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Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 2 - Digital Download SKU: A0.506388 Composed by Leopold Mozart. Arranged by Ray Thompson. Classical. 10 pages. RayThompsonMusic #117905. Published by RayThompsonMusic (A0.506388). Original written for a string orchestra of 2 viola, 2 celli and bass/bassoon, I have arranged it for clarinet quintet (4 Bbs and one bass) and transposed it from G to Bb so clarinets are playing in C The “Sinfonia Burlesca†is a vehicle for the presentation of comedic characters. It demonstrates Leopold Mozart’s predilection for laconic musical genre-painting: he dedicates a minuet to “Hanswurst†(literally “John-Sausageâ€) familiar from traditional Salzburg street theatre; “Signor Pantaloneâ€, the commedia dell’arte’s wealthy, aged and vainglorious womanizer gets his own conceited Andante. Harlequin, the mercurial and mischievous trickster in the chequered costume, gets the last word, mocking and bamboozling his upper-class audience. THis is Mvt 2.
Leopold Mozart: Sinfonia Burlesca Mvt. II.Hanswurst - clarinet quintet
Quintette de Clarinettes: 5 clarinettes

$7.95 7.58 € Quintette de Clarinettes: 5 clarinettes PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Download SKU: A0.1260025 Composed by Guillame de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 86 pages. Jmsgu3 #853210. Published by jmsgu3 (A0.1260025). INSTRUMENTATION: 2 Clarinets in Bb, 1 Alto Calrinet, 1 Bass Clarinet1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
Machaut: Le Messe de Nostre Dame for Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes

$74.95 71.47 € Quatuor de Clarinettes: 4 clarinettes PDF SheetMusicPlus

Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.807707 Composed by Traditional. Arranged by Genessa West. Celtic,Folk,Irish,Traditional. Score and parts. 5 pages. Genessa West #6286225. Published by Genessa West (A0.807707). This hauntingly beautiful and much loved melody has been skillfully arranged for Flute and Clarinet Duet by Genessa West, a clarinetist and clarinet teacher. The parts are fairly equal standard wise, and the tune is shared amongst both the parts, It lasts approximately 2 minutes I owe huge thanks to Hayley Smith who's beautiful playing of my arrangement is the best advert for my arrangement of Scarborough Fair..
Scarborough Fair For Flute And Clarinet Duet
Flûte, Clarinette (duo)

$5.99 5.71 € Flûte, Clarinette (duo) PDF SheetMusicPlus

Clarinet,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.533215 Composed by Traditional Welsh Lullaby. Arranged by Jean-Thierry Boisseau. Concert,Folk,Standards,World. Score and individual part. 13 pages. Musik Fabrik Music Publishing #2059805. Published by Musik Fabrik Music Publishing (A0.533215). This is an arrangement of the famous Welsh lullaby. This work for clarinet and piano is not at all a set of variations on a theme, because the clarinet always plays, without embellishment, the same sixteen-measure sequence four times. The four first measure of the this theme are played once as an intro- duction. The piano, however, is asked to create a different atmosphere each time the theme returns, replacing the meaning of the words. It is therefore the job of the clarinetist to find a different way of presenting the same theme, sequence by sequence, which is not entirely the easiest thing to do!
Traditional Welsh Lullaby: Suo Gân,, arranged for Bb clarinet and piano by Jean-Thierry Boisseau
Clarinette et Piano

$8.95 8.53 € Clarinette et Piano PDF SheetMusicPlus

Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 5 - Digital Download SKU: A0.581878 Composed by John Gibson. Contemporary. 66 pages. JB Linear #3007591. Published by JB Linear (A0.581878). Canons Firing From an Ever Rising Staircase, Or, Heed the Effer's Frantic Calls  This is the 1st movement of a piece for clarinet choir written by John Gibson called Klarifications. The complete is also available. This movement is set for solo Eb clarinet; Bb clarinets 1,2, and 3; 2 Alto clarinets (with alternate Bb parts); 2 Bass clarinets; Bb Contrabass clarinet (with an alternate Eb Contra Alto part). To explain the title just a bit, the ever rising staircase is an aural trick that, if done precisely, sounds like the music keeps rising without really doing so.  This was derived from what is called a Shepard's Tone. The canons firing are not cannons! The bass instruments play small sections of actual canons (like fancy rounds) written by J S Bach, Mozart, and others. Each time the solo Eb clarinet (the Effer) announces the coming canon firing in a frantic sort of way.  Considering the Eb clarinet part, and the need for the Bb clarinets to carry the rising staircase, this is for an advanced group. It runs a little over 3 minutes in length. The recording is computer generated, although I plan to record a live version someday.
Canons Firing From an Ever Rising Staircase for Clarinet Choir
Ensemble de Clarinettes

$14.50 13.83 € Ensemble de Clarinettes PDF SheetMusicPlus






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