Chorus - Digital Download SKU: AX.00-PO-0001643 The Candy Cane Twist - 2-Part. Composed by Andy Beck. Secular Choral. 11 pages. Alfred Music - Digital Sheet Music #00-PO-0001643. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0001643). UPC: 038081444932. Brian Fisher.It's a seasonal sensation that's sweepin' the nation (with no mention of the holidays)! This rockin' original celebrates the tasty treat with all the right moves. Twist to the left and right . . . like the red and white. Fitting '50s choreography available on the DVD. Featured on Reaching for the Stars choral movement DVD 00-39928. Check this out! https://leapingbrain.com/modshop/product/?shop=9&product=5686Recorded Acc. Available.

Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1484940 By Sia. By Greg Kurstin and Sia. Arranged by Pakk Hui. Holiday,Pop. 10 pages. Pakk Hui #1062032. Published by Pakk Hui (A0.1484940). This is a TTBB arrangement of the festive holiday song Candy Cane Lane by Sia. The accompanying band parts and conductor score are sold separately.

Chorus - Digital Download SKU: AX.00-PO-0003694 Candy Cane Lane - SSA. Composed by Jennifer Zuffinetti. Arranged by Greg Gilpin. Choral. 9 pages. Alfred Music - Digital Sheet Music #00-PO-0003694. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0003694). UPC: 038081511047.This bubbly, contemporary country-pop release from Point of Grace has darling lyrics and a catchy chorus that begs for choreography. Perform it with the optional SoundTrax CD to add some flair to your holiday program.Recorded Acc. Available.

Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1313411 By Sia. By Greg Kurstin and Sia. Arranged by Gabriel Lawson. 21st Century,A Cappella,Christmas,Pop. 12 pages. Gabriel Lawson #902167. Published by Gabriel Lawson (A0.1313411). “Candy Cane Lane� is the second track on the album Everyday Is Christmas by Sia. Amazingly fun, nostalgic, bright, upbeat song. Arranged for four-part a cappella Men's Chorus (TTBB) with the melody in the Tenor 2 part.Key of A Major (original key B Major).Difficulty 5/10.Tenor 1 G#3-A4.Tenor 2 E#3-B4.Baritone C#3-F#4.Bass E2-B3.

Small Ensemble Drum Set,Electric Bass Guitar,Electric Guitar,Electronic Keyboard,Sleigh Bells,Tubular Bells - Level 2 - Digital Download SKU: A0.1505087 By Sia. By Greg Kurstin and Sia. Arranged by Christopher Santanelli. Christmas,Contemporary,Holiday,Pop. 12 pages. Christopher Santanelli #1080497. Published by Christopher Santanelli (A0.1505087). Candy Cane Lanemade popular by SiaInstrumental parts to accompany SATB, SAB, SSA, or 2-Partvoicingsincludes: Electric Keyboard, Electric Guitar, Bass Guitar, Drum Set, Tubular Bells, and Sleigh BellsPerfect for your holiday concert!

Piano and keyboard - Beginning-Intermediate - Digital Download Composed by Gail Smith. Native American. E-book and online audio. 48 pages. Mel Bay Publications - Digital Sheet Music #95451MEB. Published by Mel Bay Publications - Digital Sheet Music

Woodwind Ensemble Contrabassoon,English Horn,Flute,Oboe,Piccolo - Digital Download SKU: A0.830654 Composed by Enrique Granados. Arranged by Richard Byrnes. 20th Century. 92 pages. Richard Byrnes #3412067. Published by Richard Byrnes (A0.830654). The “Goyescas� are reflection on paintings by Francisco Goya. They were written between 1909 and 1911. They we subtitled “Los majos enamorados� (The Gallants in Love). The original piano pieces are extremely difficult. The El Fandango de Candil (Fandango by Candlelight) is the third movement from the suite entitled Goyescas by Enrique Granados.   This version adds piccolo and flute to a double reed octet (Piccolo, Flute, 2 Oboes, 2 English Horn, 3 Bassoons, Contrabassoon). It is a delightfully challenging romp!   Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.   In addition to works by Granados, we offer works by J.S. Bach, Brahms, Debussy, Dvorák, Fauré, Glazounov, Glinka, Gottschalk, Griffes, Lotti, Mendelssohn, Mozart, Ravel, Richard Strauss, Turina, & Vierne.  

Large Ensemble Bass Voice,Cello,Flute,Piccolo,Viola,Violin - Digital Download SKU: A0.830657 Composed by Enrique Granados. Arranged by Richard Byrnes. 20th Century. Score and parts. 92 pages. Richard Byrnes #3412071. Published by Richard Byrnes (A0.830657). The El Fandango de Candil (Fandango by Candlelight) is the third movement from the suite entitled Goyescas by Enrique Granados. This version adds piccolo and flute to a string octet (Picc,Fl,3Vn,2Va,2Vc,Cb). It is a delightfully challenging romp! Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.In addition to the Fandango by Granados, we offer works by J.S. Bach, Debussy, Fauré, Glinka, Gottschalk, Lotti, Mozart, Ravel, Richard Strauss, and Turina.

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.514925 Composed by Giovanni Gabrieli. Arranged by Kenneth Abeling. Classical,Renaissance,Sacred,Wedding. Score and parts. 40 pages. LINCOLN MUSIC PUBLICATIONS #3916807. Published by LINCOLN MUSIC PUBLICATIONS (A0.514925). Four Canzoni by Giovanni Gabrieli (from a larger collection by multiple composers) transcribed here for String Quartet by Kenneth Abeling. The four Canzon are 1. prima, 2. seconda, 3. terza and 4. quarta. This is and advanced intermediate, to easy advanced level collection of four Renaissance pieces. They are appropriate for a variety performance applications including Religious services and Weddings. Playing time for all Cazoni 10:20. To view and listen to this piece in its entirety as well as hundreds of other arrangements and transcriptions by Kenneth Abeling at the lowest prices available please visit www.lincolnmusicpublications.com Preview this score on YouTube: https://www.youtube.com/watch?v=-5ey3F65WKA 

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.514926 Composed by Giovanni Gabrieli. Arranged by Kenneth Abeling. Renaissance,Sacred,Wedding. 40 pages. LINCOLN MUSIC PUBLICATIONS #3916811. Published by LINCOLN MUSIC PUBLICATIONS (A0.514926). Four Canzoni by Giovanni Gabrieli (from a larger collection by multiple composers) transcribed here for Woodwind Quartet by Kenneth Abeling. The four Canzon are 1. prima, 2. seconda, 3. terza and 4. quarta. This is and advanced intermediate, to easy advanced level collection of four Renaissance pieces. They are appropriate for a variety performance applications including Religious services and Weddings. Playing time for all Cazoni 10:20. To view and listen to this piece in its entirety as well as hundreds of other arrangements and transcriptions by Kenneth Abeling at the lowest prices available please visit www.lincolnmusicpublications.com  Preview this score on YouTube: https://www.youtube.com/watch?v=F5FRZH-gx4g 

Woodwind Ensemble - Level 4 - Digital Download SKU: A0.514923 Composed by Giovanni Gabrieli. Arranged by Kenneth Abeling. Classical,Renaissance,Sacred,Wedding. 40 pages. LINCOLN MUSIC PUBLICATIONS #3916801. Published by LINCOLN MUSIC PUBLICATIONS (A0.514923). Four Canzoni by Giovanni Gabrieli (from a larger collection by multiple composers) transcribed here for Clarinet Quartet by Kenneth Abeling. The four Canzon are 1. prima, 2. seconda, 3. terza and 4. quarta. This is and advanced intermediate, to easy advanced level collection of four Renaissance pieces. They are appropriate for a variety performance applications including Religious services and Weddings. Playing time for all Cazoni 10:20. To view and listen to this piece in its entirety as well as hundreds of other arrangements and transcriptions by Kenneth Abeling at the lowest prices available please visit www.lincolnmusicpublications.com  Preview this score on YouTube: https://www.youtube.com/watch?v=Q0UTv-1oOBc 

Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E

Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.