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Cello,Piano - Level 3 - Digital Download SKU: A0.572905 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Holiday,New Age,Sacred,Wedding. Score and part. 6 pages. James M Stevens Music ASCAP #4609909. Published by James M Stevens Music ASCAP (A0.572905). This is an original composition for cello and piano in a quiet and peaceful style in the key of C major. There is a separate cello part in the score and the piano can serve as a stand alone solo as well. The track as heard is available under Golden is the Hour Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
Golden is the Hour - Cello & Piano
Violoncelle, Piano

$6.99 6.04 € Violoncelle, Piano PDF SheetMusicPlus

Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
Cello - "And Can It Be?" Theme and Variations
Violoncelle, Piano

$6.00 5.19 € Violoncelle, Piano PDF SheetMusicPlus

Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.732534 Composed by Jean-Joseph Mouret. Arranged by Dave Prudon. Baroque,Christmas,Wedding. Score and parts. 6 pages. Prudon String Ensembles #3897585. Published by Prudon String Ensembles (A0.732534). You can find an abundance of quartet & trio arrangements of this well-known Baroque piece available for sale but not so many for a Violin/Cello Duo.  This arrangement fills the void in a spectacular way.  Cellists will like their part because it is much more interesting than the usual mundane bass line.  Still requested as part of the music for a wedding ceremony, this definitely earns a spot on the repertoire list of any professional Violin/Cello Duo.Take a peek at:  Prudon String Ensembles Sheet Music to find hundreds of other nice arrangements for strings.
Mouret Rondeau for Violin and Cello
Violon, Violoncelle (duo)

$8.99 7.77 € Violon, Violoncelle (duo) PDF SheetMusicPlus

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.861859 Arranged by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 6 pages. Mark O'Connor Musik International #6203983. Published by Mark O'Connor Musik International (A0.861859). Fisher’s Hornpipe (cello part – two vlns, vla, cel) MO141ECello Part (score and parts available)Music by Mark O’Connor2 pages - 3:45 minutes in length Fisher's Hornpipe is a traditional fiddle tune arranged by Mark O'Connor and is featured on the 1999 album Appalachian Journey featuring O'Connor, Yo-Yo Ma, and Edgar Meyer. The Sony Classical release reached the No.1 position on Billboard Magazine's Classical music chart. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorFisher’s Hornpipe can be heard on Appalachian Journey featuring Mark O’Connor, Alison Krauss, Yo-Yo Ma and Edgar Meyer, Sony Classical Catalogue Number MO141ECopyright © 1999 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com  
Fisher's Hornpipe (cello part - two vlns, vla, cel)
Quatuor à cordes: 2 violons, alto, violoncelle

$4.50 3.89 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus






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