By The Captain & Tennille. By Neil Sedaka and Howard Greenfield. Arranged by Susan Staples Bell. Contemporary. Score. 5 pages. Susan Staples Mast Bell #6679371. Published by Susan Staples Mast Bell

Piano,Viola - Level 3 - Digital Download SKU: A0.549328 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486067. Published by jmsgu3 (A0.549328). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia

Alto Voice,Lute - Level 3 - Digital Download SKU: A0.1390609 By David Warin Solomons (alto) and Rowena Allen (lute). By Philippe Verdelot. Arranged by David Warin Solomons. Early Music,Renaissance. Full Performance. Duration 194. David Warin Solomons #974169. Published by David Warin Solomons (A0.1390609). Madonna il tuo bel viso, Che nel gran mar d'Amor m'è duc'e scortaHora tien viva mia speranz', hor mortaHora tien viva mia speranz', hor mortaEt qualhor scorg' in esso un bel serenoSpiega la vela al vento, Senza temer di scogli'o di procella: Ma se la luce nel camin vien meno, Ripiena di spavento, Cala la vela alla sua navicella, All' instabil' tua stella, Scorre l'onde fallace a dritt' e a torto, Et tem' e sper' e mai non vede 'l porto.Et tem' e sper' e mai non vede 'l porto. My Lady your fair faceMy captain and companion through the great sea of love Sometimes it keeps my hope alive sometimes it slays it Sometimes it keeps my hope alive only then to die. And when I spy in it fine fair weather Spreads out its sail to catch the wind with out fear of rocks and raging stormsBut if the light that shows my way grows fainter my hope is filled with terror lowers the sheets that sped the little boat it sails in No longer trusting your star Running from treach'rous wave hither and thither and fears and hopes but never sees safe harbour and fears and hopes and never sees safe harbour.

Guitar (chords only) - Digital Download SKU: HX.182493 By Captain & Tennille and Smokey Robinson & The Miracles. Oldies,Pop,R & B,Rock. 3 pages. Hal Leonard - Digital #733290. Published by Hal Leonard - Digital (HX.182493).

Digital Download SKU: HX.181544 By Captain & Tennille and The Miracles. Edited by Berry Gordy and Smokey Robinson. Arranged by Paul Langford. Concert,Novelty,Pop,R & B,Rock. Choral Instrumental Pak. 2 pages. Duration 185. Hal Leonard - Digital #733290. Published by Hal Leonard - Digital (HX.181544).

Piano Solo - Level 3 - Digital Download SKU: A0.903594 Composed by Mel Stallwood. Jazz,Ragtime. Score. 4 pages. Mel Stallwood #3549105. Published by Mel Stallwood (A0.903594). I tried to write a Novelty piano piece that is playable by intermediate performers. Stan Laurel went to school close to where I live and I wanted to capture a little of his character in the tune. A slice of melancholy, a small dose of nostalgia for a more daft and innocent time, a look of bewilderment and impending doom. None of which is in my piece. Unfortunately I couldn’t capture his genious either.

Piano Solo - Level 2 - Digital Download SKU: A0.1026908 By Linkin Park. By Brad Delson, Chester Bennington, Dave Farrell, Joseph Hahn, Mike Shinoda, and Robert Bourdon. Arranged by Dave Christensen. Contemporary,Film/TV,Pop,Rock. Score. 6 pages. Song Squared #632387. Published by Song Squared (A0.1026908). Unlike other arrangements that try to capture every note played on the record resulting in sometimes confusing and unplayable sheet music, Dave Christensen's arrangements capture the essence, heart and soul of the song, resulting playable and enjoyable pieces for the player and listener alike. This sheet music will provide hours of engaging study and your student should be very happy with the result. Enjoy!

Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.856221 By Simon And Garfunkel. By Paul Simon. Arranged by Liz Garnett. A Cappella,Pop,Rock. Octavo. 10 pages. Liz Garnett #4612527. Published by Liz Garnett (A0.856221). The starting-point for this major show-piece was Disturbed's 2015 cover of Simon and Garfunkel's classic. The White Rosettes sought to capture its escalation of of emotional impact as the vocal range shifted and the orchestration developed through the narrative of a dystopic vision.A cappella voices can capture that sense of build through layering of different sizes of ensemble. And, whilst their timbral palette is more limited than the instrumentation Disturbed could draw on, they have the power of harmony to add colour and impact.The arrangement is built around two main harmonic ideas: juxtaposing minor chords and key areas a third apart, and the dissonance of the melodic major 2nd and minor 3rd rubbing up against each other. Between them they create an atmosphere that hangs heavy with portent and mystery, echoing and amplifying the emotional tone of the lyrics.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal ranges:QuartetTenor: F#4 - E5Lead: B3 - A4Bari: C#4 - A4Bass: F#3 - A 4OctetTenor: G4 - D5Lead: C4 - A4Bari: B3 - A4Bass: E3 - C4DuetVoice 1: G3 - C5Voice 2: G3 - A4Full chorusTenor 1: E flat 4 - G5Tenor 2: E flat 4 - F#5Lead 1: B3 - E flat 5Lead 2: B3 - E flat 5Bari: A3 - C5Bass: D3 - G4www.HelpingYouHarmonise.com

Piano Solo - Level 4 - Digital Download SKU: A0.1119120 By Kalynn Fleischman. By Kalynn Fleischman. Arranged by Kalynn Fleischman. 19th Century,20th Century,Classical,Contemporary,Romantic Period. Score. 4 pages. Kalynn Fleischman #720533. Published by Kalynn Fleischman (A0.1119120). I tried to capture the feeling of an old music box with this piece. I wanted to capture the feeling of stumbling upon some old antiques and imagining what stories might be attached to them. This is in a very scary key of A# minor so be warned.

Piano Solo - Level 4 - Digital Download SKU: A0.1291087 Composed by Rocco Di Pietro. 21st Century,Chamber,Classical,Contemporary. Score. 6 pages. Rocco Di Pietro #881779. Published by Rocco Di Pietro (A0.1291087). PASTEL I: THE STAIR CASEPASTEL II: THE SAFE HARBORPERFORMANCE NOTES(for Pastel I: The Staircase)I. A version may be made in which ambient drones selected for their soft, not harsh, drone-likequality accompany the pianist. The cell phone players may stand around the piano playing thedrones in the body of the instrument without touching any strings; the pianist will catch thedrone sounds ad libitum. These drones emerge from #10, and continue until #1.II. A microphone for the voice of the pianist should be used to capture the whispered “godown,� and “deeper�. The microphone should only capture the pianist’s voice and not thepiano itself.

Woodwind choir - Digital Download SKU: IZ.CMS181 Composed by Judith Katz. Score and Parts. 48 pages. Imagine Music - Digital #CMS181. Published by Imagine Music - Digital (IZ.CMS181). 9 x 12 in inches.With tremors that started in May of 1883, the volcano on the Indonesian island of Krakatoa fully erupted on August 26th of that same year. The eruption continued until the late morning of August 27th, destroying over 70% of the island, the surrounding archipelago, and collapsed into a caldera.This event is counted as one of the deadliest and most destructive events in recorded history. Over 36,000 deaths were the result of both the eruption and the tsunamis that were created. Weeks later, the eruptions on Krakatoa intensified, causing explosions on neighboring islands. Globally, these explosions had effects on Australia and as far away as South Africa.The 1883 Krakatoa eruption also darkened the sky worldwide for years afterwards, caused by volcanic ash. Spectacular sunsets were created and they inspired artists to capture the effects. British artist William Ashcroft made numerous color sketches, attempting to capture the look of the red-tinged skies, and there is a theory that Edvard Munch's blood-red sky depicted in the painting, The Scream, was inspired from his observing the color of the sky over Norway at the time.Of all the original compositions and arrangements that I have written, this is my first foray into program music. Program music can be a difficult genre; has the story really been conveyed? Does the orchestration fit the composition? Is it too short, or rather, way too long.I decided to write this for woodwind choir, rather than woodwind quintet. The sound of a woodwind choir offers enough variety of sound to convey both the frenetic quality of panic, fear, and desperation of a volcanic eruption, and yet the calm, sadness of how people felt, not knowing when things were going to erupt again.

Piano Quartet - Level 5 - Digital Download SKU: A0.1397796 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 104 pages. Jmsgu3 #981065. Published by jmsgu3 (A0.1397796). The Second edition features more textural variety and interplay between the strings and piano.Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Using complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the underworld depths. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title referencing a painting, sculpture, or architectural feature from an art museum. The suite is composed to capture the moods and emotions the artworks evoke. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.The composition was inspired by a visit to an art exhibition featuring the works of Mussorgsky's friend, the Russian artist Viktor Hartmann. The Pictures at an Exhibition pieces aim to capture the sketches, watercolors, and architectural designs displayed at the exhibition. Mussorgsky links the suite's movements to depict the viewer's progress through the exhibition. Two Promenade movements serve as portals to the various pictures, representing the composer himself strolling through the exhibition. Mussorgsky and Hartmann were devoted to the cause of an intrinsically Russian art, and their friendship likely developed in the home of the influential critic Vladimir Stasov, who followed both of their careers with interest. Mussorgsky's original composition is known for its multi-layered music imbued with energy and vitality, requiring the performer to move between soothing melodies, humorous tunes, and pounding rhythms. The suite's diverse range of musical styles and moods is a testament to Mussorgsky's skill as a composer.Pictures at an Exhibition (Картинки � вы�тавки) by Modest Petrovi� Musorgskij, 1874(Моде�т Петрович Му�орг�кий) Arranged for Piano Quartet by James M. Guthrie (Джейм� М. Гатри)Score: 103 pages, 924 measures, duration: 34:30. Contents: Promenade 1 Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto 1. GNOMUS (The Gnome) Sempre vivo  Promenade 2 Moderato commodo assai e con delicatezza  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore  Promenade 3 Moderato non tanto, pesamente  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games)      Allegretto non troppo, capriccioso 4. BYDLO (Cattle) Sempre moderato pesante Promenade 4 Tranquillo 5. Ballet of the Unhatched Chicks Балет невылупивших�� птенцов   Scherzino 6. Samuel Goldenberg und Schmuÿle  Еврей в меховой шапке. Cандомир Andante Promenade 5 Allegro giusto, nel modo russico, poco sostenuto 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News)      Allegretto vivo, sempre scherzando 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) Париж�кие катакомбы Largo       CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language)      Andante non troppo, con lamento 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. Ча�ы в ру��ком �тиле      Allegro con brio, feroce  10. The Bogatyr Gates (In the Capital in Kiev) Проект город�ких ворот в Киеве. Главный фа�адThe Great Gates of Kiev Allegro alla breve Maestoso con grandezza.

Drum Set - Level 3 - Digital Download SKU: A0.1314716 Composed by Aaron Staebell. Jazz. Educational Exercises. 24 pages. Aaron Staebell #903489. Published by Aaron Staebell (A0.1314716). This collection of eight solos aims to capture the styles and vocabulary of 10 masters of jazz drumming, and present that material in an accessible way. Much of the music available for drum set solos is difficult and geared towards those with a good amount of experience. These solos can be played by students as early as their first year of study on the drumset. It will give them exposure to material grounded in the jazz tradition, while hopefully remaining playable and generating interest and inspiration to forge deeper into the jazz drumming tradition.The eight solos are:NASHTY is inspired by Lewis Nash, and his intro on Say Hello to Calypso from a Jim Hall record called Grand Slam.ILADELPH is inspired by the classic vocabulary of Philly Joe Jones.CHILD'S PLAY brings to mind the carefree playing of both Paul Motian and Jorge Rossy.BREAKTHROUGH is inspired by the masterful vocabulary of Billy Higgins, particularly on Hank Mobley's The Break Through.THE TWISTED BARON tries to capture the vamp-oriented solos and sonic variety of Joey Baron.SOME TASTY STEW comes from the worlds of both Bill Stewart and Nasheet Waits, particularly Nasheet's intro on Kinda Dukish with Jason Moran.THANK YOU MATT WILSON! is based on the melodic soloing of Matt Wilson, specifically on his own tune, Thank You Billy Higgins!.BLAKEY’S TRY is inspired by the ferocious drumming of the great Art Blakey.