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Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1199885 Composed by DUKE STREET and John Hatton. Arranged by Cathy Stamegna. Christian,Praise & Worship,Religious,Traditional. 8 pages. Cathy Stamegna #798795. Published by Cathy Stamegna (A0.1199885). Arranged as an instrumental, unaccompanied duet.  Part 1 (Verses 1, 2) is rich with suspensions and leans more toward the traditional hymn.  A brief four-measure transition leads to a contrapuntal style in Part 2 (Verses 3, 4) with a change in rhythm (diminution) and melody.  Each section repeats with first and second endings, allowing the performers to shorten the length, if needed. Appropriate for any Christian Praise & Worship service, recital, concert.  Score and Set of Parts.  Performance Time:  2:49.
From All That Dwell Below the Skies (Violin/Violoncello Duet)
Violon, Violoncelle (duo)

$4.99 4.28 € Violon, Violoncelle (duo) PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.760331 Composed by Gustav Holst. Arranged by Raymond Fenech. 20th Century,Christmas,Holiday,Instructional,Multicultural,World. Score and parts. 31 pages. Raymond Fenech #3572221. Published by Raymond Fenech (A0.760331). Christmas Day is a choral fantasy on old carols, was written in 1910.  It was originally composed for SATB with parts for a sizeable orchestra. It lasts for about seven minutes. The work was dedicated ‘To the music students of Morley College’. Apparently it was extremely well-received and had a further presentation on 18 February at a music students’ ‘Tea and Social’ event. A number of well-known carols are used in this ‘fantasy.’ Throughout the piece, the composer makes use of ‘God rest you merry gentlemen,’ ‘The First Nowell’ and a traditional melody derived from Brittany used to set the words ‘Come ye lofty; come ye lonely.’ The Duration is approx. 6.16 minutes and the level is Advanced Intermediate.
Christmas Day-Gustav Holst- STRING QUARTET (2 Violins; Viola and Violoncello) - Advance Intermediate
Quatuor à cordes: 2 violons, alto, violoncelle

$8.50 7.3 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Cello Solo - Level 4 - Digital Download SKU: A0.1018958 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078715. Published by Benjamin Sajo (A0.1018958). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  â€ƒThe second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Kommos (Lamentation) / "When the World Moved On" - Violoncello
Violoncelle

$3.50 3 € Violoncelle PDF SheetMusicPlus

String Ensemble,String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1184824 Composed by William H. Doane. Arranged by Cathy Stamegna. Blues,Christian,Contemporary,Easter,Traditional. Score and parts. 10 pages. Cathy Stamegna #784499. Published by Cathy Stamegna (A0.1184824). An expressive Gospel rendition of Jesus, Keep Me Near the Cross (a.k.a. “Near The Crossâ€) has been newly-arranged as an Instrumental Trio.  The audience will be moved by its soulful rhythms and harmonies.  Although it is a slower 6/8 tempo, there are melodic embellishments, grace notes, triplets, and subdivisions of the eighth note into sixteenths.  A four-measure transition creates a modulation up a Perfect fifth.  Appropriate as a Lent, Holy Week, Easter solo, worship, concert, contest/festival, or recital piece.  Adaptable to school or church settings.  Performance Time: 3:30. 
Jesus, Keep Me Near The Cross (String Trio: Violin, Viola, Violoncello)
Trio à Cordes: violon, alto, violoncelle

$6.99 6 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

Cello Solo - Digital Download SKU: A0.1015099 Composed by Dane Anthony Madrigal. 20th Century,Contemporary. Individual part. 5 pages. Dane Anthony Madrigal #6208293. Published by Dane Anthony Madrigal (A0.1015099). COMPOSER'S NOTESChill is composed in the context of the subtly disturbed. The piece makes no utterances of joy as it slowly and drudgingly makes its way through time. ​Chill should alert some of humanity’s dullest primitive senses as the piece progresses to a melodic light that is only fragile and frail. Two codes can be heard coming from the piano in this light, if one is to listen carefully enough. This is then transformed into an unrequited confusion that only leads to where most confusion does, back from whence it began.
Chill - Violoncello
Violoncelle

$2.00 1.72 € Violoncelle PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1208744 Composed by Thomas P. Westendorf. Arranged by Cathy Stamegna. Celtic,Film/TV,Folk,Irish,Pop,Standards. 12 pages. Cathy Stamegna #806845. Published by Cathy Stamegna (A0.1208744). Of the 500 pieces written by Thomas P. Westendorf, this is his most famous ballad, and is often categorized as Irish. It continues to be popular, appearing in films/TV, and has been recorded by many over the years (Bing Crosby, Johnny Cash, Elvis Presley).  It begins in the traditional 4/4 and transitions to 6/8.  Score and Set of Parts.  Performance Time:  approx.  3:20.
I’ll Take You Home Again, Kathleen (String Quartet: Two Violins, Viola, Violoncello)
Quatuor à cordes: 2 violons, alto, violoncelle

$12.99 11.15 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Trio Cello,Violin - Level 3 - Digital Download SKU: A0.1195709 Composed by DUKE STREET and John Hatton. Arranged by Cathy Stamegna. Christian,Praise & Worship,Religious,Traditional. 10 pages. Cathy Stamegna #794882. Published by Cathy Stamegna (A0.1195709). Part 1 (Verses 1, 2) is rich with suspensions and leans more toward the traditional hymn.  A brief four-measure transition leads to a contrapuntal style in Part 2 (Verses 3, 4) with a change in rhythm (diminution) and melody.  Each section repeats with first and second endings, allowing the performers to shorten the length, if needed. Appropriate for any Christian Praise & Worship service, recital, concert.  Score and Set of Parts.  Performance Time:  2:49.
From All That Dwell Below the Skies (String Trio: Two Violins, Violoncello)
Trio à Cordes: 2 violons, violoncelle

$5.99 5.14 € Trio à Cordes: 2 violons, violoncelle PDF SheetMusicPlus






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