Digital Download SKU: HX.408237 By Captain & Tennille, John H. Pritchard, and Ray Stevens. Arranged by Mac Huff. This edition: scorch. Pop. Choral Instrumental Pak. 2 pages. Duration 195. Hal Leonard - Digital #289728. Published by Hal Leonard - Digital (HX.408237).

Concert Band - Level 4 - Digital Download SKU: A0.1303052 By Jay Jordan. By Jay Jordan. Arranged by Jay Jordan. Classical,Contemporary,Contest,Festival,Historic. Score and Parts. 105 pages. Pro Creations Music #892637. Published by Pro Creations Music (A0.1303052). Requiem for the PequodCaptain Ahab’s story of obsession, and ultimate failure at the hands of Moby Dick is, of course, a well-worn cautionary tale. The tale of the Pequod, the ship that also met its demise as a result of Ahab’s actions is, in my eyes, worth examining. Requiem for the Pequod begins with Two Bells, tolled to mark the end of the day before Ahab and his crew set sail. The minor theme, played by a solo flute, sets the mood as restful, but somewhat ominous at the same time; treatments by the brass in chorale style and then the full ensemble follow. The next three sections beginning at letter A feature up-tempo variations on the main theme (Setting Sail) followed by a lively Sailor’s Shanty at letter D, both depicting carefree life at sea. A return to a melancholy minor theme at letter E portrays the tedium of Months at Sea as the Pequod and her crew travel toward their destination, unaware of the fate that awaits them. The penultimate section beginning at letter F (Fait Awaits) depicts the culminating battle, from the stirring of Moby Dick beneath the waves to the sinking of the Pequod and the death of Ahab and the crew, save Ishmael, who recounts the tragic tale in the final section Epilogue. 

Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549345 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486713. Published by jmsgu3 (A0.549345). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia

Handbell,Instrumental Solo - Level 3 - Digital Download SKU: A0.1162903 By RiverBells Sacramento. By Paul W. Allen. Chamber,Classical,Folk,Historic,Instructional. Individual part. 7 pages. Allen/Myer Musicals #763260. Published by Allen/Myer Musicals (A0.1162903). This original work for 3-6 octaves of handbells recalls the days of touring up and down the Sacramento on a riverboat.  It was commissioned by the Sacramento Area Handbell Director's Association and premiered by the 2003 Spring Ring in Sacramento.  It's in two parts:  the outer parts are a work song with a driving beat, and the inner part is a RiverBoat Captain's song that's very lyrical and somber.  It is dramatic and theatrical, with a thrilling ending.  The piece comes with a separately published English handbell part, percussion ensemble (optional), and full score.  It accessible by any handbell choir.  The price for the percussion part allows for up to four (4) copies.

Viola Solo - Interactive Download SKU: HX.392032 By Captain & Tennille. This edition: Interactive Download,scorch. Love,Oldies,Pop. Individual part. 1 pages. Hal Leonard - Digital #500660. Published by Hal Leonard - Digital (HX.392032).

Digital Download SKU: HX.181546 By Captain & Tennille and The Miracles. Edited by Berry Gordy and Smokey Robinson. Arranged by Paul Langford. Concert,Novelty,Pop,R & B,Rock. Choral Instrumental Pak. 2 pages. Duration 185. Hal Leonard - Digital #733290. Published by Hal Leonard - Digital (HX.181546).

Voice - Digital Download SKU: HX.390205 By Captain & Tennille. This edition: scorch. Pro Vocal. Oldies,Pop. Score. 4 pages. Hal Leonard - Digital #500660. Published by Hal Leonard - Digital (HX.390205).

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1429326 Composed by Ward-Higgs. Arranged by Marcus Martin. 20th Century,March,Patriotic. Score. 4 pages. Cornelius Edition (uk) #1010039. Published by Cornelius Edition (uk) (A0.1429326). William Ward-Higgs  1866 –  1936 was an English lawyer and songwriter who wrote Sussex by the Sea: The unofficial anthem of that county, a regimental march of the Royal Sussex Regiment, and the official song of Brighton & Hove Albion F.C.From 1902–08, he lived at Hollywood House in Bersted, West Sussex and wrote Sussex by the Sea when his favourite sister-in-law became engaged to Captain Waithman of the 2nd Battalion, Royal Sussex Regiment.  This version for voice and piano  is in the lower key of Bb which corresponds to the key used in Military Band performances.

Alto Saxophone Solo - Interactive Download SKU: HX.387413 By Captain & Tennille. This edition: Interactive Download,scorch. Love,Pop,Rock. Individual part. 1 pages. Hal Leonard - Digital #500660. Published by Hal Leonard - Digital (HX.387413).

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.510530 Composed by Blaise Smith, Derek Drym, Derek Drymon, Mark Harrison, Stephen Hillenburg, and Steve Hillenburg. Arranged by Mario Stallbaumer. Contemporary. Score. 2 pages. Mario Stallbaumer #4303375. Published by Mario Stallbaumer (A0.510530). “Are ya' ready, kids?Aye, aye Captain!�Here’s how to play the famous “SpongeBob SquarePants� Theme Song on piano!With this sheet music, you can play the SpongeBob Theme on piano, accompany singers, or sing along yourself. However, the whole melody is included in the piano arrangement - so it sounds great when it’s just played on an instrument, too!The theme music for the American animated television series SpongeBob SquarePants was composed by Hank Smith Music, consisting of Derek Drymon, Mark Harrison, Stephen Hillenburg and Blaise Smith, and is primarily based on the sea shanty, Blow the Man Down.Here are the full lyrics to the SpongeBob SquarePants Intro Theme Song:“Who lives in a pineapple under the sea?SpongeBob SquarePants!Absorbent and yellow and porous is heSpongeBob SquarePants!If nautical nonsense be something you wish!SpongeBob SquarePants!Then drop on the deck and flop like a fish!SpongeBob SquarePants!SpongeBob SquarePants!SpongeBob SquarePants!SpongeBob SquarePants!SpongeBob SquarePants!�

Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1364556 Composed by Socrates Arvanitakis. 21st Century,Contemporary. 84 pages. Socrates Arvanitakis #948849. Published by Socrates Arvanitakis (A0.1364556). GENERAL PREFACE – ΓΕ�ΙΚΟΣ ΠΡΟΛΟΓΟΣThis edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.The total collection is centred more on the music from mainland Greece and less in that from the Islands.The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.TECHNICALSeparate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.Thematic Index with active internal links for ease of navigation have been added.Audio file (mp3) has been addedCONTENTS81  ΚΑΛΑΜΑΤΙΑ�Η Η (The Lass From Kalamata)82  ΚΑ�ΑΡΙΑ ΤΑ (The Canaries)83  ΚΑ�ΕΛΑ Η (Canella)84  ΚΑΠΕΤΑ� ΛΟΥΚΑΣ Ο (Captain Lukas)85  ΚΑΠΟΥΤΖΗΔΩ� (The Guards of The Seven Towers of Salonica)86  ΚΑΡΑΓΚΟΥ�Α (Karagouna-Thessalian Lady)87  ΚΑΡΠΑΘΙΩΤΙΚΟΣ (Dance from Karpathos)88  ΚΙ�ΗΣΕ Ο ΡΟΒΑΣ (Rovas Moved)89  ΚΑΣΤΟΡΙΑ�ΟΣ (ΡΟΥΣΟΥΛΕ�Α)-(Dance from Kastoria)90  ΚΑΤΣΑ�ΤΩ�ΗΣ Ο (Katsantonis)91  ΚΑΤΩ ΑΠ' ΤΟ ΓΕΡΟ ΠΛΑΤΑ�Ο (Under The Old Plane Tree)92  ΚΑΤΩ ΣΤΑ ΤΣΑΚΩ�ΙΚΑ (Down In The Tsakonian Places)93  ΚΕΡΚΥΡΑ ΚΑΙ ΚΕΦΑΛΩ�ΙΑ (Corfu and Cephalonia)94  ΚΕΡΚΥΡΑΪΚΟΣ (Dance from Corfu)95  ΚΕΧΑΓΙΑΔΙΚΟΣ (Kehaghiadikos Dance-Island of Lemnos)96  ΚΛΕΦΤΙΚΗ ΖΩΗ Η (The Life of the Klefts).

Full Orchestra - Level 4 - Digital Download SKU: A0.1043121 By Barry Manilow. By Bruce Johnston. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 57 pages. Kevin Riley #647831. Published by Kevin Riley (A0.1043121). I Write the Songs is a popular song written by Bruce Johnston in 1975 and released on his album Going Public in 1977. Barry Manilow's version reached number one on the Billboard Hot 100 chart in January 1976 after spending two weeks atop the Billboard adult contemporary chart in December 1975. It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977. Billboard ranked it as the No. 13 song of 1976. The original version was recorded by Captain & Tennille, who worked with Johnston in the early 1970s with the Beach Boys. It appears on their 1975 album Love Will Keep Us Together. The first release of I Write the Songs as a single was by teen idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Johnston. Cassidy's version reached number 11 on the UK Singles Chart in August of that year. Johnston has stated that, for him, the I in the song is God, and that songs come from the spirit of creativity in everyone. He has said that the song is not about his Beach Boys bandmate Brian Wilson. Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Cash Box said of Manilow's version Good work Barry describing the song as melodic, ballad-like beginning grows into an operatic crescendo, all done in clear production that all age groups will appreciate.