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Brass Ensemble Bass Trombone,Euphonium,Flugelhorn,Trumpet,Tuba - Level 3 - Digital Download

SKU: A0.1411272

Composed by James P. Johnson. Arranged by Charles Decker. 20th Century,Broadway,Contest,Festival,Film/TV,Jazz,Musical/Show. 28 pages. Charles Decker Music Press #993606. Published by Charles Decker Music Press (A0.1411272).

From the Music of Black Composers Series at Charles Decker Music Press is the The Charleston which debuted in James P. Johnson’s Broadway 1923 show “Runnin’ Wild” to become the wildly popular and unofficial anthem of the Roaring 20’s.  An important jazz pianist and composer, Johnson was a major influence on Count Basie, Duke Ellington, Art Tatum, Thelonious Monk, and Fats Waller.  Arranged for a ten-piece brass choir of three B-flat trumpets, two horns in F with a substitute flugelhorns parts, three trombones or euphoniums with substitute horn for trombone 1, euphonium and tuba, the arrangement uses the original 1923 piano edition and retains the style of the day. The recording is of the entire edition.

“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!”   Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music
 
“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.”  Joseph Parisi, Director Summit Brass, FountainCity Brass Band, University of Missouri Kansas City Conservatory Wind Ensemble

The Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. 

See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series brass” in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.

For more brass quintet editions by Charles Decker use these links to  
Kendor Music  and  Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.

The Charleston (1923) for Brass Choir
$15.99 14.33 € PDF SheetMusicPlus

Brass Quintet Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - Digital Download

SKU: A0.1276031

Composed by James P. Johnson. Arranged by Charles Decker. 20th Century,Broadway,Film/TV,Musical/Show,Pop,Ragtime. 21 pages. Charles Decker Music Press #867780. Published by Charles Decker Music Press (A0.1276031).

From the Music of Black Composers Series at Charles Decker Music Press is the “The Charleston” which debuted in James P. Johnson’s Broadway 1923 show “Runnin’ Wild” to become the wildly popular and unofficial anthem of the Roaring 20’s.  An important jazz pianist and composer, Johnson was a major influence on Count Basie, Duke Ellington, Art Tatum, Thelonious Monk, and Fats Waller.  Arranged for a brass quintet of two B-flat trumpets with alternate C trumpet parts, horn in F with a substitute flugelhorn part, trombone or euphonium and tuba, the arrangement uses the original 1923 piano edition and retains the style of the day. The recording is of the entire edition.

“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. These pieces are now permanently in my quintet book and I will be using them with my student groups as well. Highly recommended!”   Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music
 
“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.”  Joseph Parisi, Director Summit Brass, FountainCity Brass Band, University of Missouri Kansas City Conservatory Wind Ensemble

The Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. 

See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series” in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.

For more brass quintet editions by Charles Decker use these links to 
Kendor Music and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.

The Charleston (1923) for Brass Quintet Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$9.99 8.95 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Cello,Clarinet,Cornet,Double Bass,Drum Set,Flute,Piano,Trombone,Tuba,Viola,Violin - Level 4 - Digital Download

SKU: A0.1401308

By Gazza's Razztime Orchestra. By Charles L. Johnson. Arranged by Gary Blake Peterson. Pop,Ragtime,Standards. 43 pages. Gary Blake Peterson #982610. Published by Gary Blake Peterson (A0.1401308).

Charles L. Johnson's (1875-1950) Iola was first  published in 1905 as an intermezzo, and again in 1906 as an Indian-themed love song. It had a new life when the song Playmates was released as a “new” composition by Saxie Dowell in 1940. Playmates sounded suspiciously identical to the chorus of Iola, and Johnson and Jerry Vogel (who owned the copyright) eventually settled the case of potential plagiarism out of court for a significant sum. Playmates has since become a common playground melody and a “clapping song” throughout American schoolyards today. This happy and joyous version by Gary Blake Peterson is based on Johnson's original piano score, with ragtime elements added to the chorus. It is scored for 13-piece ragtime orchestra: String quartet, plus flute, clarinet, 2 cornets, trombone, tuba, drum set, piano, and double bass.

Iola
Gazza's Razztime Orchestra
$29.99 26.88 € PDF SheetMusicPlus

Instrumental Duet Clarinet,Guitar,Instrumental Duet - Level 4 - Digital Download

SKU: A0.531647

Composed by C. Johnson. Arranged by Klas Krantz. 20th Century,Concert,Ragtime. Score and parts. 8 pages. Amadeus Music #4685. Published by Amadeus Music (A0.531647).

Charles L. Johnson (1875 - 1937) was born in Kansas City, Kansas and stayed in the Kansas City area his entire life. Dill Pickles Rag was so-named when Johnson was working at Carl Hoffman Music Company. Apparently, while composing the piece, the company's bookkeeper asked Johnson what the piece was called; the bookkeeper was carrying a carton of pickles for his dinner, which prompted to Johnson to say I'll call it Dill Pickles Rag.

for clarinet in Bb and guitar, score and part (with clarinet in A part / clarinet in Bb an guitar Capo I)

Dill Pickles Rag for clarinet in Bb and guitar
Clarinette, Guitare (duo)

$4.95 4.44 € Clarinette, Guitare (duo) PDF SheetMusicPlus

Instrumental Duet Guitar,Instrumental Duet,Viola - Level 4 - Digital Download

SKU: A0.531743

Composed by C. Johnson. Arranged by Klas Krantz. 20th Century,Concert,Ragtime. Score and parts. 6 pages. Amadeus Music #12639. Published by Amadeus Music (A0.531743).

Charles L. Johnson (1875 - 1937) was born in Kansas City, Kansas and stayed in the Kansas City area his entire life. Dill Pickles Rag was so-named when Johnson was working at Carl Hoffman Music Company. Apparently, while composing the piece, the company's bookkeeper asked Johnson what the piece was called; the bookkeeper was carrying a carton of pickles for his dinner, which prompted to Johnson to say I'll call it Dill Pickles Rag.


Dill Pickles Rag for viola and guitar
Alto, Guitare (duo)

$4.95 4.44 € Alto, Guitare (duo) PDF SheetMusicPlus


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