century,Broadway,Jazz,Multicultural,Musical/Show,Pop,World. 20 pages. Charles Decker Music Press #745558. Published by Charles Decker Music Press (A0.1145313). Swing Along! by Will Marion Cook, prominent African-American in Music Theater, composer, conductor, and violinist, combines Cakewalk style with classical music techniques to create an entertaining and memorable work from the early 20th century now arranged for a brass quintet of two trumpets or cornets in B-flat, horn in F (alternate flugelhorn part provided), trombone and tuba. The recording is of the complete edition. Cook was a key figure in American music from the 1890s to the 1920s. His Swing Along! was written for a theater production in 1903 combining Black folk music with classical music techniques and became a popular standard with choruses and glee clubs. A violin virtuoso, he studied at Oberlin College, Berlin's Hochschule für Musik with Joseph Joachim, and New York's National Conservatory of Music with Antonin Dvorak. He devoted his career to Black musical comedies and was instrumental in showcasing his Southern Syncopated Orchestrat throughout the Unites States and Europe, featuring New Orleans clarinetist Sidney Bechet. Mentored by Frederick Douglas, Will Marion Cook went on to mentor Duke Ellington, paving the path for orchestral concert jazz. “The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!†  Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
Swing Along! for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$12.99 11.16 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1228233 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 54 pages. Jmsgu3 #824153. Published by jmsgu3 (A0.1228233). Minimum instrumentation: 4 Cornets in Bb, 4 French Horns in F, 1 Tenor Trombone, 1 Bass Trombone.InnovationsGabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was instead the first to indicate them, such as in his Sonata Pian' e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used particular notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes, there was probably a third group near the main altar.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can sound perfectly in balance in contrast.First WorksFinally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges shown by instrumental accompaniment. Gabrieli's later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here, the instruments are an essential part of the presentation—also, only parts marked Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moved to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller units for vocal soloists, accompanied by a basso continuo.
Gabrieli: Canzon per Sonar Ch. 178 for Brass Choir à 10

$47.95 41.2 € PDF SheetMusicPlus

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1372852 By Dua Lipa. By Caroline Ailin, Daniel Harle, Dua Lipa, Kevin Parker, and Tobias Macdonald Jesso. Arranged by Mark Harrison. 21st Century,Hip-Hop,Pop. Brass Band. 20 pages. Mark Harrison #957134. Published by Mark Harrison (A0.1372852). Houdini This arrangement of Dua Lipa's hit song shows the repetitiveness of modern pop music, but hopefully will be enjoyable for all around the stands! The semi-quaver synthesizer riff is spread around the instruments, and the back row get to take on the big synth solo near the end, along with the 2nd bari/trom and 3rd cornets taking the final guitar solo. I have also made a simple beginner part for use in wider ops/young learners to play alongside. - 8 Part Ensemble - additional parts available on request - Bass Clef parts available on request.
Houdini
Dua Lipa
$24.99 21.47 € PDF SheetMusicPlus

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.767560 Composed by Francois-Joseph Gossec. Arranged by Mike Lyons. Classical,Romantic Period. Brass Band. 34 pages. Lyons Music Services #5989257. Published by Lyons Music Services (A0.767560). Tambourin, in this arrangement has had a rather chequered career! I originally meant it to be for a single soloist - but where's the fun in that? Then I thought 2 cornets but eventually worked out that it worked really well on almost any combination of Bb soloists as it is a conversation between the two parts.The band parts are strictly accompanimental and need to be one on a part most of the way through.
Bb Duet with Brass Band - Tambourin

$25.00 21.48 € PDF SheetMusicPlus






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