Brass Ensemble - Level 4 - Digital Download SKU: A0.964586 Composed by Eugene Gigout. Arranged by Betsy Bright. Concert,Easter,Graduation,Wedding. Score and parts. 52 pages. Bright Music Company #6400147. Published by Bright Music Company (A0.964586). This double brass choir arrangement of Gigout's epic Grand Choeur Dialogue is thrilling to play and listen to.  Even better: it won't wear down anyone's chops!  Range and endurance for all instruments is so reasonable that this could fit easily on a heavy brass choir show played by professional brass players.  But it could be played by strong high school, college, or amateur musicians.  Scored for two choirs, with a total instrumentation of 4 trumpets, 2 horns, 2 trombones, 1 bass trombone, euphonium, 2 tubas.  The euphonium part can be covered by a trombone or a horn (horn substitution part included).

Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1222682 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructional,March. Score and Parts. 14 pages. Regis Bookshar #818960. Published by Regis Bookshar (A0.1222682). La Vigilance (from Heroic Music) - Georg Philipp Telemann - Brass Choir - Intermediate 0 Digital Download.Heroic Music (or Heldenmusik) is a suite of twelve short marches and processionals, written by Georg Philipp Telemann in 1728, and is associated with various attributes of Heroism such as Dignity, Bravery and Alertness. All twelve movements have now been transcribed and arranged by Regis Bookshar to be played by Trumpet Quintets or Brass Quintets. Some of them have also been arranged for Sextets, Septets, Octets, Nonets and Brass Choirs. Some also include a Timpani. They can be purchased individually, or, if you prefer, as a complete set of all twelve, at a huge saving.Any of these selections would be a wonderful addition to any music library. They are perfectly suited to recitals and public performances, can stand alone as short interludes and are generally well received by audiences. They are suitable for high school and college students but professional musicians would also enjoy playing these arrangements. These selections are some of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music libary which are being made available for the first time. In the past, these compositions have often been performed by a soloist playing on a Piccolo Trumpet, but these new arrangements are Bb Trumpet friendly as one player stated after playing through them, making them much easier for most high school students.This selection, La Vigilance (from Heroic Music), is arranged for a Brass Choir with parts for 2 Bb Trumpets, 1 French Horn, 1 Trombone, 1 Euphonium and 1 Tuba, and is associated with the heroic quality of Alertness. There is also a version with includes a Timpani, if you would prefer. Included are a score and a complete set of parts (14 pages).Many of these selections are readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I am certain that these wonderful arrangements of Georg Philipp Telemann's Heroic Music will continue to entertain both performers and audiences alike for years to come.

Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.753162 Composed by Brenda Portman. Christian,Classical,Religious,Sacred,Traditional. Octavo. 5 pages. Brenda Portman #6019835. Published by Brenda Portman (A0.753162). This unison choral anthem was arranged for COVID ensemble - for small choir and organ accompaniment. Particularly effective for choirs who have been forced to drastically reduce their numbers during the coronavirus pandemic, it can be performed with as few as four people, or with a larger group.  Range is C to E-flat (1 octave + a third).For other choral anthems by Brenda Portman, visit: https://brendaportman.com/compositions-choral

Euphonium,Horn,Timpani,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1222494 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructional,March. 18 pages. Regis Bookshar #818759. Published by Regis Bookshar (A0.1222494). La Rejouissance (from Heroic Music) - Georg Philipp Telemann - Brass Choir, Timpani - Intermediate - Digital Download.Heroic Music (or Heldenmusik) is a suite of twelve short marches and processionals, written by Georg Philipp Telemann in 1728, and is associated with various attributes of Heroism such as Dignity, Bravery and Alertness. All twelve movements have now been transcribed and arranged by Regis Bookshat to be played by Trumpet Quintets or Brass Quintets. Some of them have also been arranged for Sextets, Septets, Octets, Nonets and Brass Choirs. Some also include a Timpani. They can be purchased individually, or, if you prefer, as a complete set of all twelve at a huge saving.Any of these selections would be a wonderful addition to any music library. They are perfectly suited to recitals and public performances, can stand alone as short interludes and are generally well received by audiences. They are suitable for high school and college students but professional musicians would also enjoy playing these arrangements.. These selections are some of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made availabe for the first time. In the past, these compositions have often been performed by a soloist playing on a Piccolo Trumpet, but these new arrangements are Bb Trumpet friendly as one player stated after playing through them, making them much easier for most high school students.This selection, La Rejouissance (from Heroic Music), is arranged for a Brass Choir with parts for 3 Bb Trumpets, 2 French Horns, 2 Trombones, 1 Euphonium and 1 Tuba and a Timpani, and is associated with the heroic quality of Joy. There is also a version without the Timpani, if you would prefer. The parts may be doubled as needed. Included are a score and a complete set of parts (18 pages).Many of these selections are readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I am certain that these wonderful arrangements of Georg Philipp Telemann's Heroic Music will continue to entertain both performers and audiences alike for years to come.

Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.1357638 Composed by Terry Patrick Mingle. Halloween,Holiday,Thriller. 23 pages. Terry Patrick Mingle #942175. Published by Terry Patrick Mingle (A0.1357638). A frolicking, ghoulish tune for addition to your Halloween library. Three versions are available - one for larger mixed flute choir (Piccolo, 6 C Flutes, alto, bass, and contrabass), one for smaller flute choirs (4 C flutes, plus alto and bass), and one for six C flutes. Choose the one that is right for your ensemble! This tune is sure to get your audience's bones rattling.

Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.768519 Composed by Giacomo Puccini. Arranged by Roar Kvam. Christian,Romantic Period,Sacred. Octavo. 15 pages. KVAMusic Edition #6082661. Published by KVAMusic Edition (A0.768519). This short Requiem by Giacomo Puccini (1858–1924) was commissioned by the publisher Giulio Ricordi, who wanted to mark the fourth anniversary (27 January 1905) of the death of Verdi by celebrating the memory of the King of 19th century Italian opera with a work composed by his successor on the opera stages of the world. According to a note by the composer on the first page of the manuscript, the piece was completed on 14 January 1905 in Milan and thus it belongs to the period in which the composer from Lucca had reached his full maturity, at a point in time between the fiasco of the premiere of Madama Butterfly at La Scala, Milan (1904) and the premiere of his next opera, La Fanciulla del West (1910).Today the work is often performed, since this setting for three voices can be easily performed by amateur choirs and requires only a viola (or violin) and a harmonium (or organ) as accompanying instruments.Our edition is for treble- or female voices choir, viola (violin) and harmonium (organ).

Level 3 - Digital Download SKU: A0.549196 Composed by Giovvanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3457617. Published by jmsgu3 (A0.549196). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: 3 trombones, 3 euphoniums & 3 tubas. Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.

Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.781368 Composed by Joanna Mills. Arranged by Based on the poetry of Frances Ellen Watkins Harper. 20th Century,Children,Easter,Holiday,Standards. Octavo. 8 pages. Joanna Mills Music #5178533. Published by Joanna Mills Music (A0.781368). Set to a sweet, original melody by Joanna Mills, Frances Ellen Watkins Harper's poem The Crocuses has been adapted into a lovely song about the first flowers of spring and their love for Mother Earth. Perfect for spring concerts, Earth Day or Mother's Day, the piece is set in an accessible key for young voices (Part I C4 - D5 & Part II C4 - Aâ™­4), and the piano score supports the choir, enabling even beginner choirs to learn this arrangement easily. Approximate performance time 2:30.Piano accompaniment track also available to purchase on SMP (item S0.703135)The Crocuses

Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1229556 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Early Music,Renaissance,Traditional,Wedding. 43 pages. Jmsgu3 #825055. Published by jmsgu3 (A0.1229556). Minimum instrumentation: 4 Cornets in Bb, 4 Horns in F, 1 Tenor Trombone & 1 Bass Trombone.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.

Euphonium,Horn,Timpani,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1221721 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructional,March. 19 pages. Regis Bookshar #816378. Published by Regis Bookshar (A0.1221721). La Majeste (from Heroic Music) - Georg Philipp Telemann - Brass Choir, Timpani - Intermediate - Dugital Download.Heroic Music (or Heldenmusik) is a suite of twelve short marches and processionals, written by Georg Philipp Telemann in 1728, and is associated with various attributes of Heroism such as Dignity, Bravery and Alertness. All twelve movements have now been transcribed and arranged by Regis Bookshar to be played by Trumpet Quintets or Brass Quintets. Some of them have also been arranged for Sextets, Septets, Octets, Nonets and Brass Choirs. Some also include a Timpani. They can be purchased individually, or, if you prefer, as a complete set of all twelve at a huge saving.Any of these selections would be a wonderful addition to any music library. They are perfectly suited to recitals and public performances, can stand alone as short interludes and are generally well received by audiences. They are suitable for high school and college students but professional musicians would also enjoy playing these arrangements. These selections are some of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. In the past, these compositions have often been performed by a soloist playing on a Piccolo Trumpet, but these new arrangements are Bb Trumpet friendly as one player stated after playing through them, making them much easier for most high school students.This selection, La Majeste (from Heroic Music), is arranged for a Brass Choir with parts for 3 Bb Trumpets, 1 French Horn, 2 Trombones, 1 Euphonium and 1 Tuba and also a Timpani, and is associated with the heroic quality of Dignity. There is also aversion without the Timpani, if you would prefer. The parts may be doubled as needed.  Included are a score and a complete set of parts (19 pages).Many of these selections are readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I am certain that these wonderful arrangements of Georg Philipp Telemann's Heroic Music will continue to entertain both performers and audiences alike for years to come.

Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone,Tuba - Level 3 - Digital Download SKU: A0.841247 Composed by Chris Gordon. Arranged by Chris Gordon. 20th Century,Contemporary,Standards. Score and parts. 16 pages. Cool Wind Music Digital #2941791. Published by Cool Wind Music Digital (A0.841247). A truly beautiful tone poem evoking the magical mountains, redwood forests and snow-fed rivers of Northern California. Willow Creek is available in 2 versions: for Clarinet Choir and also for Saxophone Choir. It has been played numerous times by clarinet and saxophone choirs in the United Kingdom as well as in the United States of America.Set of parts on sale at Sheet Music Plus Press separately. Baffled by music bindings? Read this: https://coolwindmusic.blogspot.co.uk/2009/08/making-printed-copies-from-pdfs.html

Choral Choir (SAB) - Level 4 - Digital Download SKU: A0.1166855 Composed by Music: George Frideric Handel, Words: Edmund Budry, and tr. Richard Birch Hoyle. Arranged by Cathy Stamegna. A Cappella,Christian,Contest,Easter,Festival,Traditional. Octavo. 10 pages. Cathy Stamegna #767234. Published by Cathy Stamegna (A0.1166855). This triumphant Easter hymn (a.k.a. “Thine Be the Glory�) has been newly-arranged for a cappella choir.  Some phrases are repeated to add a contrapuntal flavor.  Verse two is softer and in rhythmic diminution, creating a lighter sound. Verse three is similar to verse one, but louder, building toward the glorious ending.  Appropriate as an exalted prelude or postlude, worship, concert, contest/festival, or recital setting.  Adaptable to school or church choirs.  Performance Time:  4:02.

Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.725184 By Paul Barker Music. By Paul Barker. 20th Century,Contemporary,Contest,Easter,Festival,Sacred. Octavo. 6 pages. Paul Barker Music #4804769. Published by Paul Barker Music (A0.725184). A beautiful acoustic arrangement of Pie Jesu from the rock mass MASSive in SAB format with accompanying piano. Suitable as a lighter, more sensitive addition to your concert. Memorable vocal lines and easy to remember phrases make this work easy to learn. This uplifting and rich arrangement is suitable for a wide range of choirs and occasions. The full work MASSive and professional Accompaniment MP3 is available on this site and from www.paulbarkermusic.com ​Duration: 2:50 Level: Intermediate (UK Grade 5+ & USA 3) Occasion: General Concert - Formal/Informal - Recital Orchestration: SAB Choir & Piano/Vocal Score

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.872680 Composed by Philip Orem. Contemporary,Jewish,Sacred. Octavo. 78 pages. Philip Orem #3684821. Published by Philip Orem (A0.872680). Ashira is a Shabbat evening service with 19 prayers. This is perfect for choirs that don't have lots of rehearsal time. The choir parts are entirely unison with the more challenging parts being for the cantor and pianist. Introducing each new piece to your congregation as it is learned over a period of time can build up to the entire service and your congregation joining in! The Oseh Shalom is included in Transcontinental Music Publications' Shabbat Anthology VIII.Here is a youtube link for the first performance with Cantor Vicky Glikin and myself at the piano.  https://www.youtube.com/watch?v=SbPUeQ3kqtM&feature=youtu.beWe're on the honor system here, please buy as many copies as you have performers. Printing more copies than you purchase is a violation of the copyright.

Choir,Piano - Digital Download SKU: A0.1069482 Composed by Joanna Mills. Children,Christian,Christmas,Sacred. Accompaniment. Duration 128. Joanna Mills Music #4849771. Published by Joanna Mills Music (A0.1069482). This lovely unison Christmas anthem (from the children's musical The Animal Alleluia) is perfect for children's choirs-- use it in your Christmas Pageant, or your Lessons & Carols service! It tells the story of the sheep who witness the star, hear the angels, and lead their shepherds to the stable where they give baby Jesus their wool to keep Him warm. The original lyrics are set to the traditional hymn Rejoice In The Lord Always and is pitched in an accessible key for most voices. The arrangement features a unison first and second verse and a 2 part round at the end. Approximate performance time: 2:08. Use this piano accompaniment for rehearsals or performances of the Unison choir arrangement of this song.This product is one song from a complete musical called The Animal Alleluia which is also available on Sheet Music Plus:(S0.549673)