Piano Solo - Level 3 - Digital Download SKU: A0.1077431 By Jubal's Lyre Music. By Johann Sebastian Bach. Arranged by Martin Dicke. Baroque,Christmas,Holiday,Sacred,Traditional. Score. 4 pages. Jubal's Lyre Music Publishers #681619. Published by Jubal's Lyre Music Publishers (A0.1077431). Three chorale harmonizations by Bach of the Christmas hymn We Praise You, Jesus, at Your Birth (GELOBET SEIST DU) are here arranged for piano. Together they provide a joyful statement on the true meaning of Christmas. The arrangements can also be played on a harp. This publication is part of the series CAROLS FOR PIANO that contains more Bach chorales and other original and delightful settings and arrangements for your Christmas celebrations, recitals, or worship services. For more music and information, visit www.jubalslyre.com/music.

Organ - Level 1 - Digital Download SKU: A0.1298352 By Markus Dreja. By Ludwig Bohrmann. Arranged by Markus Dreja. Christian,Classical,Praise & Worship,Religious,Sacred. Score. 3 pages. Markus Dreja #887646. Published by Markus Dreja (A0.1298352). Herzlich willkommen zu einem meiner Projekte für 2023. Ich komponiere zu bekannten Chorälen und Hymnen leicht zu erlernende Orgelpräludien und -intonationen, die vor, während und nach einem Gottesdienst, aber auch als Vorspiel/Nachspiel zu einem Gemeindelied, vorgetragen werden können. Mir ist es wichtig, dass diese Kompositionen für möglichst viele Organisten spielbar sind. Die neue Reihe geht weiter mit dem Choral HERR MEIN LEBEN, ES SEI DEIN -----------------------------Welcome to one of my projects for 2023. I compose easy-to-learn preludes to well-known chorales and hymns, which can be performed before, during and after a service, but also as a prelude/postlude to a congregational song. It is important to me that these compositions can be played by many organists. The new series continues with the chorale TAKE MY LIFE AND LET IT BE..

Organ - intermediate - Digital Download SKU: S9.Q555044 On Freu dich sehr, o meine Seele. Composed by Naji Hakim. Downloadable. Duration 11 minutes. Schott Music - Digital #Q555044. Published by Schott Music - Digital (S9.Q555044). English • German.These variations are based on the choral “Freu dich sehr, o meine Seele�. Variation I, Maestoso, presents a solemn, canonic statement of the theme enveloped by dense, closely-knit harmonies. Variation II, Allegro, is clothed in polyphonic lines reminiscent of Bach’s “Orgelbüchlein� chorales. Variation III, Vivace, is a playful bicinium with the cantus firmus featured in the soprano line, as the bass bounces along in a staccato duet. Variation IV, Adagio, displays rich chromatic harmonies which form a lush backdrop for the pedal solo. Variation V, Vivace, features the chorale in detached left hand notes while the right hand and pedal provide a playful accompaniment. In Variation VI, Andante, the melody vacillates between minor and major keys as syncopated left hand chords and pizzicato bass accompany the cantilena. In the concluding Variation VII, Presto, the left hand proclaims the theme in block chords as the right hand provides an exuberant garland of sixteenth notes while the pedal provides rhythmic drive with tympanic accents.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.726082 Composed by Philipp Nicolai / J.S. Bach. Arranged by Todd Marchand. Christmas,Sacred. Score and parts. 14 pages. Con Spirito Music #3897165. Published by Con Spirito Music (A0.726082). Wie schön leuchtet der Morgenstern (How Brightly Shines the Morning Star) was written by the German Lutheran pastor, poet, and composer Philipp Nicolai (1556-1608) and published in a collection of his hymns in 1599. Based on Psalm 45, Nicolai's text identifies Jesus Christ as the celestial bridegroom of the psalm and with the bright morning star described in Revelation 22:16.Nicolai also authored and published the hymn, Wachet auf, ruft uns die Stimme (Sleepers, Wake! A Voice Astounds Us) in the same 1599 collection. Together, Wachet Auf and Wie schön leuchtet der Morgenstern have been called The King and Queen of Chorales.Johann Sebastian Bach (1685-1780) used the Morning Star chorale as the basis of his cantata, Wie schön leuchtet der Morgenstern (BWV 1) and individual verses of the text in several other cantatas. Bach also used the tune as the basis for several organ preludes. Other composers to have used the tune in their works include Johann Pachelbel, Dieterich Buxtehude, Max Reger, Hugo Distler, and Howard Hanson.In this arrangement, both Bach's harmonization and original harmonies are employed, as well as original material for the introduction, interlude/modulation, and ending.©Copyright 2018 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com

String Ensemble,String Quintet - Level 5 - Digital Download SKU: A0.775995 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 73 pages. Musik Fabrik Music Publishing #2035285. Published by Musik Fabrik Music Publishing (A0.775995). Viola Quintet (Unquiet Parables) (2009) was commissioned by the Vienna Soloists and is dedicated to Jack Melby and Jane Thompson. The work is in three movements, each sharing the same basic musical material. The starting point for the music is dissonant cadential figuration centered on Ab (taken from the voice leading of American colonial-era music). Spinning out from this idea, the material extends to incorporate a sonority formed from perfect 5ths one semitone apart. Irregular phrase lengths and cadences are used as the basis of the work’s large-scale structures. The first movement, Recitatives and Chorales, consists of free, recitative-like material for the instruments in solo. These recitatives often erupt into fast spirals. This texture is interrupted periodically by chorale-like ideas presented by the full quintet. The second movement, Serenata, is a song-like with each instrument taking the melody in turn. Some of the recitative-ideas of the first movement re-emerge, as well as a re-articulation of the cadential figuration. The third movement, Ductia, is energetic and driving. A ductia is a Medieval stamping dance resembling the estampie. The driving (yet sometimes off-kilter) character of the dance is interrupted by a recollection of the first movement’s material. The final resolution of the extended cadential figurations occurs at the end, and the work ends exuberantly with a flourish in Ab major.

Composed by Johann Sebastian Bach (1685-1750). Arranged by Craig Garner. Baroque Period, Sacred, General Worship. Score, Set of Parts. 13 pages. Published by Dorm 40 Music (S0.165355). - Score,Set of Parts - Baroque Period,Sacred,General Worship - Dorm 40 Music

Flute and orchestra - difficult - Digital Download SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano reduction with solo part. Il Flauto traverso. Downloadable, Piano reduction with solo part. Duration 22 minutes. Schott Music - Digital #Q25027. Published by Schott Music - Digital (S9.Q25027). This ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family); the string section in the Sarabande; in both chorales (extremely muted in the first and brutalist in the second), the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This permits the flute to remain the provider of all impulses; it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights – acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg WidmannThis ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Every individual movement allots the solo flute an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra; the string section in the Sarabande; in both chorales the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg Widmann3 (2. auch Altfl., 3. auch Bassfl., alle auch Picc.) · 3 (2. auch Ob. d’am., 3. auch Engl. Hr.) · 0 · 3 (3. auch Kfg.) - 4 · 4 · 3 · 1 - S. (Glsp. · Vibr. · 3 hg. Beck. [h./m./t.] · chin. Beck. · 4 Gongs · 4 Buckelgongs · 2 Tamt. [m./t.] · Wassertamt. · gr. Tr. · Metal Chimes · Peitsche) (2 Spieler) - Hfe. · Cel. (auch Cemb.) - Str. (10 · 8 · 6 · 4 · 3).

Concert Band - Level 2 - Digital Download SKU: A0.726125 Composed by Philipp Nicolai. Arranged by Todd Marchand. Christmas,Holiday,Sacred. Score and parts. 30 pages. Con Spirito Music #6473895. Published by Con Spirito Music (A0.726125). How Brightly Shines the Morning Star is one of Philipp Nicolai's (1556-1608) two most famous chorales, the other being Sleepers, Wake! Together, the two have been called The King and Queen of Chorales.Both tunes were used several times in works by J.S. Bach, and in this arrangement, both Bach’s harmonization and original harmonies are employed, as well as original material for the introduction, interlude/modulation, and ending.©Copyright 2021 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com

Choir - Level 3 - Digital Download SKU: A0.1310902 By dwsChorale. By Giovanni Pierluigi da Palestrina. Arranged by David Warin Solomons. Religious,Renaissance,Sacred. Full Performance. Duration 122. David Warin Solomons #899865. Published by David Warin Solomons (A0.1310902). Motet by Giovanni Pierluigi da Palestrina Sicut cervus desiderat ad fontes aquarum,ita desiderat anima mea ad Te, Deus.(Like as the hart desireth the waterbrookSo longeth my soul after thee o God).

Choir - Level 3 - Digital Download SKU: A0.1342162 By dwsChorale. By Traditional. Arranged by not known. Children,Christmas,Holiday,Traditional. Full Performance. Duration 112. David Warin Solomons #927684. Published by David Warin Solomons (A0.1342162). This is an a cappella arrangement of the tune Stowey, which is a traditional English folksong often paired with these words by Frances Chesterton:How far is it to Bethlehem, not very far?Shall we find the stable room lit by a star?Can we see the little child, is He within?If we lift the wooden latch, may we go in?May we stroke the creatures there, ox, ass or sheep?May we peek like them and see Jesus asleep?If we touch His tiny hand, will He awake?Will He know we've come so far just for His sake?Great Kings have precious gifts and we have noughtLittle smiles and little tears are all we have brought.For all weary children Mary must weepHere, on His bed of straw, sleep, children, sleep.God in his mother's arms, babes in the byreSleep as they sleep who find their heart's desire.

Choir,Trombone - Digital Download SKU: A0.1059495 Composed by Diego Salazar. Arranged by David Warin Solomons. Baroque,Christian,Classical. Full Performance. Duration 210. David Warin Solomons #3388131. Published by David Warin Solomons (A0.1059495). Performed by the dwsChoraleChoral song by Diego Salazar, it appears to be about a bullfight but in fact it relates to the battle of good and evil with the Virgin Mary intervening

Organ - Level 2 - Digital Download SKU: A0.1473300 By Markus Dreja. By Divers. Arranged by Markus Dreja. Christian,Classical,Praise & Worship,Religious,Sacred. Score. 44 pages. Markus Dreja #1051112. Published by Markus Dreja (A0.1473300). Die Lieder sind im Neuapostolischen Gesangbuch (NAK/NAC) zu finden und wurden neu arrangiert, bearbeitet oder intoniert.Präludien, Intonationen, Fantasien und figurierte Choräle sind in der Sammlung enthalten.Viele Choräle dieses Orgelheftes sind auch im evangelischen Gesangbuch und dem katholischen Gotteslob zu finden.Inhaltsverzeichnis:  

Choir - Digital Download SKU: A0.1059874 Composed by Traditional. Arranged by David Warin Solomons. Christian,Christmas,Sacred. Full Performance. Duration 141. David Warin Solomons #4890955. Published by David Warin Solomons (A0.1059874). Arrangement for male voice choir of an old Dutch Carol, sung by the dwsChorale

Alto Voice,Baritone Horn TC,Choir,Piano - Digital Download SKU: A0.1059486 Composed by Sir Arthur Seymour Sullivan. Arranged by David Warin Solomons. Contemporary,Romantic Period. Full Performance. Duration 132. David Warin Solomons #3387847. Published by David Warin Solomons (A0.1059486). For the score please enter the following reference in the sheetmusicplus search box:S0.19803Performed by the dwsChorale

Choir - Digital Download SKU: A0.1059469 Composed by Donato Baldassare. Arranged by David Warin Solomons. Renaissance. Full Performance. Duration 47. David Warin Solomons #3387751. Published by David Warin Solomons (A0.1059469). Sung by the dwsChoraleChi la gagliarda donna vo imparare, Venit' a nui che simo, mastri fini, Che de ser' e de matina Mai manchiamo, di sonare: Tan tan tan tarira, ra ti ru ra. Chi la gagliarda donna vo imparare, sotto lo mastro elle sotto lo mastro el bisognia stare Che de ser' e de matina Mai manchiamo di sonare: Tan tan tan tarira, ra ti ru ra. Whoever wants to learn the galliard, lady, Come to us, who are shrewd masters, We who in the evening and in the morning Never stop playing: Tan tan tan tarira, ra ti ru ra. Whoever wants to learn the galliard, lady, Must stay under the master We who in the evening and in the morning Never stop playing: Tan tan tan tarira, ra ti ru ra.