Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.1005802 Composed by JYE BRYANT. Celtic,Folk,Musical/Show. 5 pages. Jye Bryant #6443429. Published by Jye Bryant (A0.1005802). From CAPTAIN MOONLITE - A New Australian Musical.

Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.1005798 Composed by JYE BRYANT. Celtic,Folk,Musical/Show. 2 pages. Jye Bryant #6443369. Published by Jye Bryant (A0.1005798). From CAPTAIN MOONLITE - A New Australian Musical.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1218177 By Captain Cook. By Michael Donald Chapman and Nicky Chinn. Arranged by N.E. Ballema. 20th Century,Folk,Pop. Octavo. 6 pages. N.E. Ballema #814672. Published by N.E. Ballema (A0.1218177).

Trumpet Solo - Level 2 - Digital Download SKU: A0.951605 Composed by M.K. Fowler. Arranged by Travis Hayman. Folk,Holiday,Patriotic. Individual part. 7 pages. Travis Hayman #6412823. Published by Travis Hayman (A0.951605). The Pledge of Allegiance United States is an expression of allegiance to the flag of the United States and the republic of the United States of America. Such a pledge was first composed, with a text different from the one used at present, by Captain George Thatcher Balch, a Union Army Officer during the Civil War and later a teacher of patriotism in New York City schools. The form of the pledge used today was largely devised by Francis Bellamy in 189 of the2, and formally adopted by Congress as the pledge 50 years later, in 1942. The official name of The Pledge of Allegiance was adopted in 1945. The most recent alteration of its wording came on Flag Day (June 14) in 1954, when the words under God were added.

Oboe,Piano - Level 3 - Digital Download SKU: A0.549332 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486241. Published by jmsgu3 (A0.549332). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia

Flute,Folk Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.1265481 Composed by Traditional Cornish. Arranged by Darhon Rees-Rohrbacher. Celtic,Folk,Historic,Irish,Multicultural,Traditional,World. 54 pages. Afghan Press Music for the Harp #858280. Published by Afghan Press Music for the Harp (A0.1265481). ALL HARPS INTERMEDIATE + MELODY INSTRUMENT – Fifteen Traditional Tunes from Cornwall arranged for Lever harps tuned in Eb, Bb or F, or any pedal harp.  All of these arrangements fit within the 26-string range. Fifteen Arrangements of Traditional Tunes from Cornwall arranged for Lever harps tuned in Eb, Bb or F, or any pedal harp.  Guitar chords included, with duo parts for Flute or Violin.These tunes have been placed in progressive key order to create a satisfying “Cornish suite� that facilitates lever and pedal changes. All tunes were typeset to fix exactly on two facing pages to eliminate any page turns within a piece.Guitar chords are included so that the melody may be played by any C instrument, accompanied by chords on harp, lute, guitar, or keyboard. Also, the transcribed harp part can be played on any keyboard instrument with only minor adjustments. Only one song in this collection, #6, has any lever or pedal changes (B-flat and B-natural). Otherwise, there are only lever or pedal presets in preparation for the next song. Dynamic markings, fingerings, metronome markings, breath marks, and lever/pedal changes are provided throughout. However, the musicians should use whichever expressive markings and lever/pedal adjustments suit them, no matter what this book indicates! Due to space constraints, first and second endings were only indicated above the flute/violin part in the full score and dynamics only within the harp part; but these markings apply to both instruments. (However, all markings are indicated on the separate instrumental leaflet.) This entire book of arrangements can be played on a harp of only 26 strings (3.5 octaves), from low C to high G. Simply treat the C two octaves below middle C as the lowest C on your harp and adjust the octaves accordingly. Ignore any 8va indications and shorten any glissandos.Table of Contents:Helston Furry DanceThe Cottage Thatched With StrawThe White CockadeThe Lovers’ TasksStrangerLimadieThe MarigoldLullabyWilly CoombeRouse, RouseThe BlackbirdCaptain PearseCome My LadsOn A May Morning So EarlyThe Siege Of St. MaloRelated products.

(SATB) - Digital Download SKU: HX.407300 By Captain & Tennille. Arranged by Mac Huff. Pop. Choral. 14 pages. Duration 195. Published by Hal Leonard - Digital (HX.407300).

Brass Ensemble - Level 3 - Digital Download SKU: A0.751021 Composed by John Williamson. Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 39 pages. BJE Music #6283245. Published by BJE Music (A0.751021). Give Me a Home Among the Gumtrees (or Home Among the Gumtrees) is a popular Australian song written in 1974 by Wally Johnson and Bob Brown (aka Captain Rock). The song was later recorded by popular Australian country music singer-songwriter John Williamson, thus increasing its popularity with many mistakenly believe Williamson to be the original composer. This bright arrangement is for a Brass Band or Ensemble Percussion parts include Drum Set and Xylophone. There are parts for both Horns in Eb and F, Trombones 1-2 TC and BC, Euphonium TC or BC, Basses in Eb, Bb, and C… Grade = 3 Duration = 2:30 mins The MP3 was recorded with NotePerformer.

String Orchestra - Level 4 - Digital Download SKU: A0.861801 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 20 pages. Mark O'Connor Musik International #6202131. Published by Mark O'Connor Musik International (A0.861801). Strings & Threads Suite (violin solo part - for violin and string orchestra) MO134BViolin Solo Part (score and string parts available)Music by Mark O’Connor16 pages - 15:00 minutes in length I. Fair Dancer Reel - p. 1II. Sailor’s Jig - p. 6III. Captain’s Jig - p. 9IV. Off To Sea - p. 11V. Pilgim’s Waltz - p. 12VI. Road To Appalachia - p. 15VII. Shine On - p. 18VIII. Cotton Pickin’ Blues - p. 21IX. Pickin’ Parlor Rag - p. 23X. Queen Of The Cumberland - p. 27XI. Texas Dance Hall Blues - p. 30XII. Swing 11:11 - p. 33XIII. Sweet Suzanne - p. 37 Strings & Threads Suite for violin and string orchestra is a piece comprising thirteen tunes composed by Mark O’Connor. In 1986, the Tennessee Dance Theater commissioned the Suite to be performed at Nashville’s Summer Lights Festival. A few years later Edgar Meyer provided the beautiful string orchestra arrangement that is contained in this score. The individual tunes are in various folk styles appearing in a chronological order O’Connor says, not only represents the evolution of American folk music, but also mirrors his own family’s migration from Ireland and Holland to America. It traces the family’s route through the thirteen colonies initially, and then eventually West during WWI nearly 300 hundred years later. O’Connor wrote the pieces in a manner and style he felt his family could have heard along the way. The Suite begins with Irish music, perhaps similar to the music O’Connor’s family brought with them. Then in a thoughtful progression, he reveals music they must have encountered living in early America. Strings & Threads musically describes how folk music styles hundreds of years apart are interconnected – possessing a common thread – from an Irish reel to jazz. The music is suited for advanced and intermediate levels but portions of the piece can be appropriate for beginners. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1986 Composed By Mark O’ConnorString Orchestra arrangement by Edgar MeyerStrings & Threads Suite (violin and string orchestra version) can be heard on American Seasons Sony Classical Mark O’Connor – violin, Metamorphosen Chamber Orchestra, Scott YooCatalogue Number MO134BCopyright © 1986 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com