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Piano - Level 2 - Digital Download SKU: A0.1435124 Composed by Stephan Langenberg. 21st Century,Christian,Holiday,Religious,Sacred. Score (Chords/Lyrics). 10 pages. Stephan Langenberg #1015228. Published by Stephan Langenberg (A0.1435124). Inhaltlich orientiert sich das Werk am Evangelium nach Lukas 14,15-24:Ein großes Fest ist bereitet. Der Gastgeber schickt seinen Knecht (Sprecher) um drei auserwählte Gäste (Chöre 1-3) einzuladen. Nachdem ihm alle Gäste eine Absage erteilen, kehrt der Knecht zu seinem Herrn zurück. Dieser schickt ihn aber erneut hinaus. Nun jedoch zu allen anderen Menschen um sie zum Fest einzuladen (Schlusschor: Geh hinaus). Jeder Gast in diesem Gleichnis wird durch eine Chornummer repräsentiert. Zu jedem unterschiedlichen Charakter sind unterschiedliche Stilistiken gewählt worden.Besetzung·         gemischter Chor (SATB) 4 bis 8 stimmig (vereinzelt Solisten aus dem Chor) ·         Sprecher·         Blechbläserquintett (2Tr/Flg, 1 Hrn, 1 Trb, 1 Tb) ·         Klavier, Hammond Orgel (alternativ Pfeifenorgel)Aufführungsdauer: ca. 30 Minuten (Bearbeitungen der einzelnen Chorstücke für Chor und Klavier ebenfalls verfügbar)Inhalt1.   Choral: „Selig die am Tisch des Herrn” (1)2.   Der Knecht3.   Der Weg zum ersten Gast (instrumental + Sprecher)4.   Chor: „Du hast der Güter reich” (der erste Gast)5.   Die Einladung/ die Absage (1)6.   Der Weg zum zweiten Gast (s.o.)7.   Chor: „Stark ist dein Arm” (der zweite Gast)8.   Die Einladung/ die Absage (2)9.   Der Weg zum dritten Gast (s.o)10. Chor: „Wie schön du bist” (der dritte Gast)11. Die Einladung/ die Absage (3)12. Der Knecht (Reprise)13. Chor: „Geh hinaus”14. Choral: „Selig die am Tisch des Herrn” (2)UraufführungDie Uraufführung im Rahmen der “Nacht der offenen Kirchen” in der Stadtkirche Unna fand große Zustimmung von Publikum und Ausführenden gleichermaßen. Sie fand am 08.06.2014 in der Stadtkirche Unna statt. Ausführende waren die Philipp-Nicolai Kantorei Unna, das Ensemble Grazination Brass aus Graz und Guntram Höft als Sprecher unter der Leitung von KMD Hannelore Höft.Im Anschluss an das Konzert wurde die Nacht der offenen Kirchen mit einem großen Abendmahl im Kirchenraum gefeiert.Hier geht zum Notenmaterial: Sheet MusicWeitere Informationen zu meiner Person und meinen Werken finden Sie auf meiner neuen Internetseite: www.langenbergmedia.com
Das Große Gastmahl - Libretto
Piano seul

$2.99 2.59 € Piano seul PDF SheetMusicPlus

Cello,Viola,Violin,Voice - Level 2 - Digital Download SKU: A0.1260504 Composed by George Frideric Handel, Gottfried Heinrich Stolzel, Henry Purcell, and Johann Adolph Hasse. Arranged by Edition Maulwurf. Baroque,Opera. 40 pages. Edition Maulwurf #853668. Published by Edition Maulwurf (A0.1260504). 5 Baroque Songsarranged for voice and string quartet1 – G.F. Händel: Ombra mai fù2 – G.H. Stölzel: Bist du bei mir3 – J.A. Hasse: Appena amor se nasce4 – H. Purcell: If love’s a sweet passion5 – G.F. Händel: Lascia ch’io piangaduration: ca 13m 30sscore + partshttps://www.edition-maulwurf.deEdition Maulwurf is a publisher of digital sheet music. For more information and other pieces please visit our web site.
5 Baroque Songs for voice and string quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$15.99 13.84 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

2 recorders (SS/AA) - easy - Digital Download SKU: S9.Q2125 Aus dem 18. Jahrhundert. This edition: performance score. Downloadable, Performance score. Schott Music - Digital #Q2125. Published by Schott Music - Digital (S9.Q2125). In Frankreich wurde im Zeitalter des Rokoko viel auf der Blockflöte, der Flûte douce, und auf der Musette musiziert. Boismortier, Bâton und die Brüder Chédeville waren berühmte Solisten auf diesen Instrumenten. Wie auch andere Komponisten jener Zeit, haben sie zahlreiche Sammelbände hinterlassen, die für ihre Schüler und das häusliche Musizieren bestimmt waren. Aus diesen Sammlungen, in deren Titeln sich bereits das französische Rokoko spiegelt, wurden einige Tänze ausgewählt, die im Original so praktisch gesetzt sind, dass sie mit Blockflöten in den verschiedensten Zusammenstellungen gespielt werden können.
French Dances of the 18th Century
2 Flûte à bec (duo)

$10.99 9.51 € 2 Flûte à bec (duo) PDF SheetMusicPlus

Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 4 - Digital Download SKU: A0.1353773 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century. 27 pages. RayThompsonMusic #938540. Published by RayThompsonMusic (A0.1353773). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche. Petite Fille Americaine  (Young American Girl) is no 2 in the ballet, and includes some of the odd percussion : typewriter and gunshots, in addition to normal orchestral perc.It also includes the Ragtime Dance which became very popular in it's own right.The piece can be performed without percussion....but the percussion gives it an extra something!!
Satie: Parade - II. Petite Fille Americaine - wind dectet

$14.95 12.94 € PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Timpani,Trumpet - Level 4 - Digital Download SKU: A0.977351 Composed by Friedrich Silcher, Hill/Hill, and Trad. Arranged by Des McNutty. Concert,Folk,Holiday,Latin. Score and parts. 24 pages. Des Press #6437339. Published by Des Press (A0.977351). Happy Birthday EdMuss i DennLa CucarachaAt last: Some new repertoire for the historical natural trumpet! This one-handed instrument was familiar to composers such as JS Bach, Handel, Telemann, Purcell, Vivaldi etc., but was largely neglected after the invention of valves in the early 19th century - and the subsequent invention of the nodal vent-hole systems in the late 20th-century - until recently, when the elusive lost art of clarino playing (in the fourth octave and above) was cracked by dedicated optimists such as Don L Smithers and JF Madeuf.   These arrangements are a stylistic departure from the trumpet's golden age of Baroque repertoire, featuring works well known in the 20th century, and provide excellent training for rhythmic precision, style, pitching and team playing.  They're also fun, if you like that sort of thing.   Advice on tuning up the differently-pitched instruments and a technical tip are included.   The current regulations on SMP mean us little guys can only publish in-copyright works one at a time. So, you can collect them all and make yourself a tome!    This arrangement of Happy Birthday was written in 2011 for Edward H Tarr's 75th birthday concert in Basel (CH). Ed conducted many pieces from the Charamela Real, mostly for trumpets in two different tonalities. Happy Birthday was slipped in the programme before the second encore without his knowledge. At his downbeat, he got quite a surprise.   The rest of these arrangements were originally written for Lunchtime Tower Music (weather permitting), at the Dartington International Summer School between roughly 2000 and 2010, for courses led by Michael Laird and David Staff. Such performances from the mediæval clock tower involved the various brass and other wind classes playing seriously with an informal atmosphere.  Logistical issues, a narrow staircase and the ubiquitous Health-and-Safety regulations prevented the use of timpani on the tower but sometimes larger groups, and those involving vertigo sufferers, played in the courtyard instead.   These pieces are the opposite of playing Baroque music on modern, or postmodern instruments. Get them all now and enjoy a refreshing change!   Enjoy! DM
A Pulchritudinous Posy of Pleasing Party-Pieces, nr 1.

$5.99 5.18 € PDF SheetMusicPlus






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