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Cello Solo - Level 3 - Digital Download SKU: A0.1363914 Composed by Edvard Grieg. Arranged by Rodrigo Faleiros. 19th Century,Classical,Film/TV,Romantic Period. Individual part. 1 pages. Rodrigo Faleiros #947744. Published by Rodrigo Faleiros (A0.1363914). Embark on a musical journey with our cello solo arrangement of Morning Mood, a timeless piece from Grieg's Peer Gynt Suite. Meticulously crafted for intermediate players, this enchanting rendition explores the delicate beauty of the morning sunrise through simple yet expressive melodies. This easy cello sheet music ensures a smooth learning experience, making it an ideal introduction to the captivating world of classical music for aspiring players.Key Features:Intermediate level: Perfect for players looking for an extra challenge, offering an accessible and expressive rendition of Morning Mood.Instant Digital Download: Begin your musical exploration promptly with our easy-to-access PDF download.Check out every other arrangement I've made for this and numerous other songs clicking here.
Morning Mood (solo cello - level 3)
Violoncelle

$1.99 1.72 € Violoncelle PDF SheetMusicPlus

Cello,Piano - Level 3 - Digital Download SKU: A0.573107 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,Sacred,Wedding. Score and part. 8 pages. James M Stevens Music ASCAP #4838251. Published by James M Stevens Music ASCAP (A0.573107). This is an original composition for cello and piano in a lyrical, calm, and relaxing style in the key of C major. There is a separate cello part in the score. The piano part as seen can serve as a stand alone solo. The track as heard is available under Quietude No. 1 Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
Quietude No. 1 - Cello & Piano
Violoncelle, Piano

$6.99 6.03 € Violoncelle, Piano PDF SheetMusicPlus

Cello,Piano - Level 3 - Digital Download SKU: A0.1305600 By Paul Barker Music. By Paul Barker. Arranged by Paul Barker. 20th Century,21st Century,Chamber,Contemporary,Contest,Festival. Score and part. 9 pages. Paul Barker Music #895052. Published by Paul Barker Music (A0.1305600). Prepare to be captivated by the passionate sound of Variations Eternelles. This emotionally charged showcase for Cello and Piano is perfect for enthralling audiences at concerts, festivals, and recitals with its compelling melodic theme and rich harmony.Piano Accompaniment MP3 is available from www.paulbarkermusic.com and here.Level: Intermediate (UK Grade 5+ and USA 2+)Duration: 2:10Occasion: Main Concerts - Festivals - Recitals - CompetitionsInstrumentation: Cello & PianoAlso available for other woodwind, brass, strings, guitars and piano solo.
Variations Eternelles (Cello & Piano)
Violoncelle, Piano
Paul Barker Music
$5.95 5.13 € Violoncelle, Piano PDF SheetMusicPlus

Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.763563 Composed by Traditional Scottish. Arranged by Nigel Williams. Celtic,Concert,Instructional,Standards. Score and parts. 6 pages. Nigel Williams #6057427. Published by Nigel Williams (A0.763563). Three popular Scottish folk songs, Skye Boat Song, Eriskay Love Lilt, Loch Lomond, arranged as a medley. The cello eighth note accompaniment paints a vivid picture of the rolling sea off the coast of the island of Skye, and the arrangement moves seamlessly between the three folk songs. This arrangement is ideal repertoire for High School string students either at home or in the classroom wanting interesting and innovative holiday repertoire around St Andrew's Day. The performance duration is over three minutes and the full score has two separate one page violin and cello parts attached. Enjoy browsing my extensive range of instrumental solos, duets, trios and quartets on SMP.
Scottish Folk Song Medley, Duet for Violin and Cello
Violon, Violoncelle (duo)

$3.99 3.44 € Violon, Violoncelle (duo) PDF SheetMusicPlus

Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.1104261 Composed by Franz Xaver Gruber and Enrique Granados. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 21 pages. John A. Dempsey #707467. Published by John A. Dempsey (A0.1104261). A classic Christmas carol reimagined as a festive piano quartet for violin, viola, cello and piano, this arrangement begins simply but builds in intensity as it progresses, with an embellished piano part, dynamic shading and incidental music by Enrique Granados.  Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events. Suggested worship uses: a prelude, postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment and special music.  Key: D major. 17 pages of music (that includes separate two-page parts for violin, viola and cello            Silent night, holy night / All is calm, all is bright / Round yon virgin, mother and child / Holy infant so tender and mild / Sleep in heavenly peace / Sleep in heavenly peace.
Silent Night (Piano Quartet): Violin, Viola, Cello and Piano
Piano Quatuor: piano, violon, alto, violoncelle

$14.00 12.08 € Piano Quatuor: piano, violon, alto, violoncelle PDF SheetMusicPlus

Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
Cello - "And Can It Be?" Theme and Variations
Violoncelle, Piano

$6.00 5.18 € Violoncelle, Piano PDF SheetMusicPlus






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