String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.

Large Ensemble Accordion,B-Flat Clarinet,B-Flat Trumpet,Double Bass,Drum Set,Piano,Tenor Trombone,Tuba,Voice - Level 3 - Digital Download SKU: A0.1194430 By Various Artists. By Oscar Hammerstein and Richard Rodgers. Arranged by Dennis Ruello. 20th Century,Broadway,Film/TV,Musical/Show,Pop,Standards. Score and parts. 24 pages. Chicory Music #793675. Published by Chicory Music (A0.1194430). Edelweiss is a show tune from the 1959 Rodgers and Hammerstein musical The Sound of Music. It is named after the edelweiss, (Leontopodium nivale), a white flower found high in the Alps. The song was created for the 1959 Broadway production of The Sound of Music, as a song for the character Captain Georg von Trapp. In the musical, Captain von Trapp and his family sing this song during the concert near the end of Act II. It is a statement of Austrian patriotism in the face of the pressure put upon him to join the navy of Nazi Germany following the Anschluss (Nazi annexation of their homeland). It is also Captain von Trapp's subliminal goodbye to his beloved homeland, using the flower as a symbol of his loyalty to Austria. In the 1965 film adaptation, the song is also sung by the Captain earlier in the film when he rediscovers music with his children. This was the final song of Rodgers and Hammerstein's musical collaboration as well as the last song written by Oscar Hammerstein II, who died in August 1960.This arrangement for German Band (plus optional vocal) is arranged for those musicians who perform at the Intermediate Level or above. This song is perfect for Oktoberfest. Parts Include: Full Score, Voice (Optional), 1st and 2nd Clarinet, Trumpet, Trombone, Accordion  / Piano, Tuba, Acoustic Bass (Tuba Sub.) and Drum Set.  * MP3 starts in measure 5.

Guitar,Piano,Vocal,Voice - Digital Download SKU: A0.900434 Composed by Richard Rodgers. Arranged by Sir Nyukuri Edwin. Broadway,Film/TV. Score. 5 pages. SIR NYUKURI EDWIN #3368029. Published by SIR NYUKURI EDWIN (A0.900434). Edelweiss is a show tune from the 1959 Rodgers and Hammerstein musical The Sound of Music. It is named after the edelweiss, a white flower found high in the Alps (Leontopodium alpinum). It was created for the 1959 Broadway production of The Sound of Music in the role originated by performer Theodore Bikel as a song for the character of Captain Georg Ludwig von Trapp. In the musical, Captain von Trapp and his family sing this song during the concert near the end of Act II as a statement of Austrian patriotism in the face of the pressure put upon him to join the navy of Nazi Germany following the Anschluss. It is also Captain von Trapp's subliminal goodbye to his beloved homeland, using the flower as a symbol of his loyalty to Austria. In the 1965 film adaptation, the song is also sung by the Captain earlier in the film when he rediscovers music with his children.

Piano Solo - Digital Download SKU: A0.492230 By Pablo Islas. By Pablo Islas. 20th Century,Classical,Contemporary,Film/TV. Score. 3 pages. Published by Pablo Islas (A0.492230). As the battle begins, the Captain and his men fire their canons and strike the beast, but with no avail. The beast continues to strike down, causing waves to shower over the Captain's ship. The Captain and his men unfazed by the raw power of the beast, stride forward as they unleash a second barrage of canon fire, striking the beast, yet with no avail once again. As neither side will waver, who will win this battle of attrition, The Captain or... The Kraken?

C Instrument - Level 4 - Digital Download SKU: A0.500265 By Captain & Tennille. By Toni Tennille. Arranged by John Fries. 20th Century,Jazz,Pop,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113453. Published by John Fries (A0.500265). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Do That to Me One More Time is a song performed by the American pop duo Captain & Tennille. It was their 13th charting hit in the United States, and their second number 1 hit on the Billboard Hot 100 chart. It features a Lyricon solo by saxophonist Tom Scott, though Captain mimed to this part on a descant recorder in the promotional video. Do That to Me One More Time was a comeback for the duo, but they failed to achieve further success on Casablanca and their contract was not renewed. Vocalist and songwriter Toni Tennille played the song for Bogart at her house with husband Daryl Dragon in Pacific Palisades, California on an electric piano. Bogart reacted enthusiastically, saying: That's a smash! There's no doubt in my mind that's going to be your first single..

C Instrument - Level 4 - Digital Download SKU: A0.1175007 By The Captain & Tennille. By Howard Greenfield and Neil Sedaka. Arranged by John Fries. 20th Century,Pop,Rock,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #775138. Published by John Fries (A0.1175007). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  It was first recorded by Sedaka in 1973. American pop duo Captain & Tennille covered the song in 1975, with instrumental backing almost entirely by “Captain� Daryl Dragon. Sedaka admitted lifting the main chord progression from Do It Again by The Beach Boys and added a progression including augmented chords. Neil Sedaka rerecorded a spoof of his song, renaming it Lunch Will Keep Us Together for his first children's CD Waking Up Is Hard to Do.

Piano Solo - Level 2 - Digital Download SKU: A0.742486 By Captain & Tennille. By Toni Tennille. Arranged by Javier Martínez. Pop,Rock. Score. 4 pages. Arte Nova Music Lab #4742233. Published by Arte Nova Music Lab (A0.742486). Do That to Me One More Time is a song performed by the American pop duo Captain & Tennille. It was their 13th charting hit in the United States, and their second number 1 hit on the Billboard Hot 100 chart. The song was included on the duo's 1979 studio album, Make Your Move, and was written by Toni Tennille. It features a Lyricon solo by saxophonist Tom Scott, though Captain mimed to this part on adescant recorder in the promotional video. Even though an edited version was released as a single, yet another version was created for their many TV performances promoting the song. This version contained a natural ending, opposed to the fade-out ending that was featured on the single and album versions. This version was mainly lip-synced by Tennille on such TV programs. Taken from https://en.wikipedia.org/wiki/Do_That_to_Me_One_More_Time

Piano Solo - Level 4 - Digital Download SKU: A0.1358305 By The Captain & Tennille. By Howard Greenfield and Neil Sedaka. Arranged by John Fries. 20th Century,Pop,Standards. Score. 3 pages. John Fries #942772. Published by John Fries (A0.1358305). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.   It was first recorded by Sedaka in 1973. American pop duo Captain & Tennille covered the song in 1975, with instrumental backing almost entirely by “Captain� Daryl Dragon. Sedaka admitted lifting the main chord progression from Do It Again by The Beach Boys and added a progression including augmented chords. Neil Sedaka rerecorded a spoof of his song, renaming it Lunch Will Keep Us Together for his first children's CD Waking Up Is Hard to Do.

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1199669 By The Captain & Tennille. By Howard Greenfield and Neil Sedaka. Arranged by John Fries. 20th Century,Pop,Rock,Standards. Score. 3 pages. John Fries #798672. Published by John Fries (A0.1199669). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.   It was first recorded by Sedaka in 1973. American pop duo Captain & Tennille covered the song in 1975, with instrumental backing almost entirely by “Captain� Daryl Dragon. Sedaka admitted lifting the main chord progression from Do It Again by The Beach Boys and added a progression including augmented chords. Neil Sedaka rerecorded a spoof of his song, renaming it Lunch Will Keep Us Together for his first children's CD Waking Up Is Hard to Do.

Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1162569 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 43 pages. Socrates Arvanitakis #762940. Published by Socrates Arvanitakis (A0.1162569). This is the twenty-sixth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all  volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view.Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 26 (Songs 676-702)Once a Farmer and His WifeOnce I Loved a LassOnce I Loved a maiden fairOne man went to mowOne More RibberOrientis PartibusOrphan Girl (the)Ould John BraddlumOur Captain cried All Hands 1Our Captain cried All Hands 2Our Captain cried All Hands 3The Outlandish KnightOwl (the)Oxen Ploughing (the)Paddy on the RailwayPainful Plough (the)Parson HoggPaul JonesPay Me My Money DownPeace O’er the WorldPeggy BondPenny Wager (the)Pine Tree (The)Piper o’ Dundee (the)Plains of Waterloo (the)Ploughboy’s GloryPoacher’s Song.

Brass Quartet Horn,Trombone,Trumpet - Level 5 - Digital Download SKU: A0.1342542 By Charles Francois Gounod. By Charles Francois Gounod. Arranged by Andrew Lamb. 19th Century. 22 pages. Andrew Lamb #928040. Published by Andrew Lamb (A0.1342542). 🎺 Brass Quartet Adaptation - 'The Chase' by Charles Gounod 🎺Dive into the exhilarating world of Charles Gounod with this heart-pounding Brass Quartet adaptation, skillfully arranged by the talented Andrew Lamb! Originally composed in 1872 as a song for voice and piano, 'The Chase' takes on a new, dynamic life in this arrangement scored for 2 Trumpets/Cornets in Bb, French Horn, and Trombone. 🎼Level of Difficulty: Hard 🌟Potential Uses: Perfect for concert or recital performances, this arrangement captivates audiences with its intricate brass interplay, showcasing the brilliance of Gounod's composition in a new light. 🎶Unleash the power of brass instruments and elevate your repertoire with this arrangement. Immerse yourself in the timeless brilliance of Charles Gounod's music brought to life through this arrangement – a thrilling chase of melodies and harmonies! 🚀This arrangement is not just music; it's an experience! 🌈Please like and subscribe for more videos and music arrangements. 🤩🎺 Andrew Lamb's Brass Quartet Adaptation - 'The Chase' by Charles Gounod 🎺Dive into the exhilarating world of Charles Gounod with this heart-pounding Brass Quartet adaptation, skillfully arranged by the talented Andrew Lamb! Originally composed in 1872 as a song for voice and piano, 'The Chase' takes on a new, dynamic life in this arrangement scored for 2 Trumpets/Cornets in Bb, French Horn, and Trombone. 🎼Level of Difficulty: Hard 🌟Potential Uses: Perfect for concert or recital performances, this arrangement captivates audiences with its intricate brass interplay, showcasing the brilliance of Gounod's composition in a new light. 🎶Unleash the power of brass instruments and elevate your repertoire with this arrangement. Immerse yourself in the timeless brilliance of Charles Gounod's music brought to life through this arrangement – a thrilling chase of melodies and harmonies! 🚀This arrangement is not just music; it's an experience! 🌈Please like and subscribe for more videos and music arrangements. 🤩.

Violin Duet Violin - Level 1 - Digital Download SKU: A0.1385311 Composed by Charles Zimmerman and Captain Alfred H. Miles, U.S.N. Arranged by Mari Hashimoto. Instructional,Patriotic. 2 pages. Mari Hashimoto #969320. Published by Mari Hashimoto (A0.1385311). Dive into musical teamwork with 'Anchors Aweigh' by Charles Zimmerman and Captain Alfred H. Miles, U.S.N, in C Major, a delightful easy violin duet arrangement. Perfect for student collaboration, it teaches harmony through simple yet engaging melodies. Elevate your learning experience with this harmonious piece!

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1470862 Composed by Oscar Hammerstein and Richard Rodgers. Arranged by Mary Clark. Broadway,Musical/Show,Traditional,Wedding. 22 pages. Second Wind Music #1048484. Published by Second Wind Music (A0.1470862). The Sound of Music recounts the tale of Maria, a postulant sent to care for the seven children of widowed Captain von Trapp in pre-World War II Austria. Maria ends up falling love with the children and their father, choosing to leave the abbey and marry the captain. The family flees to Switzerland as the Nazis annex Austria. The Broadway production of “The Sound of Music” premiered in 1959, followed by a film adaptation in 1965.The Processional and Canticle is from the wedding scene in the stage version of “The Sound of Music”. (The film score version is slightly different and shorter.) In the musical, this piece features a choir of nuns singing, along with the orchestra. This arrangement closely follows the stage production score and the 1959 original Broadway cast recording, which includes the Canticle section (which is not included in the film).This piece can be shortened or lengthened as needed for a particular performance or event, making it ideal for any event that needs a processional or recessional.  There are also two options for ending the piece - a quiet, solemn ending or a reprise of the processional with bolder finish.