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3 or 4 octaves handbells - Level 3 - Digital Download SKU: C7.CGB295 Composed by Charles Wesley and William H Mathis. Arranged by Charles Wesley and William H Mathis. General. Score. 8 pages. Chorister's Guild - Digital #CGB295. Published by Chorister's Guild - Digital (C7.CGB295). UPC: 749193007976.This setting of the traditional French melody PICARDY is especially suitable for times of prayer and contemplation in the worship service. This arrangement utilizes gentle modal harmonies and counter-melodies that complement the solo line in three stanzas. The final stanza uses mallet techniques, both on and off the table, and the echo ring. The piece is quite effective with the hammered dulcimer as the solo instrument, but any wind or stringed instrument may be used. If desired, handchimes (played by a solo ringer or a group of extra ringers) may substitute for the solo instrument.
Pastorale

$4.50 3.84 € PDF SheetMusicPlus

Choral Choir,Choral (SAB) - Level 3 - Digital Download SKU: A0.1317562 Composed by Charles H. Gabriel. Arranged by Sandy McIntire. 20th Century,Christian,Lent,Praise & Worship,Traditional. 22 pages. Sandy McIntire #906229. Published by Sandy McIntire (A0.1317562). More Like the Master I Would Ever Be by Charles Gabriel was published in the early 20th Century and continues to be loved by congregations throughout the world. The refrain, Take Thou my heart, I would be thine alone, echoes the dedication and whole-hearted commitment of the Christian faith.  This arrangement is for Intermediate SAB Choir (soprano, alto, baritone) with a piano accompaniment in D and G major. It is appropriate for altar calls, dedication, confirmation and worship services. A separate sheet is included for the voices.
More Like the Master
Chorale 3 parties

$2.50 2.13 € Chorale 3 parties PDF SheetMusicPlus

B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.1182610 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th Century,March,Patriotic,Traditional. Score and part. 2 pages. Zedas Couve #782355. Published by Zedas Couve (A0.1182610). The Eagles' Victory Song was the creation of Charles Borrelli and Richard Courtland Harrison, a Washington, D.C. music teacher and arranger for jazz guitarist Charlie Byrd. The song was mistakenly credited to R. Courtland by the Copyright office and in various editions of Eagles programs from the late 1950s through the 1960s.In 1963, Jerry Wolman purchased the Philadelphia Eagles. Wolman was a sports fan growing up and loved hearing the Washington Redskins' fight song Hail to the Redskins at games. Spawning from his admiration for the Redskins' song, Wolman searched for musicians to implement a team song for the Eagles, and founded The Philadelphia Eagles' Sound of Brass band in 1964. The group included 200 musicians and dancers, and was led by Arlen Saylor, who was appointed as the Eagles' entertainment director in 1966 and is credited with penning an arrangement of the fight song that the band played at home games during halftime in the 1960s. Wolman's push to popularize the fight song flew under the radar, however, and in 1969 the Sound of Brass band was discontinued.The song came back into light in 1997, when Bobby Mansure, founder of an unofficial Eagles pep band, asked team management to allow the band to play in the parking lot during home games. Management gave Mansure's pep band an audition, allowing them to play at two preseason games to gauge fan reaction. The song went over so well that Mansure and the band retained a permanent position as the official Philadelphia Eagles Pep Band.In 1998, following Mansure's reintroduction of the song, Eagles management attempted to rebuild its popularity among fans by changing some aspects of the song: they modified the key, changed the opening lyric from Fight, Eagles Fight to Fly, Eagles Fly, and re-marketed the song with that as the title. In addition, they appended the popular E-A-G-L-E-S chant—which had emerged in the 1980s—to the end of the song. While management planned to play the song throughout the 1998 season, the Eagles' poor performance that year caused them to hold off reintroducing the song until the following year. The Eagles fared better during their 1999 season, and subsequently, the fight song was played after every score.
Eagles' Victory Song
Clarinette et Piano
Dirk Quinn Band
$4.99 4.26 € Clarinette et Piano PDF SheetMusicPlus

Instrumental Duet Flute,Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.809918 Composed by Charles Gounod and J.S. Bach. Arranged by Robert E. Proctor. Baroque,Christian,Contemporary,Sacred. Score and parts. 9 pages. R. E. Proctor #6188521. Published by R. E. Proctor (A0.809918). Charles Gounod’s Ave Maria is one of the most moving melodies.  Coupling it with J. S. Bach’s Prelude in C Major, a charming work for keyboard, makes for a delightful experience for the performer and listener alike.  In this arrangement, the guitar and flute, two instruments that are ideally suited for each other, weave a magical spell of melody and harmony.  Ideal for both secular and religious performances.  Approximate duration: 2.22.  Suggested fingerings for the guitar are included.
Ave Maria for Flute or C instrument and Guitar
Flûte et Guitare

$5.95 5.08 € Flûte et Guitare PDF SheetMusicPlus






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