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Cello,Flute,Piano,Violin - Level 3 - Digital Download SKU: A0.1381044 Composed by Jason V. Barabba. 20th Century,Chamber,Classical,Contemporary,Disco. 48 pages. Barabba Music #965759. Published by Barabba Music (A0.1381044). It’s difficult to know what to say about this piece. It will probably always be an aberration when considered as part of my larger body of works. My challenge when writing this piece was to incorporate two different dance styles, and I immediately decided it was time to face the disco music of my childhood. Yes, I had the Bee Gees on LP when I was a kid.…and ABBA…but I left them out of this piece.Obviously, this is meant to be fun. There are direct (if not always obvious) quotations to the following songs:              Anita Ward’s “Ring My Bell”              “Night Fever” by the Bee Gees              Gloria Gaynor’s “I Will Survive” (Just had to be included)              Lipps Inc’s “Funktown”              and “Boogie Nights” from HeatwaveThe ancient dance form known as the pavane is, weirdly enough, the perfect pairing with the disco…in that their rhythmic structures easily go together, allowing me to spread the disco material around throughout the piece. In fact, the references to “I Will Survive” are in the slower pavane section, not the disco.The piece is basic A-B-A form (Disco-Pavane-Disco) with a fadeout ending…because in all my research I don’t remember finding a single disco piece that didn’t have a fadeout ending. It just wasn’t done. Please have some fun listening to this piece, because I had a great time writing it. It’s unlike anything I’ve ever written..pdf contains a complete set of score and parts. There are also versions with clarinet and oboe in place of the flute available. For more information visit www.jasonbarabba.com.
Non mi porti a Funkytown? (Disco & Pavane)

$45.60 38.88 € PDF SheetMusicPlus

(Choral) - Digital Download SKU: H1.8606DP Author Collections. Hymntune, General Worship. Hymn Collection. 163 pages. Hope Publishing - Digital #8606DP. Published by Hope Publishing - Digital (H1.8606DP). Shirley Erena Murray.While not much concerned about posterity, I offer this collection for the here and now, as a kind of spiritual autobiography of the years since writing 'Touch the Earth Lightly' (Hope, 2009). The themes will tell you that I have not ceased to centre on peace, partnered with justice, as these related to our own faith journey. But now that I find my life further away from the church and closer to what Jesus is actually pointing to, new elements come into play. Here is one: I have used the words of the hymn 'A Place at the Table' as title for this book, because there are still Christian people not welcome, either at the communion table or at the common table of society. . . . Creating justice and joy means walking into the territory of basic human rights, as Jesus did. It means being aware of our own fragility as well as our planet's, and using technology wisely. . . . Because I live in a highly secular society in Aotearoa/New Zealand, I am conscious of how the stereotypes of Christianity can be cynically dismissed. I long to say that there is so much to understand and embrace in the wisdom, spiritual treasury and survival skills that Jesus has given the world. It is also an interfaith and interactive world I live in, so some of these texts reflect my hope for the 'care and connection making us kin' that seems imperative for our human survival. . . . These hymns - be they attempting the pastoral, the prophetic or the impossible - are my present way to express this for myself, and hopefully, for you. - Shirley Erena Murray
A Place at the Table

$14.95 12.75 € PDF SheetMusicPlus

Choral Choir,Choral,SA Chorus - Level 3 - Digital Download SKU: A0.1450008 Composed by Erik Meyer. 21st Century,Children,Classical. 3 pages. Erik Meyer #942615. Published by Erik Meyer (A0.1450008). James Weldon Johnson's poem, The Gift to Sing, set for SA choir by Erik MeyerThis piece encourages singers (especially young ones) to find their own musical voice! It sets Johnson's introspective text about the quiet healing power of music, interspersed with sections for musical improvisation. Singers are welcome to create their own melody while the piano continues to play harmonically. Every voice's heartfelt contribution is valuable and beautiful.I wrote this piece because throughout my career as a choir director, many of my singers have been told me I can't really sing, or so-and-so told me not to sing loud because I'm not good, or I can't improvise, etc. I want this piece to help bring out everyone's voice - no matter what you have been told in the past, you CAN sing, and more than that, I bet you can improvise! I hope this setting will help singers love their voice.
The Gift to Sing (SA)
Chorale 2 parties

$1.99 1.7 € Chorale 2 parties PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.871133 By Billy Joel. By Billy Joel. Arranged by Austin Kitchell. Pop,Rock. Score. 7 pages. Austin Kitchell #4841213. Published by Austin Kitchell (A0.871133). This arrangement came about because I was disgruntled at how NOT-ragtime (for lack of better words) most piano solo versions of this song were. I eventually got sick of this and wrote this arrangement. I also added the key change because of one recording I heard of Billy Joel playing this piece, except he played it really slow, and then sped up the recording before posting it, but in doing so, the whole song went up a half step. I liked how it sounded in that key, so I implemented it halfway through this arrangement. It does make the 2nd half quite a bit harder, but as they say, you can't have everything in life.Other than that, I hope you enjoy this song. It's a lot of fun.
Root Beer Rag
Piano seul
Billy Joel
$4.99 4.25 € Piano seul PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1450009 Composed by Erik Meyer. 21st Century,Children,Classical. 5 pages. Erik Meyer #942621. Published by Erik Meyer (A0.1450009). James Weldon Johnson's poem, The Gift to Sing, set for SATB choir by Erik MeyerThis piece encourages singers (especially younger ones) to find their own musical voice! It sets Johnson's introspective text about the quiet healing power of music, interspersed with sections for musical improvisation. Singers are welcome to create their own melody while the piano continues to play harmonically. Every voice's heartfelt contribution is valuable and beautiful.I wrote this piece because throughout my career as a choir director, many of my singers have been told me I can't really sing, or so-and-so told me not to sing loud because I'm not good, or I can't improvise, etc. I want this piece to help bring out everyone's voice - no matter what you have been told in the past, you CAN sing, and more than that, I bet you can improvise! I hope this setting will help singers love their voice.
The Gift to Sing (SATB)
Chorale SATB

$1.99 1.7 € Chorale SATB PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.977042 Composed by Paul SanGregory. Contemporary. Score and parts. 23 pages. Distant Engraver Music #4593095. Published by Distant Engraver Music (A0.977042). At the request of a friend, this piece incorporates the melody of an old popular song from Taiwan’s Japanese period. It is a simple folk-like melody with words based on the image of flowers that were washed to the ground during a rainy night. Rain and Flowers is neither an arrangement nor a traditional theme and variations. Instead, it is a series of free improvisations on ideas from the song. Some of those ideas are musical, while others relate to images or meanings in the lyrics. Because I think the lyrics contain a sense of sadness and loss, there are times when that emotion comes through. The image of flower petals strewn on the ground was an important inspiration because it can be seen as being both beautiful and pitiful, or even tragic. Also, those petals can be contemplated in silence after the storm, or during the time when they are begin blown by the driving rain and fierce winds. For that reason, I portray various types of rain and wind as the piece progresses. However, because the original song was a simple melody written after the storm, that is where this piece ends, with a more obvious playing of the melody, though still in an improvisatory and folk-like way. The single downloadable file for this piece contains both the full score and violin part.
Rain and Flowers (for violin and piano)

$10.00 8.53 € PDF SheetMusicPlus

Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages.  Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try?  Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind.  We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness.    The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions.  I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness.  There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition.  I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less.  Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes.  And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time.  Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over.  And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural.  From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own.   This is ...a bridge a-way, exits within.
Edwin Culver: a bridge a-way, exits within (for solo guitar)
Guitare

$11.99 10.22 € Guitare PDF SheetMusicPlus

Piano,Violin - Level 4 - Digital Download SKU: A0.844472 Composed by Cecile Chaminade. Arranged by Phil Beaman. Romantic Period,Standards. 9 pages. Phil Beaman #3408933. Published by Phil Beaman (A0.844472). Cecile Louise Chaminade (1857-1944) was a French Romantic composer and pianist. She is often overlooked as a musician yet she was the first female composer to win the Ordre National de la Legion d'Honneur, France's highest award.  In 1890 she wrote a piano piece whimsically titled La Lisonjera (The Flatterer). It is a great example of late Romantic writing for the masses with an eye to publishing.   She is lyrical, expressive, and emotional; using dynamics, wider note ranges, and chromaticism. It exhibits her trademark of being 'passionate yet virtuosic'.  I have arranged La Lisonjera for Violin and Piano, keeping all of the traditional Romantic characteristics intact. I have added greater contrast between the themes, making the A theme appassionata, and reserving her molto capriccioso for the B theme which I also slow down a bit to allow for more playfulness. It is my own interpretation of articulation and simplified virtuosic passages. The accompaniment is my own reduction to allow the solo to shine freely.The arrangement is still marked as Advanced Intermediate because I have kept it in the original Key of Gb (6 flats) which I believe adds to the character of the piece. Also because in the capriccioso section I have constant, and rapid, alternation between pizzicato and arco. (MIDI recording does note reproduce pizzicato.)This arrangement is perfect for Recital and Repertoire as a performance of the 'overheated emotions' of the late Romantic era. Enough virtuosity to show the violinist's technique. Accessible and enjoyable for all audiences.(3:30 minutes; 2 without repeat)6 page score, 3 page part
La Lisonjera - Violin-Piano
Violon et Piano

$6.99 5.96 € Violon et Piano PDF SheetMusicPlus

Marimba Solo - Level 2 - Digital Download SKU: A0.819887 By Anderson Matos. By Anderson Matos. Instructional,Multicultural,New Age,Renaissance,Romantic Period,World. Individual part. 3 pages. Anderson M. Matos #424836. Published by Anderson M. Matos (A0.819887). Hello everyone.. after a few weeks, the video of my project is finished, which involves around 25 people from different parts of the world, together now for just 1 objective.. peace in the world, not war, and peace in Ukraine.🇺🇦🙏 I would first like to thank Kana Omori , for being the first to accept the invitation to play in my project and for being the full support in this project, I would also like to thank all the musicians, speakers participants.. really... it was not easy to edit everything.. even more so because I let each guest perform their own free performance (I'm glad there wasn't much difference in tempo) I left this part free because I wanted to express that even though we are different from each other, being in different countries, different instruments, religion, ethnicity, sexuality.. we are all the same when we play the same music... there is nothing more important at this moment than doing what we love, which is playing music and we can bring peace, love and affection to those who watch us playing... this is gratifying.
Peace in Ukraine Marimba solo
Marimba
Anderson Matos
$8.00 6.82 € Marimba PDF SheetMusicPlus

String Quartet String Quartet - Digital Download SKU: A0.890258 Composed by Charles H. Gabriel. Arranged by Paul Witney. Christian,Praise & Worship,Sacred. Score and parts. 11 pages. PAW Print Music #5739281. Published by PAW Print Music (A0.890258). This work, originally written in 1905, was composed by Charles H. Gabriel with lyrics by Civilla D. Martin. I sing because I’m happy, I sing because I’m free, For His eye is on the sparrow, And I know He watches me. This piece contains Violin III (Viola treble clef) as well as a piano part for rehearsal.To view other arrangements and original compositions, please visit:https://www.sheetmusicplus.com/publishers/paw-print-music-sheet-music/3006098?ac=1&aff_id=700579
His Eye is On The Sparrow
Quatuor ŕ cordes: 2 violons, alto, violoncelle

$12.99 11.08 € Quatuor ŕ cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Clarinet,Guiro - Level 4 - Digital Download SKU: A0.1265870 By Balázs Rumy clarinet and András Csáki guitar. By Claudin de Sermisy. Arranged by David Warin Solomons. 20th Century,21st Century,Contemporary. Full Performance. Duration 178. David Warin Solomons #858634. Published by David Warin Solomons (A0.1265870). Original song by Clément Marot (words) and Claudin de Sermisy (music)with Variations by David Warin Solomons(Note: the guitar plays with capo on fret 3)The original words of this song (with my translations) :Tant que vivray en aage florissantAs long as I am in the prime of lifeJe serviray d'amour le dieu puissant,I shall serve the powerful god of loveEn faictz, en ditz, en chansons et accordz;In all I do and say and in my songs and harmonyPar plusieurs jours m'a tenu languissant,For many days he made me languishEt puis apres ma fait resjoyssant,But afterwards he made me rejoice,Car j'ay l'amour de la belle au gent corps;Because I have the love of the fair ladySon alliance, c'est ma fiance,Her betrothal is pledged to meSon coeur est mien, le mien est sien,Her heart is mine, my heart is hersFy de tristesse, vive liesse,Away with sadness, welcome gladnessPuisqu'en amours j'ay tant de biens.Because I have such riches in loveIt is performed here byBalázs Rumy clarinet and András Csáki guitar.
Variations on tant que vivray for clarinet and guitar - live performance (mp3)
Clarinette, Guitare (duo)
Balázs Rumy clarinet and András Csáki guitar
$4.50 3.84 € Clarinette, Guitare (duo) PDF SheetMusicPlus

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.983996 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop. Score. 6 pages. Boothe Publishing #4360839. Published by Boothe Publishing (A0.983996). In the early morning light it's hard to see exactly what is and what isn't there. Objects that are seen clearly in the light of day are elusive and can't be seen directly in the grey light of the morning. In the grey light of life it is unclear if relationships are strong or weak. Many times the feelings I have had for other people exist because I really do not know them. I imagine that they are better or more wonderful than they really are because of my lack of knowledge about them. Sometimes it seems that I want what might have been or what might be more than I want reality. In the light of day all shadows disappear.
Grey Light of Dawn PVG
Piano, Voix

$3.99 3.4 € Piano, Voix PDF SheetMusicPlus






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