String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792373. Published by Aaron Meier (A0.922637). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Cello True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a Dâ™­ to a Dâ™®  • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the Eâ™­ in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit

Level 4 - Digital Download SKU: A0.1315421 By DaCapo Primary Music. By Carl Herring. Classical,Contemporary,Instructional,Multicultural,Traditional,World. Educational Method. 106 pages. DaCapo Primary Music #904157. Published by DaCapo Primary Music (A0.1315421). This book contains 66 songs for the instrumentalistThe Complete Instrumentalist Two is the second book in a series for instrumental players, designed to help develop excellent musicianship.It is written in stick notation* with an additional five line stave so that pupils or teachers can write out the music in whichever clef or key they choose to use. The songs are grouped by the number of notes in the piece and are mostly diatonic with a few pentatonic and modal pieces.As with all of the DaCapo books it is left to the teachers to decide which section of the book to start with. Tempos and dynamic markings are also left to the teachers and pupils. We have suggested activities that can be applied to the entire repertoire and there are some extra ideas for specific pieces included on some pages, along with extra information for the pupil.In many instances the songs have been reworded as it was felt that the subject matter or use of language was a barrier for some pupils. There are a few pieces where this may still be true but we have decided against rewording because of the cultural or historical aspect of the song and the opportunity to educate children beyond the music (e.g. spirituals).Whilst every attempt has been made to source music in the public domain we would like to know if errors have been made. We hope that you enjoy the next step to becoming a Complete Instrumentalist.Jane Cutler Carl Herring 2012*stick notationThe purpose of stick notation is to build excellent inner hearing. You can't guess the intervals – they have to be known or learned via the solfa in order to hear the music from the page. Pupils can then translate and transfer this to their instrument and then onto a five-line stave.• We show the rhythm only - with solfa syllables under the relevant note• No note head used unless for a minim, dotted minim or semibreve• The home note or tonic of each piece is indicated by an emboldened solfa syllable e.g. d r m f s shows do as the tonic • Where notes fall under or above the home note or tonic, they are indicated thus: s, d’• A tick’( I ) has been used instead of bar lines.You can find more DaCapo pieces for young instrumentalists at DaCapo Music Shop

1 Piano,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1308857 By Philip Kim. By George Frideric Handel. Arranged by Carl Czerny. Baroque,Christian,Christmas,Classical. Score. 8 pages. Philip Kim #898109. Published by Philip Kim (A0.1308857). This was a requested score which I received for a key transposed from the original D to C.This is a rare gem that the composer Carl Czerny arranged for 1 piano, 4 hands. I have renotated using Sibelius from the old score and retouched some notes and dynamics but nothing drastic has been done from the original score. Enjoy. Other Christmas arrangements:Carol of the Bells 'Shchedryk' for 1 piano 4 handshttps://goo.gl/iAesKbHandel -Czerny Hallelujah Chorus for 1 piano 4 hands (D major)https://goo.gl/jCEKZEJingle Bells for 1 piano 4 handshttps://goo.gl/uXNgWeSilent Night for piano solohttps://goo.gl/m9Arzq.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1300130 By DaCapo Primary Music. By Carl Herring and John Ashton Thomas. Arranged by Louis d’Heudieres. Contemporary. Score. 7 pages. DaCapo Primary Music #889872. Published by DaCapo Primary Music (A0.1300130). We’re On Holiday is an original score composed by John Ashton Thomas for DaCapo Primary Music as part of a suite named Around the World. The words were written by Carl Herring and this piano reduction was arranged by Louis d’Heudieres.It can be performed by a children’s chorus of 3 separate parts and a piano accompanist. The piano parts can be simplified or filled out more depending on the accompanist's abilities.The melody contains a 5/8 polyrhythm and the simple chord structure of the song should help with teaching the complicated rhythmic pattern. The CC parts contain unison and some use of canonical singing / (singing in rounds?).The piece is in a modern pop style and should be performed energico in order to convey the excitement of finishing school for the summer holidays (for teachers and students both!).This piece is approx 2mins and you can find more DaCapo pieces for Children’s Chorus and piano accompaniment at DaCapo Music Shop.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1042846 By DaCapo Primary Music. By Carl Herring and John Ashton Thomas. Arranged by Louis d’Heudieres. Contemporary. Score. 4 pages. DaCapo Primary Music #647578. Published by DaCapo Primary Music (A0.1042846). Aaye chelera aye Mayra is an original score composed by John Ashton Thomas for DaCapo Primary Music as part of a suite named Around the World. The words were written by Carl Herring and this piano reduction was arranged by Louis d’Heudieres.It can be performed by a children’s chorus in unison and a piano accompanist. The piano parts can be simplified or filled out more depending on the accompanist's abilities.The piano part is polyrhythmic and experiments with the usual phrasing of 6/8 compound time. The melody is based on a Bangladesh folk tune and it remains uncomplicated throughout the piece despite the rhythmically sophisticated piano part. The piece modulates through several keys and tonalities including G major, E major, E mixolydian and several others.This piece is approx 2mins and you can find more DaCapo pieces for Children’s Chorus and piano accompaniment at DaCapo Music Shop.

String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a Dâ™­ to a Dâ™®  • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the Eâ™­ in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit

Small Ensemble Cello,Harpsichord,Violin - Digital Download SKU: A0.819758 Composed by Carl Friedrich Abel. Arranged by J.G. Cucó Barber. Classical. Score and parts. 108 pages. J.G. Cuco Barber #6138797. Published by J.G. Cuco Barber (A0.819758). Work Title 6 Sonatas for HarpsichordAlternative Title Six Sonates pour le Clavecin avec l’accompagnement d’un Violon ou Flûte Traversière et d’un VioloncelleComposer Abel, Carl FriedrichOpus/Catalogue Number WK 117-122 ; Op.5Movements/Sections 6 sonatas of 2 movements eachTrio Sonata in B-flat major, WK 117Trio Sonata in G major, WK 118Trio Sonata in E major, WK 119Trio Sonata in C major, WK 120Trio Sonata in A major, WK 121Trio Sonata in F major, WK 122First Publication 1764 - London: ComposerDedication À sa Majesté Charlotte, Reine de Grande Bretagne (Queen Charlotte)Composer Time Period ClassicalPiece Style ClassicalInstrumentation violin (or flute), cello, harpsichord.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a Dâ™­ to a Dâ™®  • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the Eâ™­ in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.

String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a Dâ™­ to a Dâ™®  • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the Eâ™­ in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit

String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a Dâ™­ to a Dâ™®  • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the Eâ™­ in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1303209 By DaCapo Primary Music. By Carl Herring and John Ashton Thomas. Arranged by Louis d’Heudieres. Contemporary. Score. 3 pages. DaCapo Primary Music #892809. Published by DaCapo Primary Music (A0.1303209). Sail With Me is an original score composed by John Ashton Thomas for DaCapo Primary Music as part of a suite named Around the World. The words were written by Carl Herring and this piano reduction was arranged by Louis d’Heudieres.It can be performed by a children’s chorus in 3 parts or in unison (top line only) with a piano accompanist. The piano parts can be simplified or filled out more depending on the accompanist's abilities.Sail With Me is a lilting melody which explores rhythmic diminution with the first entry being double the note values of the following passages. The vocal range is in the scope of any school choir and the whole piece builds to 3 parts.This piece is approx 2 mins and you can find more DaCapo pieces for Children’s Chorus and piano accompaniment at DaCapo Music Shop.

Mixed choir (SATB/SATB) a cappella - Digital Download SKU: S9.Q19099 Motet. Composed by Carl Friedrich Zelter. This edition: choral score. Choral Treasury. Downloadable, Choral score. Schott Music - Digital #Q19099. Published by Schott Music - Digital (S9.Q19099). German.Eine wertvolle Bereicherung für das Repertoire geistlicher A-cappella-Chormusik stellt Carl Friedrich Zelters Motette Der Mensch lebt und bestehet nur eine kleine Zeit dar. Die in der Reihe „Schätze der Chormusik erschienene Motette für achtstimmigen Doppelchor (SATB/SATB) wurde schon zu Lebzeiten hoch gelobt: „Das Ganze zerfällt in drei Teile. Der erste stellt dar: die Hinfälligkeit des Menschen und die Vergänglichkeit aller Welt. Es folgt ein „wahres Meisterstück von musikalischer Architektonik, eine achtstimmige Fuge, wie sie nach Johann Sebastian Bach und Fasch selten in solcher Reinheit und Kunst hervorgegangen sein dürfte. Hierauf folgt ein herrlicher Triumphgesang, der gewaltig mit sich fortreißt, so dass die Hörer selbst mit einstimmen möchten. – Ein in jeder Beziehung lohnendes Werk also, das für ambitionierte Laienchöre problemlos einzustudieren sein dürfte.

Piano,Viola - Level 3 - Digital Download SKU: A0.1140991 Composed by Carl Bohm. Arranged by Piacere Music Sheets. Instructional,Romantic Period,Standards. Score and part. 12 pages. Piacere Music Sheets #741245. Published by Piacere Music Sheets (A0.1140991). Opus/Catalog Number: ICB 27, Movement 6 Key/Tone: D Major Movements/Sections: Perpetuo mobile Year/Date of Composition: 1892 Difficulty: Grade 7/12 (Intermediate) Obs.: This piece is the last of six movements in Carl Bohm's Kleine Suite. It was originally composed for violin and piano in the key of D Major. This score is a transcription for viola and piano, in the key of G Major. This perpetual motion is a challenging and highly entertaining piece, and it is to be played in the first to fourth positions of the viola. The violist should play in the middle of the bow, using the sautillé bowing, with great attention to the dynamics, which are very effective musically in this work.

Solo Guitar - Level 2 - Digital Download SKU: A0.831975 Composed by Cecil Frances Alexander. Arranged by Carl Gurney. Christian,Christmas,Romantic Period. Individual part. 2 pages. Carl Gurney #2924297. Published by Carl Gurney (A0.831975). Arranged for Solo Guitar in D major with beautiful harmony.