Piano, voice and guitar (chords only) - Interactive Download SKU: HX.4808 By Captain & Tennille, Smokey Robinson, Smokey Robinson & The Miracles, and The Miracles. This edition: Interactive Download,scorch. Oldies,Pop,R & B,Rock. Score. 4 pages. Hal Leonard - Digital #733290. Published by Hal Leonard - Digital (HX.4808).

Cello,Piano - Level 3 - Digital Download SKU: A0.549329 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 5 pages. Jmsgu3 #3486231. Published by jmsgu3 (A0.549329). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia

String Ensemble,String Quintet - Level 4 - Digital Download SKU: A0.759376 By The Captain & Tennille. By Howard Greenfield and Neil Sedaka. Arranged by Tim Olt. Contemporary. Score and parts. 19 pages. Olt Music #6091849. Published by Olt Music (A0.759376). This classic from the 70s will be sure to get the audience humming and whistling along! Melody is spread around and the 2nd violin gets to improvise near the end.

Digital Download SKU: HX.408242 By Captain & Tennille, John H. Pritchard, and Ray Stevens. Arranged by Mac Huff. This edition: scorch. Pop. Choral Instrumental Pak. 3 pages. Duration 195. Hal Leonard - Digital #289728. Published by Hal Leonard - Digital (HX.408242).

Choral Choir (3-Part) - Level 3 - Digital Download SKU: A0.1005805 Composed by JYE BRYANT. Celtic,Folk,Musical/Show. Octavo. 5 pages. Jye Bryant #6443437. Published by Jye Bryant (A0.1005805). From CAPTAIN MOONLITE - A New Australian Musical.

Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.856221 By Simon And Garfunkel. By Paul Simon. Arranged by Liz Garnett. A Cappella,Pop,Rock. Octavo. 10 pages. Liz Garnett #4612527. Published by Liz Garnett (A0.856221). The starting-point for this major show-piece was Disturbed's 2015 cover of Simon and Garfunkel's classic. The White Rosettes sought to capture its escalation of of emotional impact as the vocal range shifted and the orchestration developed through the narrative of a dystopic vision.A cappella voices can capture that sense of build through layering of different sizes of ensemble. And, whilst their timbral palette is more limited than the instrumentation Disturbed could draw on, they have the power of harmony to add colour and impact.The arrangement is built around two main harmonic ideas: juxtaposing minor chords and key areas a third apart, and the dissonance of the melodic major 2nd and minor 3rd rubbing up against each other. Between them they create an atmosphere that hangs heavy with portent and mystery, echoing and amplifying the emotional tone of the lyrics.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal ranges:QuartetTenor: F#4 - E5Lead: B3 - A4Bari: C#4 - A4Bass: F#3 - A 4OctetTenor: G4 - D5Lead: C4 - A4Bari: B3 - A4Bass: E3 - C4DuetVoice 1: G3 - C5Voice 2: G3 - A4Full chorusTenor 1: E flat 4 - G5Tenor 2: E flat 4 - F#5Lead 1: B3 - E flat 5Lead 2: B3 - E flat 5Bari: A3 - C5Bass: D3 - G4www.HelpingYouHarmonise.com

String Orchestra - Level 3 - Digital Download SKU: A0.1024321 Composed by Joshua Argyle. Contemporary. Score and parts. 30 pages. Joshua Argyle #3569707. Published by Joshua Argyle (A0.1024321). This piece was created to capture the fun and excitement of a heroic adventure. As the name suggests, a certain section of the piece has the violins playing sixteenth notes steadily as other instruments capture the slower melody. This short piece is great for building musical confidence and fun for all who play it.

String Orchestra - Level 4 - Digital Download SKU: A0.1219564 Composed by Nick Raspa. Contemporary. Score and Parts. 160 pages. NJR Music #815925. Published by NJR Music (A0.1219564). This is a string orchestra adaptation of the full orchestral version I wrote in 2007.  (Listen to the complete recording of this string orchestra adaptation by clicking the YouTube link.)When I began Ocean Voyage, I was thinking about how my father and my grandparents left their families and the comfort of familiar surroundings in Italy and immigrated to America for a new life during the early part of the 20th Century.Just as there is an element of danger in taking a trip across the ocean, there is the excitement of the voyage and the promise of a new experience in a place you have never been before.  The trip itself is an adventure since you will spend several days aboard the ship, and in days that have long since faded from the calendar, these trips took weeks and even months. This piece attempts to capture the spirit of the adventure and excitement of such a trip.The piece starts with the sounding of the horn as the ship embarks.  This leads to a beautiful lyrical section and later there is a spritely gigue.  Through these various sections I attempted to capture the various moods of the passengers during various stages of this long, exciting journey.  ASCAP.

Piano Solo - Level 2 - Digital Download SKU: A0.1026908 By Linkin Park. By Brad Delson, Chester Bennington, Dave Farrell, Joseph Hahn, Mike Shinoda, and Robert Bourdon. Arranged by Dave Christensen. Contemporary,Film/TV,Pop,Rock. Score. 6 pages. Song Squared #632387. Published by Song Squared (A0.1026908). Unlike other arrangements that try to capture every note played on the record resulting in sometimes confusing and unplayable sheet music, Dave Christensen's arrangements capture the essence, heart and soul of the song, resulting playable and enjoyable pieces for the player and listener alike. This sheet music will provide hours of engaging study and your student should be very happy with the result. Enjoy!

C Instrument - Level 2 - Digital Download SKU: A0.1324032 By The Police. By Sting. Arranged by Alex E. 20th Century,Contemporary,Pop,Rock,Singer/Songwriter. Lead Sheet / Fake Book. 8 pages. Müller Publishing company #912223. Published by Müller Publishing company (A0.1324032). Every Breath You Take - Digital Lead Sheet / Fake BookDive into the iconic sounds of The Police with our digital lead sheet/fake book for Every Breath You Take. This comprehensive sheet music format includes the melody, lyrics, and chords, providing a versatile resource for musicians and performers.Whether you're a solo artist, part of a band, or playing with an ensemble, this lead sheet/fake book format allows for flexibility in interpretation and arrangement. The melody line ensures that you capture the essence of the song, while the included lyrics allow for a complete and authentic performance.The chord symbols provided give you the freedom to add your own artistic flair to the accompaniment, making each rendition uniquely yours. The digital format ensures ease of access, allowing you to pull up the sheet music on your preferred device whenever inspiration strikes.Perfect for gigs, rehearsals, or casual playing, this lead sheet/fake book for Every Breath You Take is a valuable addition to your repertoire. Capture the essence of this classic hit and enjoy the freedom to play it your way.Don't miss the chance to own this digital sheet music. Elevate your performances and immerse yourself in the timeless sounds of The Police with Every Breath You Take. Purchase your copy now and start creating your memorable musical moments.

Piano Solo - Level 3 - Digital Download SKU: A0.903594 Composed by Mel Stallwood. Jazz,Ragtime. Score. 4 pages. Mel Stallwood #3549105. Published by Mel Stallwood (A0.903594). I tried to write a Novelty piano piece that is playable by intermediate performers. Stan Laurel went to school close to where I live and I wanted to capture a little of his character in the tune. A slice of melancholy, a small dose of nostalgia for a more daft and innocent time, a look of bewilderment and impending doom. None of which is in my piece. Unfortunately I couldn’t capture his genious either.

Piano Solo - Level 3 - Digital Download SKU: A0.1273551 Composed by Amanda Tero. 21st Century,Contemporary,Instructional. Score. 8 pages. Amanda Tero #865691. Published by Amanda Tero (A0.1273551). Hidden Cove is an intermediate piano solo in 5/4, offering a mesmerizing journey to a world of secluded serenity. It serves as an oasis of tranquility, a respite from the chaos of the outside world. This piece provides valuable practice in inner voicing and mastering the 5/4 meter for your student's musical growth. Hidden Cove intermediate piano solo technical & pedagogical aspects Hidden Cove intermediate piano sheet music is written in 5/4 with a gentle 3+2 pattern.The right hand features middle-voice melody, where the student must practice voice leading. Sections of harmonic sixths walk up and down the piano. There are 4 measures with octaves.The left hand is a basic pattern of fifths and then broken chords.This makes a peaceful intermediate piano solo for recitals.5 pages. Key of G. Musical Elements in Hidden Cove intermediate piano sheet music:    - 5/4 meter   - Note values: whole note, dotted half note, half note, dotted quarter note, quarter note, eighth note   - Note reading: bass clef C2-D4, left hand in treble clef, treble clef E3-F#5   - Right hand sixths scale   - 8va   - Slight syncopation   - Repeated melodies   - Repeated sections Teaching Tips for Hidden Cove intermediate piano sheet music The emphasis of this piece is the 5/4 meter. Be sure your student can capture a gentle ebb and flow with the meter. It is to be very natural, not forced.There is a basic melody that is repeated in both inner voices and outer voices. Helping the student identify the melody throughout the piece will help them in learning it.There are three basic left hand patterns: open fifths, rocking fifths, and then simple broken chords (root - fifth - root).Read the imagery description above to your student to help them capture the essence of this piece.

Fl. pft. - Intermediate-Advanced - Digital Download SKU: F2.FM617 Composed by Richard Lambert. A set of pieces for flute and piano. Score and part. 37 pages. Forton Music - Digital #FM617. Published by Forton Music - Digital (F2.FM617). ISBN 9790570485161.Abigail's Jig, op. 10 no. 2a, This lively piece for flute and piano was composed in 1980 to celebrate the birth of Abby, the composer's daughter. The piece attempts to capture the atmosphere of an Irish jig as played by a piper, with a harmonically straightforward piano part, which uses a mixture of 'vamping' and melodic imitation of the flute part. The introduction is intended to be humorous and rather musically misleading, openly parodying the 'cowboy' music of Aaron Copland. Modal harmony helps to create the mood of pseudo-folk music. Cantilena, Op. 11b, Cantilena tries to capture a popular flavour, borrowing freely from pop and jazz styles: primary and secondary chords are used in arpeggiated piano figures, as mainstream ballads might do; pedal notes are a feature, especially on the tonic note; and a 'bluesy' style emerges in the third main theme. A pseudo-rock style is twice used in the climax section, which acts as a song-like chorus. Cantilena is in the key of D major overall, but even the introduction uses 'wrong note' harmony (notably flattened sevenths) to produce ambiguous tonality. The piece demonstrates a range of tone colour for the flute across a wide melodic range. Written originally for alto sax in 1987, the piece was arranged for flute in 1994. Five Short Pieces, Op. 9a, This set of movements for flute and piano was originally arranged in 1985, and revised in 2008. The five pieces are elaborate transcriptions of To One, five songs to poems by Christina Rees, which convey the countless moods associated with a relationship.