Piano - Level 3 - Digital Download SKU: A0.1296058 By Stan Getz & Astrud Gilberto. By Antonio Carlos Jobim, Norman Gimbel, and Vinicius De Moraes. Arranged by Piano. 20th Century,Jazz,Latin. Score (Chords/Lyrics). 1 pages. Sérgio Matias da Cunha #886330. Published by Sérgio Matias da Cunha (A0.1296058). Partitura clara, objetiva, concisa e acessível apresentando marcações de cifra, células rítmicas envolvendo quartos de tempo, linhas de oitava, ornamentos, quiálteras, introdução, solo e notas sincopadas, buscando a maior fidelidade com a versão original através das notas mais marcantes e características, visando o melhor resultado com harmonia e equilíbrio, oferecendo as devidas informações para uma livre interpretação através da exposição deste fio melódico, cuidadosamente diagramado e organizado para melhor visualização, entendimento e execução. Presença de sinais de repetição também contribuem para a praticidade e a concisão desta partitura, distribuindo toda a música em uma página. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques� no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.844624 Composed by Harold Arlen. Arranged by Phil Beaman. Contemporary,Jazz. Score. 8 pages. Phil Beaman #4413011. Published by Phil Beaman (A0.844624). The Man That Got Away is a repertoire standard that was written for Judy Garland and later recorded by Frank Sinatra.  I wrote this version for one of my students who was auditioning to get into an Arts School. She was not a singer and not going into a vocal programme, but was required to do a vocal piece anyway as part of the audition process. Thus I have kept the vocal range limited to a comfortable 10th, from A4 to C5; most of it between Middle C and the next C. Further, this student had severe asthma and thus poor breath control. So I wrote this arrangement with short phrases, lots of caesurae, breath marks, rests, rubato, and a piano interlude just past the middle.  The interest lies in the constantly shifting moods from swagger, to blues, to smoky jazz, to angry declarations, to wistful melancholy, to chanted recitation, to expressive rubato. This is underscored by a piano part which incorporates all of the above into a contemporary jazz style of rich extended chords.  But you won't be thinking of any of these things when you perform this stunning piece because it just all works together to create a fresh, jazzy twist to this old classic.P.S. My student won her spot in the school with this song:)8 pages, 4 minutesRecording is of the male version (The Gal That Got Away).