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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1208339 Composed by Juan Guerra González. Chamber,Classical. 78 pages. Juan Carlos Guerra Gonzalez #806446. Published by Juan Carlos Guerra Gonzalez (A0.1208339). *** PARTS INCLUDED ***La obra es un continuo movimiento de ideas que pretenden explorar el drama de la migración vista desde su origen hasta el desenlace. La migración, ya sea regular o irregular, es siempre un drama que conlleva muchas etapas, que para algúnos resultan ser más dramáticas que otros. En “Migrando…†se exploran musicalmente tres etapas: la “expatriación†ó el momento en que se decide salir de la patria; el “desierto†entendido en dos sentidos: como un estado de ánimo y como un lugar (para los que tienen que cruzar un desierto hacia su destino) y finalmente la “acogidaâ€, cuando existe un proceso de aceptación de la nueva realidad sin dejar atrás los orígenes. La misma obra es un viaje migratorio de un espacio sonoro sombrío a uno mas complejo en el último movimiento. I. ExpatriaciónEste movimiento está relacionado a la idea de abandonar la patria ya sea por necesidad, por buscar diferentes oportunidades, reunificación familiar, etc. Un sube y baja de emociones representadas en el ostinato de algunas voces mientras las otras partes hacen referencia a la incertidumbre en la travesía hacia un nuevo destino. II. DesiertoEn este movimiento se explora la vivencia del “desierto†como un estado de ánimo en el cual se suele caer cuando se llega al nuevo destino. El espacio de tiempo de introspección de la nueva realidad. Este movimiento hace referencia también a la dramática historia de una persona que tuvo la gentileza de contarme la historia de su paso a pie por el desierto hacia su destino en EEUU. El estar perdido durante un día cuando el grupo con el que viajaba lo abandonó “a su suerteâ€. Musicalmente, esta parte es un momento de introspección muy fuerte e íntimo.III. AcogidaEsta parte explora la emoción de llegar a un nuevo lugar y poco a poco construir sueños, enriquecerse con nuevas ideas, culturas y vivencias, la sorpresa de ver lugares nuevos y poder aportar al nuevo destino lo mejor de cada uno sin olvidar las propias raíces. Para esta parte se usó de base un ritmo tradicional Salvadoreño que fué modificado para darle un toque “extranjero†la obra concluye con una referencia a “El Carbonero†entrelazada a unos compases de “The Star Spangled Banner†mezclado con otros elementos simbolizando la unión del origen y un destino. Al final, todos los migrantes nos convertimos en una mezcla de dos (o más) culturas, pero sin olvidar la calidez y la magia de la tierra que nos vió nacer. * Obra ganadora del primer lugar en el concurso de composición “Sonidos de la Diáspora†organizado por el Ministerio de Relaciones Exteriores en El Salvador (2022).
Migrando...
Quatuor à cordes: 2 violons, alto, violoncelle

$59.99 51.66 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1465664 Composed by Antonio Carlos Jobim. Arranged by Will Corbin. Jazz,Latin. 12 pages. Will Corbin #1044276. Published by Will Corbin (A0.1465664). Here's an adaptation one of roughly 500 different recorded covers of this Antonio Carlos Jobim bossa/jazz classic. It's built on John LaBarbera's down-tempo ballad version for the Buddy Rich big band. Trombonists know this one for two features: a gorgeous but challenging bass 'bone solo, and a tricky but gorgeous 'bone section soli. I've plugged the tuba in for part of the bass 'bone solo (it would take a superhuman tuba player to manage all of it) and preserve the soli in quintet form.If you need other instrumentation, please contact me at wilcor@aol.com.
Wave
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$15.00 12.92 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Fl. (auch Altfl. u. 2 Sistr.) · Klar. (auch Bassklar., Kb.-Klar. ad lib. u. Handgl.) - S. (P. · Crot. · Marimba · chin. Glöckchen · Beck. · Gong · 2 Tamt. · gr. Tr. · Log Drum) - Klav. (auch Cel.) - Vl. (auch Va. u. Handgl.) · Vc. (auch Handgl.) ensemble - difficult - Digital Download SKU: S9.Q2922 Composed by Hans Werner Henze. This edition: score. Downloadable, Score. Duration 12 minutes. Schott Music - Digital #Q2922. Published by Schott Music - Digital (S9.Q2922). Hans Werner Henze used original music by Scarlatti, Handel and Vivaldi to evoke the baroque lifestyle for a TV film of José Montes-Baquer based on the novella Concierto Barocco by the Cuban Alejo Carpentier; the film music of L’amour à mort by the French master director Alain Resnais was turned into a sonata by Henze.Filmmusik zu Alain Resnais‘ Film „L’amour à mort Alain Resnais hatte mich gebeten, das Vor-, Zwischen- und Nachspiel der Filmmusik so zu schreiben, daß diese den drei Hauptabschnitten, Sätzen bzw. Strukturen untergeordnet wären: Das Vor-spiel war sonatenförmig, das Zwischenspiel als Arie angelegt und das Nachspiel schließlich eine Passacaglia. Die Form sowie das Fortschreiten dieser drei Sätze stehen im direkten Zusammenhang mit der Struktur des Films. Die Sonate enthält zwei kontrastierende Hauptelemente. Hiervon be-zieht sich das eine auf Elisabeth und ihre Ekstase der Liebe und Furcht; das andere verkörpert Bedrohung, Angst und tonales Symbol, das mit der ständig wachsenden Zahl von den Tod betref-fenden Bildern sowie der Faszination, die diese auf Simon aus-üben, in Zusammenhang steht. Der Sonatensatz endet mit dem Tod von Simon. Der zweite Satz, die MELODIE voller tragischer Akzente und versteckter Anspielungen auf Symbole und Gestik der Oper des 18. Jahrhunderts, enthält Hinweise auf den thematischen Stoff des ersten Satzes. Resnais bezeichnet dies als „la separation (die Trennung). Hierbei geht es um die Zeit zwischen Simons Tod und Elisabeths Entscheidung, ihm zu folgen. Im Film wird die MELODIE (deren Zeilen eine fast buchstäbliche Umsetzung des gesprochenen Textes sind, wie z.B. „je te promets (ich verspreche Dir), durch die Handlung und die Dialoge in regelmäßigen Abständen durchbrochen, jedoch dann immer wieder aufgenommen. Vom Konzept her soll sie durchgängig gespielt werden. Die MELODIE verklingt ganz allmählich und nähert sich dem Rezitativ, ja Ausruf, so als wolle sie Elisabeth in ihrem Klagen und ihren Schmerzensschreien unterstützen und mit ihr sagen: „Je déteste la vie sans Simon (Ich verabscheue ein Leben ohne Simon). Die Passacaglia am Schluß stellt „le départ (den Abschied) dar. Der Bass, in der Regel von der Pauke gespielt, besteht aus den hohen Noten des Themas, das (von der Bassklarinette) im 1. Satz eingeführt worden war, um Simon im Reich der Toten zu zeigen. Fragmente und Erinnerungen an vorausgegangene Ereignisse werden durch den beharrlichen Bass im Herzschlag Rhythmus eingeworfen, wobei die Musik aus dem Reich der Toten allmählich von den untersten Registern, gleichsam einer Flut, aufsteigt, den gesamten Raum einnimmt und letztlich alles andere überdeckt und auslöscht. -Hans Werner Henze.
Sonata for 6 Players

$34.99 30.13 € PDF SheetMusicPlus

4 recorders (ATTB) - intermediate to advanced - Digital Download SKU: S9.Q16330 Composed by Hans-Martin Linde. This edition: score and parts. Original Music for Recorder. Downloadable, Score and parts. Schott Music - Digital #Q16330. Published by Schott Music - Digital (S9.Q16330). Hans-Martin Linde (b. 1930) is not only one of the best-known recorder players of the twentieth Century, but has enriched the contemporary recorder repertoire with significant works for concert performance and tuition purposes. The composition Reminiscences for Quartet, for the unusual and delightful-sounding combination A[treble]/T/T/B, uses musical themes from the 15th to 17th Centuries: from a “Prélude à l’imitation†by Froberger, a melody by Claudio Saraceni “Da te partoâ€, themes from keyboard sonatas by Domenico Scarlatti, the Chanson “Adieu, mes très belles†by Binchois and a ground bass from Purcell’s harpsichord collection “Musik’s Handmaidâ€. The composer writes: “In many of my compositions a meeting takes place between old and new. In this Suite, too, present events unfold against the background of the past. Models from early music are mirrored in the present.â€.
Reminiscences
Quatuor de Flûtes à bec

$18.99 16.35 € Quatuor de Flûtes à bec PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - Digital Download SKU: A0.529959 Composed by Various. Arranged by Daniel Kelley. 20th Century,Baroque,Classical,Romantic Period. Score and parts. 42 pages. Last Resort Music Publishing #1909989. Published by Last Resort Music Publishing (A0.529959). Classical Favorites including works by Clementi, Chopin, Bach, Mozart, Schumann, Handel, Strauss & more - outstanding arrangements playable by almost any level performer. This versatile series is designed to be played by two different instruments! Each duet book is published in score form (both parts on the same page) so that the players can play from the same part. All duets are arranged specifically for the listed instrumentation. Don't miss the other Volumes in this Series! Published by Last Resort Music. Table of Contents Anglaise (J.C.F. Bach) March (J.S. Bach) Minuet and Trio (J.S. Bach) Minuet in G (J.S. Bach) Burlesca (W.F. Bach) Ecossaise (Beethoven) Prelude from Prelude, Op. 28, No. 7 (Chopin) King Williams March (Clarke) Sonatina from Op. 36, #1 (Clementi) La Marseillaise French National Anthem (de Lisle) Pomp and Circumstance (Elgar) Bourree from Sonata in G for Flute (Handel) Fugue (Handel) See the Conquering Hero Comes from Judas Maccabaeus (Handel) Surprise Symphony from Symphony No. 94 in G Major, 2nd mvt (Haydn) ‘Tis The Last Rose of Summer (Thomas Moore) Entree from Notebook for Wolfgang (L. Mozart) Allegro (Mozart) Theme from Sonata #11 in A Major, K. 331 (Mozart) Promenade from Pictures at an Exhibition (Mussorsky) Gathering Flowers from Thirty Pieces for Young People (Reinecke) Minuetto Scherzando from Toccata #4 (Scarlatti) Curious Story from Scenes from Childhood, Op. 15 #2 (Schumann) First Loss from Album for the Young, Op. 68 #16 (Schumann) Auld Lang Syne (Scotch Air) Roses from the South from Op. 388 (J. Strauss) Bourree (Telemann) Morning Prayer from Album for the Young, Op. 39 (Tchaikovsky).
Intermediate Music for Two, Volume 1 - for Flute or Oboe or Violin & Viola
Violon, Alto (duo)

$22.00 18.95 € Violon, Alto (duo) PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download SKU: A0.921202 Composed by Carl Van Pevenage. Classical,Folk,Romantic Period,World. Score and parts. 22 pages. Carl Van Pevenage #4325961. Published by Carl Van Pevenage (A0.921202). The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). They are arranged for Recorder or String Quartets, but can easily be arranged for any group of players. This is an example of what can be done with the songs. It's an arrangement of Chansonnette 142 for orchestra. The sounds are still computer generated. Playing it, will bring the music to live.Broken wing.  Imagine a bird with a broken wing or a child with a broken arm...
CH142ORC - Chansonnette 142 - Broken Wing
Orchestre

$19.95 17.18 € Orchestre PDF SheetMusicPlus

Cello Solo - Level 2 - Digital Download SKU: A0.1237589 By Ricky Martin Featuring Maluma. By Anne Wik, Carl Ryden, Enrique Martin, Juan Luis Londono Arias, Justin Stein, Lars Pedersen, Mauricio Reglero Rodriguez, Nermin Harambasic, Ricardo Andres Reglero, and Ronny Svendsen. Arranged by Musikeo. Contemporary,Disco,Latin,Multicultural,Pop,World. Individual part. 1 pages. Musikeo #833105. Published by Musikeo (A0.1237589). Vente Pa' Ca (transl. Come Over Here) is a song recorded by Puerto Rican singer Ricky Martin, featuring a guest appearance from Colombian singer Maluma. It was written by Justin Stein, Martin, Maluma, Nermin Harambašić, Anne Judith Wik, Carl Ryden, CheifOne, Mau y Ricky, and Ronny Svendsen, while the production was handled by Alexander Castillo. The song was released for digital download and streaming as a single by Sony Music Latin on September 23, 2016. A Spanish language reggaeton and pop song, it contains various sexual innuendos. The song received widely positive reviews from music critics, who complimented its danceable rhythm and fusion of genres. It was ranked as one of the best Latin songs of the year by multiple publications, including The Guardian.The song was nominated for the awards of Record of the Year and Song of the Year at the 18th Annual Latin Grammy Awards. Vente Pa' Ca was one of the most commercially successful Spanish-language songs of 2016, reaching number one in seven countries, including Argentina and Mexico, as well as the top five in Spain and on the Billboard Hot Latin Songs chart in the United States. It also reached the summit of the Billboard Latin Airplay, Latin Pop Airplay, and Tropical Airplay charts. Additionally, it was ranked among the top 10 best performing songs of 2017 in six Latin American countries. The song has received several certifications, including quadruple platinum in Spain.An accompanying music video, released simultaneously with the song, was directed by Jessy Terrero and filmed at the SLS South Beach Hotel in Miami Beach, Florida. It depicts several parties in different locations in the hotel and has received over 1.8 billion views on YouTube. To promote Vente Pa' Ca, Martin and Maluma performed it on several television programs and award shows, including both the Premio Lo Nuestro and the Premios Juventud in 2017. Multiple contestants on various music talent shows have covered the song, including Patricia Manterola and Màxim Huerta. Several remixes and other versions have accompanied the song, such as English versions featuring Delta Goodrem, and Wendy of Red Velvet. The latter reached number one on Melon's international music chart.Musically, Vente Pa' Ca is a Spanish language upbeat reggaeton and pop song, written by Justin Stein, Martin, Maluma, Nermin Harambašić, Anne Judith Wik, Carl Ryden, CheifOne, Mau y Ricky, and Ronny Svendsen. Its production was handled by Alexander Castillo, and the song features elements of vallenato and Latin music. The track runs for a total of 4 minutes and 19 seconds, and Billboard described it as a party track set over a sultry reggaetón beat.Lyrically, Vente Pa' Ca which translates to Come Here in English, contains various sexual innuendos, with lyrics including, Si tú quieres nos bañamos / Si tú quieres nos soplamos / Pa secarnos lo mojao / Si tu boca quiere beso / Y tu cuerpo quiere de eso / Arreglamos (If you want we can swim / If you want we can dry ourselves / If your mouth wants a kiss / And your body wants that / Then we can manage).Vente Pa' Ca was one of the biggest Spanish-language songs of 2016. The song debuted at number four on the US Billboard Hot Latin Songs chart on October 15, 2016, with a first-week tally of 5,000 downloads sold, 1.1 million streams, and 14 million radio impressions.
Vente Pa' Ca
Violoncelle
Ricky Martin Featuring Maluma
$5.99 5.16 € Violoncelle PDF SheetMusicPlus






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