Guitar Tab - Intermediate - Digital Download Composed by Sally Yeh. Arranged by Evzen Burda. Repertoire, Asian, Pop, Children's Music, Recital. Score, Tablature. 4 pages. Published by EBTunes

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1485065 By Keith Terrett. By Cheng Maoyun. Arranged by Keith Terrett. 20th Century,Historic,Multicultural,Praise & Worship,Traditional,World. Score. 4 pages. Keith Terrett #1062146. Published by Keith Terrett (A0.1485065). The National Anthem of the Republic of China, also known by its incipit Three Principles of the People, is the national anthem of the Republic of China, commonly called Taiwan, as well as the party anthem of the Kuomintang. It was adopted in 1930 as the national anthem and was used as such in mainland China until 1949, when the Republic of China central government relocated to Taiwan following its defeat by the Chinese Communist Party in the Chinese Civil War. It replaced the Song to the Auspicious Cloud, which had been used as the Chinese national anthem before. The national anthem was adopted in Taiwan on October 25, 1945 after the surrender of Imperial Japan. Mainland China, being governed by the People's Republic of China today, discontinued this national anthem for March of the Volunteers.The national anthem's words are adapted from a 1924 speech by Sun Yat-sen in 1937. The lyrics relate to how the vision and hopes of a new nation and its people can be achieved and maintained. Informally, the song is sometimes known as San Min Chu-i from its opening line, which references the Three Principles of the People (????; s?nmín zh?yì; san1-min2 chu3-i4), but this name is never used on formal or official occasions. During flag-raising ceremonies, the national anthem is played at the start prior to flag-raising followed by the National Flag Anthem of the Republic of China during actual flag-raising.

Small Ensemble - Digital Download SKU: A0.961992 Composed by Ma Shui Long 馬水�. Contemporary. Score and parts. 33 pages. SpringAutumnmusic #47109. Published by SpringAutumnmusic (A0.961992). 《尋》��與管弦樂 　　在傳統樂器系列中，������…等，其起�發展�有上�年以上悠久的歷�與�富的彈�技法，如��猱�按�放�走��壓��飛��點頓等等�具�特的表�風格與韻味，為西方樂器所�能�，作曲者多年來�圖從這些��特性的傳統樂器中，以��的形�與美學�維，探尋�一層�的音樂�涵。本曲應��演�家黃好�委託之作�，先以��曲型態呈�，完�於2005年4月中旬，並由黃好�於「亞洲作曲家�盟第25屆會議�在泰國曼谷全�首演。之後作曲者�以��與管弦樂��方�，尋求��西方樂器��的音色特質，在主�從兩者交錯中，��與�話。 ※��與管弦樂�稿完�於2006年10月間�美國波士頓Acton寓所。2007年12月中旬由指�家邱�強指�國立��交響樂團���演�家黃好�分別於�中國立��交響樂團演�廳�高雄市文化中心至德堂��北國家音樂廳舉行世界首演。 Searching - for Cheng and Orchestra The history of some Chinese traditional musical instruments, such as Cheng, Qin, Pipa, etc., has seen their performing techniques evolved over a thousand years. Many of them have developed their unique stylistic expression and zest with sorts of articulation, which are not to be completed by those of many Western instruments. The composer has long been delving into the characteristics of these traditional instruments, attempting to ferret out further musical meanings from different formal and aesthetic angles. Searching for Cheng and Orchestra, commissioned by the Cheng player Hao-Yin Huang, was originally a solo Cheng piece. It was completed in mid-April, 2005, and was premiered in the same year at the 25th meeting of the Asia Composers’ League held in Bangkok, Thailand. The composer later expanded it into an ensemble piece for Cheng and orchestra, trying to integrate different timbral characters of the Eastern and Western instruments within their dominant-subordinate interactions and dialogues in the piece.

Easy Piano - Digital Download SKU: A0.884216 Arranged by Dennis Cheng. Christian,Concert,Gospel,Spiritual,Standards. Score. 1 pages. Dennis Cheng #6441605. Published by Dennis Cheng (A0.884216). Easy beginner level piano solo arrangement of When The Saints Go Marching In. One page long for teaching purposes with optional more difficult left hand part.Helps to teach reading ties and feeling a steady beat.Learn piano online 1-on- 1 from the arranger: https://www.thekeyspacenj.com/Arranger's channel: https://www.youtube.com/user/dc24fly

Organ - Digital Download SKU: A0.1016957 Composed by Erma Lee Wai Shan. Concert,Contemporary,Traditional,World. Score. 7 pages. ESLWS #5995325. Published by ESLWS (A0.1016957). Based on Chinese Poem and Chinese guqin music  Song of WeichengOrgan Solo for ConcertContemporary musicLevel: Intermediate to Advance Duration: 4:30.

Full Orchestra - Level 3 - Digital Download SKU: A0.1027336 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 78 pages. Jeremy Goh #12125. Published by Jeremy Goh (A0.1027336). We present a work composed as a tongue-in-cheek expression of a popular street tune heard today, put through a series of 5 variations that explore different styles. It works in both a satirical as well as sophisticated manner vertically and horizontally, and uses multiple cliches that will get the audience perking up in recognition. The theme, 贺新年, is a common tune sung in Chinese New Year celebrations. In the heart of celebrating the New Year, this piece is written playable by musicians of all ages, whether in schools or as community orchestras and bands, to come together by the common celebratory notion in a work for an extended orchestra, including the saxophone and euphonium. Written by Daniel Cheng and Jeremy Goh, we hope that this season this piece can bring both laughter and reverence to the street tune, blown out of proportion in style and size. Starting the work is an atonal entry, built on tone rows and planing, legacies of Shoenberg and his contemporaries, before decomposing into an exceedingly lively statement of the theme. This is then juxtaposed beside a trip to tribal communities with interlocking rhythms and a modal distortion of the melody. From the modal mess and deviation from diatonicism, we then return to the prim and proper style of Mozart and Haydn in a short Classical variation. As if to mock its neat stature, this then is shattered with a juxtaposition beside a variation in the style of Shostakovich, modelled after the controversial Leningrad symphony, which draws on a different dimension of the theme, its banality, and propagating and emulsifying it to terrifying levels as it is distorted. Finally, a schreckenfanfare is directed marking an entry into a tribute to one of the greatest legends in music composition, with Beethoven along with its transcendental qualities of cyclism, and use of learned styles, methods of maintaining tension etc., bringing a grand ending to the 10 minute long work.

Concert Band - Level 3 - Digital Download SKU: A0.1027334 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 23 pages. Jeremy Goh #12123. Published by Jeremy Goh (A0.1027334). We present a work composed as a tongue-in-cheek expression of a popular street tune heard today, put through a series of 5 variations that explore different styles. It works in both a satirical as well as sophisticated manner vertically and horizontally, and uses multiple cliches that will get the audience perking up in recognition. The theme, 贺新年, is a common tune sung in Chinese New Year celebrations. In the heart of celebrating the New Year, this piece is written playable by musicians of all ages, whether in schools or as community orchestras and bands, to come together by the common celebratory notion in a work for an extended orchestra, including the saxophone and euphonium. Written by Daniel Cheng and Jeremy Goh, we hope that this season this piece can bring both laughter and reverence to the street tune, blown out of proportion in style and size. Starting the work is an atonal entry, built on tone rows and planing, legacies of Shoenberg and his contemporaries, before decomposing into an exceedingly lively statement of the theme. This is then juxtaposed beside a trip to tribal communities with interlocking rhythms and a modal distortion of the melody. From the modal mess and deviation from diatonicism, we then return to the prim and proper style of Mozart and Haydn in a short Classical variation. As if to mock its neat stature, this then is shattered with a juxtaposition beside a variation in the style of Shostakovich, modelled after the controversial Leningrad symphony, which draws on a different dimension of the theme, its banality, and propagating and emulsifying it to terrifying levels as it is distorted. Finally, a schreckenfanfare is directed marking an entry into a tribute to one of the greatest legends in music composition, with Beethoven along with its transcendental qualities of cyclism, and use of learned styles, methods of maintaining tension etc., bringing a grand ending to the 10 minute long work.

Small Ensemble - Level 5 - Digital Download SKU: A0.961988 Composed by Ma, Shui-Long. Contemporary. Score and parts. 12 pages. SpringAutumnmusic #2020311. Published by SpringAutumnmusic (A0.961988). Among traditional instruments such as zheng, qin, pipa, etc., their origin and history datedback to over thousands of years and playing technique such as yin (chanting), rou (vibrato),an (stopping), fan (releasing), zhouyin (walking chanting), yayin (pressed chanting), feiyin(flying chanting), diandun (staccato), etc. are unique expression and charm, not found in Westernmusical instruments. For years, the composer has been searching a new dimension of musicalexpression by utilizing the characteristics and concepts of these traditional musical instruments. ※The present composition, completed in mid-April of 2005, was commissioned by guzhengmaster Huang Haoyin, and first performed by Ms. Huang in August of the same year at the 25thAsian Composers League Conference held in Bangkok, Thailand.