By Robert Sheldon. For Concert Band. Instructional. Score. 24 pages. Published by Alfred Music. Digital Sheet Music

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1259347 Composed by Charles Creath. Arranged by Rodney D. Chism, Sr. 20th Century,Jazz,Praise & Worship,Spiritual. Score and Parts. 41 pages. Rodney D. Chism, Sr. #852616. Published by Rodney D. Chism, Sr. (A0.1259347). Goin' Up Yonder is a famous gospel tune typically played a funeral services. This arrangement is dedicated to Jazz Educator & Saxophonist Jeff Huddleston. In 2014, he passed away, and this tune was performed at his funeral services. As a gospel Saxophonist, this was his favorite song to perform during church services. This gospel Saxophone feature allows the 1st Alto Saxophonist to perform with many liberties open up. The arrangement is free-flowing. However, the rest of the ensemble acts as a gospel choir backing up the soloist at letter D. Also, allow the drummer to take us to church from the letter D to the end. All four (4) notes, two (2) measures before the end must be conducted, giving the soloist an open cadenza before the last note.

Alto Flute,Instrumental Solo - Level 3 - Digital Download SKU: A0.844583 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 3 pages. Phil Beaman #3925321. Published by Phil Beaman (A0.844583). This fun piece is loosely based on a popular Russian folk polka. In 1853 Charles Czerny took this polka tune and created a piano etude as part of his set Amusement des Juenes Amateurs. I have taken some of his themes and adapted and arranged them for instrumental solo. I have assembled them into a Rondo form: Intro-A-B-A-C-A-D-A-Coda.  It is an etude (study) to sharpen your playing of scales, arpeggios, melodic interval leaps, and various articulations. But it doesn't at all sound like an exercise because of the playful nature of the polka. This dramatic piece shows your technical accomplishments while delivering a crowd pleasing tune with great flourish.I have marked it as Intermediate in difficulty as a general average. The notes and rhythms are Easy, the quick Tempo makes it Early Intermediate, and the range which is a half step beyond a full 2 octaves makes it Advanced Intermediate for some instruments.3 pages, 1:45 minutesTemporary recording of piano playing instrument part.

Alto Saxophone Solo - Level 3 - Digital Download SKU: A0.844575 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 3 pages. Phil Beaman #3925271. Published by Phil Beaman (A0.844575). This fun piece is loosely based on a popular Russian folk polka. In 1853 Charles Czerny took this polka tune and created a piano etude as part of his set Amusement des Juenes Amateurs. I have taken some of his themes and adapted and arranged them for instrumental solo. I have assembled them into a Rondo form: Intro-A-B-A-C-A-D-A-Coda.  It is an etude (study) to sharpen your playing of scales, arpeggios, melodic interval leaps, and various articulations. But it doesn't at all sound like an exercise because of the playful nature of the polka. This dramatic piece shows your technical accomplishments while delivering a crowd pleasing tune with great flourish.I have marked it as Intermediate in difficulty as a general average. The notes and rhythms are Easy, the quick Tempo makes it Early Intermediate, and the range which is a half step beyond a full 2 octaves makes it Advanced Intermediate for some instruments.3 pages, 1:45 minutesTemporary recording of piano playing instrument part.

Piano - Digital Download SKU: LV.15653 Composed by Charles Coote. Mansions, Hills, Gardens, Couples, Games. Lester S. Levy Collection. 9 pages. Published by Johns Hopkins University Sheridan Libraries (LV.15653). Croquet Galop. By Charles Coote. Published [n.d.] by n.p. in London. Composition of da capo, with extended coda with piano instrumentation. Subject headings for this piece include Mansions, Hills, Gardens, Couples, Games. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Woodwind Ensemble,Woodwind Quartet - Level 1 - Digital Download SKU: A0.579478 Composed by Charles Hutchinson Gabriel, Charles Wesley, D. B. Towner, Edwin Othello Excell, Jr., Robert Lowry, William Batchelder Bradbury, and William Howard Doane. Arranged by David Warin Solomons. 20th Century,Christian,Praise & Worship,Romantic Period. 44 pages. David Warin Solomons #3072043. Published by David Warin Solomons (A0.579478). This is a collection of 7 gospel songs from the late 18th, 19th and early 20th Century,

Choral Choir,Choral (SAB) - Level 3 - Digital Download SKU: A0.1317562 Composed by Charles H. Gabriel. Arranged by Sandy McIntire. 20th Century,Christian,Lent,Praise & Worship,Traditional. 22 pages. Sandy McIntire #906229. Published by Sandy McIntire (A0.1317562). More Like the Master I Would Ever Be by Charles Gabriel was published in the early 20th Century and continues to be loved by congregations throughout the world. The refrain, Take Thou my heart, I would be thine alone, echoes the dedication and whole-hearted commitment of the Christian faith.  This arrangement is for Intermediate SAB Choir (soprano, alto, baritone) with a piano accompaniment in D and G major. It is appropriate for altar calls, dedication, confirmation and worship services. A separate sheet is included for the voices.

Piano - Digital Download SKU: LV.9401 Arranged by Charles Zeuner. Dance halls, Ballroom dancing, Couples, Light fixtures, Orchestras, Courtship, Windows. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.9401). 2nd Set of Tremont Quadrilles. Selected from Celebrated Opera. [includes dance figures. Arranged for the Piano Forte by Charles Zeuner. Published [n.d.] by Henry Prentiss 2 Pemberton Hill in Boston. Composition of six sectional movements, including da capo waltz with piano instrumentation. Subject headings for this piece include Dance halls, Ballroom dancing, Couples, Light fixtures, Orchestras, Courtship, Windows. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Composed by Robert Lowry, William Howard Doane, Charles Wesley, Jr., William Batchelder Bradbury, Charles Hutchinson Gabriel, Edwin Othello Excell, D. B. Towner. Arranged by David Warin Solomons. 20th Century, Romantic Period, Christian, Praise & Worship, - Score,Set of Parts - 20th Century,Romantic Period,Christian,Praise & Worship,General Worship - David Warin Solomons

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.527932 Composed by Charles Francois Gounod. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and parts. 30 pages. Diego Marani #3627037. Published by Diego Marani (A0.527932). The Funeral March of a Marionette (Marche funèbre d'une marionnette) is a short piece by Charles Gounod. It was written in 1872 for solo piano and orchestrated in 1879. It is perhaps best known as the theme music for the television program Alfred Hitchcock Presents.This arrangement for woodwind quintet includes the following parts: Flute, Oboe, Bb Clarinet, F Horn, Bassoon.

Oboe,Piano - Level 1 - Digital Download SKU: A0.1182613 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th Century,March,Patriotic,Traditional. Score and part. 2 pages. Zedas Couve #782358. Published by Zedas Couve (A0.1182613). The Eagles' Victory Song was the creation of Charles Borrelli and Richard Courtland Harrison, a Washington, D.C. music teacher and arranger for jazz guitarist Charlie Byrd. The song was mistakenly credited to R. Courtland by the Copyright office and in various editions of Eagles programs from the late 1950s through the 1960s.In 1963, Jerry Wolman purchased the Philadelphia Eagles. Wolman was a sports fan growing up and loved hearing the Washington Redskins' fight song Hail to the Redskins at games. Spawning from his admiration for the Redskins' song, Wolman searched for musicians to implement a team song for the Eagles, and founded The Philadelphia Eagles' Sound of Brass band in 1964. The group included 200 musicians and dancers, and was led by Arlen Saylor, who was appointed as the Eagles' entertainment director in 1966 and is credited with penning an arrangement of the fight song that the band played at home games during halftime in the 1960s. Wolman's push to popularize the fight song flew under the radar, however, and in 1969 the Sound of Brass band was discontinued.The song came back into light in 1997, when Bobby Mansure, founder of an unofficial Eagles pep band, asked team management to allow the band to play in the parking lot during home games. Management gave Mansure's pep band an audition, allowing them to play at two preseason games to gauge fan reaction. The song went over so well that Mansure and the band retained a permanent position as the official Philadelphia Eagles Pep Band.In 1998, following Mansure's reintroduction of the song, Eagles management attempted to rebuild its popularity among fans by changing some aspects of the song: they modified the key, changed the opening lyric from Fight, Eagles Fight to Fly, Eagles Fly, and re-marketed the song with that as the title. In addition, they appended the popular E-A-G-L-E-S chant—which had emerged in the 1980s—to the end of the song. While management planned to play the song throughout the 1998 season, the Eagles' poor performance that year caused them to hold off reintroducing the song until the following year. The Eagles fared better during their 1999 season, and subsequently, the fight song was played after every score.

By Sharon Wilson. By Charles Albert Tindley, Charles Wesley, Felix Bartholdy Mendelssohn, George Frideric Handel, Henry Ernest Nichol, Henry Thomas Smart, John Darwall, Traditional, and William J. Kirkpatrick. Arranged by Sharon Wilson and Sharon Wilson Music. Christmas,Easter,Holiday,Sacre d,Traditional. Score. 58 pages. Sharon Wilson #882488. Published by Sharon Wilson

B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.1182610 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th Century,March,Patriotic,Traditional. Score and part. 2 pages. Zedas Couve #782355. Published by Zedas Couve (A0.1182610). The Eagles' Victory Song was the creation of Charles Borrelli and Richard Courtland Harrison, a Washington, D.C. music teacher and arranger for jazz guitarist Charlie Byrd. The song was mistakenly credited to R. Courtland by the Copyright office and in various editions of Eagles programs from the late 1950s through the 1960s.In 1963, Jerry Wolman purchased the Philadelphia Eagles. Wolman was a sports fan growing up and loved hearing the Washington Redskins' fight song Hail to the Redskins at games. Spawning from his admiration for the Redskins' song, Wolman searched for musicians to implement a team song for the Eagles, and founded The Philadelphia Eagles' Sound of Brass band in 1964. The group included 200 musicians and dancers, and was led by Arlen Saylor, who was appointed as the Eagles' entertainment director in 1966 and is credited with penning an arrangement of the fight song that the band played at home games during halftime in the 1960s. Wolman's push to popularize the fight song flew under the radar, however, and in 1969 the Sound of Brass band was discontinued.The song came back into light in 1997, when Bobby Mansure, founder of an unofficial Eagles pep band, asked team management to allow the band to play in the parking lot during home games. Management gave Mansure's pep band an audition, allowing them to play at two preseason games to gauge fan reaction. The song went over so well that Mansure and the band retained a permanent position as the official Philadelphia Eagles Pep Band.In 1998, following Mansure's reintroduction of the song, Eagles management attempted to rebuild its popularity among fans by changing some aspects of the song: they modified the key, changed the opening lyric from Fight, Eagles Fight to Fly, Eagles Fly, and re-marketed the song with that as the title. In addition, they appended the popular E-A-G-L-E-S chant—which had emerged in the 1980s—to the end of the song. While management planned to play the song throughout the 1998 season, the Eagles' poor performance that year caused them to hold off reintroducing the song until the following year. The Eagles fared better during their 1999 season, and subsequently, the fight song was played after every score.