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Small Ensemble Clarinet,Tenor Saxophone,Trumpet - Level 4 - Digital Download

SKU: A0.948698

Composed by Mark S. Massey. Jazz,Latin. Score and parts. 5 pages. Geofonica Artistworks #6038067. Published by Geofonica Artistworks (A0.948698).

This is a Bb lead sheet (including original flute and piano lines, transposed for Bb instruments) for Que Garota Linda. It's a high energy, very exciting, Brazilian-Latin style instrumental from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International. The piano and flute interact, with the flute (performed by guest flutist Justo Almario) and piano trading sections of the main melody, and then providing dynamic background hooks and counterpoint. (These piano-flute lines are transposed here for Bb instruments. The tune is a great vehicle for musical interplay, jazz improvisation, and high energy rhythm section playing. The API track featured Eric Stiller on acoustic bass and Aldo Bentivegna on drums, with guest percussionist Alex Acuña of Weather Report, backing Mark Massey and Justo Almario.

Que Garota Linda was also covered by jazz guitarist Charles Small, a dynamic version the style of Wes Montgomery, which can be heard here: https://youtu.be/wNS3m8rydEw

ABOUT MARK:

In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators.

Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen.

Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions (including Que Garota Linda, offered here, inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn,

More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued.

COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY:

Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, an.

Que Garota Linda (Bb leadsheet)

$3.99 3.78 € PDF SheetMusicPlus

Cello,Piano - Level 3 - Digital Download

SKU: A0.844351

Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351).

This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.
A theme and variation treatment is used.  

For a piano background Mp3 track, search for:
Cello - And Can It Be? Piano Accompaniment, Dan Cutchen

Time: approximately 6:00

And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.

This beautiful hymn has been popular and enduring.

And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.

Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:

Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).

The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).

Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)

There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.


And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gain

Dudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.

Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.

Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.

(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)

Cello - "And Can It Be?" Theme and Variations Violoncelle, Piano

$6.00 5.68 € Violoncelle, Piano PDF SheetMusicPlus

SATB choir, wind quintet and string quartet or piano - Medium - Digital Download

SKU: MQ.1.3438-E

Composed by Z. Randall Stroope. Advanced/Collegiate. Secular, 21st Century, Creation/Nature. Score & instrument part. 24 pages. Duration 8 minutes, 25 seconds. Galaxy Music Corporation - Digital #1.3438-E. Published by Galaxy Music Corporation - Digital (MQ.1.3438-E).

English.

Northwest Passage is a set of “poetic landscapes†that reflects on three elements of the great Northwest of the United States—rivers, mountains, and prairies. Each sonic reflection (movement) combines to form a larger image, not unlike someone standing on a vista and seeing rivers, mountains, and prairies—each distinct, but part of one vast expanse.

The work is scored for two versions: mixed chorus and piano, or mixed chorus, wind quintet, and string quartet. The harmonic vocabulary of the work maintains an uncomplicated, transparent (“organicâ€) approach in describing nature. The melodic vocabulary immediately pulls the listener's eye to the image, and rhythm is used as the underlying spark that is subtly ever changing and unpredictable. These three poetic landscapes should be performed without applause between movements.

1. A Willow by the River|William Carlos Williams was a medical practitioner, pediatrician, and an avid writer. He wrote short stories, novels, plays, critical essays and, of course, poetry. The subjects of his writing were often “local†images, and he preferred to see the world “as it is,†without unnecessary trappings or “airs.†He was an important mentor to many younger poets of his day. “Willow Poem†(A Willow by the River) has no rhyme scheme but is comprised of fourteen individual lines. The willow is the focus of the poem (by its title and content) and how it never changes but will always “be.†The river represents, among other things, life quickly moving by and in a constant state of motion.

2. Mountains|Marjorie Seiffert (who often used the pseudonyms Elijah Hay or Angela Cypher) led an incredibly full and balanced life. College introduced her to a world beyond her domestic and civic life and, as a result, she wanted to experience self-empowerment and independence. She prided herself in being a spouse, mother and maintaining a full slate of professional appearances and commissions for writing. Her poetry is vivid, keenly “visual,†and full of fast-paced, tightly woven ideas. “Mountain trails†(Mountains) was written at Glacier Park, Montana in September 1917.

3. The Prairie|John Hay was an American statesman who was personal assistant to Abraham Lincoln. He also served as U. S. Secretary of State and Ambassador to Great Britain. He was a cultivated man of letters and wrote poetry which was straightforward in design and delivery. Nature was often the subject of his creative output. -Z. Randall Stroope

Duration: 8:25
Instrumental Parts packet includes: Flute, Oboe, Clarinet, Horn, Bassoon, Strings (1-1-1-1).

Northwest Passage (Downloadable Piano/Choral Score)
Chorale SATB

$3.20 3.03 € Chorale SATB PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download

SKU: A0.1008456

By Perry Hs Jazz Bands. By Antonio Carlos Jobim. Arranged by Kirk Schmidt. Contemporary. Score and parts. 49 pages. Kirk Schmidt #4809997. Published by Kirk Schmidt (A0.1008456).

Two of my favorite Jobim originals are combined in a Samba Medley I call One Note from Ipanema.  I drew on my younger days when I played bass in a Brazilian group starring Moacir Santos and Eddie Monteiro.  I still can't sit still when I hear a driving Samba beat! To hear the entire chart, please go to my SoundCloud Page: https://soundcloud.com/kirk-147712419/one-note-from-ipanema?si=743955a937b542c989ff9b236933003a&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing.

The Girl From Ipanema (garôta De Ipanema)
Ensemble Jazz
Perry Hs Jazz Bands
$50.00 47.34 € Ensemble Jazz PDF SheetMusicPlus

Flute and piano - intermediate to advanced - Digital Download

SKU: S9.Q25990

Composed by Albert Franz Doppler. This edition: Sheet music. Il Flauto traverso. Das abwechslungsreiche Charakterstück für Flöte und Klavier, mit ihren reizvollen, elegischen wie virtuosen Passagen, ist dank seines gemäßigten Schwierigkeitsgrades schon für ambitionierte Liebhaber eine Repertoire-Bereicherung. Downloadable. Op. 16. Schott Music - Digital #Q25990. Published by Schott Music - Digital (S9.Q25990).

This Mazurka de Salon for flute and piano with its delightful elegiac and virtuoso passages is a character piece full of contrasts; moderate in difficulty, it represents a valuable addition to the repertoire for ambitious amateur players.Along with his younger brother Carl (1825–1900), Albert Franz Doppler (1821–1883) was one of the most celebrated flautists of the nineteenth Century. Their virtuoso duo playing was greatly admired and they captivated audiences in the musical capitals of Europe with works they had composed themselves.In 1842 the brothers were founder members of the Vienna Philharmonic orchestra. After spending some time as principal flautist at the Bucharest Opera (1835) and in the orchestra of the Hungarian National Theatre (1841), Franz Doppler decided to return to Vienna, where he worked as principal flautist and conductor at the Court opera and was appointed professor at the Conservatoire in 1865. Awarded the Franz-Joseph medal by the Kaiser in 1881, he died in Baden near Vienna in 1883.

Mazurka de Salon
Flûte traversière et Piano

$9.99 9.46 € Flûte traversière et Piano PDF SheetMusicPlus






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