Euphonium,Horn,Timpani,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1222393 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructional,March. 17 pages. Regis Bookshar #818658. Published by Regis Bookshar (A0.1222393). La Rejouissance (from Heroic Music) - Georg Philipp Telemann - Brass Choir, Timpani - Intermediate - Digital Download.Heroic Music (or Heldenmusik) is a suite of twelve short marches and processionals, written by Georg Philipp Telemann in 1728, and is associated with various attributes of Heroism such as Dignity, Bravery and Alertness. All twelve movements have now been transcribed and arranged by Regis Bookshar to be played by Trumpet Quintets or Brass Quintets. Some of them have also been arranged for Sextets, Septets, Octets, Nonets and Brass Choirs. Some also include a Timpani. They can be purchased individually, or, if you prefer, as a complete set of all twelve at a huge saving.Any of these selections would be a wonderful addition to any music library. They are perfectly suited to recitals and public performances, can stand alone as short interludes and are generally well received by audiences. They are suitable for high school and college students but professional musicians would also enjoy playing these arrangements. These selections are some of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. In the past, these compositions have often been performed by a soloist playing on a Piccolo Trumpet, but these new arrangements are Bb Trumpet friendly as one player stated after reading through them, making them much easier for most high school students.This selection, La Rejouissance (from Heroic Music), is arranged for a Brass Choir with parts for 3 Bb Trumpets, 1 French Horn, 2 Trombones, 1 Euphonium and 1 Tuba, and also a Timpani, and is associated with the heroic quality of Joy. There is also a version without the Timpani, if you would prefer. The parts may be doubled as needed. Included are a score and a complete set of parts (17 pages).Many of these selections are readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I am certain that these wonderful arrangements of Georg Philipp Telemnn's Heroic Music will continue to entertain both performers and audiences alike for years to come.

Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.763232 Composed by Nigel Williams. Christian,Concert,Folk,Sacred. Octavo. 4 pages. Nigel Williams #2081807. Published by Nigel Williams (A0.763232). A musical setting of text by the American nineteenth century poet H. Longfellow, for SAB choir accompanied by piano with an optional flute or violin part. The musical language is modal and is well suited to High School, College and church choirs with fewer male voices.

Euphonium,Horn,Timpani,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1223613 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructional,March. 16 pages. Regis Bookshar #819762. Published by Regis Bookshar (A0.1223613). La Vigilance (from Heroic Music) - Georg Philipp Telemann - Brass Choir, Timpani - Intermediate - Digital Download.Heroic Music (or Heldenmusik) is a suite of twelve short marches and processionals, written by Georg Philipp Telemann in 1728, as is associated with varioous attributes of Heroism such as Dignity, Bravery and Alertness. All twelve movements have now been transcribed and arranged by Regis Bookshar to be played by Trumpet Quintets or Brass Quintets. Some of them have also been arranged for Sextets, Septets, Octets, Nonets and Brass Choirs. Some also include a Timpani. They can be purchased individually, or, if you prefer, as a complete set of all twelve at a huge saving.Any of these selections would be a wonderful addition to any music library. They are perfectly suited to recitals and public performances, can stand alone as short interludes and are generally well received by audiences. They are suitable for high school and college students but professional musicians would also enjoy playing these arrangements. These selections are some of the many arrangements from the Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. In the past, these compositions have often been performed by a soloist playing on a Piccolo Trumpet, but these new arrangements are Bb Trumpet friendly as one player stated after playing through them, making them much easier for most high school students.This selection, La Vigilance (from Heroic Music), is arranged for a Brass Choir with parts for 3 Bb Trumpets, 1 French Horn, 1 Trombone, 1 Euphonium and 1 Tuba and a Timpani. There is a version without the Timpani, if you would prefer. The parts may be doubled if needed. Included are a score and a complete set of parts (16 pages).Many of these selections are readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composotion. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I am certain that these wonderful arrangements of Georg Philipp Telemann's Heroic Music will continue to entertain both performers and audiences alike for years to come.

Euphonium - Level 4 - Digital Download SKU: A0.755057 Composed by Sy Brandon. 20th Century,Contemporary. 46 pages. Sy Brandon #3358673. Published by Sy Brandon (A0.755057). (8 part Double Euphonium Choir) - This work was composed for and premiered at the 2005 International Euphonium Institute. The work is in one movement with four sections. The first and last sections are Allegro and explore antiphonal choir echoes and pyramids. The second section is Adagio and continues the antiphonal echoes between choirs and adds a fading echo in several measures. The third section explores echoes in a scherzo style.

Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #822490. Published by jmsgu3 (A0.1226488). Minimum instrumentation: 4 Trumpets (or Cornets), 4 French Horns, 2 Tenor Trombones, and 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.

Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549207 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 44 pages. Jmsgu3 #3462167. Published by jmsgu3 (A0.549207). Instrumentation: Double Sax Quartet (SSAATTBB) arranged antiphonally (SATB - SATB). Full Score: 28 pg. Study Score: 14 pg. Instrumental parts: 2 pg. ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.

Choir - Digital Download SKU: A0.1069620 Composed by George Job Elvey, William H. Monk, and and Richard Donn. Arranged by Richard Donn. Contemporary,Easter,Holiday,Sacred,Traditional. Accompaniment. Duration 238. Cartecay River Music Publishing #3516019. Published by Cartecay River Music Publishing (A0.1069620). CROWN HIM KING OF KINGS (w/ Crown Him with Many Crowns) uses two hymns: Look, Ye Saints and Crown Him with Many Crowns along with original music in a majestic, Christ-honoring anthem proclaiming Him King of kings and Lord of lords.  This dynamic and energetic anthem is wonderfully appropriate for Easter or any worship service of praise.  It will be a favorite for both your choir and congregation for years to come.  It is available for SATB and TTB choirs.  Duration 3:45.  The score is available through SheetMusicPlus.com and SheetMusicDirect.com. Preview more titles on YouTube.com at Richard Donn Music for Worship.

Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 48 pages. Jmsgu3 #822323. Published by jmsgu3 (A0.1226321). Minimum instrumentation: 3 Brass Quartets - 6 trumpets in C (or cornets) 3 French Horns in F, and 3 trombones. InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.

Choral Choir (SAB) - Level 4 - Digital Download SKU: A0.824397 Composed by Phillip Rawle. Concert,Contemporary. Octavo. 3 pages. Phillip Rawle #3381773. Published by Phillip Rawle (A0.824397). A setting of John Donne's song for unaccompanied choir SSAB.  This will aid choirs who have difficulty in finding sufficient tenors. The bass part can be sung by mixed male voices.

Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1220012 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructional,March. Score and Parts. 18 pages. Regis Bookshar #816373. Published by Regis Bookshar (A0.1220012). La Majeste (from Heroic Music) - Georg Philipp Telemann - Brass Choir - Intermediate - Digital Download.Heroic Music (or Heldenmusik) is a suite of twelve short marches and processionals, written by Georg Philipp Telemann in 1728, and is associated with various attributes of Heroism such as Dignity, Bravery and Alertness. All twelve movements have now been transcribed and arranged by Regis Bookshar to be played by Trumpet Quintets or Brass Quintets. Some of them have also been arranged for Sextets, Septets, Octets, Nonets, and Brass Choirs. Some also include a Timpani. They can be purchased individually, or, if you prefer, as a complete set of all twelve at a huge saving.Any of these selections would be a wonderful addition to any music library. They are perfectly suited to recitals and public performances, can stand alone as short interludes and are generally well received by audiences. They are suitable for high school and college students but professional musicians would also enjoy playing these arrangements. These selections are some of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. In the past, these compositions have often been performed by a soloist playing on a Piccolo Trumpet, but these new arrangements are Bb Trumpet friendly as one player stated after playing through them, making them much easier for most high school students.This selection, La Majeste (from Heroic Music, is arranged for a Brass Choir with parts for 3 Bb Trumpets, 1 French Horn, 2 Trombones, 1 Euphonium and 1 Tuba, and is associated with the heroic quality of Dignity. There is also a version which includes a Timpani, if you would prefer. The parts may be doubled as needed. Included are a score and a complete set of parts (18 pages).Many of these selections are readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I am certain that these wonderful arrangements of Georg Philipp Telemann's Heroic Music will continue to entertain both performers and audiences alike for years to come.

Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.844646 Composed by Phil Beaman. Contemporary,Easter,Sacred. Octavo. 5 pages. Phil Beaman #4719417. Published by Phil Beaman (A0.844646). Perfect for Easter! This simple but beautiful anthem is written to be accessible for all choirs. Very flexible, it is for 2-part Mixed Choir, and each voice part stays within an octave. The catchy tune is light and joyous. There are 3 verses:  Vs 1-Alleluia 2 part;  Vs 2- He is Risen 2 part;  Vs 3- the first two verses are sung simultaneously: Part 1 sings the 'Alleluia' of Vs 1 while Part 2 sings the 'He Is Risen' of Vs 2. (Don't worry, it is all clearly written out.) The accompaniment is very simple slow chords, the same for each verse.  5 pages, 2 1/2 minutesRecording is sung as a Duet

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.872680 Composed by Philip Orem. Contemporary,Jewish,Sacred. Octavo. 78 pages. Philip Orem #3684821. Published by Philip Orem (A0.872680). Ashira is a Shabbat evening service with 19 prayers. This is perfect for choirs that don't have lots of rehearsal time. The choir parts are entirely unison with the more challenging parts being for the cantor and pianist. Introducing each new piece to your congregation as it is learned over a period of time can build up to the entire service and your congregation joining in! The Oseh Shalom is included in Transcontinental Music Publications' Shabbat Anthology VIII.Here is a youtube link for the first performance with Cantor Vicky Glikin and myself at the piano.  https://www.youtube.com/watch?v=SbPUeQ3kqtM&feature=youtu.beWe're on the honor system here, please buy as many copies as you have performers. Printing more copies than you purchase is a violation of the copyright.

Choral Choir (SAB) - Level 4 - Digital Download SKU: A0.818178 Composed by R. L. Pearsall. Arranged by Philip Le Bas. Christmas,Sacred. Octavo. 8 pages. Philip Le Bas #5001259. Published by Philip Le Bas (A0.818178). An arrangement by Philip Le Bas of the wonderful old German Christmas carol In Dulci Jubilo made popular in an English version by R.L. Pearsall (1795-1856), mixing English and Latin words, for 8-part choir and organ. Here the parts are reduced to three (soprano, alto, baritone) so that it can be sung by choirs for whom eight parts is too ambitious! Perhaps surprisingly, the carol retains much of its interesting counterpoint and tuneful lyricism; the arranger hopes that both singers and listeners will enjoy it equally.  1. In dulci jubilo Let us our homage shew: Our heart's joy reclineth In praesepio; And like a bright star shineth Matris in gremio, Alpha es et O!  2. O Jesu parvule, I yearn for thee alway! Hear me, I beseech Thee, O puer optime; My prayer let it reach Thee, O princeps gloriae. Trahe me post te.  3. O patris caritas! O Nati lenitas! Deeply were we stained. Per nostra crimina: But Thou for us hast gained Coelorum gaudia, O that we were there! 4. Ubi sunt gaudia, Where, if that they be not there? There are angels singing Nova cantica; There the bells are ringing In Regis curia. O that we were there!

Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.1107261 By Joanna Mills. By Joanna Mills (trad. George Cooper/Margaret P. Osgood). Arranged by Joanna Mills. 19th Century,Children,Holiday,Traditional. Octavo. 12 pages. Joanna Mills Music #709929. Published by Joanna Mills Music (A0.1107261). The perfect addition to your fall & Thanksgiving repertoire or concerts! This traditional autumn song has been adapted and arranged for 2-part elementary choir using 4 of the 5 original stanzas from the poem by George Cooper. The pretty original melody (by Margaret P. Osgood) has been arranged with simple harmonies and echoes, a new bridge melody has been added in E minor, and a final ostinato section ends the piece. The song is set in an accessible key for young voices (Part I:D4-D5 ; Part II: B3-B4) and the piano part supports the harmonies for less experienced choirs. Approximate performance time 2 minutes.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1194840 Composed by Henry Francis Lyte and William Henry Monk. Arranged by Samuel Sequeira. 19th Century,Religious,Spiritual. Octavo. 2 pages. Samuel Sequeira #794050. Published by Samuel Sequeira (A0.1194840). This SATB arrangement of Abide with me with piano chords is perfect for choirs who want to perform a beautiful and emotional piece with piano accompaniment. The song was written by Henry Francis Lyte while he was very sick, and the music was composed by William Henry Monk. Abide with me is often sung at religious events and funerals because it's a sad and thoughtful song that makes people feel comforted. This arrangement is based on the original sheet music, which is free to use, and features SATB choir parts with the added bonus of piano chords.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!