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Joe Hisaishi : Le Château dans le ciel - Thème principal (niveau intermédiaire)
Alto seul
Téléchargez la partition Alto Le Château dans le ciel - Thème p…
5.99 € Alto seul PDF Tomplay

Schubert : La Belle Meunière, D. 795 Opus 25 – N° 16 'La couleur chérie' - TENOR
Voix seule
Téléchargez la partition Chant La Belle Meunière, D. 795 Opus 25 – N&…
5.99 € Voix seule PDF Tomplay

Organ - advanced to difficult - Digital Download SKU: S9.Q6220 D'après Julien Gracq. Composed by Jean Guillou. This edition: Sheet music. Downloadable. Op. 26. Duration 17 minutes. Schott Music - Digital #Q6220. Published by Schott Music - Digital (S9.Q6220). Julien Gracq's novel Au château d'Argol° includes a chapter in which one of the heroes, Herminien, discovers a chapel hidden deep within a forest. Soon ... through the branches, twisted in fantastic arabesques, appeared the grey wall of a chapel hanging in the midst of an abyss. He sees an organ there, and, climbing the steps of the loft, he starts to improvise. Then, from the depts of his disquiet, a sound rose up. The author gives a description of this improvisation that, musically, expresses all the psychological tension that has built up in the course of the novel. The musical work bearing the title of this chapter does not claim to respond the letter of the literary description of this improvisation, which would be as impossible as describing Proust's Sonate de Vinteuil, but it is inspired by both - this description and by the novel itself.
La Chapelle des Abîmes
Orgue

$17.99 15.57 € Orgue PDF SheetMusicPlus

Schubert : La Belle Meunière, D. 795 Opus 25 – N° 16 'La couleur chérie' - MEZZO-SOPRANO
Voix seule
Téléchargez la partition Chant La Belle Meunière, D. 795 Opus 25 – N&…
5.99 € Voix seule PDF Tomplay

Concert Band - Level 2 - Digital Download SKU: A0.1396310 Composed by Alessio Olivieri, Luigi Mercantini. Arranged by Lorenzo Bocci. March,Patriotic,Traditional. 37 pages. Lorenzo Bocci #979683. Published by Lorenzo Bocci (A0.1396310). INNO DI GARIBALDI (1858) (Versione Integrale)for Concert Band and Choir - Grade 2,5 - Digital Download Composed by Alessio Olivieri, Luigi Mercantini. Arranged by Lorenzo Bocci. March/Patriotic/Traditional/Hymn. Concert Band - Blasorchester - Harmonie. Score A4 (21 x 29,7 cm) and card size parts A5 (19,5 x 14,2 cm). Duration 3'50''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute (Piccolo), Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, Bb Bass Clarinet, Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, F Horn 1, 2, Trombone 1, 2, Euphonium, Bass, Snare Drum, Cymbals, Bass Drum.Additional Parts:Bb Soprano Saxophone, Eb Cornet, Bb Flugelhorn 1, 2, Eb Horn 1, 2, Bb Trombone 1, 2 T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.The Garibaldi Hymn is a famous patriotic anthem of the Italian Risorgimento. The author of the text was, at the request of the hero of the two worlds himself, the poet Luigi Mercantini (1821-72), also known for The Gleaner of Sapri, a poignant romantic re-enactment of Carlo Pisacane's Republican and Mazzinian expedition; particularly known - and quoted - is the refrain « Eran trecento, eran giovani e forti, e sono morti. »Garibaldi's Hymn was set to music by Alessio Olivieri and was performed for the first time on 31 December 1858, and therefore dates back to the decisive years of the process that led to the unification of Italy, in the presence of Garibaldi and Nino Bixio.Especially known, and still quoted, are the opening lines:« Si scopron le tombe, si levano i morti,I martiri nostri son tutti risorti »and the refrain:« Va' fuori d'Italia! va' fuori ch'è l'ora!Va' fuori d'Italia! va' fuori, stranier! »Subscribe to my YouTube Channel to stay updated on new releases.
Inno di Garibaldi
Orchestre d'harmonie

$33.00 28.56 € Orchestre d'harmonie PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
Orchestre

$9.99 8.65 € Orchestre PDF SheetMusicPlus

Flute Duet Flute - Level 4 - Digital Download SKU: A0.1176752 By Helene Schulthess. By Helene Schulthess. Arranged by Helene Schulthess. Chamber,Contest,Festival,Folk,Patriotic,Traditional. Score. 4 pages. Helene Schulthess #776833. Published by Helene Schulthess (A0.1176752). You can purchase all 26 folkdances for 30 $ under this link: https://www.sheetmusicplus.com/title/26-swiss-folk-dances-for-2-flutes-and-accompaniment-digital-sheet-music/21673528The document contents 26 folk dances for two flutes (49 pages) and a score (52 pages)Swiss folk music is very lively. Its diversity reflects the small regional and cultural spaces of Switzerland. Influences from other European countries have also shaped this kind of music since the early 19th century. Polka and Mazurka have their roots in Poland, the Scottish in Scotland. The music has been passed on by word of mouth or has been written down in musicians’ notebooks.Between 1940 and 1960, the ethnomusicologist Hanny Christen travelled through Switzerland and collected thousands of melodies from the period between 1800 and 1960. The musicians played or sang in front of her. Some permitted her to write off their own hand-written dance booklets in full. In 1956, Hanny Christen began to record this music with a tape recorder. It is thanks to her that over 12,000 instrumental dance movements of Switzerland and many other pieces of tradition (costumes, biographies, musical instruments etc.) were saved from being forgotten.The instruments used in traditional folk music vary depending on the type of dance and region. Flutes are more or less non-existent. The author would like to fill a gap with this publication. She has therefore adapted one folk dance per canton from the Hanny Christen-collection* for two flutes. The pieces from the cantons of Basel City, Thurgau and Geneva do not come from this source, though.The melodies from the other 23 cantons are taken unchanged from the collection. The second voice was not always composed quite traditional. The melody follows - if possible - a contrapuntal melody of its own and is directed to the flute (difficulty grade 3 +).The editor, Helene Schulthess, is a flutist with a wide repertoire. She lives in Switzerland. She performs as a soloist, makes chamber music and is active as a music teacher. She is involved in various musical projects (www.helene-schulthess.ch).* Swiss Folk Music Collection. The dance music of Switzerland of the 19th and first half of the 20th century. From the estate of Hanny Christen. Edited by Fabian Müller under the auspices of the Society for Folk Music in Switzerland (GVS/SMPS). Music print. Mülirad, Zürich 2002.
Swiss Folk Dance for two flutes and piano – 2 Canton Bern – Polka
2 Flûtes traversières, Piano
Helene Schulthess
$6.00 5.19 € 2 Flûtes traversières, Piano PDF SheetMusicPlus

Flute Duet Flute - Level 4 - Digital Download SKU: A0.1179575 By Helene Schulthess. By Helene Schulthess. Arranged by Helene Schulthess. Contest,Country,Festival,Folk,Patriotic,Traditional. Score. 3 pages. Helene Schulthess #779557. Published by Helene Schulthess (A0.1179575). You can purchase all 26 folkdances for 30 $ under this link: https://www.sheetmusicplus.com/title/26-swiss-folk-dances-for-2-flutes-and-accompaniment-digital-sheet-music/21673528The document contents 26 folk dances for two flutes (49 pages) and a score (52 pages)Swiss folk music is very lively. Its diversity reflects the small regional and cultural spaces of Switzerland. Influences from other European countries have also shaped this kind of music since the early 19th century. Polka and Mazurka have their roots in Poland, the Scottish in Scotland. The music has been passed on by word of mouth or has been written down in musicians’ notebooks.Between 1940 and 1960, the ethnomusicologist Hanny Christen travelled through Switzerland and collected thousands of melodies from the period between 1800 and 1960. The musicians played or sang in front of her. Some permitted her to write off their own hand-written dance booklets in full. In 1956, Hanny Christen began to record this music with a tape recorder. It is thanks to her that over 12,000 instrumental dance movements of Switzerland and many other pieces of tradition (costumes, biographies, musical instruments etc.) were saved from being forgotten.The instruments used in traditional folk music vary depending on the type of dance and region. Flutes are more or less non-existent. The author would like to fill a gap with this publication. She has therefore adapted one folk dance per canton from the Hanny Christen-collection* for two flutes. The pieces from the cantons of Basel City, Thurgau and Geneva do not come from this source, though.The melodies from the other 23 cantons are taken unchanged from the collection. The second voice was not always composed quite traditional. The melody follows - if possible - a contrapuntal melody of its own and is directed to the flute (difficulty grade 3 +).The editor, Helene Schulthess, is a flutist with a wide repertoire. She lives in Switzerland. She performs as a soloist, makes chamber music and is active as a music teacher. She is involved in various musical projects (www.helene-schulthess.ch).* Swiss Folk Music Collection. The dance music of Switzerland of the 19th and first half of the 20th century. From the estate of Hanny Christen. Edited by Fabian Müller under the auspices of the Society for Folk Music in Switzerland (GVS/SMPS). Music print. Mülirad, Zürich 2002.
Swiss Folk Dance for two flutes and piano – 7 Canton Obwalden – Walzer
2 Flûtes traversières, Piano
Helene Schulthess
$6.00 5.19 € 2 Flûtes traversières, Piano PDF SheetMusicPlus

Violin (flute, oboe) and piano; cello (bassoon) ad libitum - easy - Digital Download SKU: S9.Q20409 16 Easy to Intermediate Pieces from 18th-century France. This edition: Sheet music. Baroque Around the World. 16 brani di livello intermedio del 18mo secolo francese, per violino (flauto o oboe), piano e parte opzionale del cello (fagotto). Downloadable. Schott Music - Digital #Q20409. Published by Schott Music - Digital (S9.Q20409). 16 easy to intermediate pieces from 18th-century France for violin (flute or oboe), keyboard and optional cello (bassoon). These popular airs and dances, by composers such as Boismortier, Chédeville, Destouches, Grétry, Marais, Montéclair and Mondonville, derive from the court, countryside and theatre.
Vaudeville et Menuet

$11.99 10.38 € PDF SheetMusicPlus

Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A0.591452 Composed by David McKeown. Blues,Easter,Hip-Hop,Pop,R & B,Rock. Score and parts. 24 pages. David McKeown #6295159. Published by David McKeown (A0.591452). 10 Easter Rock’n’Roll Duets is a fun collection of original compositions by David McKeown for one Clarinet and one Alto Clarinet.Each Easter themed duet is inspired by a different American dance style from the golden age of Rock’n’Roll. These duets are ideal for players of an Intermediate standard and above. While the keys and range are easily accessible for your instrument, the style of music requires accidentals and syncopated rhythms. Click the link above to hear short samples of each duet on YouTube played on clarinet.10 Easter Rock’n’Roll Duets areperfect for concert performances large and small; each piece lasts between one and two minutes. Perfect upbeat pieces to get you moving after a long winter, but playable any time of year. fully articulated to help interpret each style. great for helping with complex rhythms. road tested with scores of students and performed all over the world.fun to play. an exciting introduction to different musical Rock’n’Roll styles. 23 pages adding up to nearly twenty minutes of quality music. The ten titles are, Tulip Ch’Boogie, Baby Sheep Shuffle, Candy Cakewalk, Chocolate Chalypso, Daffodil Doo-Wop, Easter Bonnet Bop, Easter Bunny Hop, Easter Egg Rock, Jellybean Jive and Spring Chicken Swing.There are many more top quality arrangements and compositions by David McKeown for you to browse at https://www.sheetmusicplus.com/publishers/david-mckeown/6203
10 Easter Rock'n'Roll Duets for Clarinet and Alto Clarinet
2 Clarinettes (duo)

$8.99 7.78 € 2 Clarinettes (duo) PDF SheetMusicPlus






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