Solo Guitar - Digital Download SKU: A0.939062 Composed by Gene Swanson. Christmas. Individual part. 1 pages. Gene Swanson #2949545. Published by Gene Swanson (A0.939062). Candy Cane is the fifth tune from Play Along! - Student Inspired Christmas Tunes for Guitar Vol. #1 There are 3 tracks included on the provided MP3 Recording. Track 1 = MelodyTrack 2 = Demonstration (band & melody)Track 3 = Play Along (band minus melody)Fingerings have been intentionally left out so students/teachers may choose to play in different positions as desired. I developed this Play Along series as a supplemental material for students and teachers to have fun playing simple tunes in a variety of styles celebrating the many seasonal times/holidays of the school year.

Choral Choir,Choral,SSA Chorus - Level 2 - Digital Download SKU: A0.1505415 By Sia. By Greg Kurstin and Sia. Arranged by Christopher Santanelli. Christmas,Contemporary,Holiday,Pop. 6 pages. Christopher Santanelli #1080802. Published by Christopher Santanelli (A0.1505415). Candy Cane Lane made popular by Siafor SSA voices with piano accompaniment(instrumental accompaniment parts available separately)Perfect for your holiday concert!

Piano Solo - Level 2 - Digital Download SKU: A0.939528 By Sia. By Greg Kurstin and Sia. Arranged by Christina Lopriore. Pop. Score. 4 pages. Christina Lopriore #6626029. Published by Christina Lopriore (A0.939528). An easier version of Sia's Candy Cane Lane for solo piano. Includes lyrics. In key of C major and does not require left hand to stretch more than a sixth.

Choral 2-Part Chorus,Choir,Choral - Level 2 - Digital Download SKU: A0.1505408 By Sia. By Greg Kurstin and Sia. Arranged by Christopher Santanelli. Christmas,Contemporary,Holiday,Pop. 6 pages. Christopher Santanelli #1080795. Published by Christopher Santanelli (A0.1505408). Candy Cane Lane made popular by Siafor 2-Part voices with piano accompaniment(instrumental accompaniment parts available separately)Perfect for your holiday concert!

Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.834740 By Sia. By Greg Kurstin and Sia. Arranged by MAJOR SCORE PUBLISHING TM. Christmas,Holiday,Pop,Singer/Songwriter. Score and part. 11 pages. Major Score Publishing #6631717. Published by Major Score Publishing (A0.834740). Candy Cane Lane (SIA) Alto Sax solo & piano Alto Sax players! Play along with the original recording by Sia OR perform as a instrumental duet with your included piano accompaniment! This super fun to play and feel good holiday hit by Sia will surley delight both the listener and performers! A fantastic flute and piano sheet music resource for this season and the next. This arrangement is in the original jkey of B Major as performed by Sia.  Full demo also below on our YouTube channel!Whats included in your premium sheet music download?Flute part: 2 pagesPiano part: 3 pagesFull Score: 5 pages

Piano and keyboard - Beginning-Intermediate - Digital Download Composed by Gail Smith. Native American. E-book and online audio. 48 pages. Mel Bay Publications - Digital Sheet Music #95451MEB. Published by Mel Bay Publications - Digital Sheet Music

Woodwind Ensemble Contrabassoon,English Horn,Flute,Oboe,Piccolo - Digital Download SKU: A0.830654 Composed by Enrique Granados. Arranged by Richard Byrnes. 20th Century. 92 pages. Richard Byrnes #3412067. Published by Richard Byrnes (A0.830654). The “Goyescas� are reflection on paintings by Francisco Goya. They were written between 1909 and 1911. They we subtitled “Los majos enamorados� (The Gallants in Love). The original piano pieces are extremely difficult. The El Fandango de Candil (Fandango by Candlelight) is the third movement from the suite entitled Goyescas by Enrique Granados.   This version adds piccolo and flute to a double reed octet (Piccolo, Flute, 2 Oboes, 2 English Horn, 3 Bassoons, Contrabassoon). It is a delightfully challenging romp!   Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.   In addition to works by Granados, we offer works by J.S. Bach, Brahms, Debussy, Dvorák, Fauré, Glazounov, Glinka, Gottschalk, Griffes, Lotti, Mendelssohn, Mozart, Ravel, Richard Strauss, Turina, & Vierne.  

Large Ensemble Bass Voice,Cello,Flute,Piccolo,Viola,Violin - Digital Download SKU: A0.830657 Composed by Enrique Granados. Arranged by Richard Byrnes. 20th Century. Score and parts. 92 pages. Richard Byrnes #3412071. Published by Richard Byrnes (A0.830657). The El Fandango de Candil (Fandango by Candlelight) is the third movement from the suite entitled Goyescas by Enrique Granados. This version adds piccolo and flute to a string octet (Picc,Fl,3Vn,2Va,2Vc,Cb). It is a delightfully challenging romp! Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.In addition to the Fandango by Granados, we offer works by J.S. Bach, Debussy, Fauré, Glinka, Gottschalk, Lotti, Mozart, Ravel, Richard Strauss, and Turina.

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.514926 Composed by Giovanni Gabrieli. Arranged by Kenneth Abeling. Renaissance,Sacred,Wedding. 40 pages. LINCOLN MUSIC PUBLICATIONS #3916811. Published by LINCOLN MUSIC PUBLICATIONS (A0.514926). Four Canzoni by Giovanni Gabrieli (from a larger collection by multiple composers) transcribed here for Woodwind Quartet by Kenneth Abeling. The four Canzon are 1. prima, 2. seconda, 3. terza and 4. quarta. This is and advanced intermediate, to easy advanced level collection of four Renaissance pieces. They are appropriate for a variety performance applications including Religious services and Weddings. Playing time for all Cazoni 10:20. To view and listen to this piece in its entirety as well as hundreds of other arrangements and transcriptions by Kenneth Abeling at the lowest prices available please visit www.lincolnmusicpublications.com  Preview this score on YouTube: https://www.youtube.com/watch?v=F5FRZH-gx4g 

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.514925 Composed by Giovanni Gabrieli. Arranged by Kenneth Abeling. Classical,Renaissance,Sacred,Wedding. Score and parts. 40 pages. LINCOLN MUSIC PUBLICATIONS #3916807. Published by LINCOLN MUSIC PUBLICATIONS (A0.514925). Four Canzoni by Giovanni Gabrieli (from a larger collection by multiple composers) transcribed here for String Quartet by Kenneth Abeling. The four Canzon are 1. prima, 2. seconda, 3. terza and 4. quarta. This is and advanced intermediate, to easy advanced level collection of four Renaissance pieces. They are appropriate for a variety performance applications including Religious services and Weddings. Playing time for all Cazoni 10:20. To view and listen to this piece in its entirety as well as hundreds of other arrangements and transcriptions by Kenneth Abeling at the lowest prices available please visit www.lincolnmusicpublications.com Preview this score on YouTube: https://www.youtube.com/watch?v=-5ey3F65WKA 

Woodwind Ensemble - Level 4 - Digital Download SKU: A0.514923 Composed by Giovanni Gabrieli. Arranged by Kenneth Abeling. Classical,Renaissance,Sacred,Wedding. 40 pages. LINCOLN MUSIC PUBLICATIONS #3916801. Published by LINCOLN MUSIC PUBLICATIONS (A0.514923). Four Canzoni by Giovanni Gabrieli (from a larger collection by multiple composers) transcribed here for Clarinet Quartet by Kenneth Abeling. The four Canzon are 1. prima, 2. seconda, 3. terza and 4. quarta. This is and advanced intermediate, to easy advanced level collection of four Renaissance pieces. They are appropriate for a variety performance applications including Religious services and Weddings. Playing time for all Cazoni 10:20. To view and listen to this piece in its entirety as well as hundreds of other arrangements and transcriptions by Kenneth Abeling at the lowest prices available please visit www.lincolnmusicpublications.com  Preview this score on YouTube: https://www.youtube.com/watch?v=Q0UTv-1oOBc 

Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E

Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.