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String Trio Cello - Level 1 - Digital Download SKU: A0.1270178 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #862608. Published by jmsgu3 (A0.1270178). Sources suggest that the song is a love ballad that praises the beauty and virtues of a woman named Calextone, who was a lady from the town of Arouse. The lyrics describe her as having great value and worth, and her beauty and grace are compared to smoke and mist. The composer of the song, Solage, also refers to himself in the refrain with a double meaning, using the spelling soulage. The song is considered a representative example of French secular music from the late fourteenth century.  It is not known whether Calextone was a real person or a fictional character created by the composer. Some sources suggest that the song may have been composed for a wedding, possibly that of Jeanne de Boulogne, and that Solage may have been in the service of Gaston Fébus, compte de Foix, who had a financial interest in the marriage. The composer of the song, Solage, was a prominent figure in the Ars subtilior movement, which was characterized by complex rhythms, intricate melodies, and highly stylized notation. The song is considered a representative example of this musical style, which flourished in France during the late medieval period. The song's use of acrostics and double meanings in the lyrics, as well as its intricate musical structure, demonstrate the sophistication and complexity of the Ars subtilior style. Overall, Calextone qui fut dame d'Arouse is an important example of medieval French music and its evolution over time.
Solage: Calextone qui fut dame for Cello Trio
Trio à Cordes: 3 violoncelles

$24.95 23.78 € Trio à Cordes: 3 violoncelles PDF SheetMusicPlus

Cello Duet Cello - Level 4 - Digital Download SKU: A0.1266695 Composed by Giorgio Gentili. Arranged by Snakewood Editions. Baroque,Classical. Score. 25 pages. Sneakwood Editions #859373. Published by Sneakwood Editions (A0.1266695). Giorgio Gentili was surely one of the most influential musicians in Venice at the beginning of the 18th century. In 1702, or even earlier, he was appointed maestro di instromenti at the prestigious Ospedale dei Mendicanti in Venice, where musicians such as Legrenzi, Biffi and Galuppi worked. In 1689 he became a violinist in the San Marco orchestra and shortly after, in 1691, he was appointed concertmaster. Under his direction he had musicians like Veracini or Giovanni Battista Vivaldi and Antonio Vivaldi. Surely this fact is related to the notable influence of Gentili's concerti on those of Antonio Vivaldi.Gentili's departure from the Ospedale dei Mendicanti in 1717 coincides with the departure to Dresden of other famous Venetian musicians such as Lotti, which gives rise to the suspicion that Gentili was also hired along with these musicians by the Elector of Saxony during his trip to Italy.Gentili was one of those rare musicians who only played instrumental music, at least as far as we know. Gentili published six volumes of music:Op. 1. Suonate a tre, 1701Op. 2. Concerti da camera a tre, 1702Op. 3. Capricci da camera a violino e violoncello o cimbalo, 1707Op. 4. Suonate a tre (lost)Op. 5. Concerti a quattro e cinque, 1708Op. 6. Concerti a quattro, 1716Apart from this work, we find two interesting manuscripts in the Library of the Benedetto Marcello Conservatory in Venice that contain the only two known sonatas for cello and basso continuo by Gentili.
Gentili - Two sonatas for violoncello and basso continuo (preface, score and parts in PDF)
2 Violoncelles (duo)

$18.00 17.16 € 2 Violoncelles (duo) PDF SheetMusicPlus






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