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Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1319003 Composed by Traditional. Arranged by James M. Guthrie. Christian,Historic,Religious,Sacred,Standards. Individual part. 22 pages. Jmsgu3 #907600. Published by jmsgu3 (A0.1319003). The Liturgical Organbook, Volume 3 - ContentsLauda anima 1: Free harmonization a4Lauda anima 2: Free counterpoint with cantus exchange between soprano and altoLauda anima 3: Free counterpoint a3, cantus in altoLauda anima 4: Free counterpoint a4, followed by an augmented statement of the cantus in the sopranoLauda anima 5: Free counterpoint a4, cantus in tenorLauda anima 6: FughettaSouthwell 1: Canon a3, at the octave with free middle voiceSouthwell 2: Fugato a3Southwell 3: Free counterpoint a4, followed by an augmented statement of the cantus in the sopranoStuttgart 1: Free counterpoint a3, cantus in sopranoStuttgart 2: Free counterpoint a3, cantus in soprano, triple meterWachet auf 1: Free exchange of cantusWachet auf 2: Free counterpoint a3, cantus in sopranoWer nur den lieben Gott 1: Free harmonization a3, cantus in sopranoWer nur den lieben Gott 2: Free harmonization, a3The Liturgical Organbook Volume 3 Sources: All hymns are found in the Hymnal 1982 according to the use of the Episcopal Church.Lauda anima, John Goss (1800-1880)Southwell, from Daman's Psalter (1579)Stuttgart, from Psalmodia Sacra, oder Andächtige und Schöne Gesänge (1715)Wachet auf, Hans Sachs (1494-1576)Wer nur den lieben Gott, Georg Neumark (1621-1681).
Guthrie: The Liturgical Organbook, Volume 3
Orgue

$32.95 28.62 € Orgue PDF SheetMusicPlus

Piano Solo - Level 2 - Digital Download SKU: A0.1024629 Composed by Jonathan Ryan. Concert,Contemporary,Pop. Score. 4 pages. Jonathan Ryan #5204769. Published by Jonathan Ryan (A0.1024629). Satisfying Syncopation is exactly what it says on the tin!A mix of different syncopated rhythms combined with a developing melody which could be performed at a recital or as a solo piece in a concert.The music is relatively easy to learn due to the left hand (bass) only playing one and in some cases two notes at a time.The repetitive dotted crochet, dotted crochet, crochet rhythms helps the music to sound happy and lively as well as grounding the piece rhythmical.This piece is around 1 minute and 40 seconds in lengthSubscribe to my Youtube to see my other compositions!https://www.youtube.com/channel/UC8OO9ny-Dcd1tnO6G8KhRaA/ .
Satisfying Syncopation (An original composition for Solo Piano)
Piano seul

$1.99 1.73 € Piano seul PDF SheetMusicPlus

2 cellos - easy - Digital Download SKU: S9.Q957 Composed by Johann Georg Christoph Schetky. This edition: Sheet music. Cello - Duo - Instruction. Cello Library. Downloadable. Op. 7. Schott Music - Digital #Q957. Published by Schott Music - Digital (S9.Q957). Johann Georg Christoph Schetky (1737-1824) grew up at the court of Hessen-Darmstadt where his father was in service to the landgrave Ludwig VIII as a musician and secretary. Schetky studied composition with Samuel Endler and cello with Anton Filtz. Later, he played the cello in the Darmstadt Court Orchestra, and from 1768 he gave concerts as a freelance cellist, at first in Hamburg and from 1772 in London. In 1774 he became principal cellist of the Edinburgh Musical Society and married the daughter of the Austrian cellist Joseph Reinagle (1762-1836). The cello duets op. 7 were written for teaching purposes and first published in 1780. The duets are extremely suitable for tuition. There are rewarding exercises for both players - tailor-made for the instrument.
6 Easy Duets
2 Violoncelles (duo)

$15.99 13.89 € 2 Violoncelles (duo) PDF SheetMusicPlus

Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1004166 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 33 pages. Matthew Scott Phillips #6358435. Published by Matthew Scott Phillips (A0.1004166). Among the most recognizable of psychological archetypes is the Self; the totality of all the characteristics,perspectives, and personal natures we can introspectively recognize as our own, and the Shadow; the collection ofrepressed traits, tendencies, and instincts with which we do not identify but nevertheless posses. While the Shadow is always present, hidden within the details of our awareness, it is rarely observable to the conscious mind.However in times of stress or personal growth the antithesis of our self image cancome boiling to the surface. And although it may seem sinister to us, exposure often reveals it as a source of creativity,inspiration, and the keeper of all the honestly simple emotions and drives that we had forgotten.This composition is a programmatic telling of the emergence and (inevitable?) return to the unconscious of the Shadow Archetype.It is also an exploration of the archetype concept itself: having both a conscious texture, and asubconscious harmonic direction. Its key structure consists of a tonal center, and two subcenters which are completetonal areas in themselves, but are nevertheless part of the greater whole. As the conflict betweenShadow and Self progresses, the intervallic distance separating these keys is altered to produce greater dissonance or consonanceas necessary to reflect the greater or lesser concord between the divergent aspects of personality.
Shadow and Self
Piano Trio: Violon, Alto, Piano

$7.00 6.08 € Piano Trio: Violon, Alto, Piano PDF SheetMusicPlus






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