Full Orchestra - Level 5 - Digital Download SKU: A0.1104165 By Frank Sinatra, Bing Crosby, Gene Austin, and Lee Morse. By WALTER DONALDSON AND GUS KAHN. Arranged by Christopher Teves. 20th Century,Jazz,Pop,Standards. Score and Parts. 107 pages. Christopher c teves #707395. Published by christopher c teves (A0.1104165). Full Orchestra arrangement of the roaring 20's classic, Yes Sir, That's My Baby. Features clarinet and trumpet solos. 3(Pic).2.3.2 - 4.3.3(b trb).1 - 3 perc (1 dr set) - Strings. Written for and premiered by Nick Palmer and the North Charleston Pops.

Piano and voice; harp - Digital Download SKU: LV.1112 Composed by J. Monro. Fathers & children, Love, Nursing, Accidents. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (LV.1112). Ellen Aureen. A New Song for the Piano Forte or Harp. Written by the Author of The Captive to his Bird. Composed by J. Monro. Published [n.d.] by J. Siegling at his Musical Warehouse, 69 Broad St. in Charleston. Composition of strophic with chorus with piano and voice; harp instrumentation. Subject headings for this piece include Fathers & children, Love, Nursing, Accidents. First line reads O cold was the climate and cheerless the moore, where Ellen had bloom'd till sixteen.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.730513 Composed by James Nathaniel Holland. Broadway,Jazz,Musical/Show. Octavo. 103 pages. James Nathaniel Holland #6040031. Published by James Nathaniel Holland (A0.730513). A celebration of the Roaring 20s for the new roaring 2020s.  All the jazzy choruses, solos, trios and duets in one place from the Musical A Lucky Star contained in one place, fully arranged for voice and piano with chords (guitar or banjo) by American composer James Nathaniel Holland (music and lyrics). The story follows a young man as he dreams of moving from the Midwest to New York City in the year 1924. Songs included are: I Ain't Doin' Homework, This Town, Such is the County Fair (with mini-ballet), What the Heck Do I Care, An Inspiration (That Lucky Star), The Letter, New York The Town of Your Dreams, Music and Words, Bad Ain't So Bad (a 1920s flapper number), O Baby You Treat Me Too Rough (a Charleston type trio and women's chorus), So Alone Am I, and the touching song Indiana for chorus and separate arrangements for solo voice.  Full piano vocal score, full orchestral score, and orchestral accompaniments sold separately.YouTube Playlist Demo:https://www.youtube.com/playlist?list=PLEcbVsA36MCva9aAwNei4XFxFQdI5Jiio

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1154552 By John Michael Ferrari. By John Michael Ferrari. Arranged by John Michael Ferrari. Country,Pop. Score. 6 pages. Pepper Jay Productions #752780. Published by Pepper Jay Productions (A0.1154552). Let’s Run Away to Alaska, is a fun, child-like let’s-run-away-together theme; tell the animals, the bear and the deer, there's a pretty little angel livin' right up here. Actually, this song was created from a pick up line unsuccessfully used by John Michael on a gal years ago when he was performing at Mount Charleston Lodge outside of Las Vegas, Nevada. He said, Let’s run away to Alaska and we’ll tell everyone we moved to Nebraska!.

Accordion - Level 4 - Digital Download SKU: A0.1211173 By Neil Baker. By Neil Baker. Arranged by Neil Baker. Folk,Traditional. Score. 2 pages. Neil A. Baker #808875. Published by Neil A. Baker (A0.1211173). This is a waltz/charleston I wrote for a dear old relative, Rachell, just a few years ago. It's a bit tricky to play so listen to the demo first before purchasing the music. You can also buy this in a book of 10 original numbers in The Swedish Accordion Collection Book 6 at 50% cheaper. Enjoy!

Piano - Digital Download SKU: LV.7894 Lyres. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.7894). Los Encantos de la Habana. O Sea Una Coleccion de Piezas cicogidas de las Operas de Rossini, para el Piano Forte. No. 6. Di piacer mi balza. Rossin. Published [n.d.] by Publicada por Juan Siegling in Charleston, S.C. Composition of sectional with piano instrumentation. Subject headings for this piece include Lyres. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano Solo - Level 4 - Digital Download SKU: A0.1301824 By Rebecca Chambers. By Gloria Jordan. Arranged by Gloria Jordan. Ragtime. Score. 3 pages. Gloria Jordan #891417. Published by Gloria Jordan (A0.1301824). This is an exciting piece in the ragtime style of Scott Joplin-performed by international concert pianist Rebecca Chambers - it is fun to play!! As you play this piece you can vividly imagine the scenes from the Leonardo de Capprio  Gatsby film depicting that happy party era between the 2 World Wars  with the charleston dance steps , and the fabulous 20's flapper  dresses - the White tuxedos and the feathers in the 20's hair styles - the open cars - the parties!I composed this piece with all of this in mind- you will find the last line of the rag quite an exciting  technical challenge! Learn it slowly - then take it a  little faster every week!!! A great piece to play at a party- or concert.My students love it, and often choose it for their extra list for 6th or 7th grade  exams  ,or own choice piece for AMEB  Piano for Leisure.https://youtu.be/dyCSnx8H9HQ

String Ensemble - Level 3 - Digital Download SKU: A0.855726 Composed by Darren Lloyd. Concert,Graduation,World. Score and parts. 21 pages. Darren Lloyd #3393855. Published by Darren Lloyd (A0.855726). 8 duets written in various dance style from around the world! Aimed at intermediate to the slightly more advanced students, these duets will be great fun!The styles are Cha cha cha, Charleston, Foxtrot, Samba, Salsa, Waltz, Slow drag & a Samba!If you would like any more info please contact me at darren.llyd39@yahoo.com.

Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.

Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1367507 By Ray Charles. By Ray Charles. Arranged by Ray Charles. 20th Century,Jazz,Pop. Score. 7 pages. Polly #951854. Published by Polly (A0.1367507). Mess Around is a rhythm and blues song written by Atlantic Records president and founder Ahmet Ertegun under the pseudonym of A. Nugetre (an anagram he often used). It was first recorded by Ray Charles in 1953 and became one of his early hits.Ray Charles' version of Mess Around is characterized by its energetic and infectious piano playing, showcasing Charles' skillful blending of R&B, gospel, and blues elements. The song was a significant success for Charles, marking one of his early contributions to the emerging rock and roll and rhythm and blues scenes.Over the years, Mess Around has been covered by various artists, but Ray Charles' rendition remains iconic. The song has been featured in films, commercials, and television shows, contributing to its enduring popularity. It's considered a classic in the R&B and rock and roll genres, reflecting the dynamic and influential musical style of Ray Charles.

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E

Brass Quintet Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1434033 Composed by Florence Beatrice Price. Arranged by Charles Decker. 20th Century,Chamber,Historic,Multicultural,World. 18 pages. Charles Decker Music Press #1014281. Published by Charles Decker Music Press (A0.1434033). From the Music of Black Composers Series at Charles Decker Music Press is prominent Black composer Florence Price’s Night that rivals in elegance and and expressive melodic treatment her famous Adoration. Arranged for two B-flat trumpets, horn, trombone and tuba, the edition features trumpet and horn, and by using using all conical brass (flugelhorns or cornets, horn, euphonium and tuba) can create a memorable performance for audiences.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. These pieces are now permanently in my quintet book and I will be using them with my student groups as well. Highly recommended!”   Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music “I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press, especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.”  Joseph Parisi, Director Summit Brass, FountainCity Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series Brass” in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson, Florence Price and others.For more brass quintet editions by Charles Decker use these links to  Kendor Music  and  Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.