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Piano Solo - Level 4 - Digital Download

SKU: A0.1189545

By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #789177. Published by Brian Golden (A0.1189545).

Prelude 1 in C Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden.

   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.
   While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.
    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.

Prelude 1 in C Major Ionian
Piano seul
Brian Golden
$5.99 5.37 € Piano seul PDF SheetMusicPlus

Baritone Saxophone,Piano - Level 3 - Digital Download

SKU: A0.1404515

By F.Chopin. By F.Chopin. Arranged by pfkaori. Classical. Score and part. 7 pages. Pfkaorimusic #987586. Published by pfkaorimusic (A0.1404515).

Composer: F.Chopin 
Song: Valse (Waltz)/op.64-1 
Key: Desdur (Sax inE♭) 
Orchestration: baritone sax & piano 
Level: Intermediate 
(There are individual differences in level) 
*with part score 
*This is an arrangement of the 2nd edition..

In this arrangement, the melody is passed to the piano in the middle. In the final 24-tuplet, the piano becomes the main melody, and there is a part where the soloist harmonizes. Only the last six notes of the 24-note tuplet are played by the soloist and the piano, each eighth note. 
At the beginning, the melody is passed to the piano. The ending that appears first (not as a tuplet) is the ending.

In the first version, the melody is passed to the piano at the beginning. The ending that appears first (not as a tuplet) is the ending.

Please choose according to your preference.

I arranged Chopin's famous piece into a piano trio. Please take this opportunity to try it.

[Other keys] 
Gdur→.

"Valse op.64-1" (Desdur) baritone sax & piano, 2nd edition
Saxophone Baryton, Piano
F Chopin
$6.50 5.83 € Saxophone Baryton, Piano PDF SheetMusicPlus

Piano,Violin - Level 3 - Digital Download

SKU: A0.1404068

By F.Chopin . By F.Chopin . Arranged by pfkaori. Classical. 7 pages. Pfkaorimusic #987241. Published by pfkaorimusic (A0.1404068).

Composer: F.Chopin 
Song: Valse (Waltz)/op.64-1 
Key: Desdur 
Orchestration: violin & piano 
Level: Intermediate 
(There are individual differences in level) 
*with part score 
*This is an arrangement of the 1st edition.

This first version is an arrangement in which the melody is mostly played by the violin. The end is not the end of the 24 tuplet, but the end that appears first (not a tuplet).

In the second version, the melody is passed from the violin to the piano in the middle. In the final 24-tuplet, the piano becomes the main melody, and there is a part where the violin harmonizes. Only the last six notes of the 24th note are played by three instruments, each eighth note.

Please choose according to your preference.

I arranged Chopin's famous piece into a piano trio. Please take this opportunity to try it.

[Other key] 
Cdur→.

"Valse op.64-1" (Desdur) violin & piano, 1st edition
Violon et Piano
F Chopin 
$6.50 5.83 € Violon et Piano PDF SheetMusicPlus

Large Ensemble Alto Saxophone,Bass Guitar,Clarinet,Drum Set,Flute,Horn,Piano Accompaniment,Trombone,Trumpet - Level 4 - Digital Download

SKU: A0.1028358

Composed by Frederic Chopin. Arranged by Timothy Ward. Jazz. Score and parts. 45 pages. Timothy Ward #3489261. Published by Timothy Ward (A0.1028358).

Chopin’s Nocturne in E flat is the second of composer Frederic Chopin’s ninth opus of piano nocturnes, composed between 1830 and 1832 and dedicated to his teacher, French pianist and educator Madame Camille Pleyel. Rhythmic and harmonic techniques, textural manipulations and jazz orchestration have been used to arrange this work in a swing jazz style.


Duration: 3.5 minutes
Level: Intermediate/Advanced
A jazz/swing arrangement of Frederick Chopin's Nocturne in E Flat Op 9 No 2 for small woodwind, brass and rhythm sections. Suitable for high school and conservatory students, or jazz ensembles.

Nocturne in E Flat Major Opus 9 No 2 Jazz Arrangement

$13.00 11.65 € PDF SheetMusicPlus

Instrumental Duet,Piano Piano,Violin - Level 3 - Digital Download

SKU: A0.535361

Composed by Frederickv Chopin. Arranged by Diego Marani. Classical,Romantic Period,Wedding. 5 pages. Diego Marani #145086. Published by Diego Marani (A0.535361).

Étude Op. 10, No. 3 is a study for solo piano composed by Frédéric Chopin in 1832. This is a slow cantabile study for polyphonic and expressive legato playing. In fact, Chopin himself believed the melody of the piece to be the most beautiful one he ever composed. It became famous through numerous popular arrangements. Although this étude is sometimes identified by the names Tristesse (Sadness) or Farewell (L'Adieu), neither is a name given by Chopin, but rather his critics. This arrangement for violin with piano accompaniment reflects faithfully the original and is suitable for classroom, repertoire and recital.

Etude Op. 10, No. 3 for Violin & Piano
Violon et Piano

$8.99 8.06 € Violon et Piano PDF SheetMusicPlus

Cello and piano - intermediate to advanced - Digital Download

SKU: S9.Q53290

Op. 40. Composed by Auguste Joseph Franchomme. Edited by Beverley Ellis and Rainer Mohrs. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 40. 16 pages. Schott Music - Digital #Q53290. Published by Schott Music - Digital (S9.Q53290).

English • German.

Auguste Joseph Franchomme was born in Lille on 10.4.1808; he died in Paris in 1884. One of his first cello teachers in Lille was Pierre Baumann, who also taught Edouard Lalo. Giving up the study of Law in favour of the cello, he studied with Jean-Henri Levasseur and Louis-Pierre Norblin from 1825 at the Paris Conservatoire. After that he played in various orchestras until he was eventually able to establish himself as a soloist and chamber musician in Paris. Together with violinist Jean-Delphin Alard he founded the Alard Quartet, one of the few string quartets of the time whose members were all professional musicians. Alongside his concert career, Franchomme was a popular and successful professor at the Conservatoire for almost forty years. His compositions include numerous pieces and studies for the cello, a cello concerto and many transcriptions. Franchomme was a close friend of Chopin: he also composed the cello part to Chopin’s Duo concertante and reworked the cello part for the Polonaise Brillante. Chopin dedicated his Cello Sonata op. 65 to Franchomme. Chopin’s influence is clearly recognisable in Franchomme’s work and particularly evident, for example, in his Étude in C# minor op. 35/11. In 1884 Franchomme was awarded the Légion d’honneur for his services to music. This Fantaisie based on themes from Mozart’s Magic Flute was published in 1873 (plate no. 20425).

Fantaisie sur La Flûte enchantée” de Mozart
Violoncelle, Piano

$3.99 3.58 € Violoncelle, Piano PDF SheetMusicPlus

Piano,Violin - Level 3 - Digital Download

SKU: A0.1404072

By F.Chopin . By F.Chopin . Arranged by pfkaori. Classical. 7 pages. Pfkaorimusic #987244. Published by pfkaorimusic (A0.1404072).

Composer: F.Chopin 
Song: Valse (Waltz)/op.64-1 
Key: Cdur 
Orchestration: Violin & Piano 
Level: Intermediate 
(There are individual differences in level) 
*with part score 
*This is an arrangement of the 1st edition.

This first version is an arrangement in which the melody is mostly played by the violin. The end is not the end of the 24 tuplet, but the end that appears first (not a tuplet).

In the second version, the melody is passed from the violin to the piano in the middle. In the final 24-tuplet, the piano becomes the main melody, and there is a part where the violin harmonizes. Only the last six notes of the 24th note are played by three instruments, each eighth note.

Please choose according to your preference.

I arranged Chopin's famous piece into a piano trio. Please take this opportunity to try it.

[Other key] 
Desdur→.

"Valse op.64-1" (Cdur) Violin & Piano, 1st edition)
Violon et Piano
F Chopin 
$6.50 5.83 € Violon et Piano PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download

SKU: A0.1248572

By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #843064. Published by Brian Golden (A0.1248572).

Prelude 15 in B Major Mixolydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden

   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.
    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.
    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.

Prelude 15 in B Major Mixolydian
Piano seul
Brian Golden
$5.99 5.37 € Piano seul PDF SheetMusicPlus

Piano,Soprano Saxophone - Level 3 - Digital Download

SKU: A0.1404440

By F.Chopin . By F.Chopin . Arranged by pfkaori. Classical. Score and part. 7 pages. Pfkaorimusic #987518. Published by pfkaorimusic (A0.1404440).

Composer: F.Chopin 
Song: Valse (Waltz)/op.64-1 
Key: Desdur (sax inB♭) 
Orchestration: soprano sax & piano 
Level: Intermediate 
(There are individual differences in level) 
*with part score 
*This is an arrangement of the 2nd edition.

In this arrangement, the melody is passed to the piano in the middle. In the final 24-tuplet, the piano becomes the main melody, and there is a part where the soloist harmonizes. Only the last six notes of the 24-note tuplet are played by the soloist and the piano, each eighth note.

In the first version, the melody is passed to the piano at the beginning. The ending that appears first (not as a tuplet) is the ending.

Please choose according to your preference.

I arranged Chopin's famous piece into a piano trio. Please take this opportunity to try it.

"Valse op.64-1" (Desdur) soprano sax & piano, 2nd edition
Saxophone Soprano et Piano
F Chopin 
$6.50 5.83 € Saxophone Soprano et Piano PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download

SKU: A0.1248571

By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #843062. Published by Brian Golden (A0.1248571).

Prelude 13 in F# Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden

   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.
    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.
    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.

Prelude 13 in F# Major Ionian
Piano seul
Brian Golden
$5.99 5.37 € Piano seul PDF SheetMusicPlus

Soprano Saxophone Duet Soprano Saxophone - Level 3 - Digital Download

SKU: A0.1403572

By F.Chopin . By F.Chopin. Arranged by pfkaori. Classical. Score. 11 pages. Pfkaorimusic #986751. Published by pfkaorimusic (A0.1403572).

Composer: Chopin 
Song:Valse op.64-1 
Key: Desdur (sax in B♭) 
Orchestration: Piano trio/ soprano sax duo 
Level: Intermediate 
(There are individual differences in level) 
*Part score included 
*This is an arrangement of the 2nd edition.

In this second version, the melody is passed to the piano midway through. In the final 24-tuplet, the piano becomes the main melody, and there is a part where the saxophone harmonizes. Only the last six notes of the 24th note are played by three instruments, each eighth note.

The first version is an arrangement in which the saxophone plays the melody. The end is not the end of the 24 tuplet, but the end that appears first (not a tuplet).

Please choose according to your preference.

I arranged Chopin's famous piece into a piano trio. Please take this opportunity to try it.

[Sales of other tones] 
Cdur→.

"Valse op.64-1" (Desdur) Piano trio/ soprano sax duo (2ver.)
2 Saxophones (duo)
F Chopin 
$8.00 7.17 € 2 Saxophones (duo) PDF SheetMusicPlus

Piano,Viola - Level 3 - Digital Download

SKU: A0.1404513

By F.Chopin. By F.Chopin. Arranged by pfakori. Classical. Score and part. 7 pages. Pfkaorimusic #987584. Published by pfkaorimusic (A0.1404513).

Composer: F.Chopin 
Song: Valse (Waltz)/op.64-1 
Key: Desdur 
Orchestration: viola & piano 
Level: Intermediate 
(There are individual differences in level) 
*with part score 
*This is an arrangement of the 2nd edition..

In this arrangement, the melody is passed to the piano in the middle. In the final 24-tuplet, the piano becomes the main melody, and there is a part where the soloist harmonizes. Only the last six notes of the 24-note tuplet are played by the soloist and the piano, each eighth note. 
At the beginning, the melody is passed to the piano. The ending that appears first (not as a tuplet) is the ending.

In the first version, the melody is passed to the piano at the beginning. The ending that appears first (not as a tuplet) is the ending.

Please choose according to your preference.

I arranged Chopin's famous piece into a piano trio. Please take this opportunity to try it.

[Other keys].

"Valse op.64-1" (Desdur) viola & piano, 2nd edition
Alto, Piano
F Chopin
$6.50 5.83 € Alto, Piano PDF SheetMusicPlus






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