Small Ensemble Cello,Piano Accompaniment,Viola,Violin - Level 2 - Digital Download SKU: A0.807207 Composed by George Frideric Handel. Arranged by Glen Poehlmann. Christian,Christmas,Sacred. Score and parts. 13 pages. Arrangements by GPoehlmann #6575195. Published by arrangements by GPoehlmann (A0.807207). JOY TO THE WORLD - VIOLIN TRIO with optional Piano accompanimentA flexible arrangement! Parts for Viola (Violin 3) and Cello Trio are also included so you can mix and match instruments or create a String Ensemble! 70 measures.  Performance Time approx 2:30.  Medium Easy (Grade 2)Key: D.   Meter: 4/4 - 3/4.   Instrument Ranges (C4=middle C):Violin 1 D4 - F#5.   Violin 2 C#4 - D5.   Violin 3 A3 - D5PDF parts included: Score, Violin 1, Violin 2, Violin 3, Viola (Violin 3), Piano, Cello 1, Cello 2, Cello 3

Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.1050441 By Adelaide A. Pollard, George C. Stebbins, and Sharon Wilson. By Adelaide A. Pollard and George C. Stebbins. Arranged by Sharon Wilson. Easter,Praise & Worship,Romantic Period,Sacred,Traditional. Score and parts. 21 pages. Sharon Wilson #654796. Published by Sharon Wilson (A0.1050441). Here is an instrumental trio (for VIOLIN and CELLO duet with PIANO accompaniment) of the beloved hymn Have Thine Own Way, Lord by George C. Stebbins. This gently flowing arrangement will encourage reflection as the listeners are reminded of the lyrics penned by Adelaide A. Pollard: Have thine own way, Lord! Have thine own way! Thou art the potter, I am the clay. Mold me and make me after thy will, while I am waiting, yielded and still. Both the VIOLIN and CELLO get to lead with the melody at times making this a fun and equally challenging piece for both instruments while adding variety for the listeners. The VIOLIN plays the melody for the first verse and then the CELLO leads with the melody for the second verse. This flowing instrumental arrangement is an ideal selection for a worship setting and a valuable addition to your sacred string repertoire. Duration 2:15. The range for each part is as follows: VIOLIN – F4 to B5; CELLO – B2 to C4 (middle C). This is an excellent selection for early-intermediate string players since all notes for the VIOLIN and CELLO are playable in the first position with one exception for the CELLO (the C#3 requires an extension/stretch of the 4th finger on the G string or shift to 2nd position). The PIANO accompaniment is written for an intermediate player. The purchase price includes these printing options: 1. a grand staff (8 pages) with all parts on each page2. separate scores for the VIOLIN and CELLO (2 pages each) and PIANO (4 pages)3. a combined VIOLIN and CELLO score (3 pages) This hymn represents GENTLENESS and is one of the 10 songs in the collection inspired by Galatians 5:22-23: The Fruit of the Spirit (10 Hymns for Violin and Cello Duet with Piano Accompaniment) Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic

Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.1300131 By Geraldine Green. By Geraldine (Denny) Green. Arranged by Geraldine Green. 21st Century,Chamber,Children,Classical. 13 pages. Geraldine (Denny) Green at Oakmountmusic #889873. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1300131). ALL PURCHASES COME WITH SCORE AND PARTSDuration 3 minutes.This short piece was inspired by my many sightings and observations of sparrowhawks in their behaviour,  hunting techniques and how they fly and soar. They appear to “Tango� with their prey. For me the Tango is a passionately agressive dance with no negotiation. If you are a small creature caught by a sparrowhawk there is also no negotiation!There are now 7 different arrangements of this piece available;No.1 – School arrangement; for violins 1, 2 and 3, cello 1 and 2.No.2 – Standard Arrangement; for violins 1 and 2, viola, cello and double bassNo.3 – Youth OrchestraThe instrumentation for the youth orchestra arrangement is as follows:Flutes 1&2, 1 Oboe, Clarinets 1&2 in Bflat, 1 Bass Clarinet in Bflat (to low C), 1 Bassoon, 1 Eflat Alto Saxophone.Trumpets 1&2 in Bflat2 Pedal Timpani, Side Drum, Bongos – 1 set, 1 Conga, 1 Suspended Cymbal (played with soft stick throughout), Maracas, Tambourine, Triangle.Violins 1,2 & 3, Cello 1 & 2No.4 – Flute, violin and pianoNo.5 – Flute, cello and pianoNo.6 – Flute, clarinet (Bflat), violin and pianoNo.7 – Flute, clarinet (Bflat) and pianoNo.8 – Piano Solo.

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861791 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 28 pages. Mark O'Connor Musik International #6201737. Published by Mark O'Connor Musik International (A0.861791). String Quartet No. 3 Old-Time (cello part – two vlns, vla, cel) MO169ECello Part (score and parts available)Music by Mark O’Connor24 pages - 24:00 minutes in lengthMovement I (5:02)Movement II (5:38)Movement III (3:18)Movement IV (9:46)String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600’s, and eventually traveled down the Appalachians to settle in the South in the early 1800’s. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2007 Composed By Mark O’ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.’s 2 & 3 OMAC RecordsRecorded by Mark O’Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO169ECopyright © 2007 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com