Soprano Saxophone Duet Soprano Saxophone - Level 3 - Digital Download SKU: A0.590428 Composed by David McKeown. Holiday,Love,Wedding,World. Score. 4 pages. David McKeown #6210761. Published by David McKeown (A0.590428). L’Amour, (Love in French),is a beautiful original composition by David McKeown, arranged as a duet for two Soprano Saxophones. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.This duet is inspired by the French Chanson style associated with café life in Paris and beyond. This music has its roots in La Belle Epoque and was popularized by singers such as Édith Piaf, Jacques Brel and Charles Aznavour. Long associated with romance, L’Amour is just what’s needed when love is in the air.L’Amour is written for players at an intermediate standard and upwards. The melody should always flow; following the articulation in the score and adding plenty of expression will help convey the style. L’Amour has a performance time of around three minutes. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Instrumental Duet Alto Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.590412 Composed by David McKeown. Holiday,Multicultural,Wedding,World. Score and parts. 4 pages. David McKeown #6210727. Published by David McKeown (A0.590412). L’Amour, (Love in French),is a beautiful original composition by David McKeown, arranged as a duet for one Flute and one Alto Flute. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.This duet is inspired by the French Chanson style associated with café life in Paris and beyond. This music has its roots in La Belle Epoque and was popularized by singers such as Édith Piaf, Jacques Brel and Charles Aznavour. Long associated with romance, L’Amour is just what’s needed when love is in the air.L’Amour is written for players at an intermediate standard and upwards. The melody should always flow; following the articulation in the score and adding plenty of expression will help convey the style. L’Amour has a performance time of around three minutes. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Oboe Duet Oboe - Level 3 - Digital Download SKU: A0.590423 Composed by David McKeown. Holiday,Love,Wedding,World. Score. 4 pages. David McKeown #6210749. Published by David McKeown (A0.590423). L’Amour, (Love in French),is a beautiful original composition by David McKeown, arranged as a duet for two Oboes. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.This duet is inspired by the French Chanson style associated with café life in Paris and beyond. This music has its roots in La Belle Epoque and was popularized by singers such as Édith Piaf, Jacques Brel and Charles Aznavour. Long associated with romance, L’Amour is just what’s needed when love is in the air.L’Amour is written for players at an intermediate standard and upwards. The melody should always flow; following the articulation in the score and adding plenty of expression will help convey the style. L’Amour has a performance time of around three minutes. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - Digital Download SKU: A0.590440 Composed by David McKeown. Holiday,Love,Wedding,World. Score and parts. 4 pages. David McKeown #6210785. Published by David McKeown (A0.590440). L’Amour, (Love in French),is a beautiful original composition by David McKeown, arranged as a duet for one Violin and one Viola. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.This duet is inspired by the French Chanson style associated with café life in Paris and beyond. This music has its roots in La Belle Epoque and was popularized by singers such as Édith Piaf, Jacques Brel and Charles Aznavour. Long associated with romance, L’Amour is just what’s needed when love is in the air.L’Amour is written for players at an intermediate standard and upwards. The melody should always flow; following the articulation in the score and adding plenty of expression will help convey the style. L’Amour has a performance time of around three minutes. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Instrumental Duet Bass Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A0.590403 Composed by David McKeown. Holiday,Multicultural,Wedding,World. Score and parts. 4 pages. David McKeown #6210709. Published by David McKeown (A0.590403). L’Amour, (Love in French),is a beautiful original composition by David McKeown, arranged as a duet for one Clarinet and one Bass Clarinet. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.This duet is inspired by the French Chanson style associated with café life in Paris and beyond. This music has its roots in La Belle Epoque and was popularized by singers such as Édith Piaf, Jacques Brel and Charles Aznavour. Long associated with romance, L’Amour is just what’s needed when love is in the air.L’Amour is written for players at an intermediate standard and upwards. The melody should always flow; following the articulation in the score and adding plenty of expression will help convey the style. L’Amour has a performance time of around three minutes. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Piano,Voice Duet Piano,Voice - Level 4 - Digital Download SKU: A0.534403 Composed by Jacques Leguerney. 20th Century,Christian,Concert,Sacred,Standards. 15 pages. Musik Fabrik Music Publishing #3457407. Published by Musik Fabrik Music Publishing (A0.534403). This is one of two duets that Leguerney wrote for Geneviève Touraine and her brother, the famous French baritone Gérard Souzay. It was completed on 21 January 1950. The first performance, with Souzay and Touraine, was 21 June 1950 in the Parisian Salle Gaveau with Jacqueline Robin (Bonneau) at the piano.  Previously unpublished, De l’abîme profond, was first recorded by soprano Danielle Borst and baritone Philippe Huttenlocher with Mary Dibbern at the piano. This was for the CD 50-9618, 28 Mélodies issued by Claves Records-Radio Suisse Romande: Espace 2 in 1996. The recording was recognized with the Grand Prix du Disque de l’Académie Charles Cros. The US premiere performance was by soprano Jill Pearon and baritone David Pittman-Jennings, accompanied by Mary Dibbern, during a recital at the Crane School of Music, SUNY-Potsdam, New York, 23 October 2007. The vocal range for the soprano line is C1-G#2 and for the baritone line is B-F1. The text’s poet, Jean de La Céppède (1550-1622), was born in Marseille and spent most of his life working as a lawyer and magistrate in Aix–en–Provence. His principal work, Théorèmes, consists of 515 sonnets dealing with the life of Jesus Christ and the “sacred mysteries of our redemption.â€� La Céppède’s poem is a translation of a psalm by David from the Old Testament of the Bible. Leguerney also set a psalm of David for medium voice and chamber orchestra, which was premiered by Gérard Souzay in 1954. This orchestral Psaume LXII de David is also published by Musik Fabrik. The French author Jean Roy, reviewing this duet in Le Monde de la Musique (January, 1997), wrote: “There is a grandeur and a dramatic sentiment that surpasses [a] work that one might dismiss as minor.â€� For a detailed discussion of the music and both a word-by-word English translation and International Phonetic Alphabet transcription of the French text, see The Songs of Jacques Leguerney: A Guide for Study and Performance by Mary Dibbern, Carol Kimball and Patrick Choukroun. Series VOX MUSICAE: The Voice, Vocal Pedagogy, and Song. General Editor : Kathleen L. Wilson. New York: Pendragon Press, 2001. 

Piano Solo - Level 3 - Digital Download SKU: A0.1251504 Composed by Charles-Louis Hanon. Arranged by poon. Classical. Score. 10 pages. Poon #845793. Published by poon (A0.1251504). C.L. Hanon.- The Virtuoso Pianist  (Part I - No. 11 - No. 20) - With Finger Number Original.

Bass Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.533416 Composed by Ange Flégier. Concert,Romantic Period,Standards. 12 pages. Musik Fabrik Music Publishing #2913395. Published by Musik Fabrik Music Publishing (A0.533416). A setting of a poem by Charles Baudelaire. Edited by Jared Schwartz and Mary Dibbern.Recorded on Ange Flégier: Mélodies for Bass Voice and Piano.Toccata Classics, 2016. In C sharp minor Duration: aprox. 4 minutes 30 secondsHomme libre, toujours tu chériras la mer !La mer est ton miroir ; tu contemples ton âmeDans le déroulement infini de sa lame,Et ton esprit n’est pas un gouffre moins amer.Tu te plais à plonger au sein de ton image ;Tu l’embrasses des yeux et des bras, et ton coeurSe distrait quelquefois de sa propre rumeurAu bruit de cette plainte indomptable et sauvage.Vous êtes tous les deux ténébreux et discrets :Homme, nul n’a sondé le fond de tes abîmes ;Ô mer, nul ne connaît tes richesses intimes,Tant vous êtes jaloux de garder vos secrets !Et cependant voilà des siècles innombrablesQue vous vous combattez sans pitié ni remords,Tellement vous aimez le carnage et la mort,Ô lutteurs éternels, ô frères implacables !

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553952 Composed by Gabriel Pierne. Arranged by Ray Thompson. Romantic Period,Sacred. 8 pages. RayThompsonMusic #6346503. Published by RayThompsonMusic (A0.553952). Gabriel Pierné was born in Metz. His family moved to Paris, after Metz and part of Lorraine were annexed to Germany in 1871 following the Franco-Prussian War. He studied at the Paris Conservatoire, gaining first prizes for solfège, piano, organ, counterpoint and fugue. He won the French Prix de Rome in 1882, with his cantata Edith. His teachers included Antoine François Marmontel, Albert Lavignac, Émile Durand, César Franck (for the organ) and Jules Massenet (for composition).He succeeded César Franck as organist at Sainte-Clotilde Basilica in Paris from 1890 to 1898. He himself was succeeded by another distinguished Franck pupil, Charles Tournemire. Associated for many years with Édouard Colonne's concert series, the Concerts Colonne, from 1903, Pierné became chief conductor of this series in 1910.His most notable early performance was the world premiere of Igor Stravinsky's ballet The Firebird, at the Ballets Russes, Paris, on 25 June 1910. He remained in the post until 1933 (when Paul Paray took over his duties). This arrangement is taken from his album of 6 short  pieces: originally written for piano, and later transcribed by him, for small orchestra In addition Pierné also arranged this movement for wind quintet.(English Translation: Album for my little friends (Children)Movts are:Pastorale FarandoleLa Veillée de l'ange gardien (This one) (The Vigil of the Guardian Angel)Petite gavotteChanson d'autrefoisMarche des petits soldats de plomb (March of the Lead Soldiers)Arranged standard wind quintet

Piano Solo - Level 3 - Digital Download SKU: A0.1251458 Composed by Charles-Louis Hanon. Arranged by poon. Classical. Score. 10 pages. Poon #845746. Published by poon (A0.1251458). C.L. Hanon.- The Virtuoso Pianist (Part I - No. 1 - No. 10)  - With Finger Number Original.

Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553955 Composed by Gabriel Pierne. Arranged by Ray Thompson. Romantic Period,Sacred. Score and parts. 14 pages. RayThompsonMusic #6349071. Published by RayThompsonMusic (A0.553955). Gabriel Pierné was born in Metz. His family moved to Paris, after Metz and part of Lorraine were annexed to Germany in 1871 following the Franco-Prussian War. He studied at the Paris Conservatoire, gaining first prizes for solfège, piano, organ, counterpoint and fugue. He won the French Prix de Rome in 1882, with his cantata Edith. His teachers included Antoine François Marmontel, Albert Lavignac, Émile Durand, César Franck (for the organ) and Jules Massenet (for composition).He succeeded César Franck as organist at Sainte-Clotilde Basilica in Paris from 1890 to 1898. He himself was succeeded by another distinguished Franck pupil, Charles Tournemire. Associated for many years with Édouard Colonne's concert series, the Concerts Colonne, from 1903, Pierné became chief conductor of this series in 1910.His most notable early performance was the world premiere of Igor Stravinsky's ballet The Firebird, at the Ballets Russes, Paris, on 25 June 1910. He remained in the post until 1933 (when Paul Paray took over his duties). This arrangement is taken from his album of 6 short  pieces: originally written for piano, and later transcribed by him, for small orchestra (English Translation: Album for my little friends (Children)Movts are:Pastorale FarandoleLa Veillée de l'ange gardien (This one) (The vigil of the Guardian Angel)Petite gavotte Chanson d'autrefoisMarche des petits soldats de plomb (March of the Lead Soldiers)Arranged for double wind quintet and bass.Other movts are available.

Piano Solo - Level 3 - Digital Download SKU: A0.1251461 Composed by Charles-Louis Hanon. Arranged by poon. Classical. Score. 30 pages. Poon #845749. Published by poon (A0.1251461). C.L. Hanon.- The Virtuoso Pianist  (Part II - No. 21 - No. 38) - With Finger Number Original.

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533506 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 13 pages. Musik Fabrik Music Publishing #3002369. Published by Musik Fabrik Music Publishing (A0.533506). Jenny L'Ouvrière is a popular romance from 1845 with music by Étienne Arnaud and words by Emile Barateau. The song speaks of an hardworking weaver who is poor, but also courageous and good. The pastorale-like theme is also presented in a more varied form.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that heconverted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. OnMarch 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.

Flute and piano - intermediate to advanced - Digital Download SKU: S9.Q53377 Op. 34. Composed by Eugene Walckiers. Edited by Edmund Wachter and Elisabeth Weinzierl. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 34. 27 pages. Schott Music - Digital #Q53377. Published by Schott Music - Digital (S9.Q53377). English • German.As a pupil of Antonin Reicha at the Paris Conservatoire Eugène Walckiers, originally from the French part of Flanders, joined the ranks of illustrious French composers such as Hector Berlioz, Charles Gounod and César Franck. He studied the flute with Jean-Louis Tulou and was one of the few celebrated flute virtuosos of the time whose reputation has survived to this day, thanks to their compositions for and including the flute. He himself played regularly in a legendary quartet with the best flautists of his day: Jean Firmin Brossa, Johannes Donjon and Paul Taffanel. This Fantaisie sur des Motifs de l’Opera “Guillaume Tell� was published in the year following the first performance of the opera both by Schott in Mainz and, with insignificant discrepancies, by Troupenas in Paris (Plate number 374), the original publisher of Rossini’s last four operas. Plate no. 3289 / published in 1830.

Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533350 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 39 pages. Musik Fabrik Music Publishing #2348229. Published by Musik Fabrik Music Publishing (A0.533350). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.Souvenirs de l'Inde (Souvenirs of India) starts with an expressive andante. A folksong from the region of Malabar is presented in an evocation of drums, bells and pipes and is then varied. The final polonaise is in rondo form and ends with a brilliant coda.